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Calder Moor is a wild and deadly place: many have been trapped in the myriad limestone caves, lost in collapsed copper mines, injured on perilous gritstone ridges. But this time, when two bodies are discovered in the shadow of the ancient circle of stones known as Nine Sisters Henge, it is clearly not a case for Mountain Rescue. The corpses are those of a young man and woman. Each met death in a different fashion. Each died violently. To Detective Inspector Thomas Lynley, brought in to investigate by special request, this grisly crime promises to be one of the toughest assignments of his career. For the unfortunate Nicola Maiden was the daughter of a former officer in an elite undercover unit, a man Lynley once regarded as a mentor. Now, as Lynley struggles to find out if Nicola's killer was an enemy of her father's or one she earned herself, a disgraced Barbara Havers, determined to redeem herself in the eyes of her longtime partner, crisscrosses London seeking information on the second murder victim. Yet the more dark secrets Lynley and Havers uncover, the more they learn that neither the victims nor the suspects are who they appear to be. And once again they come up against the icy realization that human relationships are often murderous...and that the blood that binds can also kill.
"Dazzlingly brilliant...George's work continues to amaze."
More Reviews and RecommendationsThe reigning queen of the British mystery, it turns out, is an Ohio native living in Washington State. Best known for her Inspector Lynley series, Elizabeth George says that what drives her books is the psychological goings-on of her characters. She doesn't even mind, she says, if readers figure out the killer before the end -- the motive will always be a surprise.
More About the AuthorReader Rating:
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September 25, 2002: THIS HAS GOT TO BE MY FAVORITE ELIZABETH GEORGE BOOK YET. THE PLOT WAS INCREDIBLE! IT KEPT ME THINKING FROM PAGE ONE. ALSO, YOU CAN'T HELP BUT BE IN LOVE WITH TOMMY. BARBARA HAVERS IS TERRIFIC IN THIS ONE. THE INTER-PLAY BETWEEN THESE TWO CHARACTERS IS FABULOUS.
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December 28, 2000: One of George's best! Kept one guessing until the end. Especially enjoyed the friction and ultimate resolution between Lynley and Havers. At times just wanted to knock their heads together! The characters are very well developed--the additional insight into each helps the reader understand why the character responds/reacts as s/he does. Looking forward to the next in the series.
Name:
Elizabeth George
Current Home:
Seattle, Washington
Date of Birth:
February 26, 1949
Place of Birth:
Warren, Ohio
Education:
A.A. Foothill Community College, 1969; B.A. University of California, Riverside, 1970; M.S. California State University
Awards:
Anthony and Agatha Awards for Best First Novel for A Great Deliverance, 1989
Elizabeth George was happy that her first novel was rejected.
Scratch that. She's happy now. At the time, it wasn't her best day. But the notes from her editor helped her realize that she had written the wrong book and chosen the wrong leading man. She threw out her Agatha-Christie/drawing-room-whodunit model in favor of a more modern police procedural set in the world of Scotland Yard. She promoted a minor character to her leading man, the handsome, aristocratic, Bentley-driving Thomas Lynley. And she invented a partner for him, the blue-collar, foul-mouthed, messy Barbara Havers.
"I was very lucky when the first one was rejected, because the editor explained to me why," George told the Los Angeles Times in 1999. "I had written a very Agatha Christie-esque book and she said that wasn't the way it was done. The modern crime novel doesn't have the detective call everyone into the library. It must deal with more topical crimes and the motives must be more psychological because the things you kill for are different now. Things like getting rid of a spouse who won't divorce you, or hiding an illegitimate child, or blackmail over a family scandal -- those are no longer realistic motivations."
And so, in A Great Deliverance, her first published novel, she opens with the decapitated body of a farmer, his blood-splattered daughter holding an ax, the horrified clergyman who happens on to the crime scene, and a rat feasting on the remains. Nope, not in Agatha Christie territory anymore.
George began writing as child when her mother gave her an old 1939 typewriter. When she graduated from high school, she graduated to an electric typewriter. But not until she graduated to a home computer (purchased by her husband in the 1983), did she actually try her hand at a novel. At the time, she was a schoolteacher and had been since 1974. But with the computer in front of her, she has said, it was put-up-or-shut-up time. She finished her first manuscript in 1983. But her first book wasn't published for five more years.
