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(37 ratings)
Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history.
Nine-year-old Oskar Schell has embarked on an urgent, secret mission that will take him through the five boroughs of New York. His goal is to find the lock that matches a mysterious key that belonged to his father, who died in the World Trade Center on the morning of September 11. This seemingly impossible task will bring Oskar into contact with survivors of all sorts on an exhilarating, affecting, often hilarious, and ultimately healing journey.
Oskar's unconscious comedy and his poignant search for information about the man who spun bedtime stories out of fantasy and science. All he wants is some way to go back to that moment of sweet security before zealots murdered his father. The tragedy of September 11 has made Oskar older than his years, but in Foer's tender portrayal the grief that weighs him down makes children of us all.
More Reviews and RecommendationsThe author of one of the most buzzed-about debut novels of 2002, Everything Is Illuminated, Jonathan Safran Foer brings philosophy, philanthropy, and a talent for turning language inside out to the literary table.
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Number of Reviews: 37
Average Rating:
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Profoundly...
A reviewer, always searching, 08/03/2008
Profoundly fascinating and beautiful. My eyes are red and swollen, and I'm aching inside. I can't wait to share this book with those I love.
Also recommended: Books by Heather Cochran
Amazing
Jen, A reviewer, 06/04/2008
I recently finished this book and I would read it agian in a heartbeat! I found myself laughing and crying constantly. All the while i felt very captivated by Oskar's life wishing the book would never end!
More Customer Reviews
Name:
Jonathan Safran Foer
Current Home:
New York, New York
Date of Birth:
1977
Place of Birth:
Washington, D.C.
Education:
B.A. in Philosophy, Princeton University, 1999
Recent literary history is rife with auspicious debuts, and Jonathan Safran Foer's arrival was one of 2002's brightest and most media-friendly. After all, the backstory was publicist-ready: Everything Is Illuminated began as a thesis at Princeton under advisers Joyce Carol Oates and Jeffrey Eugenides, and Houghton Mifflin reportedly paid somewhere around half a million dollars for the rights.
Foer achieved a fresh, creative approach to the English language by viewing it through the eyes of his foreign narrator, a young Ukranian man named Alex who works in a family tour operating business targeted toward American Jews seeking their family roots. Alex's comical, dictionary-aided writing consists of not-quite-right sentences such as "He is always promenading into things. It was only four days previous that he made his eye blue from a mismanagement with a brick wall." Alex's client, an American Jew named Jonathan Safran Foer, wants to find a woman who hid his grandfather from the Nazis. The two set out -- with an old picture, and the name Augustine -- to find the woman, bringing Alex's grandfather and an odiferous seeing-eye dog.
The story unfolds both through Alex's eyes and in a later correspondence with Jonathan, who reveals chapters of a fictionalized version of Augustine's story. Despite the novel's decidedly earnest and serious themes, what's most striking about it is its strange, resonant humor. Publishers Weekly saw "demented genius" in it; and Francine Prose, who also used the adjective "demented" for Foer's writing, noted in the New York Times Book Review, "The problem [with the book] is, you keep laughing out loud, losing your place, starting again, then stopping because you're tempted to call your friends and read them long sections of Jonathan Safran Foer's assured, hilarious prose."
Since Foer admitted to doing little research (although he did take a trip similar to the fictional Foer's, inspiring the book), and the historical fiction sections earned some critical gripes for being uneven (Salon called them "dime-store García Márquez"), the chief strength of Everything Is Illuminated lies in a scope and wit that are stunning from an author who was still finishing up college at the time he began it. The paperback rights for Everything Is Illuminated later went for reportedly close to $1 million.
Foer has had an undergrad's dream experience when it comes to consorting with eminent forbears: Russell Banks -- a professor in Foer's senior year -- came to his aid when he assembled A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell, which was published in 2001.
If Foer follows in the footsteps of fellow critical debut darlings Eugenides and Donna Tartt, it will be another ten years before we see a second novel. Fans will hope that instead he follows Oates's more prolific example.
