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A death-defying rescue of two drowning scientists plunges Dirk Pitt into a whirlpool of corruption and betrayal. Sinister criminals have traced a long-lost treasure -- worth almost a billion dollars -- from the Andes to a chamber on the banks of a hidden river that flows beneath a desert. Driven by burning greed, the criminals are racing to seize a golden prize...and to terminate the one man who can stop them: Dirk Pitt!
Dirk Pitt returns in an subterranean adventure that is perhaps the most inventive and most enthralling of his career--one that involves a classic treasure hunt for an ancient hoard of Incan gold off the coast of an island, the secrets of a lost civilization, and an international family syndicate that deals in stolen works of art and smuggled artifacts. Pitt engages in a battle of wits in a race against time to find the gold, immersed in a battle between art theives, the FBI and the Customs Service, and a tribe of local Indians. 537pp.
A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard. 550,000 first printing; Literary Guild super release and Doubleday Book Club super release. (June)
More Reviews and RecommendationsAuthor of the wildly popular seafaring adventure series starring man's men Dirk Pitt® and Kurt Austin®, former ace advertising exec Clive Cussler is also a sea searcher in real life and has discovered some of history's most famous shipwrecks.
More About the AuthorReader Rating:
See Detailed Ratings
April 15, 2008: I just finished my first Clive Cussler novel and loved it. It has that 'Indiana Jones' feel. He builds up the suspense for a couple of chapters, then changes course, making you look forward to read thru the next chapter. I just hope the next book that I read (Sahara)is as exciting as this one.
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January 27, 2007: This happened to be the first Cussler novel that I read and I have since read all of his books. Action packed from start to finished I couldn't put it down and neither will you. The combination of historical fiction, adventure, and ruthless organized crime makes the story irresistible, despite some hard to believe feats by a super computer. All in all, one of Clive's best and well worth the read.
Name:
Clive Cussler
Current Home:
Phoenix, Arizona
Date of Birth:
July 15, 1931
Place of Birth:
Aurora, Illinois
Education:
Pasadena City College; Ph.D., Maritime College, State University of New York, 1997
Cussler began writing novels in 1965 and published his first work featuring his continuous series hero, Dirk Pitt, in 1973. His first non-fiction, The Sea Hunters, was released in 1996. The Board of Governors of the Maritime College, State University of New York, considered The Sea Hunters in lieu of a Ph.D. thesis and awarded Cussler a Doctor of Letters degree in May, 1997. It was the first time since the College was founded in 1874 that such a degree was bestowed.
Cussler is an internationally recognized authority on shipwrecks and the founder of the National Underwater and Marine Agency, (NUMA) a 501C3 non-profit organization (named after the fictional Federal agency in his novels) that dedicates itself to preserving American maritime and naval history. He and his crew of marine experts and NUMA volunteers have discovered more than 60 historically significant underwater wreck sites including the first submarine to sink a ship in battle, the Confederacy's Hunley, and its victim, the Union's Housatonic; the U-20, the U-boat that sank the Lusitania; the Cumberland, which was sunk by the famous ironclad, Merrimack; the renowned Confederate raider Florida; the Navy airship, Akron, the Republic of Texas Navy warship, Zavala, found under a parking lot in Galveston, and the Carpathia, which sank almost six years to-the-day after plucking Titanic's survivors from the sea.
In September, 1998, NUMA - which turns over all artifacts to state and Federal authorities, or donates them to museums and universities - launched its own web site for those wishing more information about maritime history or wishing to make donations to the organization. (www.numa.net).
In addition to being the Chairman of NUMA, Cussler is also a fellow in both the Explorers Club of New York and the Royal Geographic Society in London. He has been honored with the Lowell Thomas Award for outstanding underwater exploration.
Cussler's books have been published in more than 40 languages in more than 100 countries. The author lives in Arizona.
Biography courtesy of Penguin Group (USA)
Cussler worked for many years in advertising and was responsible for coming up with Ajax's "White Knight" commercial catchphrase, "It's stronger than dirt."
The Board of Governors of the Maritime College, State University of New York, considered Cussler's 1996 nonfiction book, The Sea Hunters, equivalent to a Ph.D. thesis and awarded Cussler a Doctor of Letters degree in 1997.
