Helter Skelter by Vincent Bugliosi, Curt Gentry

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About the Authors

VINCENT BUGLIOSI received his law degree in 1964 from U.C.L.A. law school, where he was president of his graduating class. In his career as a prosecutor for the Los Angeles County District Attorney's office, he successfully prosecuted 105 out of 106 felony jury trials, including twenty-one murder convictions without a single loss. His most famous trial was the Charles Manson case, which became the basis of his true crime classic, Helter Skelter, the biggest selling true crime book in publishing history. But even before the Manson case, in the television series The DA, actor Robert Conrad patterned his starring role after Bugliosi.

Bugliosi has uncommonly attained success in two separate and distinct fields, as a lawyer and an author. Three of his true crime books, Helter Skelter, And The Sea Will Tell, and Outrage, The Five Reasons Why O.J. Simpson Got Away With Murder, reached number one on the New York Times hardcover bestseller list. No other American true crime author has ever had more than one book that achieved this ranking.

And as a trial lawyer, the judgment of his peers says it all. "Bugliosi is as good a prosecutor as there ever was," Alan Dershowitz says. F. Lee Bailey calls Bugliosi "the quintessential prosecutor." Harry Weiss, a veteran criminal defense attorney who has gone up against Bugliosi in court, says: "I've seen all the great trial lawyers of the past thirty years and none of them are in Vince's class." Robert Tanenbaum, for years the top prosecutor in the Manhattan District Attorney's office, says, "There is only one Vince Bugliosi. He's the best." Perhaps most telling of all is the comment by Gerry Spence, who squared off against Bugliosi in a twenty-one hour televised, scriptless "docutrial" of Lee Harvey Oswald, in which the original key witnesses to the Kennedy assassination testified and were cross-examined. After the Dallas jury returned a guilty verdict in Bugliosi's favor, Spence said, "No other lawyer in America could have done what Vince did in this case."

With the recent compilation CD he produced, Greatest Latin Love Songs Of The Century, which the incomparable Chilean, Lucho Gatica - whom many believe to be the greatest singer of boleros Latin America has ever produced - calls "the best album of Latin love songs I have ever heard," Bugliosi seems to be launching yet another career.

Bugliosi lives with his wife in Los Angeles and is working on a book about the assassination of President John F. Kennedy.

CURT GENTRY is the author of twelve other books, including J. Edgar Hoover: The Man and the Secrets, The Last Days of the Late, Great State of California and Operation Overflight (with U-2 spy pilot Francis Gary Powers).

He lives in San Francisco and is currently working on a history of the mob in Las Vegas.

New Republic

[A] social document of rare importance.

Chicago Sun-Times

One of the best crime stories ever written.

Product Details

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Table of Contents

Read an Excerpt

Read a Sample Chapter

It was so quiet, one of the killers would later say, you could almost hear the sound of ice rattling in cocktail shakers in the homes way down the canyon.

The canyons above Hollywood and Beverly Hills play tricks with sounds. A noise clearly audible a mile away may be indistinguishable at a few hundred feet.

It was hot that night, but not as hot as the night before, when the temperature hadn't dropped below 92 degrees. The three-day heat wave had begun to break a couple of hours before, about 10 P.M. on Friday--to the psychological as well as the physical relief of those Angelenos who recalled that on such a night, just four years ago, Watts had exploded in violence. Though the coastal fog was now rolling in from the Pacific Ocean, Los Angeles itself remained hot and muggy, sweltering in its own emissions, but here, high above most of the city, and usually even above the smog, it was at least 10 degrees cooler. Still, it remained warm enough so that many residents of the area slept with their windows open, in hopes of catching a vagrant breeze.

All things considered, it's surprising that more people didn't hear something.

But then it was late, just after midnight, and 10050 Cielo Drive was secluded.

Being secluded, it was also vulnerable.

Cielo Drive is a narrow street that abruptly winds upward from Benedict Canyon Road. One of its cul-de-sacs, easily missed though directly opposite Bella Drive, comes to a dead end at the high gate of 10050. Looking through the gate, you could see neither the main residence nor the guest house some distance beyond it, but you could see, toward the end of the paved parking area, a corner ofthe garage and, a little farther on, a split-rail fence which, though it was only August, was strung with Christmas-tree lights.

