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This holiday, spend quality time with family and loved ones—living and dead . . .
There's no place like home for the horrordays—unless you'd prefer a romantic midnight walk through a ghost-infested graveyard . . . or a haunted house candlelight dinner with the sexy vampire of your dreams. The (black) magical season is here—and whether it's a solstice séance gone demonically wrong with the incomparable Kim Harrison, a grossly misshapen Christmas with the remarkable Lynsay Sands, a blood-chilling-and-spilling New Year's with the wonderful Marjorie M. Liu, or a super-powered Thanksgiving with the phenomenal Vicki Pettersson, one thing is for certain: in the able hands of these exceptional dark side explorers, the holidays are going to be deliciously hellish!
In this unusual paranormal collection by some of the genre's best-known authors, readers are treated to a surfeit of holiday romances that range from Thanksgiving to Chinese New Year. A fledgling witch invokes a spirit with frighteningly unexpected results in Harrison's winter-set "Two Ghosts for Sister Rachel"; a woman on the run from the madman who turned her into a shape-shifter finds unexpected love in Lynsay Sands's "Run, Run, Rudolph"; a Chinese undercover antiterrorist operative and a renegade necromancer join to stop a band of life-stealing vampires in Marjorie M. Liu's exotic "Six"; and a superheroine returns to the real world to fight for children and finds love as well in Vicki Pettersson's "The Harvest." These fast-paced, off-beat tales will pique the interest of sophisticated readers.
More Reviews and RecommendationsBest known for her paranormal fantasy series starring sexy witch/bounty hunter Rachel Morgan, New York Times-bestselling author Kim Harrison is one of the leading lights in a burgeoning hybrid genre that combines fantasy, mystery, horror, and romance.
More About the AuthorReader Rating:
See Detailed Ratings
August 17, 2009: I would have to say that this book was a good one for sure. I liked it because it has different stories. I would recommend it to everyone!
Reader Rating:
See Detailed Ratings
June 26, 2009: It is also a good read....goes with the series. I enjoyed it and can't wait for the new one to be released!
I Also Recommend: Nightwalker, Dealing with Dragons (Enchanted Forest Chronicles Series #1), One Thousand White Women, Twilight, Inheritance Cycle 3-Book Boxed Set (Eragon, Eldest, Brisingr).
Name:
Kim Harrison
Current Home:
Rock Hill, South Carolina
Education:
B.A. in the sciences, 1989
Awards:
Romantic Times Award for Best Fantasy Novel for Dead Witch Walking, 2004; P.E.A.R.L. (Paranormal Excellence Award for Romantic Literature) Award for Best Science Fiction Novel for The Good, the Bad, and the Undead, 2005
Bestselling paranormal fantasy author Kim Harrison went all the way through school with nary a thought of becoming a writer. A biology major in college, she took only the required English courses needed to graduate. So when the writing bug hit her later in life, she found herself at a real disadvantage with grammar, spelling, and other basic weapons in the scribbler's arsenal. However, her love of books was her saving grace. Always a voracious reader, Harrison instinctively recognized the role of plot, pacing, and character development in good storytelling. She set about writing with great enthusiasm and plugged away for the better part of decade, until she was able to bring her skills up to par.
Harrison's debut novel grew out of frustration with a growing pile of rejection notices. In an attempt to get publishers' attention, she set out to craft something deliberately weird and edgy. She conceived a motley cast of vampires, werewolves, pixies, and witches, including a sexy bounty hunter named Rachel Morgan, and threw them together in a short story. Then, her agent introduced her to editor Diana Gill, and together they refined and expanded Harrison's idea into a full length novel.
Published in 2004, Dead Witch Walking became a bestseller, launched a blockbuster series, and catapulted Harrison into a pantheon of paranormal superstars that includes Laurell K. Hamilton, Charlaine Harris, Christine Feehan, and Sherrilyn Kenyon. As if to validate her inclusion in these ranks, Harrison's stories have also been included in several bestselling paranormal collections.
What was the book that most influenced your life or your career as a writer?
I look back on my reading as I was growing up, and I can see a good handful of authors and series that have impacted my writing, but if I had to pick one title that did the most "damage," I'd have to say that it was Dandelion Wine by Ray Bradbury. I believe I was about ten when I read it first, not understanding as much as I do now, but I knew there was something there, a greater truth of the human condition, if I could only find it. So I kept looking, unknowingly studying Bradbury's pacing, suspense, use of language, and my favorite, how to describe a character in a single paragraph so that the reader instantly knows who that character is on the inside.
