(Audio - Unabridged)
A harrowing, adrenaline-charged account of America's worst naval disaster at sea -- and of the heroism of the men who, against all odds, survived.
On July 30, 1945, after completing a top secret mission to deliver parts of the atom bomb "Little Boy," whichwould be dropped on Hiroshima, the battle cruiser USS Indianapolis was torpedoed in the South Pacific by a Japanese submarine. An estimated 300 men were killed upon impact; close to 900 sailors were cast into the Pacific Ocean, where they remained, undetected by the navy, for nearly five days. Battered by a savage sea, they struggled to survive, fighting off hypothermia, sharks, physical and mental exhaustion, and, finally, hallucinatory dementia. By the time rescue -- which was purely accidental -- arrived, all but 321 men had lost their lives; 4 more would die in military hospitals shortly thereafter.
The captain's subsequent and highly unusual court-martial left many questions unanswered: How did the navy fail to realize the Indianapolis was missing? Why was the cruiser traveling unescorted in enemy waters? And perhaps most amazing of all, how did these 317 men manage to survive?
Drawing on new material and extensive interviews with survivors, In Harm's Way relates the tragedy of the USS Indianapolis not as a history of war, but as a portrait of men battling the sea. Interweaving the stories of three survivors -- Charles Butler McVay, the captain; Lewis Haynes, the ship's doctor; and PrivateGiles McCoy, a young marine -- journalist Doug Stanton has brought this astonishing human drama to life in a narrative that is at once immediate and timeless. The definitive account of a little-known chapter in World War II history, In Harm's Way is destined to become a classic tale of war, survival, and extraordinary courage.
Drawing on new material and extensive interviews with survivors, In Harm's Way relates the tragedy of the USS Indianapolis not as a history of war, but as a portrait of men battling the sea. Interweaving the stories of three survivors - Charles Butler McVay, the captain; Lewis Haynes, the ship's doctor; and Private Giles McCoy, a young marine - journalist Doug Stanton has brought this astonishing human drama to life in a narrative that is at once immediate and timeless.
. . . powerfully-written account of a nightmare at sea, one of the most poignant tragedies and injustices of World War II . . .
More Reviews and RecommendationsA former contributing editor at Esquire and Outside, Doug Stanton is now a contributing editor at Men's Journal. He received an MFA from the Writers' Workshop at the University of Iowa. He lives in northern Michigan.
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September 29, 2007: i liked this book because i was part of the ships crew and i gave mr stanton an interview for his book and i told him what i rememberd about the time it happened. i hope all of you like the book
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April 18, 2001: This is the best book that I have ever read. I read it in 3 days and I never could put it down. It's the only time that's ever happened to me. It is written in great detail about the true story of the US NAVY cover-up and the imoral court-martial on the ships captain that lead him to suicide in 1968 after being stripped of his dignity and honor. I encourage anyone that likes history, books, excitement, or just anything to buy it and read it. You won't regret it. I promise!!!!!!!!!!!!!!!!!!!!!
The Barnes & Noble Review
How does a U.S. battle cruiser, torpedoed by a Japanese sub in the Pacific, go completely undetected by the Navy for five days? How did the 900 survivors of the blast -- thrown into the water and left to fight off hypothermia, sharks, and mounting despair -- get through the ordeal? In the compelling pages of In Harm's Way, Doug Stanton draws on previously unknown information and has conducted extensive interviews with the survivors of the USS Indianapolis in order to bring this amazing WWII tale of courage and sacrifice to the reader.
Stanton begins by presenting a look at Indianapolis captain Charles McVay, the only captain of a sunken ship to be court-martialed for "negligence." Stanton presents McVay as a precise and thoughtful commander who cared deeply for his crew -- and who wound up emotionally devastated by the sinking and its aftermath.
Ship's doctor Lewis Haynes is also profiled. When the ship is hit, Haynes's life is saved by an officer who warns him of imminent danger -- before being incinerated before Haynes's eyes by the force of an explosive flash fire. When the crew then abandons ship and winds up in the Pacific, Haynes does all he can to attend to the wounded while (literally) trying to talk them out of suicide.
Meanwhile Giles McCoy, a young marine private eager for some military action, finds his military toughness tested when he finds himself trying to herd the crewmembers -- scattered and drifting randomly through the oil-slicked waters -- together into a cohesive group.
