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Mary Doria Russell's fiction has always dealt with power and the search for elusive lands as a means to further it. In her novels The Sparrow and Children of God, a band of Jesuits in the future colonize a distant planet. In Dreamers of the Day, Russell shifts her gaze to the Middle East, specifically to the 1921 Cairo Peace Conference, where a group of high-profile Europeans met to decide the fate of the region in the aftermath of the First World War. Agnes Shanklin, a 40-year-old spinster whose staid schoolteacher's life is transformed by a sudden inheritance of riches, sets sail for Egypt just in time to mingle with the illustrious company gathered in Cairo: Winston Churchill, a hoity-toity colonial secretary; Gertrude Bell, the redoubtable British writer credited with drawing up the borders of Mesopotamia; and the swashbuckling, locally beloved T. E. Lawrence. Agnes's sojourn in the company of these power brokers is richly conjured by the author, drawing on meticulous research. You may not agree with her political message, but it is impossible to ignore her conviction, born of a deep humanity, that geopolitics does not sit well with hubris. As America grapples with the fruits of its actions in Iraq, Dreamers of the Day is a timely reminder of that classic dictum: those who cannot remember the past are condemned to repeat it. --Vikram Johri
More Reviews and Recommendations“I suppose I ought to warn you at the outset that my present circumstances are puzzling, even to me. Nevertheless, I am sure of this much: My little story has become your history. You won’t really understand your times until you understand mine.”
So begins the account of Agnes Shanklin, the charmingly diffident narrator of Mary Doria Russell’s compelling new novel, Dreamers of the Day. And what is Miss Shanklin’s “little story?” Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world–and of our own.
A forty-year-old schoolteacher from Ohio still reeling from the tragedies of the Great War and the influenza epidemic, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt and the Holy Land. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes, with her plainspoken American opinions–and a small, noisy dachshund named Rosie–enters into the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan.
Neither a pawn nor a participant at the conference, Agnes is ostensibly insignificant, and that makes her a welcome sounding board for Churchill, Lawrence, and Bell. It also makes her unexpectedly attractive to the charismatic German spy Karl Weilbacher. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward apersonal awakening.
With prose as graceful and effortless as a seductive float down the Nile, Mary Doria Russell illuminates the long, rich history of the Middle East with a story that brilliantly elucidates today’s headlines. As enlightening as it is entertaining, Dreamers of the Day is a memorable, passionate, gorgeously written novel.
…a stirring story of personal awakening set against the background of a crucial moment of modern history…In this rewarding blend of personal and historical events, Russell has produced a novel bound to please a broad range of readers. From her vantage point in the afterlife, Agnes claims that "observing human history has turned out to be a terrible exercise in monotony," but for those of us still on this side, such tales as this make it fascinating.
More Reviews and RecommendationsA paleoanthropologist with specialties in bone biology and biomechanics, Mary Doria Russell did field work in Australia and Croatia and spent four years writing computer manuals before kicking off her writing career with her acclaimed debut novel, The Sparrow. Her latest novel -- the first in seven years -- is A Thread of Grace, is set in Italy during the dramatic finale of World War II.
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February 16, 2009: Historically a very interesting book - and a clever easy-to-read history of a critical time in relatively recent middle eastern history. At times one wishes for a strong editor's hand, but just keep reading. It might be good as one way for young people (especially women) to learn history in a pleasant way. Well worth sharing with a friend.
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February 09, 2009: I loved the mix of fiction with reality and the historical characters that made their appearance. It was interesting, captivating and a good read
Name:
Mary Doria Russell
Current Home:
Cleveland, Ohio
Date of Birth:
August 19, 1950
Place of Birth:
Elmhurst, Illinois
Education:
B.A., The University of Illinois; M.A., Northeastern University; Ph.D., The University of Michigan
Awards:
The John W. Campbell Award, 1998; The Cleveland Arts Council Prize for Literature 1998; The American Library Association’s Reader’s Choice Award 1998
Mary Doria Russell was born in suburban Chicago in 1950. Her mother was a U.S. Navy nurse and her father was a Marine Corps drill sergeant. She and her younger brother, Richard, consequently developed a dismaying vocabulary at an early age. Mary learned discretion at Sacred Heart Catholic elementary school and learned how to parse sentences at Glenbard East High; she moved on to study cultural anthropology at the University of Illinois, social anthropology at Northeastern University in Boston, and biological anthropology at the University of Michigan.