Cussler is a fellow in the Explorers Club of New York and the Royal Geographic Society in London, and has been granted the Lowell Thomas Award for outstanding underwater exploration.
What was the book that most influenced your life -- and why?
None in particular; but I was an avid reader of adventure books as a kid.
What are your ten favorite books of all time?
Favorite films?
Favorite music?
Progressive jazz, Dixieland, classical, and big band.
What are your favorite books to give -- and get -- as gifts?
The only books I give as gifts are my own. The books I enjoy receiving are nonfiction.
Who are your favorite writers, and what makes their writing special?
Wilbur Smith, Nelson DeMille, Hammond Innes, and John Steinbeck. They have such a way with words.
What are you working on now?
Putting the finishing touches on my next Dirk Pitt® adventure, Trojan Odyssey, to be released in December 2003, and some last-minute editing to Golden Buddha, to be released in October. I am also working on the screenplay for the movie version of Sahara.
How did your career as a writer get started?
I started writing when my wife, Barbara, got a night job for the local police station as a clerk. At night after putting the kids to bed, I had hardly anything to do and no one to talk to. So out of solitude I decided to write a book. I thought it would be fun to produce a little paperback series. The thought of a bestseller never crossed my mind.
Thanks to my advertising and marketing experience, I began researching and analyzing all the series heroes, beginning with Edgar Allan Poe's Inspector Dumas. Next came Conan Doyle and Sherlock Holmes, and all the other fiction detectives and spies: Bulldog Drummond, Sam Spade, Phillip Marlow, Mike Hammer, Matt Helm, and James Bond. I studied them all. I didn't want to compete with already-famous authors and was determined not to write about a detective, secret agent, or undercover investigator or deal in murder mysteries.
Since I enjoyed scuba diving, I decided my hero's adventure would be based on and under water. And thus, the basic concept for Dirk Pitt -- the marine engineer with the National Underwater and Marine Agency (NUMA) -- was born. I thought it interesting that almost no authors were writing pure, old-fashioned adventure; it seemed a lost genre. The first book introduced Pitt and most all the characters who appeared in the upcoming novels to follow. The book was Pacific Vortex.
What are some of your favorite pastimes?
Dirk Pitt is back in the most inventive, exciting adventure of his career--a classic treasure hunt involving an ancient hoard of gold, the secrets of a lost civilization, and an international ring of smugglers.
When a tsunami hit a Spanish treasure galleon, all trace of a golden hoard greater than that of any pharaoh's vanished into history. Until NUMA agent DIRK PITT® dives into an ancient sacrificial pool far into the Andean jungle in order to rescue two archaeologists, and plunges into a vortex of corruption, betrayal, and death. A sinister crime syndicate has traced the long-lost treasure -- worth almost a billion dollars -- from the Andes to the banks of a hidden underground river flowing beneath a Mexican desert. Nothing will stop their ruthless and murderous drive to recover the gold. Nothing, that is, until Pitt and his team place themselves square in the path of danger....