Stanton alternates between relating the experiences of these three key men and detailing the frustratingly complex behind-the-scenes bureaucracy of the Navy. The Navy, amazingly, allowed the cruiser, which had just delivered the integral components of the "Little Boy" atomic bomb to Tinian Island in the South Pacific, to cross the Pacific unescorted -- a decision practically unheard of in wartime. The position of the Indianapolis was unknown to the Navy because of a series of snafus that defy belief -- each naval division, basically, thought another knew where the ship was!
The centerpiece of the book -- one that will chill every reader to the bone -- is the nearly five-day ordeal experienced by the 300 men adrift in the ocean: no food, no water, some burned so badly that their flesh hung off their bodies, some blinded, all at the mercy of hundreds of hungry sharks! It's an ordeal that is simply unthinkable and unbelievable -- but it happened.
After the rescue of the survivors -- only 317 out of the original crew complement of 1,196 survived -- came the court-martial of McVay, a man already consumed with grief and loss. What was the primary charge? "Failure to abandon ship in a timely manner." Since the ship had been torpedoed and sunk in a matter of moments, this was a bitter pill indeed. But McVay -- who would eventually take his own life -- felt responsible for the ship and his men, so he didn't contest his punishment. Based on Stanton's spellbinding account, however, it seems that it was the Navy itself which should have been on trial. (Nicholas Sinisi)
Nicholas Sinisi is the Barnes & Noble.com History Editor.
"The worst part...wasn't the sharks, and it wasn't seeing your buddies die...It was when you realize...they've forgotten us. We can't last out here forever-- we're gonna die..."--Giles McCoy, private first-class, USMC, USS Indianapolis
On the night of July 30, 1945, the Navy cruiser USS Indianapolis was torpedoed by a Japanese sub, sending 900 men into the black, churning waters of the Pacific. What happened next was a nightmarish battle for survival. Injured, adrift, clinging to each other and their waterlogged life rafts, the men watched in horror as their crewmates fell victim to catastrophic injuries, exposure, hallucinations, and relentless shark attacks. Worst of all, their last radio S.O.S. had been disregarded by the Navy as a possible prank. When help finally arrived an astonishing five days later, only 317 of the ship's crew were still alive. Meticulously researched, including eyewitness reports from USS Indianapolis survivors, In Harm's Way recounts with frightening accuracy those five harrowing days at sea, and gives readers a moving, unforgettable account of the worst naval disaster at sea in U.S. history.
. . . powerfully-written account of a nightmare at sea, one of the most poignant tragedies and injustices of World War II . . .
. . . has done . . . a service by bringing the incredible yet almost-forgotten story of the USS Indianapolis to heart-pounding life . . .
A haunting story of valor, iniquity, and young men in peril on the sea . . . infuriating, mesmerizing, and heartbreaking . . .
. . . writes carefully and judiciously, with . . . timing and an eye for the right detail . . . the most frightening book I've ever read.
. . . thoroughly researched, powerfully-written account of a nightmare at sea, one of the most poignant tragedies . . . of World War II . . .
Doug Stanton has done this country a service by bringing the incredible yet almost-forgotten story of the USS Indianapolis. . .
A haunting story of valor, iniquity, and young men in peril on the sea . . .
...a stunning book.
. . . For Captain Charles McVay and his crew, their five days in the ocean were gruesome and terrible almost beyond description . . .
Given the stringent precision of the U.S. Navy and military during wartime, how could a WWII battleship carrying over 1,000 men be torpedoed by a Japanese submarine and sink, leaving the survivors to bob in the Pacific Ocean at the mercy of elements and predators, without anyone realizing the loss for more than four days? Stanton not only offers a well-researched chronicle of what is widely regarded as the worst naval disaster in U.S. history, but also vividly renders the combatants' hellish ordeal during the sinking, and the ensuing days at sea as well as attempts to cope with the traumatic aftermath. Stanton documents the facts of the case, embellishing his story with lurid details gleaned from interviews with survivors. Though the ship's captain would become the first and only in U.S. naval history to be court-martialed for the loss of his ship, Stanton offers a solid body of evidence to justify the survivors' partially successful efforts to exonerate him. Stanton's omniscient narrative shifts among the individual perspectives of several principal characters, a successful technique that contributes to the book's absorbing, novelistic feel. Readers, of course, must trust Stanton and his research in order to be truly consumed, but the authority of his voice should win over all but the most obsessive skeptics. Illuminating and emotional without being maudlin, Stanton's book helps explain what many have long considered an inexplicable catastrophe. Copyright 2001 Cahners Business Information.
