Enter a zip code
(Paperback)
The South American Jungle Guards Many Secrets...
and a remarkable site nestled between two towering Andean peaks, hidden from
human eyes for thousands years.
Dig Deeper...
through layers of rock and mystery, through centuries of dark, forgotten
legends.
Into Ancient Catacombs...
where ingenious traps have been laid to ensnare the careless and
unsuspecting; where earth-shattering discoverieswealth beyond
imaginingcould be the reward for those with the courage to face the
terrible unknown.
Something is Waiting…
here where the perilous journey ends, in the cold, shrouded heart of a
breathtaking necropolis; something created by Man, yet not humanly possible.
Something wondrous. Something terrifying.
From the opening scene high in the Andes to the stunning finish, Excavation is a real page turner. Archaeology, lost Inca cities, graves, gold, and death what else could you want in a book? Rollins keeps the story in overdrive, with plenty of twists and turns before the final shocker. A compulsive read.
More Reviews and RecommendationsSpelunker, scuba diver, and all-around adventure junkie James Rollins sold his veterinary practice in Sacramento, California, to concentrate full-time on writing -- his thirst for thrills clearly informing his bestselling novels, including Black Order, Subterranean and The Judas Strain.
More About the AuthorReader Rating:
See Detailed Ratings
October 30, 2008: James Rollins really made this book hard to put down once you started reading it. From the beginning all the way to the end, there is action and adventure filled scenes with a lot of suspense. It kept me wondering what would happen next. Also, there's many interesting history facts and mysteries throughout the text.
Reader Rating:
See Detailed Ratings
August 28, 2008: Ancient civilizations, ancient ruins, intrigue, action, romance, humor...all wrapped up in one book. Brilliant piece of writing by Mr. Rollins. You'll be hard pressed to find a place to put this book down.

Name:
James Rollins
Current Home:
Sacramento, California
Date of Birth:
August 20, 1961
Place of Birth:
Chicago, Illinois
James Rollins is the New York Times, USA Today and Publishers Weekly bestselling author of Black Order, Map of Bones and other adventure thrillers. He was born in Chicago and grew up in Ontario, Canada, and St. Louis, Missouri. He graduated with honors from the University of Missouri with a degree in veterinary medicine. And like most veterinarians, he presently shares his home with a Golden Retriever, a Dachshund, and a sixty-five year old parrot named Igor. Rollins currently practices in Northern California, and when not writing or working in his veterinary practice, he can often be found underground or underwater as an amateur spelunker and scuba diver. These hobbies have helped in the creation of his earlier books Subterranean, Deep Fathom, Amazonia, and Sandstorm. His thriller, Black Order, skyrocketed to the top of bestseller lists across the country, winning the author countless new fans, and was proclaimed by People magazine as one of last summer's "hottest reads." Map of Bones was chosen by Publishers Weekly as one of the most likely to win over Dan Brown's faithful audience, and the New York Times rated the book as one the summer's top crowd pleasers.
Author biography courtesy of HarperCollins.
Some fun and fascinating outtakes from our interview with Rollins:
"I often get asked if I still practice veterinary medicine. While I don't practice full-time, I still do volunteer. I work with a group that traps stray cats, brings them to the shelter, where I spend a day spaying and neutering them. It's basically eight hours of removing genitalia. It's a hobby."
"I am a TV junkie. I have two Tivos and they are constantly full."
"My first job was to flip pizzas. I once got a pie spinning that was ten feet across. I had to spin it on my back to keep it going. Yet, I still love pizza."
"Two hobbies I love -- caving and scuba diving -- are also essential research for my novels. Case in point:
I've always been an avid cave explorer, from the vast systems in Missouri to the lava tubes of Hawaii to the tighter squeezes of the California foothills. But one of my most frightening episodes also allowed me to better describe claustrophobia in my novels. While climbing out of the fairly technical wild cavern, involving lots of rope work, I managed to jam myself midway up a narrow vertical chute. Hung up on my ascending gear midway up the chute, I found myself unable to move up or down. My chest was squeezed between two walls, my left knee turned the wrong way. I could not maneuver, and there was not enough room to get a rescue climber to me. I was trapped. I remember the team leader, leaning down from above, shining his helmet lamp at me. ‘You either find a way to un-jam yourself, or you stay there forever.'
So over the course of a long hour -- wriggling, sweating, cursing, and clawing -- I managed to creep a millimeter at a time out of the jam. After this event, I had a better understanding for panic and the determination born of pure desperation, essential ingredients for to writing thrilling fiction.