The lights, which could be seen most of the way from the Sunset Strip, had been put up by actress Candice Bergen when she was living with the previous tenant of 10050 Cielo Drive, TV and record producer Terry Melcher. When Melcher, the son of Doris Day, moved to his mother's beach house in Malibu, the new tenants left the lights up. They were on this night, as they were every night, adding a year-round holiday touch to Benedict Canyon.

From the front door of the main house to the gate was over a hundred feet. From the gate to the nearest neighbor on Cielo, 10070, was almost a hundred yards.

At 10070 Cielo, Mr. and Mrs. Seymour Kott had already gone to bed, their dinner guests having left about midnight, when Mrs. Kott heard, in close sequence, what sounded like three or four gunshots. They seemed to have come from the direction of the gate of 10050. She did not check the time but later guessed it to be between 12:30 and 1 A.M. Hearing nothing further, Mrs. Kott went to sleep.

About three-quarters of a mile directly south and downhill from 10050 Cielo Drive, Tim Ireland was one of five counselors supervising an overnight camp-out for some thirty-five children at the Westlake School for Girls. The other counselors had gone to sleep, but Ireland had volunteered to stay up through the night. At approximately 12:40 A.M. he heard from what seemed a long distance away, to the north or northeast, a solitary male voice. The man was screaming, "Oh, God, no, please don't! Oh, God, no, don't, don't, don't ..."

The scream lasted ten to fifteen seconds, then stopped, the abrupt silence almost as chilling as the cry itself. Ireland quickly checked the camp, but all the children were asleep. He awoke his supervisor, Rich Sparks, who had bedded down inside the school, and, telling him what he had heard, got his permission to drive around the area to see if anyone needed help. Ireland took a circuitous route from North Faring Road, where the school was located, south on Benedict Canyon Road to Sunset Boulevard, west to Beverly Glen, and northward back to the school. He observed nothing unusual, though he did hear a number of dogs barking.

There were other sounds in the hours before dawn that Saturday.

Emmett Steele, 9951 Beverly Grove Drive, was awakened by the barking of his two hunting dogs. The pair usually ignored ordinary sounds but went wild when they heard gunshots. Steele went out to look around but, finding nothing out of place, returned to bed. He estimated the time as between 2 and 3 A.M.

Robert Bullington, an employee of the Bel Air Patrol, a private security force used by many of the homeowners in the affluent area, was parked in front of 2175 Summit Ridge Drive, with his window down, when he heard what sounded like three shots, spaced a few seconds apart. Bullington called in; Eric Karlson, who was working the desk at patrol headquarters, logged the call at 4:11 A.M. Karlson in turn called the West Los Angeles Division of the Los Angeles Police Department (LAPD), and passed on the report. The officer who took the call remarked, "I hope we don't have a murder; we just had a woman-screaming call in that area."

Los Angeles Times delivery boy Steve Shannon heard nothing unusual when he pedaled his bike up Cielo Drive between 4:30 and 4:45 A.M. But as he put the paper in the mailbox of 10050, he did notice what looked like a telephone wire hanging over the gate. He also observed, through the gate and some distance away, that the yellow bug light on the side of the garage was still on.

Seymour Kott also noticed the light and the fallen wire when he went out to get his paper about 7:30 A.M.

About 8 A.M., Winifred Chapman got off the bus at the intersection of Santa Monica and Canyon Drive. A light-skinned black in her mid-fifties, Mrs. Chapman was the housekeeper at 10050 Cielo, and she was upset because, thanks to L.A.'s terrible bus service, she was going to be late to work. Luck seemed with her, however; just as she was about to look for a taxi, she saw a man she had once worked with, and he gave her a ride almost to the gate.

She noticed the wire immediately, and it worried her.

In front and to the left of the gate, not hidden but not conspicuous either, was a metal pole on the top of which was the gate-control mechanism. When the button was pushed, the gate swung open. There was a similar mechanism inside the grounds, both being positioned so a driver could reach the button without having to get out of the car.

