Honored Guest by Joy Williams

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  • Publisher: Knopf Publishing Group
  • Pub. Date: October 2004
  • ISBN-13: 9780641886539
  • Sales Rank: 106,815
  • 213pp
  • Edition Description: Bargain

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Synopsis

The first collection of stories in well over a decade by a writer Ann Beattie has called “one of our most remarkable storytellers,” and whom Bret Easton Ellis has named “the rightful heir to the mastery, genius, and poetry of Flannery O’Connor.”

These twelve stories further Joy Williams’s utterly singular achievement, described by the Washington Post as “poetic, disturbing, yet very funny . . . the brilliantly controlled style informed by a powerful spiritual vision,” and again reveal her ability to uncover, as Michiko Kakutani wrote in the New York Times, “the somber verities lurking beneath the flash and clamor of daily life.”

Her landscapes reach from Maine and Nantucket to the Southwest and into Mexico and Guatemala, while the events cover a range of human travail, from children confronting the death of a parent to parents instead burying their own young, and the various ways–comic, tragic, unnerving–we seek to accommodate diminishment and loss. And all of her characters are richly, idiosyncratically alive, in circumstances at once supremely peculiar and strangely like our own.

Publishers Weekly

"To live was like being an honored guest," muses a teenage girl whose mother is dying. While death, loss and the likelihood of losing touch with reality are the focus of these 12 short stories by Williams, the elusive possibility of hope and mental well-being waits in the shadows, maybe even just within reach. Williams's deliciously fallible characters are often unfazed by their erratic behavior and violent eruptions. At work one day, a widowed masseuse in "Hammer" snaps her prosperous client's wrist bone without provocation. In "Charity," Richard refuses to stop for a needy family despite Janice's pleas. When he gets out of the car for gas, "Janice moved across the seat quickly, grasped the wheel and drove off," returning to the family and perhaps losing Richard forever. Williams's grasp of the slippery line between life and death is strong: she jars the reader with news of a debilitating accident or a fatality without a breath of forewarning. Her characters speak like poets or philosophers ("Words at night were feral things"), and her prose is imaginative and dynamic (a woman obsessed with visiting a mental institution prowls the halls, pretending "she was a virus, wandering without aim through someone's body"). Though some of her more absurd tales may perplex, discriminating readers will be greatly satisfied with this rich, darkly humorous and provocative collection. (Oct. 8) Forecast: Often compared to Flannery O'Connor, Williams is a master of the short story. This is her first collection in more than a decade, and it follows on the heels of her Pulitzer-nominated novel The Quick and the Dead; it should be widely and enthusiastically reviewed. Seven-city author tour. Copyright 2004 Reed Business Information.

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