It was here that I first saw the power a writer can command when he or she mixes fantasy with the stark honesty of the human condition. The monsters in Bradbury's Dandelion Wine were the monsters inside us, as were the heroes, but that didn't make them any less real -- it made them more so. I fell in love with the fluidity he uses the language with, that the greater truth that can be found in the simplest things. A way of seeing, I suppose. Dandelion Wine became one of the few books that I returned to time and again, and while not anywhere near the story crafter as Mr. Bradbury, I hope I managed to absorb by osmosis some of his techniques.
What are your ten favorite books, and what makes them special to you?
My ten favorite books are going to look like a history lesson of young adult reading rather than a leather-bound collection of great literature. They are good, solid reads that satisfied my like of adventure and the chance to learn something along the way. Apart from the few children's books in there, most are from the SF/fantasy authors popular in the ‘70s and early ‘80s when I was doing most of my reading. I didn't know it at the time, but I think I was studying them, picking the authors' work apart and seeing what worked and what didn't. Some might even be out of print, but they will always remain new-penny bright to me.
What are some of your favorite films, and what makes them unforgettable to you?
As the reader has probably guessed, I'm a big fan of Clint Eastwood's movies. I've not seen them all by any means, but my favorite is probably Pale Rider or Heartbreak Ridge. I've often seen my protagonist like some of the characters that Clint played in his spaghetti westerns, the loaner who comes into town with the ability to wipe out the corruption, but not always eager to do it, and when pressured into it, doesn't always take care of business lawfully but with justice.
Some of my other favorite films are:
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Music oftentimes inspires my writing, or at least my characters and the direction they take. I've found that when I'm having trouble solidifying a character or a scene, that music will often free my subconscious just that last little bit to allow me to move forward, and often it's in a direction that I didn't expect, but is 100 percent true to the character. Alternate rock seems to be my favorite for the themes in the lyrics and the sound, rich in variety, though slow jazz will slip in on a rainy day, and electronic dance will get me through an action scene before I realize the day has slipped away.
I don't always listen while I work, but when I do, I tend to focus on certain bands that reflect the Hollows or the characters. NIN is good for working with Ivy or Rachel for the frustrated, in-your-face attitude. Rachel is pure Garbage with a little Evanescence thrown in for the themes focusing on the tragedy of the individual arising from our own choices. Evanescence is Ivy as well, with the attention given to manipulation, great for vampires. When I'm stuck on a scene with my two leading ladies, it's Amy Lee all day. A Perfect Circle is another group that really brings vampires to my mind.
When I brought to the readers the connections that I made between the characters and certain songs, they responded with such a plethora of ideas that I had to devote a portion of my web site, www.kimharrison.net, to cataloging them. Their ideas have expanded my music tastes dramatically, and I was pleasantly surprised to find that lots of people can see the characters in music as I do.
What are your favorite kinds of books to give -- and get -- as gifts?
If I give a book as a gift, it is invariably a children's book with beautiful artwork and a simple text. I adore the feel of them, the care taken in the artwork, and the high visual stimulation that sets off the simple but often powerful message the text conveys. You can't read a book like that fast, the experience slowed down as you study the artwork as the sentence or two sinks in. I'm lucky that my mother loves books like these as much as I do, and it's probably from her that my appreciation comes from.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I recently moved my office space from a three-by-five area against my kitchen wall to a real office with windows and a door, and I am enjoying it so much it's almost not fair. I have made a point to not develop a ritual so I could sit down at any point in my day and begin -- preventing a 30-minute warm-up -- but alas, a ritual has found me, involving spending the first hour of my day responding to my readers, loosening up my fingers, and slamming down my first cup of chai tea. That never-ending mug of chai tea is a must, and it is with me from the moment I sit down to when I push back at the end of the day and wobble out of my office. I have a salt lamp that I light to ionize the air when I know it's going to be an intense day, and I've got my iPod that I will sometimes program and loop to keep the mood flowing and the passing of hours unnoticed. Oh, and I have a four-legged office assistant that keeps my feet warm and gets me outside three times a day.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Someone told me that it takes ten years' hard work to become an overnight success, and I fully believe it. I've been writing for at least that long, stashing manuscripts under my bed and a filling a file with short stories that will never see the light of day. I collected my share of rejection slips along the way, and actually, I threw all but two out while moving my office. It felt really, really good to throw the others away. I mean, really good, like I had finally made it and I was never going back. I have since framed and hung the two I kept as a constant reminder of where I started and how fragile the journey was to get where I am now.