On the cloudy night of July 30,1945, the heavy cruiser USS Indianapolis slipped out of the darkness into a patch of bright moonlight—and squarely in front of one of Japan's few remaining submarines. Traveling at high speed, the big warship was ripped by torpedoes and sank beneath the waves before an alarm could be raised. Incredibly, it took days for the naval command to realize that one of its major fleet units had vanished. When rescuers finally reached the scene, five interminable days later, they found a scant 300 dazed survivors scattered over the sea. The Navy's response to the debacle was to court-martial the Indianapolis' captain. Of some 400 American skippers who lost their vessels to enemy action during the war, Captain Charles B. McVay was the only one to be punished. The tragedy of the Indianapolis can be approached in several ways: as an ironic footnote to a vast sea war that was already won; as a story of the cruel role that chance plays in warfare; or as an indictment of the U.S. Navy's bungling of the rescue and its shameful scapegoating of Captain McVay. Stanton has chosen instead to focus on the victims. The heart of the book is virtually a man-by-man and minute-by-minute account of the five-day ordeal of the survivors amid the sharks and the pitiless sun. The story makes for grim reading. A reader can enjoy the vicarious horrors of a Jaws-type thriller, always comfortably aware that the story is pure fiction. Not so in this case. Author Stanton immersed himself in interviewing the dwindling number of Indianapolis survivors to the point where the project nearly took over his life. Each fact, each nuance in the book came directly from someone's hard-won experience. Thereare no winners in a life drama such as this: a taut, beautiful ship destroyed; hundreds of men dead who might have been rescued; a captain dishonored to the point of suicide—and a Japanese submarine skipper well aware that his victory meant absolutely nothing to the course of the war. Category: History & Geography. KLIATT Codes: SA*—Exceptional book, recommended for senior high school students, advanced students, and adults. 2001, St. Martin's, 330p. illus. map. bibliog. index., ; Historian, Edwards Air Force Base, CA
Who can forget the crusty, narrow-eyed shark hunter Quint, played by Robert Shaw, in the blockbuster movie Jaws? He growls out the story of the USS Indianapolis he had been a member of its crew, he says a battle cruiser that was sunk in the South Pacific in 12 minutes by torpedoes from a Japanese submarine. The ship had just finished a secret run to Tinian with parts of the Hiroshima atom bomb. The Navy refused to provide a destroyer escort, even though there was solid intelligence about the presence of the sub. Three hundred men were killed outright; 900 were thrown into the sea. Five days later, when the Navy accidentally figured out that the ship was missing, only 321 men were left; sharks, hypothermia, starvation and thirst, and hallucinatory dementia had taken the rest. The story of Captain Charles Butler McVay is particularly heart-wrenching: he became the only ship's captain to be court-martialed during the war. Many years later he committed suicide, with the Navy still insisting upon his guilt in the face of overwhelming evidence to the contrary. A fascinating, horrible tale, and Stanton brings it off well, supported skillfully by American-voiced Boyd Gaines. For collections of military and World War II history. Don Wismer, Cary Memorial Lib., Wayne, ME Copyright 2001 Cahners Business Information.
Adult/High School-On July 16, 1945, the battle cruiser USS Indianapolis left San Francisco for Tinian Island in the South Pacific. The secret mission, the identity of which was unknown to even Captain Charles Butler McVay, was to deliver parts for the atomic bomb "Little Boy" that was to be dropped on Hiroshima. After the delivery, the ship headed to Guam where it was to rejoin the fleet for the proposed invasion of Japan. It never made it. On July 29, 1945, the cruiser was torpedoed by a Japanese submarine. Stanton begins this harrowing true story with Captain McVay's suicide in 1968, and continues in a style that reads like an adventure novel. More than 1200 men were aboard the Indianapolis when it left San Francisco; approximately 300 were killed by the torpedoes. The rest were tossed into the South Pacific and remained there for nearly five days facing dehydration, starvation, exposure, and recurring shark attacks. Due to a series of tragic errors, no rescue operation was mounted. The 321 men who ultimately survived (four of whom subsequently died) were found purely by accident. Captain McVay, scapegoated by the Navy, was court-martialed and convicted of negligence, despite the ongoing protests of his remaining crew. At the time, their story was lost in the euphoria of Japan's surrender and the Navy's desire to ignore their errors. It is time their story is told and Stanton has done it magnificently, with meticulous research and great poignancy.-Carol DeAngelo, Kings Park Library, Burke, VA Copyright 2001 Cahners Business Information.
