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The Gulag--a vast array of Soviet concentration camps that held millions of political and criminal prisoners--was a system of repression and punishment that terrorized the entire society, embodying the worst tendencies of Soviet communism. In this magisterial and acclaimed history, Anne Applebaum offers the first fully documented portrait of the Gulag, from its origins in the Russian Revolution, through its expansion under Stalin, to its collapse in the era of glasnost. Applebaum intimately re-creates what life was like in the camps and links them to the larger history of the Soviet Union. Immediately recognized as a landmark and long-overdue work of scholarship, Gulag is an essential book for anyone who wishes to understand the history of the twentieth century.
Winner of the 2004 Pulitzer Prize for General Nonfiction.
Finalist for the 2003 National Book Award, Nonfiction.
Applebaum's book weighs in heavily in support of Solzhenitsyn on almost every point, and her account is backed not only by a careful use of the vast memoir literature but also by a thorough mining of the long-closed Soviet archives. Most important, she supports Solzhenitsyn's central argument: that the gulag was not some incidental Stalinist accretion to Lenin's visionary concept of Socialism. The cancer of police terror was embedded in the original DNA of Lenin's creation, ''an integral part of the Soviet system,'' in Applebaum's words. Under Lenin, the first concentration camps were created; the first mass executions were carried out. He bequeathed to his successor a well-functioning police state. — Steven Merritt Miner
More Reviews and RecommendationsA columnist and member of the editorial board of The Washington Post, Anne Applebaum is the author of Gulag: A History, an acclaimed historical account of the Soviet concentration camp system that won the 2004 Pulitzer Prize for General Nonfiction.
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August 08, 2008: Excellent book by Anne Appelbaum. What's amazing is there are still those who claim the statistics listed in the book are false. Sort of like when Stalin tried to blame the deaths of Polish in the Katyn Forest on the Nazi's, some still are blinded by the truth about the horrors of Stalin and Soviet Russia How sad. Thank you Anne Appelbaum for a fantastic book about the truth.
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October 12, 2004: Ms Applebaum follows in an inglorious tradition that started with a certain Mr Josef Goebbels. He was the first to claim that 'countless millions' perished in Soviet labour camps. Why did he do this? To try to justify the Nazis' genocidal attacks on the Soviet Union. Presentday anti-socialist propagandists repeat these old lies in order to scare people off socialism and into the arms of their capitalist exploiters. Ms Applebaum appears to claim that Stalin, killed about 4.5 million Soviet citizens in the camps. However, the recently opened Russian archives show that the true figure is far lower, at about 300,000 deaths for the 1930s. Ms Applebaum, like most writers on the subject, relies not on the archives, but on Robert Conquest?s estimates. But Richard Evans, Professor of Modern History at Cambridge University, has explained how Conquest reached his figures: ?Robert Conquest?s The Harvest of Sorrow: Soviet Collectivization and the Terror Famine (New York, 1986) argues that the `dekulakization? of the early 1930s led to the deaths of 6,500,000 people. But this estimate is arrived at by extremely dubious methods, ranging from reliance on hearsay evidence through double counting to the consistent employment of the highest possible figures in estimates made by other historians.? For another example, the American historian Charles Maier stated that Stalin was responsible for more deaths than Hitler. But Evans observed that Maier could only reach this conclusion by accepting ?Conquest?s implausible and inflated estimates without question, while omitting deaths caused by Nazi aggression in the East (which also, apart from military and exterminatory action, led to famines and deportations). The number of deaths caused by Nazism?s eastward drive may itself have been as many as 20 million.? (Richard Evans, In Hitler?s shadow, Tauris, 1989, page 170.) In fact, to reach his judgement of comparative responsibility, Maier simply omitted all the 50 million people killed in the world war that Hitler started. Perhaps in Ms Applebaum's next book, she might do some research into the greatest mass murderer of the 20th century, Adolf Hitler. She might even study how the Soviet Union smashed 70% of Hitler's divisions, making the decisive contribution to the defeat of Nazism and the freeing of so many nations from Nazi tyranny.