A chance rescue of two divers trapped in a Peruvian sinkhole leads series hero Dirk Pitt ( Raise the Titanic! ; Deep Six ) into a search for lost treasure that involves grave robbers, art thieves and ancient curses. Cussler's latest adventure novel features terrorists who aren ' t really terrorists and a respected archeologist who is not what he seems; it all boils down to a race between Pitt and some unscrupulous crooks for a cache of Inca gold hidden away from the Spanish and lost since the 16th century. The villains, a society of art and antiquity smugglers called the Solpemachaco , want to get their hands on the Golden Body Suit of Tiapollo, which contains in its hieroglyphics a description of the Inca treasure's hidden burial place. Pitt ends up searching for a jade box containing a quipu , an Inca silver-and-gold metalwork map to the treasure. The box was stolen from the Indians by the Spanish, stolen from the Spanish by Francis Drake and then lost in the South American jungle, but readers who know Pitt know that that a 400-year-old missing clue is only a minor obstacle. Master storyteller Cussler keeps the action spinning as he weaves a number of incredible plotlines and coincidences into a believable and gripping story. It's pure escapist adventure, with a wry touch of humor and a certain self-referential glee (Cussler himself makes a cameo appearance), but the entertainment value meets the gold standard. 550,000 first printing; Literary Guild super release and Doubleday Book Club super release. (June)
Dirk Pitt, employed by NUMA (National Underwater and Marine Agency), finds himself and his sidekick Al Giordino embroiled yet again in a mysterious and dangerous adventure in Inca Gold. Al and Dirk are sent to find two scientists who took a dive into a sacrificial well dating from the times of the Incas, but did not return. Dirk finds the scientists in an unexpected place and on the way discovers old and new dead bodies. The rest of the story revolves around the strange nature of the underground well, the identity and cause of death of the new dead body, and the location of a long-lost treasure. Dirk and Al are in the thick of all of this, saving ladies in distress and foiling the bad guys. Take a diamond mine, a mysterious island, a beautiful woman, and legends of a sea serpent and one has the makings of another fast-paced Dirk Pitt adventure in Shock Wave. Dirk and Al are investigating a mysterious force off the coast of Australia that is killing thousands of marine creatures and nearly two hundred people aboard a cruise ship. They seek the help of a zoologist, but later learn she is the daughter of the prime suspect of all the trouble, and that this suspect has kidnapped her twin boys. Is Maeve helping, or not? Readers will hold their breath as shipwrecked Dirk, Al, and Maeve try to reach land on a raft that is splitting from stem to stem. They will follow step-by-step the investigation into the mysterious force, reaching the surprising answer with Dirk and Al. But will readers believe the legends about the sea serpent-and do the heroes? The action is fast and the reader's interest will be keen in both of these masterfully-done adaptations for young adults of previously published Dirk Pitt adventures. The writing flows well, as does the action. The removal of some long descriptive sections and the tightening of the pace matches most younger readers' desire for high-speed action. Both stories remain the same, and are not hurt by the adaptation. The vocabulary is reachable-but by no means have the vocabulary, sentence structure, or complexity of the story line been simplified. These adaptations will serve young adults well, especially those who would find the adult versions too long. Note: This review was written and published to address two titles-Inca Gold and Shock Wave. VOYA Codes: 4Q 4P M J (Better than most, marred only by occasional lapses, Broad general YA appeal, Middle School-defined as grades 6 to 8 and Junior High-defined as grades 7 to 9).
Dirk Pitt is back in fine form as he rescues two archaeologists from certain death in a Peruvian sinkhole. Before Pitt climbs out of the hole he runs afoul of the Solpemachace, a group of three brothers who steal and sell Indian artifacts. Pitt finds a rope sculpture, a quipu, that points the way to a huge Inca treasure. Meanwhile, the Solpemachace steal the Golden Body Suit of Tiapollo, which leads them to the same treasure inside a mountain in Baja, Mexico. As both sides race to the treasure, the Solpemachace capture Pitt's girlfriend, Congresswoman Loren Smith. With his lifelong, wisecracking friend, Al Giordino, Pitt braves an uncharted underground river to rescue Loren and stop the Solpemachace. Cussler weaves Inca legends and lore in a spellbinding tale featuring enduring hero Pitt, a skin-diving Indiana Jones with a James Bond attitude. Cussler fans will demand this one. For all fiction collections.-Grant A. Fredericksen, Illinois Prairie Dist. P.L., Metamora
Dick Pitt has battled a lot of mean guys over the years, but this Arthur Dorsett is some piece of work....Cussler tells one helluva story. -- New York Daily News
Loading...October 10, 1998Andes Mountains of Peru
The skeleton reclined in the sediment of the deep pool as if resting on a soft mattress, the cold unwinking eye sockets of the skull staring upward through the liquid gloom toward the surface 36 meters (120 feet) away. There was a horrible vindictive grin set in the teeth as a small water snake thrust its evil head from under the rib cage, and then slithered away, leaving a tiny cloud of silt to smudge its trail. One arm was held in an upright position by an elbow imbedded in the muck, the bony fingers of the hand as if beckoning the unwary.
