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Enemy Women by Paulette Jiles
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Average Customer Rating: 
(16 ratings)
- Publisher: HarperCollins Publishers
- Pub. Date: January 2003
- ISBN-13: 9780641830037
- Sales Rank: 5,946
- 336pp
- Series: Harper Perennial
- Edition Description: Bargain
- Other Formats:
- Paperback - Reissue
- Audio - Unabridged, 10 Cassettes
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Synopsis
PerfectBound e-book extra: A Reading Group Guide to Enemy Women.
From critically acclaimed, award-winning poet and memoirist Paulette Jiles comes a debut novel of startling power and savage beauty -- an extraordinary story of survival and love in the midst of a torn nation's bitter agony.
New York Times - Janet Maslin
This is a book with backbone, written with tough, haunting eloquence by an author determined to capture the immediacy of her heroine's wartime odyssey. And Ms. Jiles, in her debut novel, has brought spellbinding intensity to the process of leading readers backward through time.
More Reviews and RecommendationsBiography
Acclaimed journalist, award-winning poet, and New York Times-bestselling novelist, Paulette Jiles is a writer who steeps her prose in the places she's called home, from the Missouri Ozarks to the Texas plains.
More About the AuthorCustomer Reviews
Number of Reviews: 16
Average Rating:
Write a Review
supermodel in jeopardy (supjep)
thomas
(mulcaster83@yahoo.com)
, A reviewer, 12/05/2006
didn't ugly women ever have to trek across mountain ranges during the civil war? in every civil war story i've ever seen or read the leading lady is pretty much described as angelina jolie in a hoop skirt. must have been a fun war with babes making corageous yet romantic journies everywhere. adair randolph colley is a wonderful character, though, and this is an excellent novel. jiles writes like shakespeare after coffee. the bad: the chapter headings didn't work, and the beginning, as others have noted, was too muddled, too narrative. it takes 20 pages for adair to finally appear on the stage as our raven-haired, dark-eyed, supermodel protagonist.
Also recommended: true grit
A lyric odyssey
Susan, A reviewer, 08/26/2004
This civil war odyssey is a lyric masterpiece, containing vignettes of such descriptive beauty that they stop the reader in her tracks. The focus for the reader is not the historical accuracy of the book, but the intricately woven descriptions of the exterior environment juxtaposed with Adair Colley's interior landscape. Marvelous craftsmanship and a thrilling adventure into the world of an unusual young Ozark woman. Beautiful, beautiful writing. Far surpasses the over-rated Cold Mountain, to which is is sometimes incorrectly compared.
More Customer ReviewsFact File
Name:
Paulette Jiles
Current Home:
Southwest Texas
Place of Birth:
Salem, Missouri
Education:
B.A. in Romance Languages, University of Missouri
Awards:
The Governor General’s Award for Poetry (Canada) for Celestial Navigation; The Rogers Writers’ Trust Fiction Prize (Canada) and the Willa Literary Award for Historical Fiction (U.S.) for Enemy Women
Biography
Poet, memoirist, and novelist Paulette Jiles was born and raised in the Missouri Ozarks and moved to Canada in 1969 after graduating with a degree in Romance languages from the University of Missouri at Kansas City. She spent eight years as a journalist in Canada, before turning to writing poetry. In 1984, she won the Governor General's Award (Canada's highest literary honor) for Celestial Navigation, a collection of poems lauded by the Toronto Star as "...fiercely interior and ironic, with images that can mow the reader down."
In 1992, Jiles published Cousins, a beguiling memoir that interweaves adventure and romance into a search for her family roots. Ten years later, she made her fiction debut with Enemy Women (2002), the survival story of an 18-year-old woman caged with the criminally insane in a St. Louis prison during the Civil War. Janet Maslin raved in The New York Times, "This is a book with backbone, written with tough, haunting eloquence by an author determined to capture the immediacy of he heroine's wartime odyssey." The book won the Willa Literary Award for Historical Fiction (U.S.) and the Rogers Writers' Trust Fiction Prize (Canada).
