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After spending years fleeing from the Nazis in war-torn Europe, twelve-year-old Karin Levi and her older brother Marc find a new home in a refugee camp in Oswego, New York.
After spending years fleeing from the Nazis in war-torn Europe, twelve-year-old Karin Levi and her older brother Marc find a new home in a refugee camp in Oswego, New York.
Steve Lavis looks at animals foreign and domestic with two Peek-Through Board Books. On the Farm follows the wooly sheep as he searches out who has eaten its breakfast. As each page is turned, more animals become visible through the die-cut spaces. The culprits are found behind the tractor. In the Jungle follows the same format, only this time a crocodile is in hiding. "Here I am!" shouts the crocodile on the last spread. Then he asks, "Who wants to hide next?" ( Apr.) Copyright 2001 Cahners Business Information.
More Reviews and RecommendationsNORMA FOX MAZER is an award-winning novelist and a faculty member in the well-respected Vermont College Writing for Children and Young Adults MFA program. Her books have received a Newbery Honor, the Christopher Award, the Edgar Allan Poe Award for Best Juvenile Mystery, a National Book Award nomination, and other prestigious honors. She lives in Montpelier, Vermont.
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April 13, 2007: This is a wonderful book. I finished it in two days because it kept me wanting to read more. This book made be appreciate so much more. Heartwarming story.
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July 20, 2006: The biginning was really good, but when they got to America it was a disappointment. It was weird 'cause it just kind of went on and on. I thought it could have ended shortly after they got to America.
Karin Levi’s world of family, school, and friends is torn apart when the German army occupies Paris in June of 1940. Karin and her brother, Marc, like Jews all over Europe, find themselves on the run, seeking safety wherever they can find it. When Marc obtains two coveted places aboard a ship bound for the United States, Karin knows that crossing the ocean means she may never see her beloved parents again. Yet she and Marc have little choice if they are to survive. Karin’s unforgettable storyrevealing the little-known world of a handful of European refugees in World War II Americatells of survival, of growing up, and of love’s ability to endure even the most extraordinary circumstances.
Steve Lavis looks at animals foreign and domestic with two Peek-Through Board Books. On the Farm follows the wooly sheep as he searches out who has eaten its breakfast. As each page is turned, more animals become visible through the die-cut spaces. The culprits are found behind the tractor. In the Jungle follows the same format, only this time a crocodile is in hiding. "Here I am!" shouts the crocodile on the last spread. Then he asks, "Who wants to hide next?" ( Apr.) Copyright 2001 Cahners Business Information.
The frightened voice of tenyearold Karen Levi whose life is torn apart after the Nazi occupation of Paris in 1940, draws the reader into this novel. Karen's father and grandmere are gone; she and her twelveyearold brother, Marc, are hiding in an attic with Maman. The family is forced to leave Paris and endures a dangerous, exhausting, and hopeless journey until a fellow Frenchman helps them. As the Germans approach, the three want to escape to Italy, but Maman is too ill to travel and orders Karen and Marc to continue. Karen is heartbroken, but obeys. The siblings eventually land in New York. Karen's letters to Maman, describing their voyage to America and arrival in a refugee camp, always affirm her desire to return to France. When Marc reveals that Maman is dead, Karen is devastated. Marc convinces her that they are still a family, and they leave the camp to live with Maman's aunt in California. Now Karen writes a letter to Maman, vowing to record all of her dreams and memories of life before their separation. Mazer's historical note describes the Nazi roundup of thousands of Parisian Jews from 19401944. Though Karen is a fictional character, her story is based on fact: the troopship Henry Gibbon brought 982 refugees to Fort Ontario in Oswego, New York. These were the only European refugees allowed into the United States. When the war ended, the exiles received permanent visas. By blending fact and one family's tragedy, the neverending story of the Holocaust is told in a new way, prompting readers to wonder why the U.S. government failed to offer asylum to any other Europeans. Mazer is an exquisite writer who heralds the courage and strength of these young survivors.VOYACODES: 5Q 4P M J (Hard to imagine it being any better written; Broad general YA appeal; Middle School, defined as grades 6 to 8; Junior High, defined as grades 7 to 9). 1999, Harcourt Brace, Ages 12 to 15, 176p, $16. Reviewer: Sarah K. Herz