I kept my first rejection letter as a reminder of how crushed I felt when I received it, and the surge of blind determination that followed that this one person was not going to tell me what I could and couldn't do. The other letter I kept is a query as to the availability of Dead Witch Walking (which was in production at the time in another house). I put this one on my wall as a reminder to take everyone seriously, because you'll never know what you'll pass up if you don't.
I never considered I might make a career out of writing as I was going to school, so when I did turn my attentions that way, I was very ill prepared, having only what I read as a guide, and no formal training whatsoever. I credit that very ignorance with a great deal of my success. My voice was my own from day one, my ideas on how to get from point A to point B were my own -- they were pathetically rough, but they were my own. I had to work extremely hard to catch up with grammar and spelling, but I fell in love with the process and kept at it until my skills started to equal my enthusiasm. Most importantly, I never considered that I wouldn't make it. Ignorance is bliss sometimes. If I had known how hard it would be, I might have given up.
What tips or advice do you have for writers still looking to be discovered?
I have two pieces of advice that I give out to writers looking for publication. The first is to write like you have the contract. Which by, I mean, intently and with purpose. If you want to be a writer, BE A WRITER. Sit down and write, don't make a game out of it, but treat it as a part-time job. You will never be a writer if you don't first start acting like it. You don't need an office. You don't need a fancy printer or huge chunks of time. Don't fall into the trap of having to have everything perfect to write or wait until the mood strikes you. If you want it as a job, treat it like a job, and just as you don't go to work only when you feel like it, you have to condition yourself to sit and write even when the ideas don't flow. Ah, having said that, don't quit your day job. I was lucky to have someone to support me and supplement my part-time day job while I was building my skills, but a page a day will get you a completed manuscript in a year's time.
My second suggestion would be to get into a face-to-face, functioning critique group. The reasons are twofold. First, publication is a hard path to follow, and friends who can relate will make it easier. Secondly, there's bound to be a published author there, and they can start to open doors for you. I credit my old writers' critique group with me finding publication so "fast." They helped me learn what is good advice, and what is bad. I learned confidence in my ideas and my skills, I polished my voice, and my style. And when I was ready, someone shoved my little introverted butt in front of the man who eventually became my agent. And yes, she literally dragged me over there.
Which brings me to the shy people. Don't worry about it. If you truly love your work, you can do anything. Trust me on this. Your enthusiasm will pour out, and you will be heard.
This dark fantasy anthology adds an element of horror, or at least fright to the ho-ho-ho of the season. Holidays Are Hell gathers novellas by four hot young authors on paranormal themes: Kim Harrison (For a Few Demons More), Lyndsay Sands (A Quick Bite), Marjorie M. Liu (Dark Dreamers) and Vicki Pettersson (The Scent of Shadows). A thrilling stocking stuffer.
This holiday, spend quality time with family and loved ones—living and dead . . .
There's no place like home for the horrordays—unless you'd prefer a romantic midnight walk through a ghost-infested graveyard . . . or a haunted house candlelight dinner with the sexy vampire of your dreams. The (black) magical season is here—and whether it's a solstice séance gone demonically wrong with the incomparable Kim Harrison, a grossly misshapen Christmas with the remarkable Lynsay Sands, a blood-chilling-and-spilling New Year's with the wonderful Marjorie M. Liu, or a super-powered Thanksgiving with the phenomenal Vicki Pettersson, one thing is for certain: in the able hands of these exceptional dark side explorers, the holidays are going to be deliciously hellish!
In this unusual paranormal collection by some of the genre's best-known authors, readers are treated to a surfeit of holiday romances that range from Thanksgiving to Chinese New Year. A fledgling witch invokes a spirit with frighteningly unexpected results in Harrison's winter-set "Two Ghosts for Sister Rachel"; a woman on the run from the madman who turned her into a shape-shifter finds unexpected love in Lynsay Sands's "Run, Run, Rudolph"; a Chinese undercover antiterrorist operative and a renegade necromancer join to stop a band of life-stealing vampires in Marjorie M. Liu's exotic "Six"; and a superheroine returns to the real world to fight for children and finds love as well in Vicki Pettersson's "The Harvest." These fast-paced, off-beat tales will pique the interest of sophisticated readers.
Loading...Chapter One
I stuck the end of the pencil between my teeth, brushing the eraser specks off the paper as I considered how best to answer the employment application. What skills can you bring to Inderland security that are clearly unique to you?
Sparkling wit? I thought, twining my foot around the kitchen chair and feeling stupid. A smile? The desire to smear the pavement with bad guys?
