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Carved into a moving island of ice twice the size of the United States, Ice Station Grendel has been abandoned for more than seventy years. The twisted brainchild of the finest minds of the former Soviet Union, it was designed to be inaccessible and virtually invisible. But an American undersea research vessel has inadvertently pulled too close—and something has been sighted moving inside the allegedly deserted facility, something whose survival defies every natural law. And now, as scientists, soldiers, intelligence operatives, and unsuspecting civilians are drawn into Grendel's lethal vortex, the most extreme measures possible will be undertaken to protect its dark mysteries—because the terrible truths locked behind submerged walls of ice and steel could end human life on Earth.
While Clive Cussler maintains the gold standard in action lit, Rollins has a firm grasp on the silver. Some astonishing threat or daring feat explodes into print on nearly every page, but that's the author's weakness as well as his strength, because in Rollins's books character and even plot take a backseat to sheer action. Rollins set his last novel, Amazonia, in steaming jungles; here he does a 180 and tells a tale of brutal cold, above and beneath the North Pole ice cap. An experimental American sub comes across an abandoned Soviet polar station encased in an iceberg. Meanwhile, a Russian admiral, the son of the man who once ran the station, is preparing to alter world history by exploding a nuclear weapon at the polar cap, melting it and flooding the globe. And Fish and Game warden Matt Pike, a former Green Beret, comes across a downed aircraft in the Alaskan mountains and rescues the sole survivor, who says he's a journalist on his way to the American polar station; immediately, Matt and the survivor are relentlessly pursued by black-clad Russian special forces. Eventually all parties, including Matt's estranged wife, end up at the abandoned polar station or the nearby American station; Russians and Americans, including Delta Force, battle fiercely over the privilege of exposing or forever hiding the secret of the Russian station, and in turn they must combat the prehistoric predators who roam the Russian station in search of warm meat. The plot is preposterous from the get-go, and Rollins's characters, though fully drawn, have about as much effect on the novel's course as riders on a roller-coaster-which is what this novel is, and a first class one at that if maximum mayhem is desired. (July 1) Copyright 2003 Reed Business Information.
More Reviews and RecommendationsSpelunker, scuba diver, and all-around adventure junkie James Rollins sold his veterinary practice in Sacramento, California, to concentrate full-time on writing -- his thirst for thrills clearly informing his bestselling novels, including Black Order, Subterranean and The Judas Strain.
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September 22, 2008: Incredible. Intrigue, action, espionage, politics, science...just for starters. This book starts off running and never stops. James Rollins is brilliant. Twists and turns you never see coming.
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December 15, 2003: I can without a doubt say that the Ice Hunt picks up from page 1. There's never a dull moment in the tale and it keeps you on the edge of your seat until the very last page. Even when the novel is over, you're left pondering the fate of the characters and their actions that have ended five minutes prior. Definitely a must read.

Name:
James Rollins
Current Home:
Sacramento, California
Date of Birth:
August 20, 1961
Place of Birth:
Chicago, Illinois
James Rollins is the New York Times, USA Today and Publishers Weekly bestselling author of Black Order, Map of Bones and other adventure thrillers. He was born in Chicago and grew up in Ontario, Canada, and St. Louis, Missouri. He graduated with honors from the University of Missouri with a degree in veterinary medicine. And like most veterinarians, he presently shares his home with a Golden Retriever, a Dachshund, and a sixty-five year old parrot named Igor. Rollins currently practices in Northern California, and when not writing or working in his veterinary practice, he can often be found underground or underwater as an amateur spelunker and scuba diver. These hobbies have helped in the creation of his earlier books Subterranean, Deep Fathom, Amazonia, and Sandstorm. His thriller, Black Order, skyrocketed to the top of bestseller lists across the country, winning the author countless new fans, and was proclaimed by People magazine as one of last summer's "hottest reads." Map of Bones was chosen by Publishers Weekly as one of the most likely to win over Dan Brown's faithful audience, and the New York Times rated the book as one the summer's top crowd pleasers.
Author biography courtesy of HarperCollins.
Some fun and fascinating outtakes from our interview with Rollins:
"I often get asked if I still practice veterinary medicine. While I don't practice full-time, I still do volunteer. I work with a group that traps stray cats, brings them to the shelter, where I spend a day spaying and neutering them. It's basically eight hours of removing genitalia. It's a hobby."