According to a Princeton publication, Foer has been a "math tutor, archivist, ghost writer, farm sitter, advertising consultant and receptionist."
One of the many projects on Foer's "Project Museum" Web site is the Empty Page Project, a collection of blank paper from various authors -- the paper they normally use to write (anything) on. Nothing is on display yet, but according to a Guardian article, Foer has acquired pages from Paul Auster, Susan Sontag and Isaac Bashevis Singer.
Both of Foer's brothers are editorial types: Franklin is an editor at the New Republic, and Joshua is a recent Yale grad and a contributor to Slate.
Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history.
Nine-year-old Oskar Schell has embarked on an urgent, secret mission that will take him through the five boroughs of New York. His goal is to find the lock that matches a mysterious key that belonged to his father, who died in the World Trade Center on the morning of September 11. This seemingly impossible task will bring Oskar into contact with survivors of all sorts on an exhilarating, affecting, often hilarious, and ultimately healing journey.
Oskar's unconscious comedy and his poignant search for information about the man who spun bedtime stories out of fantasy and science. All he wants is some way to go back to that moment of sweet security before zealots murdered his father. The tragedy of September 11 has made Oskar older than his years, but in Foer's tender portrayal the grief that weighs him down makes children of us all.
[Foer's] depiction of Oskar's reaction to phone messages left by his father as he awaited rescue in the burning World Trade Center, his description of Oskar's grandfather's love affair with Anna and his experiences during the bombing of Dresden - these passages underscore Mr. Foer's ability to evoke, with enormous compassion and psychological acuity, his characters' emotional experiences, and to show how these private moments intersect with the great public events of history.
The search for the lock that fits a mysterious key dovetails with related and parallel quests in this (literally) beautifully designed second novel from the gifted young author (Everything Is Illuminated, 2002). The searcher is nine-year-old Oskar Schell, an inventive prodigy who (albeit modeled on the protagonist of Grass's The Tin Drum) employs his considerable intellect with refreshing originality in the aftermath of his father Thomas's death following the bombing of the World Trade Center. That key, unidentified except for the word "black" on the envelope containing it, impels Oskar to seek out every New Yorker bearing the surname Black, involving him with a reclusive centenarian former war correspondent, and eventually the nameless elderly recluse who rents a room in his paternal grandma's nearby apartment. Meanwhile, unmailed letters from a likewise unidentified "Thomas" reveal their author's loneliness and guilt, while stretching backward to wartime Germany and a horrific precursor of the 9/11 atrocity: the firebombing of Dresden. In a riveting narrative animated both by Oskar's ingenuous assumption of adult responsibility and understanding (interestingly, he's "playing Yorick" in a school production of Hamlet) and the letter-writer's meaningful silences, Foer sprinkles his tricky text with interpolated illustrations that render both the objects of Oskar's many interests and the memories of a survivor who has forsworn speech, determined to avoid the pain of loving too deeply. The story climaxes as Oskar discovers what the key fits, and also the meaning of his life (all our lives, actually), in a long-awaited letter from astrophysicist Stephen Hawking. Much more is revealed as this brilliant fiction works thrilling variations on, and consolations for, its plangent message: that "in the end, everyone loses everyone." Yes, but look what Foer has found. Film rights to Scott Rudin in conjunction with Warner Bros. and Paramount; author tour.
In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist who is trying to uncover clues about his father's death on September 11. Oskar-a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic-is the perfect blend of smart-aleck maturity and youthful innocence. Articulating the large words slowly and carefully with only a hint of childishness, Woodman endearingly conveys the voice of a young child who is trying desperately to sound like an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety to the imaginative and captivating plot, but they do not translate quite as seamlessly into audio format. Ferrone's wistful growl is perfect for the voice of a man who can no longer speak, but since the listener actually gets to hear the words that the character can only convey by writing on a notepad, his frustrating silence is not as profound. Caruso's brilliant performance as an adoring grandmother is also noteworthy, but the meandering stream-of-consciousness style of her and Ferrone's sections are sometimes hard to follow on audio. Although it is Oskar's poignant, laugh-out-loud narration that make this audio production indispensable. Simultaneous release with Houghton Mifflin hardcover (Reviews, Jan. 31). (Apr.) Copyright 2005 Reed Business Information.