A crisp, well-executed reconstruction of naval warfare's darkest chapter: the sinking and abandonment of the USS Indianapolis. Men's Journal editor Stanton sets out to vindicate Captain Charles McVay and to force the navy to declassify information relating to one of the worst disasters in naval history. After fulfilling a secret mission (the delivery of atomic bomb parts from Guam to Tinian) in July 1945, the cruiser Indianapolis was sent for gunnery practice in Leytewithout destroyer escort, and without classified information regarding Japanese submarine activity. The ship was torpedoed and sank in approximately 12 minutes, spilling about 900 sailors into the Pacific. On shore, her hurried SOS message was intercepted, then disregarded, by the radioman's commanding officer. Furthermore, she was not noted missing by naval administrators for more than five days. Following a suspenseful account of the sinking, Stanton assembles a detailed chronology of the horrors endured by the floating survivors via a risky device: He narrates the sinking and its aftermath by assuming the voices of Captain McVay, the ship's doctor, and one of the few surviving Marine guards. The latter two (and other survivors) were interviewed by Stanton; McVay, the only Navy captain ever court-martialed for losing his ship in wartime, shot himself in 1968 after years of torment. The author's minute depiction of their privationsfrom shark attacks that killed an estimated 200 to homicidal dementiais appropriately terrifying; he captures his characters' surreal horror at watching their comrades needlessly perish prior to a belated rescue (which is also dramatically rendered). The conclusionexplores the remaining survivors' efforts to officially clarify what really happened (and McVay's actual heroism), but the dark heart of the tale lies in its sustained, gruesome survival narrative. Stanton's prose has qualities of jittery brightness, but this dramatic recreation plays to his strengths and feels passionate and correct. His personal veneration of the survivors sustains a positive tone, despite uglier historical truths.
Loading...| Prologue: Sailor on a Chain | 1 | |
| Part 1 | Sailing To War | |
| 1 | All Aboard | 13 |
| 2 | Good-bye, Golden Gate | 39 |
| 3 | The First Domino | 63 |
| Part 2 | Sunk | |
| 4 | The Burning Sea | 91 |
| 5 | Abandon Ship | 119 |
| 6 | Hope Afloat | 139 |
| 7 | Shark Attack | 163 |
| 8 | Genocide | 183 |
| Part 3 | Rescue | |
| 9 | Dead Drift | 209 |
| 10 | Final Hours | 237 |
| 11 | Aftermath | 251 |
| 12 | Back in the World | 269 |
| Epilogue | 277 | |
| Notes | 283 | |
| Bibliography | 301 | |
| Author's Note | 313 | |
| Index | 323 |
Just after midnight on July 30, 1945, the USS Indianapolis, having dropped off Little Boy -- the atomic bomb that would devastate Hiroshima -- was sunk by a Japanese submarine about 550 miles east of Guam in the middle of the shark-infested waters of the South Pacific.
Of the men who abandoned ship, fewer than 200 found life rafts. Some clung to floater nets, while the rest bobbed in huddled groups along a jagged line that would sprawl some twenty miles during the next five days. Captain Quint, the fictional Indianapolis survivor from Steven Spielberg's 1975 blockbuster Jaws, had the numbers wrong but the horror right: "1,100 men went into the water and 316 came out," Robert Shaw's character said. "The sharks took the rest of 'em."
Did a distress call ever reach naval command in Leyte, the small island in the Philippines that served as the Indy's destination on that voyage? Why didn't the Navy rescue the sailors sooner? Should their captain -- who was court-martialed for his role in the tragedy -- have gotten the blame? These are among the questions writers and historians have focused on. What they hadn't looked at -- until now -- is the human story. That's what Doug Stanton decided to do with In Harm's Way: The Sinking of the USS Indianapolis and the Extraordinary Story of Its Survivors.