Name:
Anne Applebaum
Current Home:
Poland
Date of Birth:
July 25, 1964
Place of Birth:
Washington, D.C.
Education:
B.A., Yale University, 1986; M.Sc., London School of Economics, 1987; St. Antony’s College, Oxford
Awards:
Charles Douglas-Home Memorial Trust prize for journalism in the Soviet Union, 1992; Adolph Bentinck Special Mention Award for Between East and West, 1996
Anne Applebaum is a columnist and member of the editorial board of The Washington Post.
She began working as a journalist in 1988, when she moved to Poland to become the Warsaw correspondent for the Economist. She eventually covered the collapse of communism across Central and Eastern Europe, writing for a wide range of newspapers and magazines.
Returning to London in 1992, she became the Foreign Editor, and later Deputy Editor, of the Spectator magazine. Following that, she wrote a weekly column on British politics and foreign affairs, which appeared at different times in the Daily Telegraph, the Sunday Telegraph, and the Evening Standard newspapers. She covered the 1997 British election campaign as the Evening Standard's political editor. For several years, she wrote the "Foreigners" column in Slate magazine.
Her first book, Between East and West: Across the Borderlands of Europe, described a journey through Lithuania, Ukraine and Belarus, then on the verge of independence. Her second book, Gulag: A History, narrates the history of the Soviet concentration camp system and describes daily life in the camps. It makes extensive use of recently-opened Russian archives.
Over the years, her writing has appeared in The Wall Street Journal, The Financial Times, The International Herald Tribune, Foreign Affairs, The Boston Globe, The Independent, The Guardian, Commentaire, Suddeutsche Zeitung, Newsweek, The New Criterion, The Weekly Standard, The New Republic, The New York Review of Books, The National Review, The New Statesman, The Times Literary Supplement and the Literary Review, among others. She has appeared as a guest and as a presenter on many radio and television programs, among them BBC's Newsnight, The Today Progamme, The Week in Westminster, as well as CNN, MSNBC, CBS and Sky News.
Anne Applebaum was born in Washington, D.C. in 1964. After graduating from Yale University, she was a Marshall Scholar at the London School of Economics and St. Antony's College, Oxford. In 1992 she won the Charles Douglas-Home Memorial Trust award for journalism in the ex-Soviet Union. Between East and West won an Adolph Bentinck prize for European non-fiction in 1996. Her husband, Radek Sikorski, is a Polish politician and writer. They have two children, Alexander and Tadeusz.
Author biography courtesy of Anne Applebaum's official web site.
herself:
"I met my husband because he and I decided to drive to the Berlin Wall on the night that it was first opened -- we drove there, together with another friend. Since he's from the East -- he grew up in Poland -- and I'm from the West, we've always liked the symbolism of that encounter."
"It was my foreign husband who finally persuaded me to move back to the United States, in 2002. After 16 years, I'd already reconciled myself to living abroad and had acquired dual citizenship in Britain. I thought of myself as a British journalist -- I'd never worked in the U.S. Now people seem surprised to learn that I was gone for so long." [Note: In 2006, Applebaum moved back to Poland with her husband.]
"If it were practical, I'd probably live in a Polish country house -- it's a 19th-century manor house that my husband and his parents have been restoring for the past decade. It isn't near anything -- it's provincial in the best sense of the word -- so is therefore impractical, but it is enormously satisfying to spend time in an old place that is nevertheless designed the way we wanted it designed. Although it has no architectural or historical significance, it is a house with an unusually calm aura, one that has inspired others -- while researching his own book about the place (The Polish House), my husband discovered that a novel had been written about it in the early 20th century.
What was the book that most influenced your life or your career as a writer -- and why?