From the bottom of the pool to the sun above, the water gradually lightened from a dismal gray-brown to a pea-soup green from the pond scum that flourished under the tropical heat. The circular rim stretched 30 meters (98 feet) across and the sheer walls dropped 15 meters (49 feet) to the water. Once in, there was no way a human or animal could escape without help from above.
There was an ugliness about the deep limestone sinkhole, or cenote as it was technically called, a repugnant menace that animals sensed, refusing to approach within fifty meters of its perimeter. A grim sense of death hung about the place, and rightly so. The place was more than a sacred well where men, women, and children had been thrown alive into the dark waters as sacrifices during times of drought and harsh storms. Ancient legends and myths called it a house of evil gods where strange and unspeakable events occurred. There were also tales of rare artifacts, handcrafted and sculpted, along with jade, gold, and precious gemstones, that were said to havebeen cast into the forbidding pool to appease the evil gods who were inflicting bad weather. In 1964 two divers entered the depths of the sinkhole and never returned. No attempt had been made to recover their bodies.
The sinkhole's early history began in the Cambrian era when the region was part of an ancient sea. Through the following geological eras, thousands of generations of shellfish and coral lived and died, their skeletal carcasses forming an enormous mass of lime and sand that compressed into a limestone and dolomite layer two kilometers thick. Then, beginning sixty-five million years ago, an intense earth uplifting occurred that raised the Andes Mountains to their present height. As the rain ran down from the mountains it formed a great underground water table that slowly began dissolving the limestone. Where it collected and pooled, the water ate upward until the land surface collapsed and created the sinkhole.
In the damp air above the jungle surrounding the cavity, an Andean condor banked in great lazy circles, one emotionless eye fastened on a group of people working around the edge of the cenote. Its long, broad wings, measuring 3 meters (10 feet), arched stiff to catch the air currents. The huge black bird, with its white ruff and bald pinkish head, soared effortlessly as it studied the movement below. Finally, satisfied that no meal was in the offing, the vulture ascended to a greater height for distant observation and drifted eastward in search of carrion.
A great deal of unresolved controversy had surrounded the sacred pool, and now archaeologists had finally gathered to dive and retrieve artifacts from its enigmatic depths. The ancient site was located on a western slope beneath a high ridge of the Peruvian Andes near a great ruined city. The nearby stone structures had been part of a vast confederation of city-states, known as the Chachapoyas, that was conquered by the renowned Inca empire around a.d. 1480.
The Chachapoyan confederation encompassed almost 400 square kilometers (155 square miles). Its metropolitan spread of farms, temples, and fortresses now lay in mostly unexplored heavily forested mountains. The ruins of this great civilization indicated an incredibly mysterious blend of cultures and origins that were mostly unknown. The Chachapoyan rulers or council of elders, their architects, priests, soldiers, and ordinary working people in the cities and on the farms left virtually no record of their lives. And archaeologists had yet to fathom their government bureaucracy, justice system, and religious practices.
As she stared down at the stagnant water through big, wide, hazel eyes under raised dark brows, Dr. Shannon Kelsey was too excited to feel the cold touch of fear. A very attractive woman when dressed and made up, she possessed a rather cool and aloof self-sufficiency that most men found irritating, particularly so since she could gaze into their eyes with a teasing boldness. Her hair was straight and soft blond and tied in a ponytail by a red bandanna, and the abundance of skin that showed on her face, arms, and legs was richly tanned. The inside of her one-piece black Lycra swim suit was nicely filled by an hourglass figure with an extra twenty minutes thrown in for good measure, and when she moved it was with the fluid grace of a Balinese dancer.
In her late thirties, Dr. Kelsey had enjoyed a ten-year fascination with the Chachapoyan cultures. She had explored and surveyed important archaeological sites on five previous expeditions, clearing the invading plant growth from a number of the major buildings and temples of the region's ancient cities. As a respected archaeologist of Andes culture, following in the footsteps of a glorious past was her great passion. To work where an enigmatic and obscure people had flourished and died was a dream made possible by a grant from the Archaeology Department of Arizona State University.
"Useless to carry a video camera unless the visibility opens up below the first two meters," said Miles Rodgers, the photographer who was filming the project.
"Then shoot stills," Shannon said firmly. "I want every dive recorded whether we can see past our noses or not."