Though the Lynley/Havers novels are set in England -- as are the tales in her first book of short stories, 2002's I, Richard -- George is a Yank, born in Ohio and raised in Southern California. Maintaining a flat in London's South Kensington as a home base for research, George has been an Anglophile since a trip as a teenager to the United Kingdom, where she ultimately found that a British setting better served the fiction that she wanted to write. "The English tradition offers the great tapestry novel," she told Publishers Weekly in 1996, "where you have the emotional aspect of a detective's personal life, the circumstances of the crime and, most important, the atmosphere of the English countryside that functions as another character."
Readers have made her books standard features on the bestseller lists, and critics have noted the psychologically deft motives of her characters and her detailed, well-researched plotting. "A behemoth, staggering in depth and breadth, A Traitor to Memory leaves you simultaneously satisfied and longing for more. It's simply a supreme pleasure to spend time engrossed in this intense, well-written novel," the Miami Herald said in 2001. The Washington Post called 1990's Well-Schooled in Murder " a bewitching book, exasperatingly clever, and with a complex plot that must be peeled layer by layer like an onion." The Los Angeles Times once called her "the California author who does Britain as well as P.D. James." And in 1996, Entertainment Weekly placed George's eighth novel, In the Presence of the Enemy in their fiction top ten list of the year, where she kept company with John Updike, Frank McCourt, Stephen King, and Jon Krakauer.
In her mind, each book begins with the killer, the victim and the motive. She travels to London and stays at her flat there to research locales. And she writes long profiles about what drives her characters psychologically. The kick for the reader isn't necessarily whodunit but why they dun it.
"I don't mind if they know who the killer is," she has said. "I'm happy to surprise them with the psychology behind the crime. I'm interested in the dark side of man. I'm interested in taboos, and murder is the greatest taboo. Characters are fascinating in their extremity not in their happiness."
The original model for Lynley was Nigel Havers, the nobleman and hurdle-jumper in the film Chariots of Fire whose butler placed champagne flutes on the hurdles to keep him from knocking them over. She named Barbara Havers as an homage to the actor.
On page 900 of the rough draft for Deception on His Mind, George changed her mind about the identity of the killer.
George's ex-husband is her business manager.
The Barnes & Noble Review
In Deadly Pursuit You don't think of the Agatha Christie style of novel as being overhauled, but in fact, a number of very good writers have been pushing the cozy into some brave new areas. Nancy Pickard, Joan Hess, and Carolyn Hart, to name just a few, have demonstrated that the cozy can be serious as well as seriously (or pointedly, if you prefer) funny.
Over the past decade, Elizabeth George has also been pushing the Christie-style mystery into richer and more rewarding areas. Her new novel, In Pursuit of the Proper Sinner, is so rich in character, incident, and theme that one finally has to take it seriously, not just as a mystery but as a novel as well. I'm not going to say that it "transcends the mystery genre," because that's offensive to mystery writers. And rightly so. But I will say that, in much the same way that Sharyn McCrumb has expanded the range of the serious crime novel, George has also pushed her particular form to the limits.
The central plot deals with two bodies found in a circle of prehistoric stones. Who were they? How did they get there? Did the victims even know each other? Detectives Thomas Lynley and Barbara Havers find themselves caught up in a mystery that grows more perplexing the longer they contemplate it. As usual with George, the mystery itself is well devised and a lot of fun to speculate on as you read.
George is now a far better stylist than she was in her first few books, and she has also backed off some of her more labored descriptions of place.Hercharacters have deepened, too; they're more morally ambiguous than they once were the good not quite so good, the bad not quite so nasty. She seems more comfortable with police routine, too. Those sections are more animated now, less like riffs on textbook pages and background notes.
There's a lot of tricky stage management here, and George pulls it off with great stylish ease. She lingers when it's appropriate to linger and speeds up when the story starts to lag. There are a lot of people and a lot of subplots, and pacing is critical to a novel of this size and scope. Elizabeth George has written a fine, intense, thoughtful, and sometimes stunning novel of passion and betrayal. I haven't read all her novels, but I can't imagine that she's written a better one than this.