Different books influenced me at different times. But the most important recent influence was Primo Levi's If This Is a Man, his account of his experiences in Auschwitz. I first read this book when I was much younger. At the time, it was the first account of the Holocaust I had read that did not describe the events only as a tragedy, but also as a profound test of individual character. Levi's descriptions of why some prisoners survived -- and others did not -- remains the classic account of how different kinds of people respond to extreme circumstances, how vices can become virtues in a concentration camp, and how individual and unpredictable are human reactions to suffering. Later, while doing the research for my book about the Gulag, I read it again, several times, mostly because I was struck by Levi's tone, and in particular his ability to empathize with the people he writes about, but not to sentimentalize them. I aspire to achieve something similar.
What are your favorite books, and what makes them special to you?
In no particular order:
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like many kinds of music -- including pop songs that remind me of particular parts of my life -- but am particularly addicted to Schubert lieder, as well as Ella Fitzgerald singing Cole Porter. I can't listen to anything at all when I write, particularly not songs with words -- it's far too distracting.
What are your favorite kinds of books to give -- and get -- as gifts?
Without question, my favorite books to buy, at the moment, are beautifully bound, hardback editions of children's classics. In recent months, I've bought everything from The Railway Children and Alice Through the Looking Glass to Where the Wild Things Are for my children, my children's friends and my friend's children. I suppose it's a not-very-subtle attempt to inoculate them against video game culture.
By the same token, the books I most love getting, and giving to adults, are also well-made classics. Not long ago, I bought a complete edition of Gibbon's Decline and Fall of the Roman Empire for my husband, which was very satisfying.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I write best in the morning, and have a lot of trouble staying focused in the afternoons. However, I have one ritual which almost always serves as the perfect cure for writer's block or afternoon writer's fatigue: a 20-minute nap. When you wake up it's like starting the day over again.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I feel like I've been writing for my whole life, so it's hard to say how long it took me to get "here", wherever that is. My most recent book took six years to complete, and I did most of it while living in Poland, where my husband was in the government. In order to have a small space separate from my children, I rented a tiny apartment in a classic, gray cement, Communist-era apartment block, and wrote most of the manuscript there. I couldn't see anything out the window except other gray cement apartment blocks. Somehow, it was the right atmosphere.
Here's an inspirational anecdote: when I first began to write a book about the Gulag, I went to see a famous scholar of the subject in Russia. He took one look at me, shook his head, and said, "It's impossible, you can't do it." I saw him recently and he told me not only how much he liked the book but how many other people had told him they liked it too.
What tips or advice do you have for writers still looking to be discovered?
Write about subjects you care about.
The Gulag--a vast array of Soviet concentration camps that held millions of political and criminal prisoners--was a system of repression and punishment that terrorized the entire society, embodying the worst tendencies of Soviet communism. In this magisterial and acclaimed history, Anne Applebaum offers the first fully documented portrait of the Gulag, from its origins in the Russian Revolution, through its expansion under Stalin, to its collapse in the era of glasnost. Applebaum intimately re-creates what life was like in the camps and links them to the larger history of the Soviet Union. Immediately recognized as a landmark and long-overdue work of scholarship, Gulag is an essential book for anyone who wishes to understand the history of the twentieth century.
