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Flight Volume Six by Kazu Kibuishi: Book Cover

    Flight Volume Six by Kazu Kibuishi

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    (Paperback)

    • Pub. Date: July 2009
    • 288pp
    • Sales Rank: 44,769
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      • Overview
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      Product Details

      • Pub. Date: July 2009
      • Publisher: Random House Publishing Group
      • Format: Paperback, 288pp
      • Sales Rank: 44,769

      Synopsis

      STORIES BY [set in 2 columns]

      JP Ahonen
      Graham Annable
      Bannister
      Phil Craven
      Mike Dutton
      Michel Gagné
      Cory Godbey
      Rodolphe Guenoden
      Steve Hamaker
      Kazu Kibuishi
      Andrea Offermann
      Richard Pose
      Justin Ridge
      Rad Sechrist
      Kean Soo

      “Regardless of where it’s shelved, this book belongs in every library.”—Library Journal, on Flight: Volume One

      “The sheer force of creative energy on display is impressive.”—Publishers Weekly, starred review, on Flight: Volume Two

      “Sumptuously produced . . . The emphasis on the visual is Flight’s most notable strength.Booklist, on Flight: Volume Three

      “Visually sophisticated . . . The artists featured in Flight are terrifically accomplished.”—Pennsylvania Patriot-News, on Flight: Volume 4

      Publishers Weekly

      The latest installment of this comics anthology collects the work of 17 up-and-coming comic creators in one glossy volume, cramming in a dizzying variety of works. The book opens with Michael Gagne's beautiful and deeply alien “The Saga of Rex—Soulmates,” in which two small, foxlike creatures, deeply in love, follow each other through a series of increasingly strange and symbolic transformations; next is J.P. Ahonen's “The Excitingly Mundane Life of Kenneth Shuri,” the charmingly cartoony tale of a suburban ninja's search for a new job. Flight tends toward the wordless and the surreal: small animals pilot mechanical birds (Andrea Offerman's “Mate”) or an undead rabbit looks for love (“Dead Bunny” by Nikki Damon and Justin Ridge). Particular standouts in this volume are Rodolphe Guenoden's “Dead at Noon,” for the expressiveness and incredibly strong visual storytelling ability of his wordless art, and Graham Annable's “Magnus the Misfit,” for its loony sweetness and sheer vitality. (July)

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