Fear and Loathing in Las Vegas, and Other American Stories by Hunter S. Thompson, Ralph Steadman (Illustrator)

Biography

Hunter S. Thompson has always had taste for starting trouble. As an ornery Kentucky kid, he was the undisputed leader of the pack, getting himself and his willing followers into trouble. Not much has changed -- Thompson still has throngs of supporters and fans and is now an icon of outspoken, unapologetic social commentary.

Thompson realized in high school that he didn't fit in with society at large. Seeking direction, he joined the Air Force after graduation, determined to be a pilot. While on the long waiting list for pilot training, Thompson was offered a position as an editor and sportswriter for Elgin Air Force Base's The Command Courier. He jumped at the chance, quickly excelled as a journalist, and even began moonlighting at a local paper. Despite his numerous offenses against military protocol, he was given an honorable discharge in 1957.

Thompson knew that writing was going to be a fixture in his life. He was an avid letter writer, often mixing fact and fantasy. After allegedly stealing a box of carbon paper when he left the Air Force, he began keeping copies every letter he sent. Eventually, his letters would be published in The Proud Highway: Saga of a Desperate Southern Gentleman 1955-1967 (The Fear and Loathing Letters), three books of love letters, correspondence with his family, and scathing complaint letters to companies Thompson deemed bad for society. The collection is considered a must-read for the glimpse it gives of how desperately Thompson wanted to be a writer.

After the Air Force, Thompson bounced through newspaper jobs, barely making ends meet and working on his first novel, the still unpublished Prince Jellyfish. In 1960 Thompson moved to Puerto Rico. It was less than ideal -- paychecks bounced regularly -- but his time in the Caribbean yielded The Rum Diary. Thompson tried to sell the novel to Random House in the 1960s, but they declined (it was eventually published in 1998).

Thompson's first novel, Hell's Angels: A Strange and Terrible Saga, came out in 1966, catapulting him to fame and intriguing readers with his fast-paced writing and mischievous, wicked sense of humor. With the success of Hell's Angels, Random House finally purchased The Rum Diary. However, as legend has it, Hunter felt that it needed more work, so he convinced a Random House secretary to steal his manuscript back for him.

By the time Thompson released Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream in 1971, he had perfected his signature style, Gonzo Journalism: wild and erratic, capturing events as they happen, stripped of motive yet decidedly fictionalized. Thompson isn't a passive observer but is instead another one of his freaked-out characters. In the voice of Thompson's alter ego, Raoul Duke, he and his attorney, Oscar Acosta (Dr. Gonzo), go on a destructive drug binge while traveling to Las Vegas to report on a motorcycle race and crash a district attorneys' convention. Thompson found an artistic counterpart in illustrator Ralph Steadman, who designed this cover and others. It's classic Thompson and in 1998 was made into a movie staring Johnny Depp.

A self-proclaimed political junkie, Thompson gave his readers a glaring testimony of the truth and lies found while following the 1972 presidential race in Fear and Loathing on the Campaign Trail '72. In fact, one of Thompson's grand, recurring themes is the myth of the American Dream. The four-volume Gonzo Papers consists of articles, essays, and fiction. They are a massive attempt to expose the failure of the American Dream and show where hope is still possible. The four volumes, in order, are The Great Shark Hunt: Strange Tales from a Strange Time (1979), Generation of Swine:Tales of Decadence and Degradation in the Eighties (1988), Songs of the Doomed: More Notes on the Death of the American Dream (1990) and Better than Sex: Trapped like a Rat in Mr. Bill's Neighborhood (1994).

In 1980, Running magazine sent Thompson to Hawaii to cover the Honolulu Marathon. Friend and illustrator Ralph Steadman joined Thompson for the trip, and the result was The Curse of Lono, a fully illustrated, colorful, and strange mix of fiction and travelogue. Another oddity in Thompson's collection of works is his notorious 1991 release, Screwjack, a limited-print novella containing three short stories, ostensibly written by alter ego Raoul Duke.

In Thompson's 2003 release, Kingdom of Fear, he seems to have broken the rules one more time and written his own biography. The book tracks the life of a rebel -- the formative experiences of a wisecracking southern boy questioning authority and the unorthodox journalist who came to personify genre-bending, mind-bending outlaw stories.

Thompson's narratives are often weird and ugly, but he is still respected and hailed as a professional risk taker, legendary agitator, and literary genius.

Thompson's final book, Hey Rube (2004) brings him full circle; it's a sample of his columns from his stint as a sportswriter for ESPN.com. Thompson doles out searing indictments and uproarious rants while providing brilliant commentary on politics, sex, and sports -- at times all in the same column. Proving once again that he's on top of his game, his keen eye for corruption is as sharp and unforgiving as ever.

Fans and friends were shocked and saddened to learn of Thompson's death in February, 2005. While his narratives are often weird and ugly, he will always be respected and hailed as a professional risk taker, legendary agitator, and literary genius.

Good to Know

True to form, Hunter S. Thompson missed his high school graduation because he was in jail at the time, serving a six-week sentence for robbery.

Thompson once ran for sheriff of Aspen, Colorado, under his own Freak Party, whose platform included changing the city's name to Fat City in hopes of scaring off corporate investors.

Mötley Crüe named their Generation Swine album after Volume Two of Thompson's Gonzo Papers. The book dealt with the debauchery and decadence of the era, and they found it perfect for their sleazy, irreverent brand of rock 'n' roll.