Dracula: The Un-Dead by Dacre Stoker, Ian Holt

From the Publisher

At last--the sequel to Bram Stoker's classic novel Dracula, written by his direct descendant and a Dracula historian

Bram Stoker's Dracula is the prototypical horror novel, an inspiration for the world's seemingly limitless fascination with vampires. Though many have tried to replicate Stoker's horror classic- in books, television shows, and movies-only the 1931 Bela Lugosi film bore the Stoker family's support. Until now.

Dracula The Un-Dead is a bone-chilling sequel based on Bram Stoker's own handwritten notes for characters and plot threads excised from the original edition. Dracula The Un-Dead begins in 1912, twenty-five years after Dracula "crumbled into dust." Van Helsing's protégé, Dr. Jack Seward, is now a disgraced morphine addict obsessed with stamping out evil across Europe. Meanwhile, an unknowing Quincey Harker, the grown son of Jonathan and Mina, leaves law school for the London stage, only to stumble upon the troubled production of "Dracula," directed and produced by Bram Stoker himself.

The play plunges Quincey into the world of his parents' terrible secrets, but before he can confront them he experiences evil in a way he had never imagined. One by one, the band of heroes that defeated Dracula a quarter-century ago is being hunted down. Could it be that Dracula somehow survived their attack and is seeking revenge? Or is their another force at work whose relentless purpose is to destroy anything and anyone associated with Dracula?

Dracula The Un-Dead is deeply researched, rich in character, thrills and scares, and lovingly crafted as both an extension and celebration of one of the mostclassic popular novels in literature.

Publishers Weekly

In this sequel to Bram Stoker's Dracula, his great-grandnephew offers one of the rowdiest revisionist treatments of the most influential vampire novel ever written. In 1912, as Stoker labors to adapt Dracula for the stage, its “characters” are dying gruesomely all over London. It turns out they are as real as Stoker himself, who learned their secret story on the sly and took creative liberties when turning it into his popular penny dreadful. Dracula's true story involves the passing of his blood line through Mina Harker to her son; a malignant Dr. Van Helsing, who Scotland Yard suspects had a hand in the murders attributed to Jack the Ripper; and the exploits of a 16th-century vampire countess, Dracula's former lover, who cuts a bloody swath through London seeking the survivors of Dracula's last stand in Transylvania. Energetically paced and packed with outrageously entertaining action, this supernatural thriller is a well-needed shot of fresh blood for the Dracula mythos. (Oct.)

Library Journal

This sequel to Bram Stroker's Dracula (1897) takes place in 1912, 25 years after the events of the first novel. The survivors of the encounter with Dracula are still haunted by the horror. Mina and Jonathan Harker's marriage is strained. Their adult son Quincy knows nothing of Dracula, and his parents hope—in vain, as it turns out—to keep him ignorant of past events. Jack Seward barely sustains his sanity with heroin. Arthur Holmwood hides in his manor, while an aged Dr. Van Helsing impatiently awaits the vampire's return. A demonic force begins insinuating itself into their lives. Death stalks them and those close to them. Meanwhile, Bram Stoker remains a bitter author who has had little success with his fictional version of Dracula. How he knew anything about the events of years ago is one of many mysteries explored here. VERDICT The authors (Stoker is a descendant of Bram, and Holt is a noted Dracula historian) skillfully explore the nature of evil while weaving together several complex plotlines throughout this mesmerizing story. Readers who enjoy dark fantasy with fast-paced action will plow through this book, not wanting to stop. [See Prepub Alert, LJ 6/1/09.]—Patricia Altner, BiblioInfo.com, Columbia, MD

Kirkus Reviews

Bram's great-grandnephew teams up with Dracula buff Holt to reclaim vampire lit from the unholy, unlettered legions churning out today's fang-and-cloak stuff. This big, blood-filled kitchen sink of a debut boasts a vast cast of characters: Bram Stoker himself, as well as his nefarious Count, Jack the Ripper, Jonathan Harker, Dr. Van Helsing, Oscar Wilde, "blood Countess" Elizabeth Bathory, a mysterious Eastern European actor and a whole bunch of extremely hot (but also extremely cold, being dead and all) vampire chicks of uncertain gender preference. Bathory is definitely the heavy of the story, and it seems she's spoiling to outdo the number of grisly murders she is said to have committed in life, aided by a coterie of spidery bloodsucking assistants. As befits a multigenerational saga that springs from a book that had few survivors, some familiar characters are on the other side of the live/dead line, and some-well, some are indeed in the undead camp. There's lots of good old-fashioned polymorphously perverse degenerate romping ("Every orifice in her body became his plaything"). Stoker and Holt are careful not to go too far afield from the conventions of the original; Van Helsing, for instance, comes armed with "crosses, wafers, holy water, a wooden stake, a Bowie knife, and a crossbow armed and ready to fire," rather than some postmodern substitute for all that good wood and metal. Yet this competently (but no more than competently) written sequel-endorsed by the Stoker family, the publisher assures-has plenty of contemporary twists, including a weird Darth Vaderish turn at the end that some Bram-faithful readers may find magnificently silly. Flies and spiders, master! Big, messy,lots of fun-and not Stephenie Meyer.

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