In her second novel, 2007's Stormy Weather, Jiles mined another rich trove of American history. Set in Texas oil country during the Great Depression, the story traces the lives of four women, a widow and her three daughters, as they struggle to hold farm and family together in a hardscrabble world of dust storms, despair, and deprivation. In its review, The Washington Post praised the author's lyrical prose, citing descriptions that "crackle with excitement." Stormy Weather became the fourth selection in the Barnes & Noble Recommends program.
A dual citizen of the United States and Canada, Jiles currently lives on a ranch near San Antonio, Texas.
Good to Know
Some interesting outtakes from our interview with Jiles:
"When I lived in Nelson, British Columbia, there were three or four of us women who were struggling writers; we were very poor and we had a great deal of fun. We shared writing and money and wine. Woody (Caroline Woodward) had a great, huge Volkswagen bus -- green -- named Greena Garbo. When any of us managed to publish something there were celebrations. It was a wonderful time. They always managed to show up at my place just when I'd baked bread. One time Meagan and Joanie arrived to share with me a horrible dinner they had made of cracked wheat and onions -- we were actually all short of food. I had just made lasagna -- and they ate all of my lasagna and left me with that vile dish of groats and onions. And then we all got married and went in different directions."
"I have a small ranch that keeps me busy -- two horses, a donkey, a cat, a dog, fences, a pasture -- I and spend lots of time preventing erosion, clearing cedar, etc."
Feature Interview
In the spring of 2007, Paulette Jiles took some time to answer some of our questions about her favorite books and authors, and a writer's life. What was the book that most influenced your life or your career as a writer?
Anatomy of Criticism: Four Essays by Northrop Frye gives a clear and cogent analysis of the various sorts of imaginative narratives, among them the quest story. It does not assign value to any one type of story. I came upon Frye's The Well-Tempered Critic in college and loved it. It has the same sort of descriptive brilliance as Anatomy. It was a relief from the contemporary insistence that only the novel of psychological exploration was of literary value.
[Other influential books: The Old Man and the Sea by Ernest Hemingway; All the Pretty Horses by Cormac McCarthy]
What are your ten favorite books, and what makes them special to you?
Here are twelve (because ten is not enough):
The above are my favorites because they are so beautifully written, because of the intelligence that shines from the stories, because of the urgency behind their presentation, and because of the authors' conviction that the story being told matters deeply. Grimms' Fairy Tales, of course, are not by any one author. They are like an open window into an ancient and probably ageless part of our minds that lusts for stories.
What are some of your favorite films, and what makes them unforgettable to you?
I love the above films because each is unforgettable and totally emotionally engaging.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Georges Bizet's L'Arlessiene, John Fahey, Mozart's Clarinet Concerto in A Major, mountain hymns.
I love these pieces of music because they are, to me, very moving. I never listen to music when I am working. I have enough going on in my head without dividing my attention to music that deserves one's full consideration. I also play guitar, or at least practice most days, and so it is hard to regard music as background.
What are your favorite kinds of books to give -- and get -- as gifts?
Ancient history.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have several small figurines on my desk.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I always wrote what I wanted. Enemy Women had fourteen rejections -- all of them replete with praise.
What tips or advice do you have for writers still looking to be discovered?
Keep working.
From Barnes & Noble
Barnes & Noble Discover Great New Writers
Set in war-torn Missouri during the Civil War, Enemy Women is a timeless story of a heroine who perseveres as the world around her crumbles.
Three years into the war, the Union militia is burning homes throughout the eastern Ozarks in retaliation against the families whose men fought for the Confederacy. Although Squire Colley, a justice of the peace, has maintained neutrality in the conflict, his family does not escape the militia's wrath -- their home is burned, their possessions stolen, and Colley himself is arrested for "disloyalty" and taken away.
Colley's 18-year-old daughter, Adair, joins her sisters, who set out on foot to find their jailed father and demand his release. But before long the stakes are raised, and Adair herself is accused of espionage. Her interrogator, Major Neumann, urges her to confess, but Adair refuses to admit to crimes she did not commit. Eventually, the major is transferred to another jurisdiction, but not before a romantic interest in Adair has been kindled. He helps her plan an escape from prison and promises to find her when the war is finally over. In poor health, and with virtually no possessions other than two gold pieces, Adair sets out to find her family and rebuild her life. (Spring 2002 Selection)
From the Publisher
For the Colleys of southeastern Missouri, the War between the States is a plague that threatens devastation, despite the family's avowed neutrality. For eighteen-year-old Adair Colley, it is a nightmare that tears apart her family and forces her and her sisters to flee. The treachery of a fellow traveler, however, brings about her arrest, and she is caged with the criminal and deranged in a filthy women's prison.