After earning a doctorate, Russell taught human gross anatomy at Case Western Reserve University in the 1980s but left the academic world to write fiction, which turned out to be a good career move. Her novels have struck a deep chord with readers for their respectful but unblinking consideration of fundamental religious questions. The Sparrow and Children of God remain steady sellers, translated into more than a dozen languages. Russell has received nine national and international literary awards and has been a finalist for a number of others. She and her family live in Cleveland, Ohio.
Author biography courtesy of Random House, Inc.
Some interesting outtakes from our interview with Russell:
"I honestly think getting up early gives you cancer. You should definitely sleep in as often as possible."
"Coffee is good for you. Don't believe anyone who says different. All research concluding that coffee is bad is seriously flawed in scientific design."
"Here's how you know when you're grown up: you decide if you get to have a pet. You don't have to ask anyone else's permission. I just got myself a 4-year-old miniature dachshund named Annie from Petfinder.com. She makes me laugh out loud first thing in the morning, and at least half a dozen times a day after that."
What was the book that most influenced your life or your career as a writer?
Seven Pillars of Wisdom by T. E. Lawrence (1935). I saw the David Lean movie Lawrence of Arabia when it first came out in 1962. I was twelve then, and ripe for hero worship, living in Lombard, Illinois, but ready to imagine a larger world than the Chicago suburbs. I found a musty old copy of Seven Pillars, and to this day I remain fascinated by the book and the man who wrote it. I can name a number of direct effects of reading the book.
Initially, I became interested in archeology because of Lawrence's early work, and that led me to anthropology, which sustained my interest through three degrees and years of professional work. I keep my hand in by editing the professional papers of friends in the field.
Lawrence taught me that speaking more than one language opens doors to experiences you'd miss if you only speak English. Over the years, I've studied Spanish, Russian, French and Croatian fairly formally, with less studious stabs at Latin, Hebrew, Italian and German. Each one has led me places I'd never have gone other wise. My study of Croatian led directly to the adoption of our son Daniel in Zagreb -- so Lawrence is Dan's sort-of godfather!
I learned that intentions are irrelevant and regrets are useless: it doesn't matter what you thought would happen, or that you meant no harm. Unintended consequences of good intentions are a theme I return.
Lawrence taught me that how you write is as important as what you have to tell about. Choice of word, rhythm, detail, editing and overall structure make Seven Pillars literature, not just a military history or personal memoir.
There are echoes of Lawrence's experience in Deraa in my first novel, echoes of his war guilt in my third. I'm beginning research for a novel about the 1921 Cairo Peace Conference, and will come full circle: T. E. Lawrence will actually be a character in that one.
I also caught the colon habit from reading Lawrence's work: quod erat demonstradum.
What are your favorite books, and what makes them special to you?
In science fiction, two books stand out: Ursula LeGuin's The Left Hand of Darkness was the first novel I read twice, and then again every few years. She brought an anthropological sensibility to science fiction that I appreciated. There were multiple cultures, multiple languages, and the inevitable misunderstandings that result when a stranger is coping with utterly foreign concepts. I loved the device of an unreliable narrator, and reread this book before beginning The Sparrow, to study how she used literary aikido on her readers.
The second book is Walter Miller's A Canticle for Leibowitz. That book, too, is approaching its 30th anniversary, and stands up to rereading well. Again, there is a theme of well-intentioned misunderstanding of language, and a sort of archeological approach to science fiction, this time with an appealing religious twist: after a nuclear holocaust, literacy is preserved in isolated Catholic monasteries.
Among more recent books, I lean toward the kind of exquisite and hilarious observation of contemporary society that Karen Joy Fowler provides in The Jane Austen Book Club, or in her earlier World War II home front novel The Sweetheart Season. Karen has a way of making devastatingly funny remarks about less than admirable behavior, without ever being nasty or hurtful to the person involved.
Another author whose work is both laugh aloud funny and ironic, but also slyly sweet is David Sosnowski. In his latest novel Vamped, he takes modern American culture and twists it around a single fictional fact: what if vampires were not only real, but eventually vamped nearly the entire population of the world? (Each meal makes a new vampire, a logical outcome of vampirism nobody else seems to have noted.) David makes you believe that this is just how America would react: with marketing campaigns for vacations in Alaska during the winter (no sun for six months, get it?) and illegal hunting trips for "free range" human blood.
In preparation for the 1921 book I'm working on, I've been reading a lot of novels and memoirs from the 1920s. These books are far closer to the kind of style I admire than most contemporary writing, and it's sheer pleasure to read them. Richard Aldington's Death of a Hero is startlingly modern in attitude. Katherine Anne Porter's Pale Horse, Pale Rider was also a revelation.