"I am a TV junkie. I have two Tivos and they are constantly full."
"My first job was to flip pizzas. I once got a pie spinning that was ten feet across. I had to spin it on my back to keep it going. Yet, I still love pizza."
"Two hobbies I love -- caving and scuba diving -- are also essential research for my novels. Case in point:
I've always been an avid cave explorer, from the vast systems in Missouri to the lava tubes of Hawaii to the tighter squeezes of the California foothills. But one of my most frightening episodes also allowed me to better describe claustrophobia in my novels. While climbing out of the fairly technical wild cavern, involving lots of rope work, I managed to jam myself midway up a narrow vertical chute. Hung up on my ascending gear midway up the chute, I found myself unable to move up or down. My chest was squeezed between two walls, my left knee turned the wrong way. I could not maneuver, and there was not enough room to get a rescue climber to me. I was trapped. I remember the team leader, leaning down from above, shining his helmet lamp at me. ‘You either find a way to un-jam yourself, or you stay there forever.'
So over the course of a long hour -- wriggling, sweating, cursing, and clawing -- I managed to creep a millimeter at a time out of the jam. After this event, I had a better understanding for panic and the determination born of pure desperation, essential ingredients for to writing thrilling fiction.
But spelunking through caves was not my only ‘research' lesson. Two decades ago, I also took up scuba diving and went on dive trips all around the world: Monterey Bay, Hawaii, South Pacific, Australia. I particularly remember one trip to the Great Barrier Reef in Australia. I was informed by the dive master to beware of the many hazards found in the region. ‘On land, Australia has seven of the ten deadliest snakes. The seas are worse. Box jellyfish can kill in minutes. Local sea snakes are some of the most toxic. But worst of all is the stone fish. It looks like a stone, but its spines are loaded with paralytic poison. So be careful what you touch.'
And down we all went, buddied up in pairs, enthusiastic and excited. I dropped toward the reef and adjust my buoyancy until I'm floating just above the reef. All around spread amazing sights: giant clams, a flurry of colored fish, an astounding variety of coral. But I miscalculated my buoyancy, my weight shifted, and I planted a hand into the sand to stabilize my tumble, careful of the razor-sharp coral. Inches from my thumb, a jagged rock suddenly sprouted fins and swam away. I met the gaze of my buddy diver. His wide eyes firmed up the identification. The deadly stone fish. And I had almost slapped my hand on its back. As the fish scurried away, I understood at that exact moment how little Nature cared about the life of a scuba-diving novelist. Down here, Nature ruled. We were only visitors.
This mix of respect and terror is brought to life in my latest novel, The Judas Strain."
What was the book that most influenced your life or your career as a writer?
I don't know if it was any one novel so much as entire narrow genre of writing, specifically the pulp writers of the thirties and forties. I had a large collection of reprints while growing up: Doc Savage, The Shadow, The Spider, The Avenger. From adolescence through college, I was absolutely in love with these old "scientific adventure" novels. On some unconscious level, I think I've been trying to bring back those old dime adventure stories, recast into the present, adapted to modern technologies, and given a polish. Along those same lines, the three writers who also had a great impact as the founders of "scientific thrillers" were Jules Verne, H. Rider Haggard, and H. G. Wells. In fact, my first novel, Subterranean, was an attempt to do a modern retelling of Verne's Journey to the Center of the Earth.
What are your ten favorite books, and what makes them special to you?
Only ten? I read across a wide field of genres, so I'll list them by different genres.
Literary Fiction:
Fantasy:
Science Fiction:
Mystery:
Horror:
Graphic Novels:
Romance:
Thriller:
Memoir:
Other:
What are some of your favorite films, and what makes them unforgettable to you?
Here, also, I could go on and on:
Oh, I could fill up pages and pages here.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I am a massive Bruce Springsteen fan. I skipped studying for my national board exams in veterinary medicine to stay up until 2 a.m. to catch his concert. Still I got one of the highest scores of my veterinary class, which I attribute to Springsteen's concert. The Boss rules!
If you had a book club, what would it be reading?