But young Adair finds that love can live even in a place of horror and despair. Her interrogator, a Union major, falls in love with her and vows to return for her when the fighting is over. Before he leaves for battle, he bestows upon her a precious gift: freedom.
Now an escaped "enemy woman," Adair must make her harrowing way south buoyed by a promise . . . seeking a home and a family that may be nothing more than a memory.
New York Times - Janet Maslin
This is a book with backbone, written with tough, haunting eloquence by an author determined to capture the immediacy of her heroine's wartime odyssey. And Ms. Jiles, in her debut novel, has brought spellbinding intensity to the process of leading readers backward through time.
Publishers Weekly
HFor Adair Randolph Colley, at 18 the eldest daughter of a widowed Missouri Ozarks schoolmaster and justice of the peace, the Civil War becomes personal when her father, who has remained neutral in the conflict, is arrested by the Union militia, their home is nearly burned and their possessions stolen. At the start of this spirited first novel, Adair and her two younger sisters try to follow their father's captors, but Adair is falsely denounced as a Confederate spy. At the prison in St. Louis, upright commandant Maj. William Neumann is embarrassed to be interrogating women and has requested a transfer to a fighting unit. He's touched by Adair's beauty and spirit and asks her to give him some information so she can be released. Instead, she writes the story of her life, augmented by folk tales and fables, and he finds himself falling in love. When he gets his reassignment orders, he proposes marriage and asks her to escape, promising to find her after the war. Thus begins a long and terrible journey for each of them. Poet and memoirist Jiles (North Spirit) has written a striking debut novel whose tone lingers poignantly. Not a typical romantic heroine, Adair has the saucy naevete of an unsophisticated countrywoman and the wily bravery born of an honest character. Jiles's strengths include a sure command of period vernacular and knowledge of the social customs among backwoods people, as well as a delicate hand with the love story. Sure to be touted as a new Cold Mountain, this stark, unsentimental, yet touching novel will not suffer in comparison. Copyright 2001 Cahners Business Information.
Library Journal
Poet and memoirist Jiles (North Spirit) enters new territory, both historically and stylistically, with her first novel, which is set in the Missouri Ozarks during the Civil War. Adair Colley is 18 years old and leads a happy, untroubled life with her father, brother, and younger sisters on the family homestead in southeastern Missouri until the war, in the form of the Missouri Union Militia, touches them. After taking the family's possessions, the militia sets fire to the house and barn. Brother John Lee escapes to the woods, but patriarch Marquis Colley is accused of disloyalty, badly beaten, and taken away, leaving the three girls on their own. Though innocent, Adair is soon arrested for spying and sent to prison in St. Louis. How she survives that institution's abominable conditions, falls in love with the major in charge, and manages to return to her old home make for an enthralling narrative. Very little has been written about the degrading condition endured by female prisoners, who were often unjustly accused, and the details that Jiles unearthed via her research add much to our knowledge of the Civil War. Recommended for all public libraries. Ann Fleury, Tampa-Hillsborough P.L., FL Copyright 2001 Cahners Business Information.
School Library Journal
Adult/High School-A well-told historical novel related by a young woman who was imprisoned during the Civil War. The story begins in southeastern Missouri where spoiled, outspoken Adair Colley, 18, lives with her bookish father, crippled brother, and two younger sisters. When Tim Reeves's Union militia burns their house and barn, taking her father prisoner, Adair and her sisters set off on horseback to plead for his release. Their brother has escaped both the army and Reeves's band by hiding out with Southern guerrillas. Adair is denounced as a spy and taken to prison, where she shares a cell with prostitutes. Soon she comes in contact with Major William Newmann, who tries to convince her to turn in her brother so she can be released. Instead of a confession, Adair composes an elaborate fairy tale. The major is unable to deny his feelings for her, and urges her to escape just before he is transferred to the front lines. The rest of the book deals with her risky trek home and the major's exploits in battle and subsequent release from the army. Similar to Charles Frazier's Cold Mountain (Atlantic Monthly, 1997), this love story gives vivid descriptions of the dangerous countryside and glimpses into the horrors of war and its aftermath. Chapters begin with contemporary journal entries, letters, and news stories. Magical, lyrical, and hauntingly beautiful, this title is a must read for its strong female protagonist and a side of the Civil War not usually dealt with in history books.-Pat Bender, The Shipley School, Bryn Mawr, PA Copyright 2002 Cahners Business Information.