Because of the wire, Mrs. Chapman thought the electricity might be off, but when she pushed the button, the gate swung open. Taking the Times out of the mailbox, she walked hurriedly onto the property, noticing an unfamiliar automobile in the driveway, a white Rambler, parked at an odd angle. But she passed it, and several other cars nearer the garage, without much thought. Overnight guests weren't that uncommon. Someone had left the outside light on all night, and she went to the switch at the corner of the garage and turned it off.

At the end of the paved parking area was a flagstone walkway that made a half circle to the front door of the main house. She turned right before coming to the walk, however, going to the service porch entrance at the back of the residence. The key was secreted on a rafter above the door. Taking it down, she unlocked the door and went inside, walking directly to the kitchen, where she picked up the extension phone. It was dead.

Thinking that she should alert someone that the line was down, she proceeded through the dining room toward the living room. Then she stopped suddenly, her progress impeded by two large blue steamer trunks, which hadn't been there when she had left the previous afternoon--and by what she saw.

There appeared to be blood on the trunks, on the floor next to them, and on two towels in the entryway. She couldn't see the entire living room--a long couch cut off the area in front of the fireplace--but everywhere she could see she saw the red splashes. The front door was ajar. Looking out, she saw several pools of blood on the flagstone porch. And, farther on, on the lawn, she saw a body.

Screaming, she turned and ran back through the house, leaving the same way she had come in but, on running down the driveway, changing her course so as to reach the gate-control button. In so doing, she passed on the opposite side of the white Rambler, seeing for the first time that there was a body inside the car too.

Once outside the gate, she ran down the hill to the first house, 10070, ringing the bell and pounding on the door. When the Kotts didn't answer, she ran to the next house, 10090, banging on that door and screaming, "Murder, death, bodies, blood!"

Fifteen-year-old Jim Asin was outside, warming up the family car. It was Saturday and, a member of Law Enforcement Unit 800 of the Boy Scouts of America, he was waiting for his father, Ray Asin, to drive him to the West Los Angeles Division of LAPD, where he was scheduled to work on the desk. By the time he got to the porch, his parents had opened the door. While they were trying to calm the hysterical Mrs. Chapman, Jim dialed the police emergency number. Trained by the Scouts to be exact, he noted the time: 8:33.

While waiting for the police, the father and son walked as far as the gate. The white Rambler was some thirty feet inside the property, too far away to make out anything inside it, but they did see that not one but several wires were down. They appeared to have been cut.

Returning home, Jim called the police a second time and, some minutes later, a third.

There is some confusion as to exactly what happened to the calls. The official police report only states, "At 0914 hours, West Los Angeles Units 8L5 and 8L62 were given a radio call, `Code 2, possible homicide, 10050 Cielo Drive.'"

The units were one-man patrol cars. Officer Jerry Joe DeRosa, driving 8L5, arrived first, light flashing and siren blaring. DeRosa began interviewing Mrs. Chapman, but had a difficult time of it. Not only was she still hysterical, she was vague as to what she had seen--"blood, bodies everyplace"--and it was hard to get the names and relationships straight. Polanski. Altobelli. Frykowski.

Ray Asin, who knew the residents of 10050 Cielo, stepped in. The house was owned by Rudi Altobelli. He was in Europe, but had hired a caretaker, a young man named William Garretson, to look after the place. Garretson lived in the guest house to the back of the property. Altobelli had rented the main residence to Roman Polanski, the movie director, and his wife. The Polanskis had gone to Europe, however, in March, and while they were away, two of their friends, Abigail Folger and Voytek Frykowski, had moved in. Mrs. Polanski had returned less than a month ago, and Frykowski and Folger were staying on with her until her husband returned. Mrs. Polanski was a movie actress. Her name was Sharon Tate.

Questioned by DeRosa, Mrs. Chapman was unable to say which, if any, of these people were the two bodies she had seen. To the names she added still another, that of Jay Sebring, a noted men's hair stylist and a friend of Mrs. Polanski's. She mentioned him because she remembered seeing his black Porsche with the other automobiles parked next to the garage.

Getting a rifle from his squad car, DeRosa had Mrs. Chapman show him how to open the gate. Walking cautiously up the driveway to the Rambler, he looked in the open window. There was a body inside, in the driver's seat but slumped toward the passenger side. Male, Caucasian, reddish hair, plaid shirt, blue denim pants, both shirt and pants drenched with blood. He appeared to be young, probably in his teens.