What are some of your favorite films, and what makes them unforgettable to you?
I seem to gravitate toward big operatic movies. Besides Lawrence of Arabia, my favorite large-scale movies are The Godfather and Tombstone. I like a moral and literary structure, the sense of trying to live by some moral code, even in when society is debased by war or crime.
On the opposite end of the spectrum, there are comedies that my family and I watch until we know the entire script by heart. The Princess Bride and Young Frankenstein were early favorites. And then there's Guy Ritchie's gloriously Snatch, which is nonstop violence and obscenity, but somehow not offensive! Again: there is a structural perfection in those that I admire.
And I love movies with great dancing: Bob Fosse's All That Jazz, Carlos Saura's flamenco Carmen.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
There's a theme here: big, emotional, layered stuff appeals to me. I love arena rock like Van Halen's 5150 and Def Leppard's Hysteria. To me, those have the same fist in the air power that Beethoven's odd-numbered symphonies have.
Johnny Lang's way too young to sing the blues so well, but I love his stuff. And I love every second Sting album. Cerebral and beautiful -- gotta love a guy who can work curriculum vitae into a pop song.
If you had a book club, what would it be reading?
I'd probably steer it toward David Sosnowski's Vamped, because they'd already have read Karen Fowler's The Jane Austen Book Club.
What are your favorite kinds of books to give -- and get -- as gifts?
Nonfiction, generally, both to give and get. For my husband's birthday, I bought him The Know-It-All by A. J. Jacobs, and Tycho and Kepler, a joint biography by Kitty Ferguson.
For my mother, I'll be getting the new biography of Florence Nightingale, Heart and Soul, by Gena K. Gorrel. Mom was a registered nurse who trained in the 1940s, and I think she'll enjoy revisiting the story of a woman who invented the profession.
What are you working on now?
Dreamers of the Daywill be about the 1921 Cairo Peace Conference. After the first World War, a handful of British and French diplomats got together in a nice hotel for a few days, took some fun camel rides out to see the pyramids and get their pictures taken, gossiped, flirted, argued, and -- oh, yes, invented the Middle East as it is today. My characters will include T. E. Lawrence, Lady Gertrude Bell, Winston Churchill, Chaim Weitzman, and Prince Feisal, of the Hashemite royal family. I think I'll try a first person narrative this time, with an American missionary lady named Loella Rieder as the voice.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
Well, my story is that 31 agents turned The Sparrow down before Jane Dystel finally decided to take me on as a client. I don't know if that's inspirational or horrible, but it's true.
If you could choose one new writer to be "discovered," who would it be?
I am going to give a leg up to a young poet named Gary C. Wilkens, by having him write a series of poems that will come between my chapters in Dreamers of the Day. I think this kid is a gen-u-wine genius, and I want to do what I can to get him some visibility. Our plan is for him to write in the persona of a 12-year-old Egyptian girl, whose life will be profoundly changed by what the people in the hotel decide about the Middle East, but who is completely invisible to them. Gary and I will write separately, but I will tell him what the themes of each of my chapters is, so he can imagine the girl's life, so distant from power.
What tips or advice do you have for writers still looking to be discovered?
Don't rely on other writers to critique your work. Find passionate readers who know what they like and why. Ask them to read for you, and tell you what works and what doesn't, where they didn't buy a motive or believe in a character, when the dialog was clunky, or the description hackneyed. It's thrilling to be part of the creative process, and good readers can be better than another writer for diagnosis and even prescription. I rely heavily on a team of friends who can criticize my work without breaking my heart or discouraging me. They get a lot of the credit for the success my novels have had.
Mary Doria Russell's fiction has always dealt with power and the search for elusive lands as a means to further it. In her novels The Sparrow and Children of God, a band of Jesuits in the future colonize a distant planet. In Dreamers of the Day, Russell shifts her gaze to the Middle East, specifically to the 1921 Cairo Peace Conference, where a group of high-profile Europeans met to decide the fate of the region in the aftermath of the First World War. Agnes Shanklin, a 40-year-old spinster whose staid schoolteacher's life is transformed by a sudden inheritance of riches, sets sail for Egypt just in time to mingle with the illustrious company gathered in Cairo: Winston Churchill, a hoity-toity colonial secretary; Gertrude Bell, the redoubtable British writer credited with drawing up the borders of Mesopotamia; and the swashbuckling, locally beloved T. E. Lawrence. Agnes's sojourn in the company of these power brokers is richly conjured by the author, drawing on meticulous research. You may not agree with her political message, but it is impossible to ignore her conviction, born of a deep humanity, that geopolitics does not sit well with hubris. As America grapples with the fruits of its actions in Iraq, Dreamers of the Day is a timely reminder of that classic dictum: those who cannot remember the past are condemned to repeat it. --Vikram Johri
“I suppose I ought to warn you at the outset that my present circumstances are puzzling, even to me. Nevertheless, I am sure of this much: My little story has become your history. You won’t really understand your times until you understand mine.”