Kirkus Reviews
A remarkable debut chronicles the challenges a young woman, falsely imprisoned as a spy during the Civil War, faces when her home is destroyed and her heart given to the enemy.
Customer Reviews
Number of Reviews: 16
Average Rating:
Write a Review
supermodel in jeopardy (supjep)
thomas (mulcaster83@yahoo.com), A reviewer, 12/05/2006
didn't ugly women ever have to trek across mountain ranges during the civil war? in every civil war story i've ever seen or read the leading lady is pretty much described as angelina jolie in a hoop skirt. must have been a fun war with babes making corageous yet romantic journies everywhere. adair randolph colley is a wonderful character, though, and this is an excellent novel. jiles writes like shakespeare after coffee. the bad: the chapter headings didn't work, and the beginning, as others have noted, was too muddled, too narrative. it takes 20 pages for adair to finally appear on the stage as our raven-haired, dark-eyed, supermodel protagonist.
Also recommended: true grit
A lyric odyssey
Susan, A reviewer, 08/26/2004
This civil war odyssey is a lyric masterpiece, containing vignettes of such descriptive beauty that they stop the reader in her tracks. The focus for the reader is not the historical accuracy of the book, but the intricately woven descriptions of the exterior environment juxtaposed with Adair Colley's interior landscape. Marvelous craftsmanship and a thrilling adventure into the world of an unusual young Ozark woman. Beautiful, beautiful writing. Far surpasses the over-rated Cold Mountain, to which is is sometimes incorrectly compared.
A wonderful read
A reviewer, a historical fiction addict, 09/04/2003
From the moment I picked this book up I could not put it down. It is defintley a page turner. As I read it I felt as if I were Adair. My only problem was the ending it kind of confused me. Other than that, wonderful read! I highly suggest it.
an OK read
A reviewer, A historical fiction lover, 07/01/2003
First of all, let me thank 'A Reviewer' from Nov.25, 2002 for clearing up the ending for me...I was so confused. The main thing that bothered me about the story was the ending, and how I didn't know what was happening. My other problem was that Jiles didn't use quotation marks when the characters were speaking, so it made it hard to determine what the characters were saying as opposed to the narrative. But other than that, after the first 50 pages it was a page-turner and pretty interesting. I wish she had gone into more depth about the character's thoughts, etc. The ending left lots of loose ends, which bothered me a lot. Other than that, a fairly good book.
Book Marketed on Flawed History
Ray Burson, with Ripley County Hist. Society, 02/18/2003
Paulette Jiles' Civil War romance purports to be a well-researched book in which the romance is put in the context of the little known Civil War history of Southeast Missouri. Unfortunately, Ms. Jiles' prologue, which sets the scene for the novel is more fantasy than fact. The central incident that sets the tone is a massacre of civilians by Union forces on a Ripley County farm on Christmas Day, 1863. That skirmish was really a rescue mission which freed 100 union prisoners while 35 Confederates were killed and some 100 captured. There are no eyewitness or other contemporary written reports that document the killing of civilians in that place on that day. The 3rd Missouri State Militia was a disciplined force, not a band of freelance guerillas. Major James Wilson was not a creature of Ms. Jiles imagination, but a real hero to his men and there is no evidence linking his later execution to the Christmas Day skirmish. Also, the county's citizens, though largely pro-south, did not all flock to the southern cause. Ms. Jiles acknowledges that she could not have written the book without the help of Jerry Ponder and that is true. Ponder, a self-published historian, brought out the massacre story in the 1980s as he worked to convert family legend into historical fact thereby embellishing the lost cause of his ancestors. Writers of fiction do have great latitude in their interpretation of history, but there must be a limit. It is unfortunate that this book is being marketed in part on Ms. Jiles' rendition of Southeast Missouri Civil War history. The narrative does hold the reader's attention and the imagery shows the author's poetic skills. If the book could be considered only for its story line it might deserve another star.