Applebaum's book weighs in heavily in support of Solzhenitsyn on almost every point, and her account is backed not only by a careful use of the vast memoir literature but also by a thorough mining of the long-closed Soviet archives. Most important, she supports Solzhenitsyn's central argument: that the gulag was not some incidental Stalinist accretion to Lenin's visionary concept of Socialism. The cancer of police terror was embedded in the original DNA of Lenin's creation, ''an integral part of the Soviet system,'' in Applebaum's words. Under Lenin, the first concentration camps were created; the first mass executions were carried out. He bequeathed to his successor a well-functioning police state. — Steven Merritt Miner
Anne Applebaum has spent the last several years researching and writing this first comprehensive history. Gulag: A History is a model of patient, readable scholarship. Lucid, painstakingly detailed, never sensational, it should have a place on every educated reader's shelves. — Lesley Chamberlain
Anne Applebaum's Gulag is an epic portrait of this crime against humanity. Applebaum needs all of her 600 pages of text to describe the rise and fall of the Gulag, along with the repressive prison systems that preceded and replaced it. More important, she sets before us "the experience of the victims" who were caught up in a cold vortex of senseless cruelty. Her book is a vast synthesis of all the available Gulag memoirs, supplemented by archival research. — Lars T. Lih
Nearly 30 million prisoners passed through the Soviet Union's labor camps in their more than 60 years of operation. This remarkable volume, the first fully documented history of the gulag, describes how, largely under Stalin's watch, a regulated, centralized system of prison labor-unprecedented in scope-gradually arose out of the chaos of the Russian Revolution. Fueled by waves of capricious arrests, this prison labor came to underpin the Soviet economy. Applebaum, a former Warsaw correspondent for the Economist and a regular contributor to the Wall Street Journal and the Washington Post, draws on newly accessible Soviet archives as well as scores of camp memoirs and interviews with survivors to trace the gulag's origins and expansion. By the gulag's peak years in the early 1950s, there were camps in every part of the country, and slave labor was used not only for mining and heavy industries but for producing every kind of consumer product (chairs, lamps, toys, those ubiquitous fur hats) and some of the country's most important science and engineering (Sergei Korolev, the architect of the Soviet space program, began his work in a special prison laboratory). Applebaum details camp life, including strategies for survival; the experiences of women and children in the camps; sexual relationships and marriages between prisoners; and rebellions, strikes and escapes. There is almost too much dark irony to bear in this tragic, gripping account. Applebaum's lucid prose and painstaking consideration of the competing theories about aspects of camp life and policy are always compelling. She includes an appendix in which she discusses the various ways of calculating how many died in the camps, and throughout the book she thoughtfully reflects on why the gulag does not loom as large in the Western imagination as, for instance, the Holocaust. (Apr.) Copyright 2003 Cahners Business Information.
Gulag, the searing acronym for the Soviet bureaucracy that administered penal labor camps, ruled a sprawling empire comprising 476 complexes. Each complex contained thousands of individual camps, through which more than 18 million people passed between 1929 and 1953, maybe 3 million or more of whom perished. Applebaum examines this monster from many angles, including its origins, its "function," especially in the Stalinist system, its exponential growth after 1929 and in the 1940s, as well as moments in the "meat grinder" (as it was known): arrest, transit, in, out, and back. Her separate portraits of the guards, the "thieves in law," the common criminals (whose crime may have been coming to work ten minutes late), and the political prisoners (whose transgression may have been telling a political joke) have a special vividness and poignancy. Gulag is a tightly told, complex, heartbreaking, and mind-bending story.
Subsequent to Solzhenitsyn's landmark Gulag Archipelago and One Day in the Life of Ivan Denisovich, Applebaun, former Warsaw correspondent for the Economist and currently on the editorial staff at the Washington Post, has captured the full brutality and economic engine for the Soviet state that was the Gulag prison system. This book is perfectly timed to follow such recent works as Golfo Alexopoulos's Stalin's Outcasts: Aliens, Citizens, and the Soviet State 1926-1936. With a finely honed writer's skill, Applebaum thoroughly describes in minute detail the system of camps, the prisoners, camp administration, camp life, and Stalin's obsession with slave labor. "GULAG is an acronym, meaning Glavnoe Upravlenie Lagerei, or Main Camp Administration. Over time, the word `Gulag' has also come to signify not only the administration of the concentration camps but also the system of Soviet slave labor itself." Intellectually, Americans and Western Europeans know roughly what happened in the Soviet Union, but the crimes of Stalin do not inspire the same visceral reaction as do the crimes of the Third Reich. This first complete history of the Gulag system not only points out the similarities with the Nazis and their concentration camps but also puts Stalin and his Gulag on the same ghastly level. Highly recommended for public and academic libraries. [Previewed in Prepub Alert, LJ 12/02.]-Harry Willems, Southeast Kansas Lib. Syst., Iola Copyright 2003 Reed Business Information.