About this time Unit 8L62, driven by Officer William T. Whisenhunt, pulled up outside the gate. DeRosa walked back and told him he had a possible homicide. DeRosa also showed him how to open the gate, and the two officers proceeded up the driveway, DeRosa still carrying his rifle, Whisenhunt a shotgun. As Whisenhunt passed the Rambler, he looked in, noting that the window on the driver's side was down and both lights and ignition were off. The pair then checked out the other automobiles and, finding them empty, searched both the garage and the room above it. Still no one.

A third officer, Robert Burbridge, caught up with them. As the three men reached the end of the parking area, they saw not one but two inert forms on the lawn. From a distance they looked like mannequins that had been dipped in red paint, then tossed haphazardly on the grass.

They seemed grotesquely out of place on the well-cared-for lawn, with its landscaped shrubbery, flowers, and trees. To the right was the residence itself, long, rambling, looking more comfortable than ostentatious, the carriage light outside the main door shining brightly. Farther on, past the south end of the house, they could see a corner of the swimming pool, shimmering blue green in the morning light. Off to the side was a rustic wishing well. To the left was a split-rail fence, intertwined with Christmas-tree lights, still on. And beyond the fence was a sweeping, panoramic view that stretched all the way from downtown Los Angeles to the beach. Out there life was still going on. Here it had stopped.

The first body was eighteen to twenty feet past the front door of the residence. The closer they came, the worse it looked. Male, Caucasian, probably in his thirties, about five feet ten, wearing short boots, multicolored bell bottoms, purple shirt, casual vest. He was lying on his side, his head resting on his right arm, his left hand clutching the grass. His head and face were horribly battered, his torso and limbs punctured by literally dozens of wounds. It seemed inconceivable that so much savagery could be inflicted on one human being.

The second body was about twenty-five feet beyond the first. Female, Caucasian, long dark hair, probably in her late twenties. She was lying supine, her arms thrown out. Barefoot, she was wearing a full-length nightgown, which, before the many stab wounds, had probably been white.

The stillness now got to the officers. Everything was quiet, too quiet. The serenity itself became menacing. Those windows along the front of the house: behind any a killer could be waiting, watching.

Leaving DeRosa on the lawn, Whisenhunt and Burbridge went back toward the north end of the residence, looking for another way to get in. They'd be open targets if they entered the front door. They noticed that a screen had been removed from one of the front windows and was leaning up against the side of the building. Whisenhunt also observed a horizontal slit along the bottom of the screen. Suspecting this might have been where the killer or killers entered, they looked for another means of entry. They found a window open on the side. Looking in, they saw what appeared to be a newly painted room, devoid of furniture. They climbed in.

DeRosa waited until he saw them inside the house, then approached the front door. There was a patch of blood on the walk, between the hedges; several more on the right-hand corner of the porch; with still others just outside and to the left of the door and on the doorjamb itself. He didn't see, or later didn't recall, any footprints, though there were a number. The door being open, inward, DeRosa was on the porch before he noticed that something had been scrawled on its lower half.

Printed in what appeared to be blood were three letters: PIG.

Whisenhunt and Burbridge had finished checking out the kitchen and dining room when DeRosa entered the hallway. Turning left into the living room, he found his way partly blocked by the two blue steamer trunks. It appeared that they had been standing on end, then knocked over, as one was leaning against the other. DeRosa also observed, next to the trunks and on the floor, a pair of horn-rimmed glasses. Burbridge, who followed him into the room, noticed something else: on the carpet, to the left of the entrance, were two small pieces of wood. They looked like pieces of a broken gun grip.

They had arrived expecting two bodies, but had found three. They were now looking not for more death, but some explanation. A suspect. Clues.

The room was light and airy. Desk, chair, piano. Then something odd. In the center of the room, facing the fireplace, was a long couch. Draped over the back was a huge American flag.

Not until they were almost to the couch did they see what was on the other side.