A year shy of forty and sporting luxuriant black hair and a beard, Rodgers was an old pro at underwater photography. He was in demand by all the major science and travel publications to shoot below-the-sea photos of fish and coral reefs. His extraordinary pictures of World War II shipwrecks in the South Pacific and ancient submerged seaports throughout the Mediterranean had won him numerous awards and the respect of his peers.
A tall, slender man in his sixties, with a silver gray beard that covered half his face, held up Shannon's air tank so she could slip her arms through the straps of the backpack. "I wish you'd put a hold on this until we've finished constructing the dive raft."
"That's two days away. By doing a preliminary survey now we can get a head start."
"Then at least wait for the rest of the dive team to arrive from the university. If you and Miles get into trouble, we have no backup."
"Not to worry," Shannon said gamely. "Miles and I will only do a bounce dive to test depth and water conditions. We won't run our dive time past thirty minutes."
"And no deeper than fifteen meters," the older man cautioned her.
Shannon smiled at her colleague, Dr. Steve Miller from the University of Pennsylvania. "And if we haven't touched bottom at fifteen meters?"
"We've got five weeks. No need to get antsy and risk an accident." Miller's voice was quiet and deep, but there was a noticeable trace of concern in it. One of the leading anthropologists of his time, he had devoted the last thirty years to unraveling the mysteries of the cultures that had evolved in the upper regions of the Andes and spilled down to the jungles of the Amazon. "Play it safe, make a study of water conditions and the geology of the pool walls, then get back to the surface."
Shannon nodded and spit into her face mask, smearing the saliva around the inside of the lens to keep it from misting. Next she rinsed the mask from a canteen of water. After adjusting her buoyancy compensator and cinching her weight belt, she and Rodgers made a final check of each other's equipment. Satisfied everything was in place and their digital dive computers properly programmed, Shannon smiled at Miller.
"See you soon, Doc. Keep a martini on ice."
The anthropologist looped under their arms a wide strap that was attached to long nylon lines, gripped tightly by a team of ten Peruvian graduate students of the university's archaeology program, who had volunteered to join the project. "Lower away, kids," Miller ordered the six boys and four girls.
Hand over hand the lines were paid out as the divers began their descent into the ominous pool below. Shannon and Rodgers extended their legs and used the tips of their dive fins as bumpers to keep from scraping against the rough limestone walls. They could clearly see the coating of slime covering the surface of the water. It looked as viscous and about as inviting as a tub of green mucus. The aroma of decay and stagnation was overwhelming. To Shannon the thrill of the unknown abruptly changed to a feeling of deep apprehension.
When they were within 1 meter (about 3 feet) of the surface, they both inserted their air regulator mouthpieces between their teeth and signaled to the anxious faces staring from above. Then Shannon and Miles slipped out of their harnesses and dropped out of sight into the odious slime.
Miller nervously paced the rim of the sinkhole, glancing at his watch every other minute while the students peered in fascination at the green slime below. Fifteen minutes passed with no sign of the divers. Suddenly, the exhaust bubbles from their air regulators disappeared. Frantically Miller ran along the edge of the well. Had they found a cave and entered it? He waited ten minutes, then ran over to a nearby tent and rushed inside. Almost feverishly he picked up a portable radio and began hailing the project's headquarters and supply unit in the small town of Chachapoyas, 90 kilometers (56 miles) to the south. The voice of Juan Chaco, inspector general of Peruvian archaeology and director of the Museo de la Nación in Lima, answered almost immediately.
"Juan here. That you, Doc? What can I do for you?"
"Dr. Kelsey and Miles Rodgers insisted on making a preliminary dive into the sacrificial well," replied Miller. "I think we may have an emergency."
"They went into that cesspool without waiting for the dive team from the university?" Chaco asked in a strangely indifferent tone.
"I tried to talk them out of it."
"When did they enter the water?"
Miller checked his watch again. "Twenty-seven minutes ago."
"How long did they plan to stay down?"
"They planned to resurface after thirty minutes."
"It's still early." Chaco sighed. "So what's the problem?"
"We've seen no sign of their air bubbles for the last ten minutes."