"I'm young enough that many of my acquaintances, when I ask them, don't exactly know when Victory over Europe [V-E Day] was, or in what year the Battle of Iwo Jima was fought," says Stanton, thirty-nine, a successful magazine journalist who has contributed to Esquire, Outside, Sports Afield, and Men's Journal. "Two million soldiers died in World War II, and that we've forgotten how and when is remarkable to me. Certainly, they don't know when the Indianapolis was sunk. And if they have even heard of the Indy, invariably it's a snippet of abstract history or they remember it as 'that boat' talked about in Jaws."
In the summer of 1999, a newspaper item describing a planned reunion for the remaining survivors -- some 130 men -- caught Stanton's eye. At about the same time, Sid Evans, an editor at Men's Journal, saw a newscast on the efforts of the crewmates to exonerate their captain; it included a piece on the planned reunion. They agreed: The story of men enduring five days at sea might have the edge needed for a short feature article.
"A few weeks later, I was on a plane to Indianapolis," Stanton says, where he met about eighty-five of the reunited shipmates during the three-day event. He discovered that their part of the story had never been told. How did these men triumph over the Pacific Ocean that for five days tried to kill them? It was a storyteller's gold mine, and the writer was captivated.
"I always wanted to write something worthwhile and eternal," says Stanton, whose office, months after he turned in his final manuscript, is still filled with photographs of the Indianapolis and the crew that made it out alive. "I remember how strange and overwhelming it was talking to those men after looking at the long list of sailors who died -- realizing that, back then, all of them were boys, nearly all in their late teens and early twenties. Seeing them now as older men, listening to them pour their hearts out to me, I felt an obligation to tell their story."
When he began the project, Stanton was nearly twenty years older than the average seaman who served on the Indianapolis. He graduated in 1989 with an M.F.A. in poetry from the University of Iowa and, after a short stint as a teacher, turned to journalism, making a career of writing adventure and travel articles, along with celebrity profiles, for men's magazines. He took yoga lessons from Sting, went on tour with John Mellencamp, hung out in Hawaii with Woody Harrelson, rode co-pilot in Harrison Ford's de Havilland Beaver, and shot hoops with George Clooney. Adventure assignments sent him three times to Argentina and Mexico in the wake of the Zapatista movement. Stanton was harassed and robbed at gunpoint. Once, on assignment, he nearly drowned in a lake while rounding Cape Horn. This all served as fodder for tales in magazines that, as Stanton puts it, often tend to "celebrate the exile of the aged." But when he stumbled onto the Indy story -- gleaned from the memories of old veterans -- he recognized it as "probably the greatest I'll ever get to tell, a story of ordinary men suffering something extraordinary."
What was to be a 5,000-word story of the at-sea disaster and the remaining crew's attempt to clear Captain Charles Butler McVay's name soon turned into a 35,000-word manuscript that Stanton submitted to Men's Journal hoping it could be run in serial installments.
"I knew right away he had a book," says Evans. "It was a very human story, a vivid account of survival. We published 12,000 words, the longest story ever published in my three years with the magazine."
Stanton quickly had a handful of publishers vying for the book rights. A bidding war broke out. The New York Post estimated Holt's bid at $400,000, while the film rights were sold to Warner Bros. And as if to provide a happy ending, McVay was finally absolved some months after the March 2000 piece ran -- largely due to declassified documents revealing that the captain had received bogus intelligence reports regarding sub activity in the waters where the Indianapolis was sunk, and to testimonials from Navy operators.
The Shipwreck: The Indianapolis was a heavy cruiser, the length of two football fields, but it sank to the bottom of the Philippine Sea in twelve minutes. Of the 1,196 men onboard, only 321 -- including McVay -- endured the horror of the ensuing days.
Most of the sailors were asleep when the torpedoes hit. Just past midnight, two explosions pounded the ship, hurling the men from their bunks and from their dreams into a nightmare that would envelop them for the next five days.
The first blast obliterated sixty-five feet of the bow, killing more than a hundred men and showering those on deck with shrapnel and burning fuel. The second opened a gaping hole midship where the fuel tanks were located. Sailors not burned, injured, or killed emerged topside to find the ship listing hard to starboard and the deck illuminated by fire. Most of the electric and communications systems were dead.