She was young, blond, very pregnant. She lay on her left side, directly in front of the couch, her legs tucked up toward her stomach in a fetal position. She wore a flowered bra and matching bikini panties, but the pattern was almost indistinguishable because of the blood, which looked as if it had been smeared over her entire body. A white nylon rope was looped around her neck twice, one end extending over a rafter in the ceiling, the other leading across the floor to still another body, that of a man, which was about four feet away.

The rope was also looped twice around the man's neck, the loose end going under his body, then extending several feet beyond. A bloody towel covered his face, hiding his features. He was short, about five feet six, and was lying on his right side, his hands bunched up near his head as if still warding off blows. His clothing--blue shirt, white pants with black vertical stripes, wide modish belt, black boots--was blood-drenched.

None of the officers thought about checking either body for pulse. As with the body in the car and the pair on the lawn, it was so obviously unnecessary.

Although DeRosa, Whisenhunt, and Burbridge were patrolmen, not homicide detectives, each, at some time in the course of his duties, had seen death. But nothing like this. 10050 Cielo Drive was a human slaughterhouse.

Shaken, the officers fanned out to search the rest of the house. There was a loft above the living room. DeRosa climbed up the wooden ladder and nervously peeked over the top, but saw no one. A hallway connected the living room with the south end of the residence. There was blood in the hall in two places. To the left, just past one of the spots, was a bedroom, the door of which was open. The blankets and pillows were rumpled and clothing strewn about, as if someone--possibly the nightgown-clad woman on the lawn--had already undressed and gone to bed before the killer or killers appeared. Sitting atop the headboard of the bed, his legs hanging down, was a toy rabbit, ears cocked as if quizzically surveying the scene. There was no blood in this room, nor any evidence of a struggle.

Across the hall was the master bedroom. Its door was also open, as were the louvered doors at the far end of the room, beyond which could be seen the swimming pool.

This bed was larger and neater, the white spread turned back to reveal a gaily flowered top sheet and a white bottom sheet with a gold geometric pattern. In the center of the bed, rather than across the top, were two pillows, dividing the side that had been slept on from the side that hadn't. Across the room, facing the bed, was a TV set, on each side of which was a handsome armoire. On top of one was a white bassinet.

Cautiously, adjoining doors were opened: dressing room, closet, bath, closet. Again no signs of a struggle. The telephone on the nightstand next to the bed was on the hook. Nothing overturned or upset.

However, there was blood on the inside left side of the louvered French door, suggesting that someone, again possibly the woman on the lawn, had run out this way, attempting to escape.

Stepping outside, the officers were momentarily blinded by the glare from the pool. Asin had mentioned a guest house behind the main residence. They spotted it now, or rather the corner of it, some sixty feet to the southeast, through the shrubbery.

Approaching it quietly, they heard the first sounds they had heard since coming onto the premises: the barking of a dog, and a male voice saying, "Shhh, be quiet."

Whisenhunt went to the right, around the back of the house. DeRosa turned left, proceeding around the front, Burbridge following as backup. Stepping onto the screened-in porch, DeRosa could see, in the living room, on a couch facing the front door, a youth of about eighteen. He was wearing pants but no shirt, and though he did not appear to be armed, this did not mean, DeRosa would later explain, that he didn't have a weapon nearby.

Yelling "Freeze!," DeRosa kicked in the front door.

Startled, the boy looked up to see one, then, moments later, three guns pointing directly at him. Christopher, Altobelli's large Weimaraner, charged Whisenhunt, chomping the end of his shotgun. Whisenhunt slammed the porch door on his head, then held him trapped there until the youth called him off.

As to what then happened, there are contrary versions.

The youth, who identified himself as William Garretson, the caretaker, would later state that the officers knocked him down, handcuffed him, yanked him to his feet, dragged him outside onto the lawn, then knocked him down again.

DeRosa would later be asked, re Garretson:

Q. "Did he fall or stumble to the floor at any time?"

A. "He may have; I don't recall whether he did or not."

Q. "Did you direct him to lay on the ground outside?"

A. "I directed him, yes, to lay on the ground, yes."

Q. "Did you help him to the ground?"

A. "No, he went down on his own."

Garretson kept asking, "What's the matter? What's the matter?" One of the officers replied, "We'll show you!" and, pulling him to his feet, DeRosa and Burbridge escorted him back along the path toward the main house.

