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Detailed Rating: "Inspiration" See All
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Return once again to the enduring account of the Permian Panthers of Odessa -- the winningest high school football team in Texas history.
A biting indictment of the sports craziness that grips...most of American society, while at the same time providing a moving evocation of its powerful allure.
More Reviews and RecommendationsIn nonfiction bestsellers like Friday Night Lights, A Prayer for the City, and Three Nights in August, author/journalist Buzz Bissinger has demonstrated an undeniable knack for capturing the rhythms of life in big cities and small towns alike.
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March 03, 2009: If you like football, you will love this book!
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January 24, 2009:
I think that this book is very inspiring that any one that is interested into sports than this is the book for you. It gives lots and lots of information towards their lives. The book it gives information about the person's life. If you are a person that loves to hear about others lives than this is the book for you. I am the kind of person that loves the information about what they are doing and saying. This book gives me everything I need to know about that. I love this book because well I would say that I am the kind that is in love with sports books.If you think that I am just trying to boost the ratings. Well I would to tell you this but I am not.I am just giving information that I thought was great.
I recommend this book to sports fans only because if you are not you should become one. Then if you still aren't then I do not know what to tell you.I am not trying to offend anyone, I am just trying to put my point through to people all over the world.This book it has everything a football person would want. It is one of the greatest books I have ever read. It gives sports and it just might offend a few people when they read it. So I do not recommend this to everyone if you that kind of person that gets offended easily and you really want to read get ready for a heck of a ride.
I Also Recommend: The Billion Dollar Game.
Name:
Buzz Bissinger
Also Known As:
H. G. Bissinger
Date of Birth:
November 01, 1954
Place of Birth:
New York, New York
Education:
B.A., University of Pennsylvania, 1976; Nieman Fellow, Harvard University, 1985-1986
Awards:
Pulitzer Prize for investigative reporting, Philadelphia Inquirer, 1987; Friday Night Lights named Best Sports Book of the Past 25 Years by ESPN
Award-winning journalist and bestselling author H. G. ("Buzz") Bissinger has an undeniable knack for capturing the rhythms of life in big cities and small towns alike. While working as a reporter for The Philadelphia Inquirer, he and two colleagues shared a 1987 Pulitzer Prize for their six-part investigative series on corruption in the city's court system. A year later, reports of "the winningest high school football team in Texas history" led Bissinger to the economically depressed and racially divided town of Odessa, where he followed the team in question, the mighty Permian Panthers, on their quest for the state championship. Upon its publication in 1990, Friday Night Lights became an instant classic -- a cautionary tale about the dangers of sports obsession that remains required reading in many American high schools. It was filmed in 2004 and inspired a critically acclaimed television show.
Bissinger shines at "immersion journalism." Granted unlimited access in the mid-'90s to then-mayor of Philadelphia Ed Rendell, he crafted a superb behind-the-scenes account of Rendell's uphill struggle to rescue the decaying city from economic decline. Published in 1998, A Prayer for the City became a New York Times Notable Book of the year. Then, in 2005, he parlayed his relationship with Cards manager Tony La Russa into the bestseller Three Nights in August, an intriguing view of major-league baseball filtered through the lens of a three-game series between the rival Cubs and Cardinals.
In addition to his bestselling nonfiction, Bissinger has produced in-depth articles for a variety of publications -- most notably Vanity Fair, where he works as a contributing editor. Among his best-known pieces are an exposé of Stephen Glass, the disgraced New Republic reporter fired for journalistic fraud; a probing profile of the merciless, mercurial radio shock jock Don Imus; and a poignant story about the life and death of the great thoroughbred racehorse Barbaro.
Some fascinating outtakes and fun facts from our interview with Bissinger:
"One of the inspirations for my becoming a writer was the baseball board game Strat-O-Matic. I started playing it as a kid when I was ten or eleven. The game featured individual cards for every player in the major leagues. The results were incredibly realistic and after each game I would sit down at my typewriter and type up a game story as if I was writing for the New York Times."
"My grandmother got her law degree from Syracuse University in roughly 1911 and later co-founded with her husband an investment banking firm on Wall Street known as Lebenthal & Co. My parents worked at the firm and so did my uncle. As for my grandmother, she worked at Lebenthal until her early nineties."
"I am the father of twin sons that were born in Philadelphia at Pennsylvania Hospital in 1983. They were 13 weeks premature. Gerry weighed 1 pound 14 ounces, and Zachary 1 pound 11 ounces. They were the first male twins to ever survive at Pennsylvania Hospital. They are thriving today. Talk about miracles."