Chaco caught his breath, closed his eyes for a second. "Doesn't sound good, my friend. This is not what we planned."
"Can you send the dive team ahead by helicopter?" asked Miller.
"Not possible," Chaco replied helplessly. "They're still in transit from Miami. Their plane isn't scheduled to land in Lima for another four hours."
"We can't afford government meddling. Certainly not now. Can you arrange to have a dive rescue team rushed to the sinkhole?"
"The nearest naval facility is at Trujillo. I'll alert the base commander and go from there."
"Good luck to you, Juan. I'll stand by the radio at this end."
"Keep me informed of any new developments."
"I will, I promise you," Miller said grimly.
"My friend?"
"Yes?"
"They'll come through," offered Chaco in a hollow tone. "Rodgers is a master diver. He doesn't make mistakes."
Miller said nothing. There was nothing more to say. He broke contact with Chaco and hurried back to the silent group of students, who were staring down into the sinkhole with dread.
In Chachapoyas, Chaco pulled out a handkerchief and mopped his face. He was a man of order. Unforeseen obstacles or problems irritated him. If the two stupid Americans drowned themselves, there would be a government inquiry. Despite Chaco's influence, the Peruvian news media were bound to make an overblown incident out of it. The consequences might very well prove to be nothing less than disastrous.
"All we need now," he muttered to himself, "are two dead archaeologists in the pool."
Then with shaking hands he gripped the radio transmitter and began sending out an urgent call for help.
Copyright © 1994 by Clive Cussler
October 10, 2005
Andes Mountains of Peru
The skeleton reclined in the sediment of the deep pool as if resting on a soft mattress, the cold unwinking eye sockets of the skull staring upward through the liquid gloom toward the surface 36 meters (120 feet) away. One arm was held in an upright position, the bony fingers of the hand as if beckoning the unwary.
From the bottom of the pool to the sun above, the water gradually lightened from a dismal gray-brown to a pea-soup green from the pond scum that flourished under the tropical heat. The circular rim stretched 30 meters (98 feet) across and the sheer walls dropped 15 meters (49 feet) to the water. Once in, there was no way a human or animal could escape without help from above.
The place was more than a sacred well where men, women, and children had been thrown alive into the dark waters as sacrifices during times of drought and harsh storms. Ancient legends and myths called it a house of evil gods where strange and unspeakable events occurred. There were also tales of rare artifacts, handcrafted and sculpted, along with jade, gold, and precious that were said to have been cast into the pool to appease the evil gods who were ad weather. In 1964 two divers entered the depths of the sinkhole and never returned. No attempt had been made to recover their bodies.
A great deal of unresolved controversy had surrounded the sacred pool since then, and now archaeologists had finally gathered to dive and retrieve artifacts from its enigmatic depths. The ancient site was located on a western slope beneath a high ridge of the Peruvian Andes near a great ruined city. The nearby stone structures had been part of a vast confederation of city-states, known as the Chachapoyas, that was conquered by the renowned Inca empire around A.D. 1480.
As she stared down at the stagnant water through big, wide, hazel eyes under raised dark brows, Dr. Shannon Kelsey was too excited to feel the cold touch of fear. Her hair was straight and soft blond and tied in a ponytail by a red bandanna, and the skin that showed on her face, arms, and legs was richly tanned.
Dr. Kelsey had enjoyed a ten-year fascination with the Chachapoyan cultures. To work where an enigmatic and obscure people had flourished and died was a dream made possible by a grant from the Archaeology Department of Arizona State University.
"Useless to carry a video camera unless the visibility opens up below the first two meters," said Miles Rodgers, the photographer who was filming the project.
"Then shoot stills," Shannon said firmly. "I want every dive recorded whether we can see past our noses or not."
Rodgers was an old pro at underwater photography. He was in demand by all the major science and travel publications to shoot below-the-sea photos of fish and coral reefs. His extraordinary pictures of World War II shipwrecks in the South Pacific and ancient submerged seaports throughout the Mediterranean had won him numerous awards and the respect of his peers.