McVay was convicted and court-martialed for "hazarding the ship by failing to zigzag" -- a maneuver to avoid detection by Japanese subs. Stanton found that books previously written on the event -- among them, Richard Newcomb's recently reissued 1958 Abandon Ship! and Raymond Lech's 1982 All the Drowned Sailors -- dealt primarily with this aspect of the tragedy and spent little time on what happened to the men in the water.
"The Navy's involvement in the scapegoating of McVay is obviously a tremendous part of the tale," Stanton says, "but the heart of the story, as I saw it, was in the drama of the sailors enduring the most hideous conditions imaginable. I tried to imagine myself floating out there in the water with no hope of survival. Why not give up? Why not just say 'Screw it all' and drown? Here also were the lessons of history -- and a generation. The story of these men, at its core, is about very old values of duty, honor and sacrifice, courage and faith."
Those in the water had to go five days without food and water. They were covered in oil from swimming in the slick spreading from the ruptured fuel tanks. The oil caused blindness and, if swallowed, violent vomiting attacks. Some, delirious from hunger and thirst, went insane and killed one another. Most were killed by sharks that found the sailors the first night and hunted them every hour after, pulling men off floater nets in mid-conversation or driving into huddled groups of screaming swimmers and ripping them away one by one.
Days and nights passed, and in the throes of delirium, some mistook crewmates for Japanese and began stabbing and trying to drown those they believed had come to kill them. Others saw dancing girls and tropical islands in the distance. Some imagined the ghost ship of the Indy on the horizon or hovering below them in the water. Any sailor lured away by the visions got ripped apart by sharks or drowned.
Whether by shark, suicide, murder caused by their frenzied delusions, or by simply succumbing to the tortures of being adrift, the sailors died, Stanton found, at a rate of one every ten minutes. By the fourth day, most had given up on being rescued. And as the survivors would later discover, the Navy didn't even know they were gone.
When the men were eventually discovered, it was not by a search plane sent to find them. Little more than a decade ago, declassified documents revealed that naval intelligence knew Japanese submarines were operating between Guam and Leyte. Low-flying Ventura PV-1 bombers -- submarine hunters -- were regularly dispatched to patrol the area, and it was on one such mission that a pilot spotted the oil slick left by the Indianapolis and, eventually, what remained of the crew.
The government released word of the sinking eleven days after the rescue -- August 14. Three days after the sailors were saved, the Enola Gay dropped its cargo on Hiroshima, killing 120,000 people and helping bring an end to the war. Shortly after President Truman announced the surrender of Japan, the Navy was recommending a court-martial for McVay.
Finding the Story: Stanton made sense of the crew's agony by uncovering the meaning of the survivors' stories (a vexing task, as each man took something different from the horror he endured). One of the more salient ideas he found was put forth by the ship's doctor, Lewis Haynes, who becomes one of the central figures in In Harm's Way. While "waiting for a death that seemed inevitable," Stanton says, Haynes "felt rise within him something 'purer' about his life, about the will to live courageously."
In Harm's Way became a narrative celebrating the indomitable human spirit in the face of human suffering and war. So vivid are the accounts that a reader can't help but ask the questions, "What would I do? Would I have what it takes to stay alive?"
Jennifer Barth, the book's editor at Holt, remembers that when the initial draft came across her desk, she thought it was a "typical guy story." She wasn't very interested in the project, but Stanton, she says, "managed to put a human face on this war." A fiction editor who worked with Dennis McFarland on his recent novel Singing Boy, as well as with Paul Auster and Elizabeth Graver, Barth says she connected with Stanton's approach. Three main figures emerge in the narrative -- the marine private Gil McCoy, Haynes, and McVay.
After his first meeting with the crew members in Indianapolis, Stanton traveled from his home in northern Michigan to Florida, where many of the survivors reside. "I flew down and rented a car, and for nearly a month I rode around conducting interviews." Speed, he realized, was of the essence, because time was catching up with the characters in the story. While visiting with McCoy, Stanton learned that three members of the Indy's crew had recently died, all in the same month. Old age was silencing the men that the sea couldn't a half century before.