"I am 5'6" and desperately wish I was taller."
In 1998, Vanity Fair published Bissinger's article "Shattered Glass," an exposé of the career of disgraced New Republic writer Stephen Glass, who was fired for journalistic fraud. The article was later adapted for the 2003 film of the same name.
Bissinger admits to having an "abiding hatred" for the blog-o-sphere. In April, 2008, he appeared on Bob Costas's television series Costas Now and launched an angry tirade against Will Leitch, creator of the sports blog "Deadspin."
What was the book that most influenced your life or your career as a writer?
Common Ground by J. Anthony Lukas. The first 15 years of my career were spent as a print journalist. I hungered for books of nonfiction and Lukas's book is an immaculate blend of reporting and narrative writing as he traced the roots and effects of the Boston busing crisis in the 1970s. The book serves as a model for everything that nonfiction book can be: insightful, dramatic, human, revealing. I read it 19 years ago, and nothing I have read since has ever topped it.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
When I was researching Friday Night Lights, about high school football in a town in Texas, a lot of kids on the team listened to Bon Jovi before games to psych themselves up. When I sat down to write the book I did the same. I put on a pair of headphones and cranked up Bon Jovi as loud as I could to help stimulate the sounds and feelings of what the kids on the team were going through.
If you had a book club, what would it be reading?
Saturday by Ian McEwan. Beautifully written. But beyond the writing a provocative book about desire versus conformity, materialism versus creativity, expectation versus the disappointment of reality. What does it mean to really live and free yourself of the shackles of responsibility, making a living, and conforming to the standards that are expected of you? Is it still possible to feel something, anything, when you are in the thick of mid-life?
What are your favorite kinds of books to give -- and get -- as gifts?
Any book that I get is a great and special gift. I of course love to give as gifts books that have had a special significance for me.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I try to establish a daily routine and just stick with it. I am a morning writer and my best hours by far are between 7 a.m. and noon. After five hours or so, I feel tapped out and very anxious, the writer's fear that I have really accomplished nothing. About five years ago, I started taking a nap every afternoon. It is a delicious luxury and one of the great perks of a life that is often isolated and lonely. I nap every day for an hour or so. I turn off the phone and pull down the shades so no one can get to me. It helps to alleviate the anxiety and also helps to make the late afternoons somewhat productive. I absolutely hate the hours between 2 and 4 p.m. I find them depressing and trying to do anything during that time is a worthless exercise for me.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Before I wrote Friday Night Lights I was a print journalist for 15 years at the Ledger-Star in Norfolk, Virginia, the St. Paul Pioneer Press, and the Philadelphia Inquirer. When I left the paper and moved with my family to Odessa, Texas to write the book, I had confidence as a reporter, but I really did not know anything about writing a book. I did not use a written outline and it showed terribly. When I turned in the first 30,000 words to my editor Jane Isay at Addison-Wesley, she flipped. The partial draft had no narrative engine, no pace, absolutely no reason for the reader to turn the page. Jane not so politely told me that at the rate I was going, the book was going to be longer than The Rise and Fall of the Third Reich. We had an emergency meeting in New York where she forced me to finally focus on what I planned to say and where the book needed to go. From then on, I used a written outline. As for the 30,000 words I turned in, about 4,000 of them managed to actually make it into the book. The rest got thrown out.
What tips or advice do you have for writers still looking to be discovered?
In Three Nights in August, Tony LaRussa talks about trying to teach his players to react to pressure. One of the points that LaRussa stresses is focusing on the process and not the result: if a player comes up in the bottom of the ninth with his team down by a run and thinks he has to hit a home run to tie the game, the odds are he is going to fail. But if he comes to the plate fully prepared with the knowledge of what the pitcher is most likely to throw him, and simply tries to put his very best swing on the ball, the odds are much better of success in LaRussa's estimation. I think that what LaRussa says about ballplayers is also true about writers: If you write with one eye on the bestseller list, all that is going to do is add to the pressure of what you are already doing. So focus on the one thing you can control -- the process of making what you are working on the very best it can be. Success will come, and success of course comes in all sorts of different ways.