A searing, engrossing history of the most extensive, longest-lived experiment in "rationalized evil" the world has ever known. From 1929 to 1953--the years in which Josef Stalin ruled the Soviet Union--at least 18 million people passed through the massive penal and slave-labor system known as the Gulag. Though that system had antecedents in tsarist Russian, former Economist correspondent Applebaum writes, it took Stalin to shape the Gulag into an enormous machine; Stalin believed, she asserts, that "the Gulag was critical to Soviet economic growth," offering an endless source of free labor to the state. Stalin’s successors, however, saw it as "a source of backwardness and distorted investment," and within days of Stalin’s death began to dismantle the most infamous camps--though not before untold millions had died within them. Applebaum (Between East and West, 1994) charts the inception and development of the Gulag, showing how it served to channel the millions of deportees during the famines of the 1920s and ’30s, the victims of political purges before WWII, and whole nations--including the Chechens and Tartars--during the war against Germany. Drawing on accounts by survivors, she also documents daily life inside the Gulag, a Dante-esque existence of individual rituals in the face of death: "Never on any account take more than a half-hour to consume your ration," one such account warns. "Every bite of bread should be chewed thoroughly. . . . Eat it all at one sitting; if, on the other hand, you gobble it down too quickly, as famished people often do in normal circumstances, you will also shorten your days." Throughout, Applebaum’s account runs a large question: Why did the West do nothingabout the Gulag, even though its existence and the reality of other Soviet crimes against humanity were well known? Perhaps because we can’t admit that we allied ourselves with one mass murderer to battle another. But, she adds in closing, we had better not deny such crimes the next time they occur--as they certainly will. Extraordinary in its range and lucidity: a most welcome companion to Bernard-Henri Levi’s Barbarism With a Human Face, Robert Conquest’s The Great Terror, and, of course, Aleksandr Solzhenitsyn’s Gulag Archipelago.
Loading...| Acknowledgments | ||
| Introduction | ||
| Pt. 1 | The Origins of the Gulag, 1917-1939 | |
| 1 | Bolshevik Beginnings | 3 |
| 2 | "The First Camp of the Gulag" | 18 |
| 3 | 1929: The Great Turning Point | 41 |
| 4 | The White Sea Canal | 58 |
| 5 | The Camps Expand | 73 |
| 6 | The Great Terror and Its Aftermath | 92 |
| Pt. 2 | Life and Work in the Camps | |
| 7 | Arrest | 121 |
| 8 | Prison | 146 |
| 9 | Transport, Arrival, Selection | 159 |
| 10 | Life in the Camps | 183 |
| 11 | Work in the Camps | 216 |
| 12 | Punishment and Reward | 242 |
| 13 | The Guards | 256 |
| 14 | The Prisoners | 280 |
| 15 | Women and Children | 307 |
| 16 | The Dying | 334 |
| 17 | Strategies of Survival | 344 |
| 18 | Rebellion and Escape | 390 |
| Pt. 3 | The Rise and Fall of The Camp-Industrial Complex, 1940-1986 | |
| 19 | The War Begins | 411 |
| 20 | "Strangers" | 420 |
| 21 | Amnesty - and Afterward | 445 |
| 22 | The Zenith of the Camp-Industrial Complex | 460 |
| 23 | The Death of Stalin | 476 |
| 24 | The Zeks' Revolution | 484 |
| 25 | Thaw - and Release | 506 |
| 26 | The Era of the Dissidents | 527 |
| 27 | The 1980s: Smashing Statues | 552 |
| Epilogue: Memory | 564 | |
| App | How Many? | 578 |
| Notes | 587 | |
| Bibliography | 637 | |
| Glossary | 655 | |
| Text and Illustration Permissions | 659 | |
| Index | 661 |
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