Adult/High School-Oskar Schell is not your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. He also collects random photographs for his scrapbook and sends letters to scientists. When his father dies in the World Trade Center collapse, Oskar shifts his boundless energy to a quest for answers. He finds a key hidden in his father's things that doesn't fit any lock in their New York City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to speak to everyone in New York City with the last name of Black. A retired journalist who keeps a card catalog with entries for everyone he's ever met is just one of the colorful characters the boy meets. As in Everything Is Illuminated (Houghton, 2002), Foer takes a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Although this story is not quite as evocative as Oskar's, it does carry forward and connect firmly to the rest of the novel. The two stories finally intersect in a powerful conclusion that will make even the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale Copyright 2005 Reed Business Information.
Number of Reviews: 37
Average Rating:
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Write a Review
Profoundly...
A reviewer, always searching, 08/03/2008
Profoundly fascinating and beautiful. My eyes are red and swollen, and I'm aching inside. I can't wait to share this book with those I love.
Also recommended: Books by Heather Cochran
Amazing
Jen, A reviewer, 06/04/2008
I recently finished this book and I would read it agian in a heartbeat! I found myself laughing and crying constantly. All the while i felt very captivated by Oskar's life wishing the book would never end!
Highly Recommended
A reviewer, A reviewer, 03/25/2008
This is probably one of the best books I have read in a very, very long time. The style - though sometimes slightly confusing - was interesting and thoughtful, as was the subject matter. I would recommend this book to anyone looking for a read that is out of the ordinary. I've reread it numerous times and each time I find something new and exciting. It is not to be passed up.
My Feelings
A reviewer, a reader of Pop Lit, 09/25/2007
Extremely Loud and Incredibly Close is a very emotional novel and different than any other book I have ever read. Told first from a nine year old boy’s perspective, this book can become somewhat confusing. I found myself having to read pages numerous times over because the subject jumped from one topic to another quite frequently. However, with pictures and random one-sentenced pages, Foer’s style is intriguing and unlike any other writing I have ever read. With his father lost in the tragedy of September 11th, Oskar is left alone and hopeless. The Schell family is falling apart, and there is no telling what can bring them together. Oskar’s mom cannot come to term with her feelings, and has a hard time showing her true emotions, Oskar’s grandma is very scared that she will lose her sole grandson on top of losing her husband and son, and Oskar’s grandpa is extremely guilty for never making a good enough effort and stuck living in the past. Upon finding a key in his father’s closet, Oskar feels it is his mission to find the missing treasure. Traveling in and out of New York looking for the lock, Oskar feels more lost and frustrated than ever. Little does he know that those who love him deeply surround his every moment each day. Told from three different perspectives, Extremely Loud and Incredibly Close is a beautifully written novel of finding oneself. The end is a little disappointing, for the message of the book is not one hundred percent clear. It seems as though there are many questions left un-answered. The theme is not straight forward, and I had to read closely in order to understand Foer’s purpose. Nevertheless, I would recommend this book to anyone who wishes to see a world through three different lives, telling of everyday dilemmas and the struggle of overcoming them. This novel is very easy to connect with, and impossible to forget.
Great book
N.W., A reviewer, 07/23/2007
Tied into 9-11 and other things, this is not the opportunistic book some have said it is. Rather it is a complex look at how one person sees things. As in the author's EVERYTHING IS ILLUMINATED, the form of the book is complex---If you're looking for a James Patterson read, this is not it. While the material and styles are accesible, you have to think.
Also recommended: Katzenjammer by McCrae
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