Return once again to the enduring account of life in the Mojo lane, to the Permian Panthers of Odessa -- the winningest high school football team in Texas history. Odessa is not known to be a town big on dreams, but the Panthers help keep the hopes and dreams of this small, dusty town going. Socially and racially divided, its fragile economy follows the treacherous boom-bust path of the oil business.In bad times, the unemployment rate barrels out of control; in good times, its murder rate skyrockets. But every Friday night from September to December, when the Permian High School Panthers play football, this West Texas town becomes a place where dreams can come true. With frankness and compassion, Bissinger chronicles one of the Panthers' dramatic seasons and shows how single-minded devotion to the team shapes the community and inspires-and sometimes shatters-the teenagers who wear the Panthers' uniforms. Includes Reader's Group Guide inside.Now a major motion picture starring Billy Bob Thorton.
A biting indictment of the sports craziness that grips...most of American society, while at the same time providing a moving evocation of its powerful allure.
Loading...| Preface | xi | |
| Prologue | 1 | |
| Pre-Season | ||
| 1. | Odessa | 23 |
| 2. | The Watermelon Feed | 38 |
| 3. | Boobie | 53 |
| The Season | ||
| 4. | Dreaming of Heroes | 73 |
| 5. | Black and White | 89 |
| 6. | The Ambivalence of Ivory | 111 |
| 7. | School Days | 128 |
| 8. | East Versus West | 153 |
| 9. | Friday Night Politics | 173 |
| 10. | Boobie Who? | 194 |
| Push for the Playoffs | ||
| 11. | Sisters | 211 |
| 12. | Civil War | 233 |
| 13. | Heads or Tails | 251 |
| Post-Season | ||
| 14. | Friday Night Addiction | 267 |
| 15. | The Algebraic Equation | 291 |
| 16. | Field of Dreams | 313 |
| Epilogue | 339 | |
| Afterword | 357 | |
| Acknowledgments | 364 | |
| List of Illustrations | 365 |
In the beginning, on a dog-day Monday in the middle of August when the West Texas heat congealed in the sky, there were only the stirrings of dreams. It was the very first official day of practice and it marked the start of a new team, a new year, a new season, with a new rallying cry scribbled madly in the backs of yearbooks and on the rear windows of cars: Goin' to State in Eighty-Eight!
It was a little after six in the morning when the coaches started trickling into the Permian High School field house. The streets of Odessa were empty, with no signs of life except the perpetual glare of the convenience store lights on one corner after another. The K mart was closed, of course, and so was the Wal-Mart. But inside the field house, a squat structure behind the main school building, there was only the delicious anticipation of starting anew. On each of the coaches' desks lay caps with bills that were still stiff and sweat bands that didn't contain the hot stain of sweat, with the word PERMIAN emblazoned across the front in pearly thread. From one of the coaches came the shrill blow of a whistle, followed by the gleeful cry of "Let's go, men!" There was the smell of furniture polish; the dust and dirt of the past season were forever wiped away.
About an hour later the players arrived. It was time to get under way.
"Welcome, guys" were the words Coach Gary Gaines used to begin the 1988 season, and fifty-five boys dressed in identical gray shirts and gray shorts, sitting on identical wooden benches, stared into his eyes. They listened, or at least tried to. Winning a state championship. Making All-State and gaining a place on the Permian Wall of Fame. Going off after the season to Nebraska, or Arkansas, or Texas. Whatever they fantasized about, it all seemed possible that day.
Gaines's quiet words washed over the room, and in hundreds of other Texas towns celebrating the start of football practice that August day there were similar sounds of intimacy and welcome, to the eastern edge of the state in Marshall, to the northern edge in Wichita Falls, to the southern edge in McAllen, to the western edge in El Paso. They were Gaines's words, but they could have come from any high school coach renewing the ritual of sport, the ritual of high school football.
"There's twelve hundred boys in Permian High School. You divide that by three and there's four hundred in every class. You guys are a very special breed. There are guys back there that are every bit as good as you are. But they were not able to stick it out for whatever reason. Football's not for everybody. But you guys are special. "We want you all to carry the torch in the eighty-eight season. It's got to mean somethin' really special to you. You guys have dreamt about this for many years, to be a part of this team, some of you since you were knee-high. Work hard, guys, and pay the price. Be proud you're a part of this program. Keep up the tradition that was started many years ago."
That tradition was enshrined on a wall of the field house, where virtually every player who had made All-State during the past twenty-nine years was carefully immortalized within the dimensions of a four-by-six-inch picture frame. It was enshrined in the proclamation from the city council that hung on a bulletin board, honoring one of Permian's state championship teams. It was enshrined in the black carpet, and the black-and-white cabinets, and the black rug in the shape of a panther. It was enshrined in the county library, where the 235-page history that had been written about Permian football was more detailed than any of the histories about the town itself.