But spelunking through caves was not my only ‘research' lesson. Two decades ago, I also took up scuba diving and went on dive trips all around the world: Monterey Bay, Hawaii, South Pacific, Australia. I particularly remember one trip to the Great Barrier Reef in Australia. I was informed by the dive master to beware of the many hazards found in the region. ‘On land, Australia has seven of the ten deadliest snakes. The seas are worse. Box jellyfish can kill in minutes. Local sea snakes are some of the most toxic. But worst of all is the stone fish. It looks like a stone, but its spines are loaded with paralytic poison. So be careful what you touch.'
And down we all went, buddied up in pairs, enthusiastic and excited. I dropped toward the reef and adjust my buoyancy until I'm floating just above the reef. All around spread amazing sights: giant clams, a flurry of colored fish, an astounding variety of coral. But I miscalculated my buoyancy, my weight shifted, and I planted a hand into the sand to stabilize my tumble, careful of the razor-sharp coral. Inches from my thumb, a jagged rock suddenly sprouted fins and swam away. I met the gaze of my buddy diver. His wide eyes firmed up the identification. The deadly stone fish. And I had almost slapped my hand on its back. As the fish scurried away, I understood at that exact moment how little Nature cared about the life of a scuba-diving novelist. Down here, Nature ruled. We were only visitors.
This mix of respect and terror is brought to life in my latest novel, The Judas Strain."
What was the book that most influenced your life or your career as a writer?
I don't know if it was any one novel so much as entire narrow genre of writing, specifically the pulp writers of the thirties and forties. I had a large collection of reprints while growing up: Doc Savage, The Shadow, The Spider, The Avenger. From adolescence through college, I was absolutely in love with these old "scientific adventure" novels. On some unconscious level, I think I've been trying to bring back those old dime adventure stories, recast into the present, adapted to modern technologies, and given a polish. Along those same lines, the three writers who also had a great impact as the founders of "scientific thrillers" were Jules Verne, H. Rider Haggard, and H. G. Wells. In fact, my first novel, Subterranean, was an attempt to do a modern retelling of Verne's Journey to the Center of the Earth.
What are your ten favorite books, and what makes them special to you?
Only ten? I read across a wide field of genres, so I'll list them by different genres.
Literary Fiction:
Fantasy:
Science Fiction:
Mystery:
Horror:
Graphic Novels:
Romance:
Thriller:
Memoir:
Other:
What are some of your favorite films, and what makes them unforgettable to you?
Here, also, I could go on and on:
Oh, I could fill up pages and pages here.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I am a massive Bruce Springsteen fan. I skipped studying for my national board exams in veterinary medicine to stay up until 2 a.m. to catch his concert. Still I got one of the highest scores of my veterinary class, which I attribute to Springsteen's concert. The Boss rules!
If you had a book club, what would it be reading?
I would run a book club that covered a wide range of genres. So many book clubs seem one note, limiting the range to literary fiction or one specific genre. I'd prefer to mix it up, challenge members to sample genres that they might never have considered, to pull them out of their comfort zone. Every genre offers a new world of vocabulary, pace, story, structure, and character. So why not stretch those wings a bit?
What are your favorite kinds of books to give -- and get -- as gifts?
Like I mentioned above, one of the joys of reading is that sense of discovery. I'd prefer to get a book that I might never have tried before. If there's a book you love, buy another copy and give it to a friend. I know I would love to receive such a gift. It not only offers a chance to read something new, but it also gives you some insight into your friend. Why did he or she like this enough to gift it to me? Additionally, it also allows you to share something later, to compare notes, to talk about it over coffee. So books make a GREAT gift.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My main ritual is to write six pages every day. I'm very regimented in this, but to help with this, I have TWO yellow Post-it notes stuck to the edges of my computer monitor. One lists the five senses to remind me not to just write visually. Sometimes writing is like trying to capture a movie in your head and put it on paper. It's a struggle and a challenge every day to try to get that movie that plays like crystal in your head to shine like that on paper. And one of the ways of achieving that is not to forget to fold in other senses into your writing: taste, sound, touch, smell. So the Post-it note reminds me not to forget this. The second note is even more important. It's a simple declarative statement: "I give myself permission to write crap today." So many writers talk about being "blocked." And this statement is my shield against that. Sometimes the sense that you have to write perfect prose that day can cripple a writer, so my simple statement reminds me to relax, have fun with it, to know that writing is an adventure. And then the story flows!