So begins the account of Agnes Shanklin, the charmingly diffident narrator of Mary Doria Russell’s compelling new novel, Dreamers of the Day. And what is Miss Shanklin’s “little story?” Nothing less than the creation of the modern Middle East at the 1921 Cairo Peace Conference, where Winston Churchill, T. E. Lawrence, and Lady Gertrude Bell met to decide the fate of the Arab world–and of our own.
A forty-year-old schoolteacher from Ohio still reeling from the tragedies of the Great War and the influenza epidemic, Agnes has come into a modest inheritance that allows her to take the trip of a lifetime to Egypt and the Holy Land. Arriving at the Semiramis Hotel just as the Peace Conference convenes, Agnes, with her plainspoken American opinions–and a small, noisy dachshund named Rosie–enters into the company of the historic luminaries who will, in the space of a few days at a hotel in Cairo, invent the nations of Iraq, Syria, Lebanon, Israel, and Jordan.
Neither a pawn nor a participant at the conference, Agnes is ostensibly insignificant, and that makes her a welcome sounding board for Churchill, Lawrence, and Bell. It also makes her unexpectedly attractive to the charismatic German spy Karl Weilbacher. As Agnes observes the tumultuous inner workings of nation-building, she is drawn more and more deeply into geopolitical intrigue and toward apersonal awakening.
With prose as graceful and effortless as a seductive float down the Nile, Mary Doria Russell illuminates the long, rich history of the Middle East with a story that brilliantly elucidates today’s headlines. As enlightening as it is entertaining, Dreamers of the Day is a memorable, passionate, gorgeously written novel.
…a stirring story of personal awakening set against the background of a crucial moment of modern history…In this rewarding blend of personal and historical events, Russell has produced a novel bound to please a broad range of readers. From her vantage point in the afterlife, Agnes claims that "observing human history has turned out to be a terrible exercise in monotony," but for those of us still on this side, such tales as this make it fascinating.
Russell's (A Thread of Grace) fourth novel, her second work of historical fiction, focuses on the years immediately following World War I. When narrator Agnes Shanklin, an Ohio schoolteacher, finds herself at 40 the sole surviving member of her family, she decides to take a trip to Egypt and the Middle East, where her beloved missionary sister once lived and worked. There, she is thrilled to be swept up into the company of several renowned statesmen, diplomats, and spies attending the 1921 Cairo Peace Conference. But she is disconcerted to learn that a man with whom she's become romantically involved may be using her to obtain inside political information. Listening for the first time to her own inner needs and wants, Agnes grows into an independent and far-thinking woman. Russell labors to provide insight into how the fate of the Middle East, including the entities of Iraq, Palestine, and Jordan, was drawn up at the time. While this aspect of the novel can sometimes be hard-going, she manages to make the characters, both real and imaginary, consistently captivating. Recommended for larger public and academic libraries' fiction collections. [See Prepub Alert, LJ11/1/07.]
A remarkably vivid account of a woman's accidental witness to history as she encounters Churchill and T.E. Lawrence in Cairo, where in 1921 they redrew the map of the Middle East. Russell (Children of God, 1998, etc.) unites a dog-toting spinster touring the Holy Lands with a small but significant dot on history's timeline, creating an analysis of our current troubles in Iraq. Agnes Shanklin, long dead and narrating from a disappointingly dull afterlife, lived an unremarkable existence until her late 30s, when the great influenza epidemic killed her mother and siblings. Left alone with an inheritance, Agnes makes an uncharacteristically impulsive decision: She books a tour to Egypt and the Holy Lands. With newly bobbed hair and gauzy dropped-waist dresses, former ugly duckling Agnes leaves America a fashionable woman of means. On her first day in Cairo, she and her dachshund Rosie are banned from their hotel but are saved by a chance meeting with T.E. Lawrence and redirected to the more dog-friendly Continental. There she meets Karl Weilbacher, a German-Jewish spy who falls for Rosie and charms Agnes. Agnes spends her holiday in two camps: She's swept away on often dangerous excursions by Lawrence, Churchill and Gertrude Bell, and she engages in quiet, intelligent strolls with Karl the spy, eager to hear about Agnes's new friends. Agnes is no fool. She knows Karl has more than a passing interest in the goings on at the conference, but she's also a realist, and she sees no need to protect the interests of British imperialists. Anyway, this may be her last chance for love. At the end of the conference, arbitrary lines are drawn to create Iraq; Palestine is soon to be a Jewish homeland; andKarl rather presciently observes that "black seeds" are being sown. Russell triumphs on many levels: She crafts a solid interpretation of the event, creates in Agnes an engaging narrator and, in no small sense, offers a fine piece of travel writing as we follow Agnes down the Nile. An inspired fictional study of political folly. Agent: Jane Dystel/Dystel & Goderich Literary Management
Loading...1. At age thirty-eight, Agnes Shanklin “believed that all the big questions of [her] life had been answered.” If her family had not died during the influenza, do you think she would have gone on to the dismal future she imagined for herself? Are the opinions and expectations of others strong enough to determine a life?