Of all the legends of Odessa, that of high school football was the most enduring. It had a deep and abiding sense of place and history, so unlike the town, where not even the origin of the name itself could be vouched for with any confidence.
Odessa ...
There had been no reason for its original existence. It owed its beginnings to a fine blend of Yankee ingenuity and hucksterism, its selling the first primordial example of the Home Shopping Network.
It was invented in the 1880s by a group of men from Zanesville, Ohio, who saw a great opportunity to make money if only they could figure out some way to get people there, to somehow induce them into thinking that the land bore bountiful secrets, this gaping land that filled the heart with far more sorrow than it ever did encouragement, stretching without a curve except for the undulating trough off the caprock where the once-great herds of buffalo had grazed for water. What Odessa lacked, and one look informed the most charitable eye that it lacked a fantastic amount, the speculators from Ohio would make up for on the strength of their own imagination. With fourteen thousand arid acres to sell, truth in advertising was not something to dwell over.
The Zanesville syndicate looked at all the best natural qualities of the country and decided to attribute them to Odessa whether they were there or not. Through brochures and pamphlets it conjured up a place with weather as wonderful as Southern California's and soil as fertile as that of the finest acre of farmland in Kansas or Iowa.
"Splendid cities will spring up all along the railroads that traverse the plains, and immense fortunes will be made there in a few years, in land business ventures, you will see the most remarkable emigration to that section that has occurred since the days when the discovery of gold sent wealth-seekers by thousands into Colorado," Henry Thatcher boldly forecast in the Chillicothe Leader in 1886.
If that wasn't enough to make someone leave southern Ohio, Odessa was also promoted as a Utopian health spa with a $12,000 college and a public library, and a ban on alcohol. Those suffering from consumption, bronchitis, malaria, kidney, bladder, or prostate problems, asthma, or rheumatism would be welcomed with open arms, according to a promotional pamphlet.
Those who were failures, near death, didn't like working, bad with money, or cheap politicians were specifically not welcome, the same pamphlet said. The statement appeared to exclude many of the people who might have been interested in such a place.
The great Odessa land auction took place on May 19, 1886. The Zanesville boys, careful to the last drop, actually held it 350 miles to the east, in Dallas. Historical accounts of Odessa do not accurately indicate how many settlers bought lots. But about ten families, German Methodists from western Pennsylvania around Pittsburgh, hoping to realize the Utopian community so grandly talked about, did arrive.
They tried to fit in with the ranchers and cowboys who were already there, but it was not a good match. The Methodists found the ranchers and the cowboys beyond saving. The ranchers and the cowboys found that the Methodists did nothing but yell at them all the time.
As part of its commitment, the syndicate went ahead and built a college for the Methodists. It was constructed around 1889 but burned mysteriously three years later. Some said the college was set afire by cowboys who disliked being told by the Methodists that they could not drink, particularly in a place that cried out daily for alcohol. Others said it was burned by a contingent of jealous citizens from Midland because the Odessa college was competing with a similar institution that the sister city had built. Finally, there were those who said the college was burned down simply because it was something the damn Yankees had built the natives of the city when no one had asked for it. Given the later attitudes of Odessa, all these theories are probably true. A hospital was also built, but most settlers ignored it and instead relied on such tried-and-true home remedies as cactus juice and a wrap of cabbage leaves for the chills, a plaster made out of fresh cow manure for sprains, and buzzard grease for measles.
Contrary to all the boasts of the land's fertility, it was virtually impossible to farm anything because of the difficulty of getting water. Instead, Odessa eked out a living from the livestock trade, all dreams of Utopia gone forever when the town's first sheriff, Elias Dawson, decided that the ban on alcohol constituted cruel and unusual punishment and became the proprietor, along with his brother, of the town's first saloon.
The first murder in Odessa occurred late in the nineteenth century when a cowboy rode into a water-drilling camp one afternoon and demanded something to eat from the cook. The cook, described as a "chinaman," refused, so the cowboy promptly shot him. He was taken to San Angelo and put on trial, but the judge freed him on the grounds that there were no laws on the books making it illegal to kill a Chinaman.
For more casual entertainment, a couple of cowboys gathered up all the cats they could find one day, tied sacks of dried beans to their tails, and then set them loose downtown to scare the daylights out of the horses and the citizens milling about. In later times it was hard not to get caught up in the frivolity of those great practical jokers, the Wilson brothers, whose professional standing as doctors didn't mean they were above grabbing unsuspecting townsfolk into the barbershop and shaving their heads.