Sighing, I tucked my hair behind my ear and slumped into the kitchen chair. My eyes shifted to the clock above the sink as it ticked minutes into hours. I wasn't going to waste my life. Eighteen was too young to be accepted into the I.S. intern program without a parent's signature, but if I put my application in now, it would sit at the top of the stack until I was old enough, according to the guidance counselor. Like the recruiter had said, there was nothing wrong with going into the I.S. right out of college if you knew that's what you wanted to do. The fast track.
The faint sound of the front door opening brought my heart to my throat. I glanced at the sunset-gloomed window. Jamming the application under the stacked napkins, I shouted, "Hi, Mom! I thought you weren't going to be back until eight!"
Damn it, how was I supposed to finish this thing if she kept coming back?
But my alarm shifted to elation when a high falsetto voice responded, "It's eight in Buenos Aires, dear. Be a dove and find my rubbers for me? It's snowing."
"Robbie?" I stood so fast the chair nearly fell over. Heart pounding, I darted out of the kitchen and into the green hallway. There at the end, in awindbreaker and shaking snow from himself, was my brother Robbie. His narrow height came close to brushing the top of the door, and his shock of red hair caught the glow from the porch light. Slush-wet Dockers showed from under his jeans, totally inappropriate for the weather. On the porch behind him, a cabbie set down two suitcases.
"Hey!" I exclaimed, bringing his head up to show his green eyes glinting mischievously. "You were supposed to be on the vamp flight. Why didn't you call? I would've come to get you."
Robbie shoved a wad of money at the driver. Door still gaping behind him, he opened his arms, and I landed against him, my face hitting his upper chest instead of his middle like it had when we had said goodbye. His arms went around me, and I breathed in the scent of old Brimstone from the dives he worked in. The tears pricked, and I held my breath so I wouldn't cry. It had been over four and a half years. Inconsiderate snot had been at the West Coast all this time, leaving me to cope with Mom. But he'd come home this year for the solstice, and I sniffed back everything and smiled up at him.
"Hey, Firefly," he said, using our dad's pet name for me and grinning as he measured where my hair had grown to. "You got tall. And wow, hair down to your waist? What are you doing, going for the world's record?"
He looked content and happy, and I dropped back a step, suddenly uncomfortable. "Yeah, well, it's been almost five years," I accused. Behind him, the cab drove away, headlamps dim from the snow and moving slowly.
Robbie sighed. "Don't start," he begged. "I get enough of that from Mom. You going to let me in?" He glanced behind him at the snow. "It is cold out here."
"Wimp," I said, then grabbed one of the suitcases. "Ever hear about that magical thing called a coat?"
He snorted his opinion, hefting the last of the luggage and following me in. The door shut, and I headed down the second, longer hallway to his room, eager to get him inside and part of our small family again. "I'm glad you came," I said, feeling my pulse race from the suitcase's weight. I hadn't been in the hospital in years, but fatigue still came fast. "Mom's going to skin you when she gets back."
"Yeah, well I wanted to talk to you alone first."
Flipping the light switch with an elbow, I lugged his suitcase into his old room, relieved I'd vacuumed already. Blowing out my exhaustion, I turned with my arms crossed over my chest to hide my heavy breathing. "About what?"
Robbie wasn't listening. He had taken off his jacket to show a sharp-looking pinstripe shirt with a tie. Smiling, he spun in a slow circle. "It looks exactly the same."
I shrugged. "You know Mom."
His eyes landed on mine. "How is she?"
I looked at the floor. "Same. You want some coffee?"
With an easy motion, he swung the suitcase I had dragged in up onto the bed. "Don't tell me you drink coffee."
Half my mouth curved up into a smile. "Sweat of the gods," I quipped, coming close when he unzipped a front pocket and pulled out a clearly expensive bag of coffee. If the bland, environmentally conscious packaging hadn't told me what was in it, the heavenly scent of ground beans would have. "How did you get that through customs intact?" I said, and he smiled.
"I checked it."
His arm landed across my shoulders, and together we navigated the narrow hallway to the kitchen. Robbie was eight years older than me, a sullen babysitter who had become an overly protective brother, who had then vanished four-plus years ago when I needed him the most, fleeing the pain of our dad's death. I had hated him for a long time, envious that he could run when I was left to deal with Mom. But then I found out he'd been paying for Mom's psychiatrist. Plus some of my hospital bills. We all helped the way we could. And it wasn't like he could make that kind of money here in Cincinnati.
Holidays Are Hell. Copyright © by Kim Harrison. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.Chapter One
I stuck the end of the pencil between my teeth, brushing the eraser specks off the paper as I considered how best to answer the employment application. What skills can you bring to Inderland security that are clearly unique to you?
Sparkling wit? I thought, twining my foot around the kitchen chair and feeling stupid. A smile? The desire to smear the pavement with bad guys?