When the Nazis enter Paris in 1940, Karin's life changes drastically. She is branded a Jew and not allowed to do normal everyday things like own a phone or a pet or even go to city parks. And then tragedy strikes. Her father is killed and she, her mother and older brother flee in desperation, hiding wherever they can. Unfortunately, though, their mother--known to them as Maman--gets very sick. Yet, fearing for their own life, Karin and her brother Mark have to leave France without her. In Naples, Italy, they are able to board a ship which will take them to America and safety. Living in America, Karin's young life is marked by going to school, making friends, and living with an annoying older brother. Nevertheless, beneath her ordinary world, Karin is still haunted by whatever happened to her darling Maman. One day, however, she can no longer avoid the painful subject. This well-written book offers detailed information about Karin's life on the run and about the reception the refugees got in New York (the only WWII refugee camp on American soil) as we see America through the eyes of someone new to this country. Genre: Holocaust/Dealing with Loss. 1999, Harcourt Brace, Ages 9 to 12, $16.00. Reviewer: Diana Mitchell
To quote KLIATT's Sept. 1999 review of the hardcover edition: In the course of my connection with YA literature, I have certainly read many books of fiction and nonfiction about the Holocaust. So it is with great surprise that I discover a completely different aspect of the story: the historical fact that 982 refugees came to the U.S. during the war, brought by the government and housed at Fort Ontario, near Oswego, NY. Mazer uses a brother and sister to personalize this story. They are French Jews, from Paris...in the summer of 1944 they get aboard a ship in a convoy heading to the States. Much of the story takes place as the two adjust to life in the fort, where first they are in quarantine and later they attend school in the nearby town. Karin misses her mother terribly, even though her older brother Marc tries to support and comfort herbut he is just 14 himself. She believes for a long while that her mother is still alive, and so she writes letters to her mother ("Maman"), which she keeps under her pillow hoping she will read them to her mother when they are together again. In this way, she pours out her hopes and dreams, and frequent despair. Any reader can easily be drawn into Karin's experience through her heartfelt narrative. Mazer is an excellent writer who knows how to connect with her readers. She researched this book thoroughly, interviewing refugees for their memories of their own experiences and feelings. There is a great deal of adventure in the survival story itself. And the story of adjustment to a new country, and new language, and new friends is equally gripping. KLIATT Codes: J*Exceptional book, recommended for junior high school students.1999, HarperTrophy, 186p, 19cm, 00-061350, $4.95. Ages 13 to 15. Reviewer: Claire Rosser; May 2001 (Vol. 35 No. 3)
World War II provided the backdrop for many novels and non-fiction tales of the horrors of war. Norma Fox Mazer has combined a bit of both in this fine story of two Jewish children trying to escape the Holocaust. Set in Nazi-occupied France, the children are left on their own after their mother becomes ill and cannot continue to care for them. Marc and Karin are able to make their way to Italy and board a ship that is bringing war refugees to the United States. This part of the story is based on a true incident, as the refugees were brought to a refugee center in Oswego, New York. Marc and Karin are able to live in a small cabin together, attend school, have regular meals, and get their first taste of American life. They hope to be reunited with their Maman one day, but also realize that she may have died in Europe. This is a poignant story of two, brave children. 1999, HarperTrophy, $4.95. Ages 8 to 12. Reviewer: Barbara Youngblood
Gr 4-7-A touching novel that begins in 1940 and ends in 1945. Mazer follows 12-year-old Karin Levi and her experiences first as a hidden Jewish child in France, next as a traveling refugee, and, finally, as an inmate in the displaced persons camp in Oswego, NY. After Karin, her mother, and older brother leave France, they stay with a kind man in Italy. When it becomes clear that they must flee, the girl's mother is too ill to continue, and the two siblings must leave her behind. Throughout the book, the child deals with her feelings of loss by writing her mother letters. Mazer captures the refugee experience as Karin travels from place to place in constant fear with no sense of belonging, until she finally settles in at Oswego. Although the prose occasionally becomes strained and even saccharine, such as when the girl refers to her family as her "beloveds," for the most part, Karin's voice is realistic. Despite everything she has been through, she has her moments of petty jealousy and preteen difficulties. However, when her brother finally tells her that their mother did not survive, she manages to overcome her grief and look to the future when they will live with their father's aunt in California. Libraries looking to expand the scope of their Holocaust literature will find this book a welcome addition.- Amy Lilien-Harper, Ferguson Library, Stamford, CT Copyright 1999 Cahners Business Information.
Loading...Madame Zetain had a visitor downstairs. Whenever this happened, everything stopped in our attic room, everything went silent. We didn't talk. We didn't move. We didn't sneeze or scratch an itch. We could breathe, but it had better be silent breathing.