I would run a book club that covered a wide range of genres. So many book clubs seem one note, limiting the range to literary fiction or one specific genre. I'd prefer to mix it up, challenge members to sample genres that they might never have considered, to pull them out of their comfort zone. Every genre offers a new world of vocabulary, pace, story, structure, and character. So why not stretch those wings a bit?
What are your favorite kinds of books to give -- and get -- as gifts?
Like I mentioned above, one of the joys of reading is that sense of discovery. I'd prefer to get a book that I might never have tried before. If there's a book you love, buy another copy and give it to a friend. I know I would love to receive such a gift. It not only offers a chance to read something new, but it also gives you some insight into your friend. Why did he or she like this enough to gift it to me? Additionally, it also allows you to share something later, to compare notes, to talk about it over coffee. So books make a GREAT gift.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My main ritual is to write six pages every day. I'm very regimented in this, but to help with this, I have TWO yellow Post-it notes stuck to the edges of my computer monitor. One lists the five senses to remind me not to just write visually. Sometimes writing is like trying to capture a movie in your head and put it on paper. It's a struggle and a challenge every day to try to get that movie that plays like crystal in your head to shine like that on paper. And one of the ways of achieving that is not to forget to fold in other senses into your writing: taste, sound, touch, smell. So the Post-it note reminds me not to forget this. The second note is even more important. It's a simple declarative statement: "I give myself permission to write crap today." So many writers talk about being "blocked." And this statement is my shield against that. Sometimes the sense that you have to write perfect prose that day can cripple a writer, so my simple statement reminds me to relax, have fun with it, to know that writing is an adventure. And then the story flows!
What are you working on now?
I'm just finishing up my 2008 thriller, and I've just sold my first young adult novel, which I'm gearing up to write this winter. And just to keep busy, I'm also writing the novelization to the next Indiana Jones movie. Now you understand WHY I mentioned above about the necessity of writing six pages a day. Writer's block?!? Who has time for writer's block?!?
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I definitely was not an overnight success. First of all, I have years of short stories -- horribly written short stories -- buried in my backyard. I personally fear some future archaeologist stumbling upon this cache of stories and using them a verifiable proof that the end of the twentieth century was void of literary merit. And it didn't get much better when I got around to writing novels. I was rejected by 50 different agents before one finally agreed to represent my first novel. So it's a long haul, but one well worth the uphill climb.
If you could choose one new writer to be "discovered," who would it be?
I'm going to choose not so much a new writer as someone who deserves be discovered and read more widely. That would be Dan Simmons, whose novel The Terror was a critical success and finally a moderately commercial success. But I've been reading Dan Simmons since his first novel, The Song of Kali. It went on to read horror awards across the board with its debut. Later, he produced a modern opus of science fiction titled Hyperion, which garnered him the Hugo Award for best science fiction of the year. He's gone on to write stellar detective novels and now a novel in the literary vein with The Terror. The ability of this writer to cross genres with some striking success is amazing. As a writer, he's a high-wire act that everyone should be experiencing.
What tips or advice do you have for writers still looking to be discovered?
As I mentioned above, as someone who was rejected by fifty different agencies, I must stress the word PERSISTENCE. Believe in your work, keeping sending it out there... but more importantly, don't stop writing. Move on to a new project. Don't keep revising the same book unless an agent or editor asks you to. Simply accept that baby is finished and ready for the world... and go about conceiving a new one. Keep doing this and eventually you will get published! And while I do believe in the old adage "Write Everyday," I also also believe you should "Read Every Night." The best teacher of the craft is simply a good book. As you write and struggle with difficulties in your own writing, each book you read can teach you aspects of the craft. Why re-invent the wheel, when you can learn by example?
Carved into a moving island of ice twice the size of the United States, Ice Station Grendel has been abandoned for more than seventy years. The twisted brainchild of the finest minds of the former Soviet Union, it was designed to be inaccessible and virtually invisible. But an American undersea research vessel has inadvertently pulled too close—and something has been sighted moving inside the allegedly deserted facility, something whose survival defies every natural law. And now, as scientists, soldiers, intelligence operatives, and unsuspecting civilians are drawn into Grendel's lethal vortex, the most extreme measures possible will be undertaken to protect its dark mysteries—because the terrible truths locked behind submerged walls of ice and steel could end human life on Earth.
