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To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influence, the Nazi Occupation, the glories of the New Wave, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films.
In French Cinema, he focuses his lens on outstanding examples from each era to give the cineaste in each of us new insight into our own favorites. Directors such as Robert Bresson, Marcel Carné, Claude Chabrol, René Clair, Jean Cocteau, Abel Gance, Louis Malle, Jean Renoir, Eric Rohmer, Jacques Tati, and François Truffaut are covered in depth, as are stars such as Arletty, Brigitte Bardot, Jean-Paul Belmondo, Maurice Chevalier, Catherine Deneuve, Max Linder, Jean Marais, Yves Montand, Jeanne Moreau, and Simone Signoret.
French Cinema is enhanced by over 100 film stills as well as rare, archival photographs of the personalities who created and informed this superb national tradition.
Rémi Fournier Lanzoni, author of French Cinema: From Its Beginnings to the Present, also published by Continuum International, teaches Italian at Wake Forest University, North Carolina.
Loading...| Illustrations | 11 | |
| Introduction | 17 | |
| Chapter 1 | The Invention of Motion Pictures and the Silent Era of Film | 23 |
| France at the Turn of the Twentieth Century | 23 | |
| The Invention of the Cinematographe | 25 | |
| Georges Melies and the Adventure of the Film Studio | 32 | |
| Growth of a National Cinema: Charles Pathe and Leon Gaumont | 36 | |
| The Invention of Genres: Louis Feuillade and Max Linder | 39 | |
| Avant-garde Cinema, French Impressionism, and Surrealism: Louis Delluc, Abel Gance, Marcel L'Herbier, Luis Bunuel, and Rene Clair | 45 | |
| Chapter 2 | The Golden Age of French Cinema | 53 |
| The Style of the 1930s | 53 | |
| The "Talkies" | 55 | |
| French Cinema and Economic Recession | 62 | |
| Verbal Cinema or Filmed Language? Marcel Pagnol | 67 | |
| Beyond Filmed Theater: Toward Poetic Realism | 73 | |
| Artists and Masters of Poetic Realism: Jean Gabin, Arletty, Marcel Carne, Jean Renoir, and Jean Vigo | 75 | |
| Cinematography and the Poetics of Images | 100 | |
| Chapter 3 | French Cinema of the Occupation | 103 |
| France in 1940 | 104 | |
| The Exodus of French Cinema Celebrities | 106 | |
| French Cinema and Vichy | 111 | |
| Propaganda and Censorship: The Case of Henri-Georges Clouzot | 115 | |
| Working Conditions under the Occupation: Marcel Carne | 124 | |
| Resistance and Liberation | 136 | |
| Chapter 4 | The Postwar Era | 143 |
| The Fourth Republic and Postwar France | 144 | |
| The Blum-Byrnes Agreements | 148 | |
| The Prestige of French Cinema or Cinema of Prestige? Jean Cocteau | 150 | |
| A Certain Tradition de Qualite | 157 | |
| Comedy a la francaise: Claude Autant-Lara | 167 | |
| Film Noir or film d'ambiance: Henri-Georges Clouzot, Jacques Becker, and Rene Clement | 170 | |
| Toward a New Cinema: Robert Bresson, Jacques Becker, and Rene Clement | 183 | |
| Chapter 5 | The Years of the French New Wave | 195 |
| France during and after the Events of 1958 | 196 | |
| The Signs of Change: Louis Malle | 201 | |
| Les cahiers du cinema and the Auteur Theory | 206 | |
| The Emergence of the New Wave: Claude Chabrol, Francois Truffaut, Alain Resnais, Jean-Luc Godard, and Agnes Varda | 210 | |
| The Return of Commercial Movie Successes | 239 | |
| Chapter 6 | French Cinema of the 1970s | 245 |
| May '68: A New Cultural Era | 246 | |
| Economic Assessment of French Cinema | 249 | |
| The "Scandal" of the Cinematheque Francaise | 252 | |
| Political Cinema as a New Genre: Louis Malle, Joseph Losey, and Costa-Gavras | 253 | |
| The Last Days of the French Polar: Jean-Pierre Melville and Henri Verneuil | 262 | |
| The Humanists' School: Claude Sautet, Francois Truffaut, and Eric Rohmer | 270 | |
| The Storytellers: Bertrand Blier and Bertrand Tavernier | 286 | |
| Chapter 7 | The Cinema of the 1980s | 298 |
| France in the 1980s | 299 | |
| French Cinema of the 1980s: Over One Thousand Films Produced | 304 | |
| Transformations in the French Film Industry | 306 | |
| A New Partner: Television | 310 | |
| The Old School of Filmmakers: Francois Truffaut, Bertrand Tavernier, Bertrand Blier, and Maurice Pialat | 313 | |
| The Super Productions: Claude Berri and Jean-Jacques Annaud | 326 | |
| New Directors for a New Generation: Jean-Jacques Beineix and Luc Besson | 338 | |
| The Rebirth of Popular Comedies: Coline Serreau and Claude Zidi | 346 | |
| Chapter 8 | The Last Decade and Beyond | 349 |
| French Society in the 1990s | 350 | |
| The Improving Health of French Cinema | 351 | |
| A Unique Financial-Aid System | 354 | |
| French Television | 358 | |
| French Cinema Abroad | 361 | |
| New Artists, New Creators: Jean-Pierre Jeunet and Marc Caro | 365 | |
| The Epics: Regis Wargnier and Claude Berri | 376 | |
| Period Dramas: Patrice Chereau, Alain Corneau, Jean-Paul Rappeneau, and Patrice Leconte | 382 | |
| The Return of Comedies at the Box Office: Jean-Marie Poire and Francis Veber | 400 | |
| The New French Cinema--Le Jeune Cinema: Mathieu Kassovitz and Eric Zonca | 405 | |
| The Digital Revolution and the High-Definition System: Pitof | 414 | |
| Abbreviations | 419 | |
| Appendix | 421 | |
| Notes | 434 | |
| Select Bibliography | 468 | |
| Index | 475 |
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