Whisenhunt remained behind, looking for weapons and blood-stained clothing. Though he found neither, he did notice many small details of the scene. One at the time seemed so insignificant that he forgot it until later questioning brought it back to mind. There was a stereo next to the couch. It had been off when they entered the room. Looking at the controls, Whisenhunt noticed that the volume setting was between 4 and 5.

Garretson, meantime, had been led past the two bodies on the lawn. It was indicative of the condition of the first, the young woman, that he mistakenly identified her as Mrs. Chapman, the Negro maid. As for the man, he identified him as "the young Polanski." If, as Chapman and Asin had said, Polanski was in Europe, this made no sense. What the officers couldn't know was that Garretson believed Voytek Frykowski to be Roman Polanski's younger brother. Garretson failed completely when it came to identifying the young man in the Rambler.

At some point, no one recalls exactly when, Garretson was informed of his rights and told that he was under arrest for murder. Asked about his activities the previous night, he said that although he had remained up all night, writing letters and listening to records, he had neither heard nor seen anything. His highly unlikely alibi, his "vague, unrealistic" replies, and his confused identification of the bodies led the arresting officers to conclude that the suspect was lying.

Five murders--four of them probably occurring less than a hundred feet away--and he had heard nothing?

Escorting Garretson down the driveway, DeRosa located the gate-control mechanism on the pole inside the gate. He noticed that there was blood on the button.

The logical inference was that someone, quite possibly the killer, had pressed the button to get out, in so doing very likely leaving a fingerprint.

Officer DeRosa, who was charged with securing and protecting the scene until investigating officers arrived, now pressed the button himself, successfully opening the gate but also creating a superimposure that obliterated any print that may have been there.

Later DeRosa would be questioned regarding this:

Q. "Was there some reason why you placed your finger on the bloody button that operated the gate?"

A. "So that I could go through the gate."

Q. "And that was intentionally done?"

A. "I had to get out of there."

It was 9:40. DeRosa called in, reporting five deaths and a suspect in custody. While Burbridge remained behind at the residence, awaiting the arrival of the investigating officers, DeRosa and Whisenhunt drove Garretson to the West Los Angeles police station for questioning. Another officer took Mrs. Chapman there also, but she was so hysterical she had to be driven to the UCLA Medical Center and given sedation.

In response to DeRosa's call, four West Los Angeles detectives were dispatched to the scene. Lieutenant R. C. Madlock, Lieutenant J. J. Gregoire, Sergeant F. Gravante, and Sergeant T. L. Rogers would all arrive within the next hour. By the time the last pulled up, the first reporters were already outside the gate.

Monitoring the police radio bands, they had picked up the report of five deaths. It was hot and dry in Los Angeles, and fire was a constant concern, especially in the hills, where within minutes lives and property could vanish in an inferno. Someone apparently presumed the five people had been killed in a fire. Jay Sebring's name must have been mentioned in one of the police calls, because a reporter phoned his residence and asked his butler, Amos Russell, if he knew anything about "the deaths by fire." Russell called John Madden, president of Sebring International, and told him about the call. Madden was concerned: neither he nor Sebring's secretary had heard from the hair stylist since late the previous afternoon. Madden placed a call to Sharon Tate's mother in San Francisco. Sharon's father, a colonel in Army Intelligence, was stationed at nearby Fort Baker and Mrs. Tate was visiting him. No, she hadn't heard from Sharon. Or Jay, who was due in San Francisco sometime that same day.

Prior to her marriage to Roman Polanski, Sharon Tate had lived with Jay Sebring. Though thrown over for the Polish film director, Sebring had remained friends with Sharon's parents, as well as Sharon and Roman, and whenever he was in San Francisco he usually called Colonel Tate.

When Madden hung up, Mrs. Tate called Sharon's number. The phone rang and rang, but there was no answer.

It was quiet inside the house. Though anyone who called got a ringing signal, the phones were still out. Officer Joe Granado, a forensic chemist with SID, the Scientific Investigation Division of LAPD, was already at work, having arrived about 10 A.M. It was Granado's job to take samples from wherever there appeared to be blood. Usually, on a murder case, Granado would be done in a hour or two. Not today. Not at 10050 Cielo Drive.