Ed Gorman
Ed Gorman's latest novels include Daughter of Darkness, Harlot's Moon, and Black River Falls, the latter of which "proves Gorman's mastery of the pure suspense novel," says Ellery Queen Mystery Magazine. ABC-TV has optioned the novel as a movie. Gorman is also the editor of Mystery Scene magazine, which Stephen King calls "indispensable" for mystery readers.
Calder Moor is a wild and deadly place: many have been trapped in the myriad limestone caves, lost in collapsed copper mines, injured on perilous gritstone ridges. But this time, when two bodies are discovered in the shadow of the ancient circle of stones known as Nine Sisters Henge, it is clearly not a case for Mountain Rescue. The corpses are those of a young man and woman. Each met death in a different fashion. Each died violently. To Detective Inspector Thomas Lynley, brought in to investigate by special request, this grisly crime promises to be one of the toughest assignments of his career. For the unfortunate Nicola Maiden was the daughter of a former officer in an elite undercover unit, a man Lynley once regarded as a mentor. Now, as Lynley struggles to find out if Nicola's killer was an enemy of her father's or one she earned herself, a disgraced Barbara Havers, determined to redeem herself in the eyes of her longtime partner, crisscrosses London seeking information on the second murder victim. Yet the more dark secrets Lynley and Havers uncover, the more they learn that neither the victims nor the suspects are who they appear to be. And once again they come up against the icy realization that human relationships are often murderous...and that the blood that binds can also kill.
"Dazzlingly brilliant...George's work continues to amaze."
Selfish children grow up to betray their parents in bestselling author George's (Deception on His Mind) latest suspense novel, which opens with David King-Ryder, a renowned Andrew Lloyd Webber-like British musical writer/producer, committing suicide on the eve of his successful comeback. How his untimely death ties in with a double homicide in the Derbyshire countryside showcases George's brilliance in concocting an intricate, swiftly paced tale that brings back the popular New Scotland Yard team of detectives Thomas Lynley and Barbara Havers. Newly married Detective Inspector Lynley takes the case at the request of Andy Maiden, a former colleague who made his name as a notable undercover agent. Maiden's headstrong daughter Nicola is one of the murder victims, and when her choice to forgo a law career to become a professional dominatrix is painstakingly unearthed by the estimable detectives, Maiden, among others, becomes a prime suspect, as do Nicola's blue-blooded boyfriend, Julian Britton, and his jealous cousin, Samantha McCallin. George spices up the investigation with a side plot about Lynley and Havers's relationship, now complicated since Havers is facing demotion and disciplinary suspension for her insubordination during a previous assignment. When the redoubtable Havers links the second murder victim, Terry Cole--a struggling artist who turns out to be a get-rich-quick schemer--to the dead composer King-Ryder, Lynley dismisses his former partner's intuitive leaps and the two sleuths lock horns. George builds plausible motives for all of the suspects while simultaneously revealing the private lives of her admirable detectives with an engaging mix of subtlety and bravado. The multifaceted surprise ending to the taut, suspenseful plot is the juiciest plum in this can't-put-down novel. Agents, Robert Gottlieb, Marcy Posner, Stephanie Cabot of William Morris agency. Major ad/promo; author tour; BDD audio. (Sept.) Copyright 1999 Cahners Business Information.
Moral ambiguities and red herrings abound in George's tenth novel, as Detective Inspector Thomas Lynley investigates the murder of two seemingly unconnected victims found together on a lonely British moor: a young man and the daughter of a former colleague. George may have gone overboard here with her penchant for complex plotting, as Lynley, the local police, and Barbara Havers (on Lynley's team) pursue different suspects, among them the slain woman's many lovers, clients (she's just taken up S&M as her sex-for-hire specialty), and father. Ultimately, it is Havers, on the outs with Lynley for failing to follow orders in Deception on His Mind, who breaks the case. Throughout, Lynley grapples with moral dilemmas: How far will he go to help his former boss, the murdered woman's father? Can he ever trust Havers again? And, finally, can he accept his own fallibility and forgive himself for his role in his colleague's death? But Lynley's moral agonies are becoming tedious, and even George's many fans may find themselves tiring of her particular brand of psychological mystery/morality tale. Buy for demand. [Previewed in Prepub Alert, LJ 6/1/99.]--Francine Fialkoff, "Library Journal" Copyright 1999 Cahners Business Information.
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