Stanton's research for In Harm's Way encompassed everything from learning about the development of the first atomic bomb and the top-secret role the Indianapolis played in its delivery to studying the effects of hypothermia, dehydration, and starvation on the human body. And, of course, there were sharks to learn about: makos, tigers, white-tips, and blues. "There was so much suffering to know," Stanton says.
In August 1999, Stanton traveled to the house in Connecticut where McVay lived after the government ruined him. The only captain in U.S. naval history to be court-martialed for the sinking of a ship during wartime, McVay became the Navy's scapegoat for the Indianapolis disaster. He lived until he was seventy, blamed all those years for the tragedy by the families of those who had perished. They sent hate mail over the years, always on Christmas and around the anniversary of the sinking. Stanton went to the house McVay called Winivan Farm and stood on the same porch where McVay lay down on a windy morning in 1968 and killed himself with a Navy-issue .38 revolver.
But the story really came together one night during the year spent writing and researching In Harm's Way when Stanton said he was "in the grip of the story." He got in his car and drove twenty miles to the Lake Michigan shoreline -- and there he found the beach deserted.
"Lake Michigan is no ocean," he admits, "but when the sun set, I learned of the bone-chilling cold that descended upon the men. Within fifteen minutes, I felt the terror of being eaten alive. I left the lake, unsure of what I would do if I had been lost in an ocean filled with sharks. My mind, I sensed, would come totally unhinged."
Impetus: There's something that drives every writer who sets out to tell a monumental story. In the opening pages of In Harm's Way, Stanton relays a story his father tells of a young army private, a soldier from World War II, and an event that, though unrelated to the Indianapolis tragedy, he attributes to how he would finally "come to meet the men of the Indy."
"My father was a very young boy in 1943 when Leonard Dailey, an Army private on leave, came walking down the street with his girlfriend and asked my father if he wanted to go to the fair. This was a time in America when a stranger could knock on your door and you would agree to let him take your seven-year-old son for the day.
"My father remembers that day as one of the happiest in his childhood. Leonard, home for a couple of weeks and no doubt living it up before heading back to the war, bought him candy and took him on rides. But my father remembers most how Leonard just seemed to be enjoying himself.
"Afterward, the soldier dropped him at home and gave him the green campaign hat off his head. Leonard returned to the war. And my father's memory of that day would begin to fade, until about a year later. Leonard had been killed overseas and buried over there, and his body was finally being returned to the family plot.
"When he learned this, something akin to a storm of guilt and sadness hit my father. He looked around the house for the old campaign hat Leonard had given him. The memories of that day, long forgotten, now flooded back. What, my father wondered, did it mean that he'd forgotten all about Leonard? Who remembers us if we don't remember each other? " 'Don't you ever forget,' my father told me, 'what anybody does for you.' "
So if In Harm's Way is the next step in the path blazed by Into Thin Air and The Perfect Storm, it's also Stanton's way of paying something back. And by uncovering the meaning behind the suffering the men of the Indianapolis endured, he also defines a generation.
About that happy ending: Twenty-two years after McVay killed himself, the information found in declassified documents and testimonials from Navy operators led to President Clinton's signing the National Defense Authorization Act of 2001 in October 2000, which contained a section declaring that McVay's military record should now reflect that he is exonerated for the loss of the ship and the lives of its men. This was the culmination of an effort of more than forty years by the survivors and their supporters to win public vindication of their captain and to finally put to rest what happened in the waters of the Philippine Sea those five days in the summer of 1945.
That's one of the final pieces of a story that Stanton, after ten years of work as a writer, was fortunate enough to be able to tell; it's the story that may turn him into this year's Sebastian Junger. But amid the talk of movies, television interviews, and future book deals, Stanton is still surrounded by those photographs -- of the men whose stories he's committed to the page -- filling his office in an old outbuilding behind his family's rustic northern Michigan farm. The book has been finished for months, but Stanton hasn't yet filed away the events of the Indianapolis sinking. Cluttered upon his desk are books on sharks, transcripts of interviews with members of the crew, and volumes dedicated to survival, shipwrecks, and the sea.
Stanton knows what he wants to accomplish with In Harm's Way, and he knows who he wants to accomplish it for: The Indianapolis crew: 1,196 sailors, living and dead. "I want the men to like it," he says. The story, its teller recognizes, is for them, and for their captain. (Bob Butz)
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