Sighing, I tucked my hair behind my ear and slumped into the kitchen chair. My eyes shifted to the clock above the sink as it ticked minutes into hours. I wasn't going to waste my life. Eighteen was too young to be accepted into the I.S. intern program without a parent's signature, but if I put my application in now, it would sit at the top of the stack until I was old enough, according to the guidance counselor. Like the recruiter had said, there was nothing wrong with going into the I.S. right out of college if you knew that's what you wanted to do. The fast track.
The faint sound of the front door opening brought my heart to my throat. I glanced at the sunset-gloomed window. Jamming the application under the stacked napkins, I shouted, "Hi, Mom! I thought you weren't going to be back until eight!"
Damn it, how was I supposed to finishthis thing if she kept coming back?
But my alarm shifted to elation when a high falsetto voice responded, "It's eight in Buenos Aires, dear. Be a dove and find my rubbers for me? It's snowing."
"Robbie?" I stood so fast the chair nearly fell over. Heart pounding, I darted out of the kitchen and into the green hallway. There at the end, in a windbreaker and shaking snow from himself, was my brother Robbie. His narrow height came close to brushing the top of the door, and his shock of red hair caught the glow from the porch light. Slush-wet Dockers showed from under his jeans, totally inappropriate for the weather. On the porch behind him, a cabbie set down two suitcases.
"Hey!" I exclaimed, bringing his head up to show his green eyes glinting mischievously. "You were supposed to be on the vamp flight. Why didn't you call? I would've come to get you."
Robbie shoved a wad of money at the driver. Door still gaping behind him, he opened his arms, and I landed against him, my face hitting his upper chest instead of his middle like it had when we had said goodbye. His arms went around me, and I breathed in the scent of old Brimstone from the dives he worked in. The tears pricked, and I held my breath so I wouldn't cry. It had been over four and a half years. Inconsiderate snot had been at the West Coast all this time, leaving me to cope with Mom. But he'd come home this year for the solstice, and I sniffed back everything and smiled up at him.
"Hey, Firefly," he said, using our dad's pet name for me and grinning as he measured where my hair had grown to. "You got tall. And wow, hair down to your waist? What are you doing, going for the world's record?"
He looked content and happy, and I dropped back a step, suddenly uncomfortable. "Yeah, well, it's been almost five years," I accused. Behind him, the cab drove away, headlamps dim from the snow and moving slowly.
Robbie sighed. "Don't start," he begged. "I get enough of that from Mom. You going to let me in?" He glanced behind him at the snow. "It is cold out here."
"Wimp," I said, then grabbed one of the suitcases. "Ever hear about that magical thing called a coat?"
He snorted his opinion, hefting the last of the luggage and following me in. The door shut, and I headed down the second, longer hallway to his room, eager to get him inside and part of our small family again. "I'm glad you came," I said, feeling my pulse race from the suitcase's weight. I hadn't been in the hospital in years, but fatigue still came fast. "Mom's going to skin you when she gets back."
"Yeah, well I wanted to talk to you alone first."
Flipping the light switch with an elbow, I lugged his suitcase into his old room, relieved I'd vacuumed already. Blowing out my exhaustion, I turned with my arms crossed over my chest to hide my heavy breathing. "About what?"
Robbie wasn't listening. He had taken off his jacket to show a sharp-looking pinstripe shirt with a tie. Smiling, he spun in a slow circle. "It looks exactly the same."
I shrugged. "You know Mom."
His eyes landed on mine. "How is she?"
I looked at the floor. "Same. You want some coffee?"
With an easy motion, he swung the suitcase I had dragged in up onto the bed. "Don't tell me you drink coffee."
Half my mouth curved up into a smile. "Sweat of the gods," I quipped, coming close when he unzipped a front pocket and pulled out a clearly expensive bag of coffee. If the bland, environmentally conscious packaging hadn't told me what was in it, the heavenly scent of ground beans would have. "How did you get that through customs intact?" I said, and he smiled.
"I checked it."
His arm landed across my shoulders, and together we navigated the narrow hallway to the kitchen. Robbie was eight years older than me, a sullen babysitter who had become an overly protective brother, who had then vanished four-plus years ago when I needed him the most, fleeing the pain of our dad's death. I had hated him for a long time, envious that he could run when I was left to deal with Mom. But then I found out he'd been paying for Mom's psychiatrist. Plus some of my hospital bills. We all helped the way we could. And it wasn't like he could make that kind of money here in Cincinnati.
Excerpted from Holidays Are Hell by Kim Harrison Copyright © 2007 by Kim Harrison. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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