By 1900, Odessa had only 381 residents. By 1910 the population had increased to 1,178. Most of those inhabitants depended on ranching, but various droughts made survival almost impossible because of the lack of grazing land for cattle. The ranchers became so poor they could not afford to buy feed, and many cattle were just rounded up and shot to death so the stronger ones could have what little grass was left.
Nothing about living in Odessa was easy. Finding a scrubby tree that could barely serve as a Christmas tree took two days. Even dealings with cattle rustlers and horse thieves had to be compromised; they were shot instead of hanged because there weren't any trees tall enough from which to let them swing.
A flu epidemic hit in 1919, filling up the only funeral home in town, which was part of the hardware store. It so severely overran the town that there weren't enough men well enough to dig the graves of those who had died. Medical care was at best a kind of potluck affair. The one doctor who settled in Odessa during this period, Emmet V. Headlee, used the dining room of his home as an operating room. He performed the operations while his wife administered the anesthetic.
By 1920 the population had dropped back down to 760, and it was hard to believe that Odessa would survive. But ironically, the Zanesville elite was right in its fanciful prediction that Odessa was bubbling with a bounty of riches.
Unknown to anyone when it was founded, the town was sitting in the midst of the Permian Basin, a geologic formation so lush it would ultimately produce roughly 20 percent of the nation's oil and gas. With major oil discoveries in West Texas in the early and mid-twenties, the boom was on, and Odessa was only too eager to embrace the characteristics that distinguished other Texas boom towns of the period: wild overcrowding, lawlessness, prostitution, chronic diarrhea, bad water, streets that were so deep in mud that teams of oxen had to be called in to pull the oil field machinery, and a rat problem so severe that the local theater put out a rat bounty and would let you in free if you produced twelve rat tails.
Odessa established itself as a distribution point for oil field equipment and experienced more growth in a month than it had in ten years, inundated by men who were called simply boomers. They came into town once a week, their skin scummy and stinking and blackened from oil and caked-on dirt, to get a bath and a shave at the barbershop. Young children ogled at them when they appeared because it was unimaginable, even by the standards of children, to find anyone as dirty as these men were.
From 1926 on, Odessa became forever enmeshed in the cycles of the boom-and-bust oil town. It made for a unique kind of schizophrenia, the highs of the boom years like a drug-induced euphoria followed by the lows of the bust and the realization that everything you had made during the boom had just been lost, followed again by the euphoria of boom years, followed again by the depression of another bust, followed by another boom and yet another bust, followed by a special prayer to the Lord, which eventually showed up on bumper stickers of pickups in the eighties, for one more boom with a vow "not to piss this one away."
There was a small nucleus of people who settled here and worked here and cared about the future of the town, who thought about convention centers and pleasant downtown shopping and all the other traditional American mainstays. But basically it became a transient town, a place to come to and make money when the boom was on and then get as far away from as possible with the inevitable setting in of the bust. If a man or woman wasn't making money, there wasn't much reason to stay.
Hub Heap, who came out here in 1939 and later started a successful oil field supply company, remembered well the single event that embodied his early days in Odessa. It was a torrent of sand, looking like a rain cloud, that came in from the northwest and turned the place so dark in the afternoon light that the street lamps suddenly started glowing. Nothing escaped the hideousness of that sand. It crept in everywhere, underneath the rafters, inside the walls, like an endless army of tiny ants, covering him, suffocating him, pushing down into his lungs, blinding his eyes, and that night he had no choice but to sleep with a wet towel over his face just so he could breathe.
Odessa also became tough and quick-fisted, filled with men who hardly needed a high school diploma, much less a college one, to become roughnecks and tool pushers on an oil rig. They spent a lot of time in trucks traveling to remote corners of the earth to put in a string of drill pipe, and when they went home to Odessa to unwind they did not believe in leisurely drinking or witty repartee. More often than not, they did not believe in conversation, their dispositions reflecting the rough, atonal quality of the land, which after the droughts consisted mostly of the gnarled limbs of low-lying mesquite bushes. Outside of the oil business, the weather (which almost never changed), and high school football, there wasn't a hell of a lot to talk about.
J. D. Cone, when he came here from Oklahoma in 1948 to become a family practitioner, went on house calls with a thirty-eight pistol stuck into his belt after the sheriff told him it was always a good idea to be armed in case someone got a little ornery or disagreed with the diagnosis. Right after he arrived, he went with a friend to the notorious Ace of Clubs.
Continues...
Excerpted from Friday Night Lights by H. G. Bissinger Copyright © 2003 by H. G. Bissinger. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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