Mrs. Tate called Sandy Tennant, a close friend of Sharon's and the wife of William Tennant, Roman Polanski's business manager. No, neither she nor Bill had heard from Sharon since late the previous afternoon. At that time Sharon had said that she, Gibby (Abigail Folger), and Voytek (Frykowski) were staying in that night. Jay had said he'd be dropping over later, and she invited Sandy to join them. No party was planned, just a quiet evening at home. Sandy, just over the chicken pox, had declined. Like Mrs. Tate, she had tried to call Sharon that morning but had received no answer.

Sandy assured Mrs. Tate that there was probably no connection between the report of the fire and 10050 Cielo Drive. However, just as soon as Mrs. Tate hung up, Sandy put in a call to her husband's tennis club and had him paged. It was important, she said.

Sometime between 10 and 11 A.M., Raymond Kilgrow, a telephone company representative, climbed the pole outside the gate to 10050 Cielo Drive and found that four phone wires had been cut. The cuts were close to the attachment on the pole, indicating that the person responsible had probably climbed the pole too. Kilgrow repaired two of the wires, leaving the others for the detectives to examine.

Police cars were arriving every few minutes now. And as more officers visited the scene, that scene changed.

The horn-rimmed glasses, first observed by DeRosa, Whisenhunt, and Burbridge near the two trunks, had somehow moved six feet away, to the top of the desk.

Two pieces of gun grip, first seen near the entryway, were now under a chair in the living room. As stated in the official LAPD report: "They were apparently kicked under the chair by one of the original officers on the scene; however, no one is copping out."

A third piece of gun grip, smaller than the others, was later found on the front porch.

And one or more officers tracked blood from inside the residence onto the front porch and walk, adding several more bloody footprints to those already there. In an attempt to identify and eliminate the later additions, it would be necessary to interview all the personnel who had visited the scene, asking each if he had been wearing boots, shoes with smooth or rippled soles, and so on.

Granado was still taking blood samples. Later, in the police lab, he would give them the Ouchterlony test, to determine if the blood was animal or human. If human, other tests would be applied to determine the blood type--A, B, AB, or O--and the subtype. There are some thirty blood subtypes; however, if the blood is already dry when the sample is taken, it is only possible to determine whether it is one of three -- M, N, or MN. It had been a warm night, and it was already turning into another hot day. By the time Granado got to work, most of the blood, except for the pools near the bodies inside, had already dried.

Within the next several days Granado would obtain from the Coroner's Office a blood sample from each of the victims, and would attempt to match these with the samples he'd already collected. In an ordinary murder case the presence of two blood types at the crime scene might indicate that the killer, as well as the victim, had been wounded, information which could be an important clue to the killer's identity.

But this was no ordinary murder. Instead of one body, there were five.

There was so much blood, in fact, that Granado overlooked some spots. On the right side of the front porch, as approached from the walk, there were several large pools of blood. Granado took a sample from only one spot, presuming, he later said, all were the same. Just to the right of the porch, the shrubbery appeared broken, as if someone had fallen into the bushes. Blood splatters there seemed to bear this out. Granado missed these. Nor did he take samples from the pools of blood in the immediate vicinity of the two bodies in the living room, or from the stains near the two bodies on the lawn, presuming, he'd later testify, that they belonged to the nearest victims, and he'd be getting samples from the coroner anyway.

Granado took a total of forty-five blood samples. However, for some reason never explained, he didn't run subtypes on twenty-one of them. If this is not done a week or two after collection, the components of the blood break down.

Later, when an attempt was made to re-create the murders, these omissions would cause many problems.

Just before noon William Tennant arrived, still dressed in tennis clothes, and was escorted through the gate by the police. It was like being led through a nightmare, as he was taken first to one body, then another. He didn't recognize the young man in the automobile. But he identified the man on the lawn as Voytek Frykowski, the woman as Abigail Folger, and the two bodies in the living room as Sharon Tate Polanski and, tentatively, Jay Sebring. When the police lifted the bloody towel, the man's face was so badly contused Tennant couldn't be sure. Then he went outside and was sick.