What are you working on now?
I'm just finishing up my 2008 thriller, and I've just sold my first young adult novel, which I'm gearing up to write this winter. And just to keep busy, I'm also writing the novelization to the next Indiana Jones movie. Now you understand WHY I mentioned above about the necessity of writing six pages a day. Writer's block?!? Who has time for writer's block?!?
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I definitely was not an overnight success. First of all, I have years of short stories -- horribly written short stories -- buried in my backyard. I personally fear some future archaeologist stumbling upon this cache of stories and using them a verifiable proof that the end of the twentieth century was void of literary merit. And it didn't get much better when I got around to writing novels. I was rejected by 50 different agents before one finally agreed to represent my first novel. So it's a long haul, but one well worth the uphill climb.
If you could choose one new writer to be "discovered," who would it be?
I'm going to choose not so much a new writer as someone who deserves be discovered and read more widely. That would be Dan Simmons, whose novel The Terror was a critical success and finally a moderately commercial success. But I've been reading Dan Simmons since his first novel, The Song of Kali. It went on to read horror awards across the board with its debut. Later, he produced a modern opus of science fiction titled Hyperion, which garnered him the Hugo Award for best science fiction of the year. He's gone on to write stellar detective novels and now a novel in the literary vein with The Terror. The ability of this writer to cross genres with some striking success is amazing. As a writer, he's a high-wire act that everyone should be experiencing.
What tips or advice do you have for writers still looking to be discovered?
As I mentioned above, as someone who was rejected by fifty different agencies, I must stress the word PERSISTENCE. Believe in your work, keeping sending it out there... but more importantly, don't stop writing. Move on to a new project. Don't keep revising the same book unless an agent or editor asks you to. Simply accept that baby is finished and ready for the world... and go about conceiving a new one. Keep doing this and eventually you will get published! And while I do believe in the old adage "Write Everyday," I also also believe you should "Read Every Night." The best teacher of the craft is simply a good book. As you write and struggle with difficulties in your own writing, each book you read can teach you aspects of the craft. Why re-invent the wheel, when you can learn by example?
The South American Jungle Guards Many Secrets...
and a remarkable site nestled between two towering Andean peaks, hidden from
human eyes for thousands years.
Dig Deeper...
through layers of rock and mystery, through centuries of dark, forgotten
legends.
Into Ancient Catacombs...
where ingenious traps have been laid to ensnare the careless and
unsuspecting; where earth-shattering discoverieswealth beyond
imaginingcould be the reward for those with the courage to face the
terrible unknown.
Something is Waiting…
here where the perilous journey ends, in the cold, shrouded heart of a
breathtaking necropolis; something created by Man, yet not humanly possible.
Something wondrous. Something terrifying.
From the opening scene high in the Andes to the stunning finish, Excavation is a real page turner. Archaeology, lost Inca cities, graves, gold, and death what else could you want in a book? Rollins keeps the story in overdrive, with plenty of twists and turns before the final shocker. A compulsive read.
Loading...Monday, August 20, 11:52 A.M.
Johns Hopkins University
Baltimore, Maryland
Professor Henry Conklin's fingers trembled slightly as he unwrapped the final layer of blankets from around his frozen treasure. He held his breath. How had the fared after the three-thousand-mile trip from the Andes? Back in Peru, he had been so careful to pack and crate the frozen remains in dry ice for the trip to Baltimore, but during such a long journey anything could have gone wrong.
Henry ran a hand through his dark hair, now dusted with a generous amount of grey since passing his sixtieth birthday last year. He prayed his past three decades of research and fieldwork would pay off. He would not have a second chance. Transporting the mummy from South America had almost drained the last of his grant money. And nowadays any new fellowships or grants were awarded to researchers younger than he. He was becoming a dinosaur at Texas A&M. Though still fevered, he was now more coddled than taken seriously.
Still, his most recent discovery of the ruins of a small Incan village high in the Andes could change all that -- especially if it proved his own controversial theory.
He cautiously tugged free the final linen wrap. Fog from the thawing dry ice momentarily obscured his sight. He waved the mist away as the contorted figure appeared, knees bent to chest, arms wrapped around legs, almost in a fetal position, just as he had discovered the mummy in a small cave near the frozen summit of Mount Arapa.
Henry stared at his discovery. Ancient eye sockets, open and hollow, gazed back at him from under strands of lanky black hair still on its skull. Its lips, dried and shrunkenback, revealed yellowed teeth. Frayed remnants of a burial shawl still clung to its leathered skin. It was so well preserved that even the black dyes of the tattered robe shone brightly under the surgical lights of the research lab.