Also recommended: "Cold Mountain"
Showing 1-5 NextProduct Details
- ISBN:
0641830033
- ISBN-13: 9780641830037
- Format: Paperback, 336pp
- Publisher: HarperCollins Publishers
- Pub. Date: January 2003
- Edition Description: Bargain
- Sales Rank: 5,946
- Series: Harper Perennial
Reading Group Guide
Plot Summary The Civil War Era was one of the most divisive and heart-rending in our nation's history. For 18-year-old Adair Colley it brought about intense personal change as well. Although the Colley family was neutral on the issues of secession and slavery, many men from their area in Missouri Ozarks had joined the Confederate army. One day in November 1864 the Union Militia swept in on their mission to rout Confederate sympathizers. They set the Colley homestead on fire, and arrested Adair's father, a mild-mannered justice of the peace. Adair and her two younger sisters gathered together what they could and set off to find shelter. Along the way, however, Adair herself is arrested on charges of "enemy collaboration" and sent to a women's prison in St. Louis. There she meets a Union major, William Neumann, who is to be her interrogator, and the two fall in love. Before he is sent back to the front, Neumann helps Adair plan an escape and, not long after he leaves, she makes her break. Weakened and alone, Adair must now travel through dangerous territory as she makes her way home -- not knowing who or what she will find there. Questions for DiscussionRead an Excerpt
Oct. 29, 1864Dear Wife and Children; I take my pen with trembling hand to inform you that I have to be shot between 2 & 4 o'clock this evening. I have but few hours to remain in this unfriendly world. There are 6 of us sentenced to die in retaliation of 6 Union soldiers that was shot by Reeves men. My dear wife don't grieve after me. I want you to meet me in Heaven. I want you to teach the children piety, so that they may meet me at the right hand of God. . . . I don't want you to let this bear on your mind any more than you can help, for you are now left to take care of my dear children. Tell them to remember their dear father. I want you to tell all my friends that I have gone home to rest. I want you to go to Mr. Conner and tell him to assist you in winding up your business. If he is not there then get Mr. Cleveland. If you don't get this letter before the St. Francis River gets up you had better stay there until you can make a crop, and you can go in the dry season. It is now half past 4 a.m. I must bring my letter to a close, leaving you in the hands of God. I send you my best love and respect in this hour of death. Kiss all the children for me. You need have no uneasiness about my future state, for my faith is well founded and I fear no evil. God is my refuge and my hiding place.
Good-bye Amy
Asey Ladd
--Asa Ladd, a Confederate prisoner of war in Gratiot Street Prison, St. Louis, who was selected along with five others by the Union command of that city to be executed in retaliation for Reeves's execution of Major James Wilson of the Union Militia. Ladd was from southeastern Missouri. It was the third year of the war and by now there was hardly anybody left in the country except the women and the children. The men were gone with Colonel Reeves to live in the forests, and many families had fled to Texas or St. Louis. Abandoned house places looked out with blank windows from every hollow and valley in the Ozark mountains so that at night the wind sang through the disintegrating chinking as if through a bone flute. Adair Colley had just turned eighteen in early November of 1864 when the Union Militia arrested her father and tried to set the house on fire. Her sister Savannah saw them first; a long line of riders in blue trotting in double column as they turned into the road that led to the Colley farm.
All through the last three years of the war Adair's father had tried to keep his children close to home. Because he was a justice of the peace, he was called Squire, and the newspapers he subscribed to came addressed to Squire M. L. Colley. Her father had determined to stay out of the war and keep his children out of the reach of soldiers of either army and he had succeeded in this for three years. He read in the Little Rock paper that the Missouri Union Militia was being thrown together out of troops dredged up from the riverfronts of St. Louis and Alton, from the muddy Missouri River towns. Men who joined up for a keg of whiskey and five dollars a month.
The trained and disciplined Union troops had long ago been sent to the battlefields of the East, to Virginia and Tennessee, while the hastily recruited Militia had been sent down into the Ozarks to chastise the families whose men had gone to the Southern Army, to catch and arrest them when they returned from their six-month enlistments, and to punish those who might be suspected of harboring Southern sympathies.