2. Agnes begins to break the mold when she buys new clothes and gets her hair bobbed. Makeover shows are popular on television today, and people often say that “this has changed my life.” Do you believe them? Are appearances really that powerful?
3. Clothing is mentioned a great deal in the novel. In what ways are the characters in Dreamers of the Day defined and/or influenced by their clothes? How do Agnes, Mumma, Gertrude Bell, and T. E. Lawrence use their fashion choices as indicators of their attitudes? Is your clothing a tool or a disguise or just something to cover your nakedness?
4. What does Rosie embody for Agnes? Is her attachment to her little dog “pathetic,” as she suggests? How does Rosie's existence color the novel and influence its chain of events?
5. Unlike Mumma and her devout sister Lillie, Agnes struggles with her faith. Why are some people so at home in the religion they were born to, while others chafe at it? Does her trip to the Holy Land change Agnes's philosophical framework, or is she left without a moral compass? Where is Agnes at the end of the novel? Is she a “soul who cannot find her way?”
6. Russell paints a vivid picture of America in the Roaring Twenties, and identifies a strong correlation between identity and consumption (with Freud and postwar advertisingto thank). How has advertising changed since the 1920s? Do you recognize modern America in the descriptions?
7. Karl expounds on how it is “remarkable what people choose to do and then insist they had no choice.” What does it mean when someone says, “You leave me no choice,” or “I had no choice”? What does it mean when nations make this claim?
8. T. E. Lawrence, Karl Weilbacher, Gertrude Bell, Lord Cox, and Winston Churchill all have theories on imperial rule and how to best resolve the growing conflicts in the Middle East. What are their ideas and how do they hold up to hindsight and a modern historical perspective?
9. Agnes alludes to Shakespeare’s observation: “conscience makes cowards of us all.” Who is Agnes hearing when she listens to the voices of Mildred and Mumma (and Mark Twain)? What influences her life-changing decision to travel to Egypt? What resolution, if any, does Agnes reach through their competing voices?
10. Karl believes “to be enjoyed, life must be shared.” This assessment is in sharp contrast to the independent and decidedly single Agnes, Gertrude Bell, and T. E. Lawrence. Bell dismissively maintains that “happy and contented people don't make history.” Who among them do you think is truly fulfilled?
11. Do you agree with Karl's assessment that “[foreigners] cannot tolerate to feel ignorant long enough to understand [the Middle East]”? T. E. Lawrence advises Agnes upon her arrival in Cairo: “If you think you understand Middle Eastern politics, they haven't been explained to you properly.” After reading Dreamers of the Day, what about the Cairo Conference and the Middle East, if anything, has become clearer? More confusing?
12. When Osama bin Laden took “credit” for the events of 9/11, he said that the attacks in 2001 were, in part, revenge for “the catastrophe of 80 years ago.” What “catastrophe” was he referring to? Why is it remembered in the Middle East, but forgotten in the West?
13. What advice could the British aristocracy take away from their camel ride through the desert?
14. Examine the characterization of the women in Dreamers of the Day: Agnes, Mumma, Lillie, Gertrude, and Clementine. What similarities do you find? What are their striking differences? Generations later, do these women seem alien to you or familiar?
15. Agnes thinks that “every event is a reenactment” and that “observing human history has turned out to be a terrible exercise in monotony.” Do you agree? Will we ever achieve Agnes's dream of “peace, progress, and prosperity?”
Excerpted from Dreamers of the Day by Mary Doria Russell Copyright © 2008 by Mary Doria Russell. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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