"Oh God!" a voice exclaimed at his shoulder. "This is perfect!"
Henry jumped slightly, so engrossed in his own thoughts he had momentarily forgotten the others in the room. He turned and was blinded by the flash of a camera's strobe. The reporter from the Baltimore Herald moved from behind his shoulder to reposition for another shot, never moving the Nikon from her face. Her blond hair was pulled over her ears in a severe and efficient ponytail. She snapped additional photos as she spoke. "What would you estimate its age to be, Professor?"
Blinking away the glare, Henry backed a step away so the others could view the remains. A pair of scientists moved closer, instruments in hand.
"I ... I'd estimate the mummification dates back to the sixteenth century-some four to five hundred years ago."
The reporter lowered her camera but did not move her eyes from the figure cradled on the CT scanning table. A small trace of disgust pleated her upper lip. "No, I meant how old do you think the mummy was when he died?"
"Oh...' He pushed his wire-rimmed glasses higher on his nose. "Around twenty ... It's hard to be accurate on just gross examination."
One of the two doctors, a petite woman in her late fiftieswith dark hair that fell in silky strands to the small of herback, glanced back at them. She had been examining themummy's head, a tongue depressor in hand. "He was thirty-two when he died," she stated matter-of-factly. The speaker,Dr. Joan Engel, was head of forensic pathology at JohnsHopkins University and an old friend of Henry's. Her position there was one of the reasons he had hauled his mummyto Johns Hopkins. She elaborated on her statement, "Histhird molars are partially impacted, but from the degree ofwear on the second molars and the lack of wear on the third,my estimation should be precise to within three years, plusor minus. But the CT scan results should pinpoint the ageeven more accurately."
Belying her calm demeanor, the doctor's jade eyes shone brightly as she spoke, crinkling slightly at the comers. There was no disgust on her face when she viewed the mummy, even when she handled the desiccated remains with her gloved fingers. Henry sensed her excitement, mirroring his own. It was good to know Joan's enthusiasm for scientific mysteries had not waned from the time he had known her back in her undergraduate years. She returned to the study of the mummy, but not before giving Henry a look of apology for contradicting his previous statement and estimation of age.
Henry's cheeks grew heated, more from embarrassment than irritation. She was as keen and sharp as ever.
Swallowing hard, he tried to redeem himself. He turned tothe reporter. "I hope to prove these remains found at thisIncan site are not actually Incan, but another tribe of Peruvian Indians. "
"What do you mean?"
"It has been long known that the Incas were a warrior tribe that often took over neighboring tribes and literally consumed them. They built their own cities atop these others, swallowing them up. From my study of Machu Picchu and other ruins in the remote highlands of the Andes, I've theorized that the lowland tribes of the Incas did not build these cloud cities but took them over from a tribe that already existed before them robbing these ancestors of their rightful place in history as the skilled architects of the mountaintop cities." Henry nodded toward the mummy. "I hope this fellow will be able to correct this error in history.,,
The reporter took another picture, but was then forced back by the pair of doctors who were moving their examination farther down the mummy. "Why do you think this mummy can prove this theory?" she asked.
"The tomb where we discovered it predates the Incan ruins by at least a century, suggesting that here might be one of the true builders of these mountain citadels. Also this mummy stands a good head taller than the average Inca of the region ... even its facial features are different. I brought the mummy here to prove this is not an Incan tribesman but one of the true architects of these exceptional cities. With genetic mapping available here, I can substantiate any --"
Excavation. Copyright © by James Rollins. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.Monday, August 20, 11:52 A.M.
Johns Hopkins University
Baltimore, Maryland
Professor Henry Conklin's fingers trembled slightly as he unwrapped the final layer of blankets from around his frozen treasure. He held his breath. How had the fared after the three-thousand-mile trip from the Andes? Back in Peru, he had been so careful to pack and crate the frozen remains in dry ice for the trip to Baltimore, but during such a long journey anything could have gone wrong.
Henry ran a hand through his dark hair, now dusted with a generous amount of grey since passing his sixtieth birthday last year. He prayed his past three decades of research and fieldwork would pay off. He would not have a second chance. Transporting the mummy from South America had almost drained the last of his grant money. And nowadays any new fellowships or grants were awarded to researchers younger than he. He was becoming a dinosaur at Texas A&M. Though still fevered, he was now more coddled than taken seriously.
