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Jonathan Safran Foer spent much of his teenage and college years oscillating between omnivore and vegetarian. But on the brink of fatherhood-facing the prospect of having to make dietary choices on a child's behalf-his casual questioning took on an urgency His quest for answers ultimately required him to visit factory farms in the middle of the night, dissect the emotional ingredients of meals from his childhood, and probe some of his most primal instincts about right and wrong. Brilliantly synthesizing philosophy, literature, science, memoir and his own detective work, Eating Animals explores the many fictions we use to justify our eating habits-from folklore to pop culture to family traditions and national myth-and how such tales can lull us into a brutal forgetting. Marked by Foer's profound moral ferocity and unvarying generosity, as well as the vibrant style and creativity that made his previous books, Everything is Illuminated and Extremely Loud and Incredibly Close, widely loved, Eating Animals is a celebration and a reckoning, a story about the stories we've told-and the stories we now need to tell.
Celebrated novelist Foer (Extremely Loud and Incredibly Close, 2005, etc.) examines the ethics and practical realities of eating things with faces. The author's first book-length work of nonfiction opens with a reminiscence of a grandmother who scraped for food to stay alive during the dark years of the Holocaust, yet refused to violate kashrut law to eat a proffered piece of pork, saying, "If nothing matters, there's nothing to save." Against that time of want and the food insecurity his grandmother expressed for the rest of her life, Foer examines this time of too-muchness, of cupboards full of luxuries and days full of meaty meals made possible by an elaborate system of factories, stockyards and slaughterhouses. "Eating animals," he writes, "is one of those topics, like abortion, where it is impossible to definitively know some of the most important details . . . and that cuts right to one's deepest discomforts, often provoking defensiveness or aggression." To his credit, the author is not shy of exploring his own discomforts while engaging in near-Talmudic analyses of the finer points of being a carnivore: If a pig is as smart as, if not smarter, than a dog and just as fond of playing with toys, then why aren't they allowed to curl up next to the fire with us? Of course, Foer allows, there are cultures where eating dogs is considered a good thing, though none that come to mind where having pigs as pets is common. Given the environmental costs of eating meat-"for every ten tuna, sharks, and other large predatory fish that were in our oceans fifty to a hundred years ago, only one is left"-and the looming sense that a time of scarcity is again in the offing, Foer's case for ethicalvegetarianism is wholly compelling. A blend of solid-and discomforting-reportage with fierce advocacy that will make committed carnivores squeal.
More Reviews and RecommendationsThe author of one of the most buzzed-about debut novels of 2002, Everything Is Illuminated, Jonathan Safran Foer brings philosophy, philanthropy, and a talent for turning language inside out to the literary table.
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October 21, 2009: I highly recommend this book for anyone. Even those who already think they are on the writers side will be moved. Hopefully this book will wake up others to the dire problem we are living in.