As soon as we heard the knock on the door, Maman went to the mattress, I eased myself to the floor, and Marc took his Buddha pose.
The voices murmuring below went on and on. What could they be talking about for so long? Maman said small towns had few secrets. Mat if Madame was telling the secret of us? Leaning across the table, whispering, Don't say a word, my friend, but I've got three Jews hidden in this house. Right up there. Right above our heads. Her friend would gasp and make a terrible face, as if the very thought of Jews made her sick to her stomach.
Marc sat on top of the black trunk like a princecalm, his legs crossed, his hands loose in his lap. Was he thinking about home? Or girls ... or Papa? He said that at times like these, he went into his mind and stayed there.
"It's like taking a trip. Being somewhere else. Do it," he told me.
Fine for him to say, but for me it wasn't so simple. TO begin with, my heart beat like a drum. I read that in a book, and it was true. Whenever someone came into Madame Zetain's house, my heart beat just like a drum. It was doing it now, as if it were being pounded over and over, always on the same note. Huge thumps that felt as if they'd break open my chest and slam my heart straight through the floor.
It would be just like my heart to be so noisy and stupid.
Papa had called me Na NaNoisemaker-his nonsense name for me ever since I was little. I was always zooming around, making a mess, drawing and singing and talking. If I had no one to talk to, I talked to myself. When Papa came home from work, I'd fling myself at him like an arrow, shouting his name and telling him everything that had happened all day. Papa.
Sometimes when I had to be still, when I could do nothing, then that was what I felt. Nothing. But other times, what I felt was ... everything. Like now. It came over me like a huge wave, that feeling, my head turning hot as a stove and my breath rushing in and out. Inand-out, in-and-out, in-and-outstop! I pinched myself hard.
Maman lay on the mattress like a log. Like someone dead. Maman. Open your eyes. Maman!
I was sure I hadn't even moved my lips, but Marc looked at me and shook his head.
I straightened my back. I would sit like this, utterly still, until Madame's visitor left. For the rest of the day, and all night, too, if necessary. Marc wasn't the only one who knew how to be patient.
That was one of Papa's favorite words. "Patience, Na Na Noisemaker," he'd say. "In time, the grass turns to milk." The first time I heard him say that, I was four years old. Grand-mere explained about cows and their several stomachs and how grass got digested. "Then I'm drinking grass?" I had shouted.
Now I understood a lot of things, and not only about cows and milk. I understood about patience. And that Papa, for once, had been wrong. Sometimes it made no difference how much patience you had. All the grass in the world could turn into all the milk in all the milk bottles, and one thing would never change. It would still be true that Papa had been arrested by our own French police and handed over to the Germans.
It was bad to think about this.
All right. I'd tell myself a story, and I'd begin it properly. Once upon a time...
Once upon a time there was a girl named Karin Levi. She was ten years old and quite nice and ordinary, like any French schoolgirl. Her brother, Marc, was two years older and skinny as a stick, although once he'd been a plump, plump boy. Karin had never been plump, but when they lived at home her knees were nice and padded. Now they were like two old bony faces, and as for her arms.
The muscles in my legs were cramping again. Marc claimed I could uncramp them if I concentrated properly. I concentrated. I ordered my legs to uncramp. It wasn't working.
The last time my legs cramped, I had leaped up without a thought and stamped my feet. Maman had been furious. "Mat if someone was in the house, you stupid girl!" Maman had never spoken to me like that before. Marc said, "Maman, it was an accident. She didn't mean to"
"No," Maman said. "No excuses. Everything each of us does now matters. Everything. Do you understand? Karin! Answer."
"Yes," I said. I understand."
Maman nodded. "All right, then. It won't happen again." Her eyes had that swollen look, as if she'd been crying for hours.
I bit that place below my thumb where it was still a little fleshy. My skin tasted salty. When the war ended, I planned to eat everything I wanted to, salty and sweet, and no turnips or cabbage ever again. Madame Zetain was very fond of turnip stew and cabbage soup, and turnip and cabbage stew, and cabbage and turnip soup. Whatever it was, I ate it all-and whatever it was, it was never enough.
I breathed in, breathed out, deep slow breaths from my belly, the way Maman had taught me. I breathed and listened. Listened with ears, eyes, skin. Listened for a door slamming. For heavy footsteps and voices shouting, Come out, Jews, we know you're in there.
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