While Clive Cussler maintains the gold standard in action lit, Rollins has a firm grasp on the silver. Some astonishing threat or daring feat explodes into print on nearly every page, but that's the author's weakness as well as his strength, because in Rollins's books character and even plot take a backseat to sheer action. Rollins set his last novel, Amazonia, in steaming jungles; here he does a 180 and tells a tale of brutal cold, above and beneath the North Pole ice cap. An experimental American sub comes across an abandoned Soviet polar station encased in an iceberg. Meanwhile, a Russian admiral, the son of the man who once ran the station, is preparing to alter world history by exploding a nuclear weapon at the polar cap, melting it and flooding the globe. And Fish and Game warden Matt Pike, a former Green Beret, comes across a downed aircraft in the Alaskan mountains and rescues the sole survivor, who says he's a journalist on his way to the American polar station; immediately, Matt and the survivor are relentlessly pursued by black-clad Russian special forces. Eventually all parties, including Matt's estranged wife, end up at the abandoned polar station or the nearby American station; Russians and Americans, including Delta Force, battle fiercely over the privilege of exposing or forever hiding the secret of the Russian station, and in turn they must combat the prehistoric predators who roam the Russian station in search of warm meat. The plot is preposterous from the get-go, and Rollins's characters, though fully drawn, have about as much effect on the novel's course as riders on a roller-coaster-which is what this novel is, and a first class one at that if maximum mayhem is desired. (July 1) Copyright 2003 Reed Business Information.
Cover-to-cover Arctic action, around and inside Ice Station Grendel: chases and fights in the snow, on the ice, in the air; hungry bears; evil Russians; predatory sea mammals. Aboard the Polar Sentinel, Captain Gregory Perry and his crew of soldiers and scientists (including his beautiful lover, Dr. Amanda Reynolds) discover an abandoned Russian research station north of the Arctic Circle. The elaborate, six-level Ice Station Grendel has been out of use for more than fifty years, but high-tech cameras detect signs of life there. Meanwhile, in nearby Alaska, Fish and Game warden Matthew Pike rescues Seattle reporter Craig Teague from a small plane crash. Abruptly, they're being pursued by Russian thugs shooting to kill. Matt and Craig narrowly escape, abetted some by the aforementioned bears, and take refuge with Matt's bristly father-in-law John and ex-wife Jennifer, sheriff for the Nunamiut and Inupiat tribes. The surviving Russians remain in hot pursuit, reinforced by new soldiers. These are dispatched by Viktor Petkov, admiral and commander of the Russian Northern Fleet and son of the mastermind behind Ice Station Grendel, led away at gunpoint in 1948. Petkov plans both to retake the research facility, thus resuming his father's work on cryogenics, and to eliminate Matt and company, who threaten this operation's secrecy. At Ice Station Grendel, meanwhile, Greg and Amanda make a startling discovery: a school of ambulocetus natans (ancestor of the whale), many recently defrosted and highly predatory; hence the name of the station. The beasts' first victim is perky postgrad Lacy Devlin, stalked while speed-skating for her morning exercise. In short order, scientists and soldiers becomewhale food, hunted down and devoured all over the mazelike outpost. Story proceeds in quick time-lined cuts, from these perspectives and a couple more: American troops prepare to seize the station and a Russian force encroaches with the same aim. Rollins (Amazonia, 2002) writes with intelligence, clarity, and a refreshing sense of humor. He front-loads his best chills but stocks the last chunk of the book (his second hardcover) with surprise twists. Agents: Russ Galen/Scovil Chichak Galen, Danny Baror
Loading...April 6, 2:56 P.M. Brooks Range, Alaska
Always respect Mother Nature ... especially when she weighs four hundred pounds and is guarding her baby.
Matthew Pike faced the grizzly from fifty yards away. The massive she-bear eyed him back, chuffing into the breeze. Her yearling cub nosed a blackberry briar, but it was too early in the season for berries. The cub was just playing in the brambles, oblivious to the six-foot-two Fish and Game officer standing, sweating, in the afternoon sun. But the youngster had little to fear when watched over by his mother. Her muscled bulk, yellowed teeth, and four-inch claws were protection enough.