A tall, slender man in his sixties, with a silver gray beard that covered half his face, held up Shannon's air tank so she could slip her arms through the straps of the backpack. "I wish you'd put a hold on this until we've finished constructing the dive raft."...Shannon smiled at her colleague, Dr. Steve Miller from the University of Pennsylvania. "That's two days away. By doing a preliminary survey now we can get a head start."
"Then at least wait for the rest of the dive team to arrive from the university. If you and Miles get into trouble, we have no backup."
"Not to worry," Shannon said. "Miles and I will only do a bounce dive to test depth and water conditions. We won't run our dive time past thirty minutes."
Shannon spit into her face mask, smearing the saliva around the inside of the lens to keep it from misting. Next she rinsed the mask from a canteen of water. After adjusting her buoyancy compensator and cinching her weight belt, she and Rodgers made a final check of each other's equipment. Satisfied everything was in place and their digital dive computers properly programmed, Shannon smiled at Miller.
"See you soon, Doc!"
The anthropologist looped under their arms a wide strap that was attached to long nylon lines, gripped tightly by a team of ten Peruvian graduate students of the university's archaeology program, who had volunteered to join the project. "Lower away, kids," Miller ordered.
Hand over hand the lines were paid out as the divers began their descent into the ominous pool below. Shannon and Rodgers extended their legs and used the tips of their dive fins as bumpers to keep from scraping against the rough limestone walls. They could clearly see the coating of slime covering the surface of the water. The aroma of decay and stagnation was overwhelming. To Shannon the thrill of the unknown abruptly changed to a feeling of deep apprehension.
When they were within 1 meter (about 3 feet) of the surface, they both inserted their air regulator mouthpieces between their teeth and signaled to the anxious faces staring from above. Then Shannon and Miles slipped out of their harnesses and dropped out of sight into the odious slime.
Miller nervously paced the rim of the sinkhole, glancing at his watch every other minute while the students peered in fascination at the green slime below. Fifteen minutes passed with no sign of the divers. Suddenly, the exhaust bubbles from their air regulators disappeared.
Frantically Miller ran along the edge of the well. Had they found a cave and entered it? He waited ten minutes, then ran over to a nearby tent and rushed inside. Almost feverishly he picked up a portable radio and began hailing the project's headquarters and supply unit in the small town of Chachapoyas, 90 kilometers (56 miles) to the south. The voice of Juan Chaco, inspector general of Peruvian archaeology and director of the Museo de la Nación in Lima, answered almost immediately.
"Juan here. That you, Doc? What can I do for you?"
"Dr. Kelsey and Miles Rodgers insisted on making a preliminary dive into the sacrificial well," replied Miller. "I think we may have an emergency."
"They went into that cesspool without waiting for the dive team from the university?" Chaco asked in a strangely indifferent tone.
"I tried to talk them out of it."
"When did they enter the water?"
Miller checked his watch again. "Twenty-seven minutes ago."
"How long did they plan to stay down?"
"They planned to resurface after thirty minutes."
"It's still early." Chaco sighed. "So what"s the problem?"
"We've seen no sign of their air bubbles for the last ten minutes."
Chaco caught his breath, closed his eyes for a second. "Doesn't sound good, my friend. This is not what we planned."
"Can you send the dive team ahead by helicopter?" asked Miller.
"Not possible," Chaco replied helplessly. "They're still in transit from Miami. Their plane isn't scheduled to land in Lima for another four hours."
"We can't afford government meddling. Certainly not now. Can you arrange to have a dive rescue team rushed to the sinkhole?"
"The nearest naval facility is at Trujillo. I'll alert the base commander and go from there."
"Good luck to you, Juan. I'll stand by the radio at this end."
"Keep me informed of any new developments."
"I will, I promise you," Miller said grimly.
In Chachapoyas, Chaco pulled out a handkerchief and mopped his face. He was a man of order. Unforeseen obstacles or problems irritated him. If the two stupid Americans drowned themselves, there would be a govemment inquiry. Despite Chaco's influence, the Peruvian news media were bound to make an overblown incident out of it. The consequences might very well prove to be nothing less than disastrous.
"All we need now," he muttered to himself, "are two dead archaeologists in the pool."
Then with shaking hands he gripped the radio transmitter and began sending out an urgent call for help.
Copyright © 1998 by Clive Cussler
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