Still, his most recent discovery of the ruins of a small Incan village high in the Andes could change all that -- especially if it proved his own controversial theory.
He cautiously tugged free the final linen wrap. Fog from the thawing dry ice momentarily obscured his sight. He waved the mist away as the contorted figure appeared, knees bent to chest, arms wrapped around legs, almost in a fetal position, just as he had discovered the mummy in a small cave near the frozen summit of Mount Arapa.
Henry stared at his discovery. Ancient eye sockets, open and hollow, gazed back at him from under strands of lanky black hair still on its skull. Its lips, dried and shrunken back, revealed yellowed teeth. Frayed remnants of a burial shawl still clung to its leathered skin. It was so well preserved that even the black dyes of the tattered robe shone brightly under the surgical lights of the research lab.
"Oh God!" a voice exclaimed at his shoulder. "This is perfect!"
Henry jumped slightly, so engrossed in his own thoughts he had momentarily forgotten the others in the room. He turned and was blinded by the flash of a camera's strobe. The reporter from the Baltimore Herald moved from behind his shoulder to reposition for another shot, never moving the Nikon from her face. Her blond hair was pulled over her ears in a severe and efficient ponytail. She snapped additional photos as she spoke. "What would you estimate its age to be, Professor?"
Blinking away the glare, Henry backed a step away so the others could view the remains. A pair of scientists moved closer, instruments in hand.
"I ... I'd estimate the mummification dates back to the sixteenth century-some four to five hundred years ago."
The reporter lowered her camera but did not move her eyes from the figure cradled on the CT scanning table. A small trace of disgust pleated her upper lip. "No, I meant how old do you think the mummy was when he died?"
"Oh...' He pushed his wire-rimmed glasses higher on his nose. "Around twenty ... It's hard to be accurate on just gross examination."
One of the two doctors, a petite woman in her late fiftieswith dark hair that fell in silky strands to the small of herback, glanced back at them. She had been examining themummy's head, a tongue depressor in hand. "He was thirty-two when he died," she stated matter-of-factly. The speaker,Dr. Joan Engel, was head of forensic pathology at JohnsHopkins University and an old friend of Henry's. Her position there was one of the reasons he had hauled his mummyto Johns Hopkins. She elaborated on her statement, "Histhird molars are partially impacted, but from the degree ofwear on the second molars and the lack of wear on the third,my estimation should be precise to within three years, plusor minus. But the CT scan results should pinpoint the ageeven more accurately."
Belying her calm demeanor, the doctor's jade eyes shone brightly as she spoke, crinkling slightly at the comers. There was no disgust on her face when she viewed the mummy, even when she handled the desiccated remains with her gloved fingers. Henry sensed her excitement, mirroring his own. It was good to know Joan's enthusiasm for scientific mysteries had not waned from the time he had known her back in her undergraduate years. She returned to the study of the mummy, but not before giving Henry a look of apology for contradicting his previous statement and estimation of age.
Henry's cheeks grew heated, more from embarrassment than irritation. She was as keen and sharp as ever.
Swallowing hard, he tried to redeem himself. He turned tothe reporter. "I hope to prove these remains found at thisIncan site are not actually Incan, but another tribe of Peruvian Indians. "
"What do you mean?"
"It has been long known that the Incas were a warrior tribe that often took over neighboring tribes and literally consumed them. They built their own cities atop these others, swallowing them up. From my study of Machu Picchu and other ruins in the remote highlands of the Andes, I've theorized that the lowland tribes of the Incas did not build these cloud cities but took them over from a tribe that already existed before them robbing these ancestors of their rightful place in history as the skilled architects of the mountaintop cities." Henry nodded toward the mummy. "I hope this fellow will be able to correct this error in history.,,
The reporter took another picture, but was then forced back by the pair of doctors who were moving their examination farther down the mummy. "Why do you think this mummy can prove this theory?" she asked.
"The tomb where we discovered it predates the Incan ruins by at least a century, suggesting that here might be one of the true builders of these mountain citadels. Also this mummy stands a good head taller than the average Inca of the region ... even its facial features are different. I brought the mummy here to prove this is not an Incan tribesman but one of the true architects of these exceptional cities. With genetic mapping available here, I can substantiate any --"
Excavation. Copyright © by James Rollins. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
loading...
loading...
loading...
Terms of Use, Copyright, and Privacy Policy
© 1997-2009 Barnesandnoble.com llc