Matt's moist palm rested on his holstered canister of pepper spray. His other hand slowly shifted to the rifle slung on his shoulder. Don't charge, sweetheart ... don't make this day any worse than it already is. He'd had enough trouble with his own dogs earlier and had left them tethered back at his campsite.
As he watched, her ears slowly flattened to her skull. Her back legs bunched as she bounced a bit on her front legs. It was clear posturing, a stance meant to chase off any threat.
Matt held back a groan. How he wanted to run, but he knew to do so would only provoke the she-bear tochase him down. He risked taking a single slow step backward, careful to avoid the snap of a twig. He wore an old pair of moosehide boots, hand-sewn by his ex-wife, a skill learned from her Inuit father. Though they were three years divorced, Matt appreciated her skill now. The soft soles allowed him to tread quietly.
He continued his slow retreat.
Normally, when one encountered a bear in the wild, the best defense was loud noises: shouts, catcalls, whistles, anything to warn the normally reclusive predators away. But to stumble upon this sow and cub when topping a rise, running face-to-face into Ursus arctos horribilis, any sudden movement or noise could trigger the maternal beast to charge. Bear attacks numbered in the thousands each year in Alaska, including hundreds of fatalities. Just two months ago, he and a fellow warden had run a tributary of the Yukon River in kayaks, searching for two rafters reported late in returning home, only to discover their half-eaten remains.
So Matt knew bears. He knew to watch for fresh bear signs whenever hiking: unsettled dung, torn-up sod, clawed trunks of trees. He carried a bear whistle around his neck and pepper spray at his belt. And no one with any wits entered the Alaskan backcountry without a rifle. But as Matt had learned during his ten-year stint among the parks and lands of Alaska, out here the unexpected was commonplace. In a state bigger than Texas, with most of its lands accessible only by floatplane, the wildernesses of Alaska made the wild places of the lower states seem like nothing more than Disney theme parks: domesticated, crowded, commercialized. But here nature ruled in all its stark and brutal majesty.
Of course, right now, Matt was hoping for a break on the brutal part. He continued his cautious retreat. The she-bear kept her post. Then the small male cub - if you could call a a hundred-and-fifty-pound ball of fur and muscle small - finally noticed the stranger nearby. It rose on its hind legs, looking at him. It shimmied and tossed its head about, male aggression made almost comical. Then it did the one thing Matt prayed it wouldn't do. It dropped on all fours and loped toward him, more in play and curiosity than with any aggressive intent. But it was a deadly move nonetheless.
While Matt did not fear the yearling cub - a blast of pepper spray would surely stop it in its tracks - its mother's response was a different matter. The pepper spray would be no more than a tenderizing seasoning when her pile-driver strength pounded down on him. And forget about a head shot, even with his Marlin sport rifle. The bear's thick skull would only deflect the bullet. Not even a shot square through the heart was a safe bet. It would take ten minutes for such a shot to kill a bear, and the shooter would be bear scat by then. The only real way to kill a grizzly was to aim for the legs, bring her bulk down, then keep on shooting.
And despite the personal danger, Matt was loath to do this. The grizzlies were his personal totem. They were the symbol of this country. With their numbers dwindling to less than twenty-five thousand, he could not bring himself to kill even one of them. In fact, he had come to Brooks Range on his own personal time to help in the cataloging and DNA mapping of the parkland's population of awakening grizzlies, fresh out of winter's blanket. He had been up here collecting samples from hair traps stationed throughout the remote areas of the park and freshening their foul-smelling scent lures when he found himself in this predicament.
But now Matt was faced with the choice of kill or be killed. The cub bounded merrily in his direction. His mother growled in warning - but Matt was not sure if she was talking to him or her cub. Either way, his retreat sped up, one foot fumbling behind the other. He shrugged his rifle into one hand and unholstered his pepper spray.
As he struggled with the spray's flip top, a fierce growl rose behind him. Matt glanced over his shoulder. On the trail behind him, a dark shape raced at him, tail flagging in the air.
Matt's eyes grew wide with recognition. Bane! No!" The black dog pounded up the slope, hackles raised, a continual growl flowing from his throat ...
(Continues...)
Excerpted from Ice Hunt by James Rollins
Copyright © 2003 by James Rollins
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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