Adair's father did not know what the law was on this matter, concerning men who had been in the Southern Army and had returned home and were soldiers no longer, or those who had never joined up at all but had no means of proving it. But it was no matter, for the Union Militia knew no law. After they burnt down the courthouses they then began to ambush the mail carriers, so the southeastern Ozarks seemed a place cut off from the entire world.
Adair's father read to them in the evenings out of the rare newspaper he managed to acquire, the Memphis Appeal and the St. Louis Democrat. Adair sat on the clothes trunk to stare at the fire and listen to the inflamed prose of the Democrat. She would rather he read the racing news from the Nashville paper, for she wanted to hear if Copperbottom's sons were running but the war consumed everything, even human thoughts and horse races.
There are four main rivers coming down out of the southeastern Missouri Ozarks into the Mississippi. They are the Eleven-Point, the Current, the Black, and the Saint Francis. For three years Adair had seen at a distance soldiers of both armies riding up these river valleys in search of one another. Her brother, John Lee, rode to the ridges to stand watch for them every morning, for the Fifteenth Missouri Cavalry under Colonel Reeves would take your horses as quick as would any Militia. He watched for their smoke, at dawn when the soldiers would be lighting their breakfast fires. He did not go to war himself for he had a withered arm. So the Union Militia raided and set fire to the outlying places all around the Colley farm but continued somehow to miss them.
All through this time Adair's father remained absorbed in his books of law, his newspapers passed from hand to hand down the Wire Road or the Nachitoches Trace by neighbors or one of the few travelers. The light fell from the twelve-paned windowlights onto the harvest table as he wrote, arguing to editors the causes and the Constitutional points of the war in letters that became harder and harder to mail.
As the war dragged on, Adair began to hear from her cousins and from what neighbors remained to them that women were being taken by the Union Militia and sent to prison for disloyalty, that the women were accused of supplying clothing and food to their brothers, their fathers, husbands, sons, or cousins who rode with Timothy Reeves. That the Union had arrested and sent away the Blakely sisters and the Sutton girls and old Mrs. Holland from Jack's Fork. Nobody seemed to know where it was that the women were being held in that far city, but after a while word came back that it was in places called Gratiot and the St. Charles Street Prison for Women.
In stained coats of Federal blue the Militia came upon the towns of Doniphan Courthouse and Alton, the Crites homestead and all the house places down Pike Creek and the Current River, carrying away jewelry and horses, quilts and silver, to be sold on the black market in St. Louis. They burned houses and shot whoever got in their way. They beat Adair's father in the face with such force Adair thought they had put his eye out. They used a wagon spoke and afterward they threw it away stained with his blood and hair.
The Militia got the horses and then broke their way inside the house. One soldier started shoveling the coals from the fireplace out over the floors and onto the big harvest table, while another tipped over the china cabinet and started dancing up and down in the dish fragments, singing, Oh sinner, come view the ground, where you shall shortly lie. . . .
There was a thin November snow coming down at that time from behind the Courtois Hills, light skeins of snow unwinding themselves over the valley of Beaverdam Creek. Then it turned to a hard rain. It was this that saved the house. The cold rain came down driving like hail, and steam blossomed hot out of the fireplace where water was streaming down the chimney. A strong wind came up out of the southwest and blew off Adair's bonnet and tore at her bonnet strings until she thought they would cut her throat.
While the girls fought the fire the Militia carried out everything from the house in the way of food or valuables that they found. They came out of the house with their coat collars turned up against the rain, their arms loaded, and between the door and their wagon was a trail of spoons and bobbins and trodden paper. Then they went on, taking her father away in their commissary wagon with his arms tied behind him and without a hat. The rain beat into his face, and the blood ran draining down in thin streams. Then the tilting wagon and the soldiers went off into a world of hammering water and the iron tires were surrounded by a thin halo of spraying mud. By evening the Little Black River had risen to flood stage.
So it was in the third year of the Civil War in the Ozark mountains of southeastern Missouri, when Virginia creeper and poison ivy wrapped scarlet, smoky scarves around the throats of trees, and there was hardly anybody left in the country but the women and the children.
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