Double-Take: A Revisionist Harlem Renaissance Anthology by Venetria Patton (Editor), Maureen Honey (Revised by)

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Textbook (Paperback - New Edition)

  • 670pp
  • Sales Rank: 487,930

Textbook Information

  • ISBN-13: 9780813529301
  • Edition Description: New Edition
  • Edition Number: 1
  • Pub. Date: August 2001
  • Publisher: Rutgers University Press
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Product Details

  • Pub. Date: August 2001
  • Publisher: Rutgers University Press
  • Format: Textbook Paperback, 670pp
  • Sales Rank: 487,930

Synopsis

Arranged by author, 23 essays and 155 creative pieces represent the artistic and intellectual range of the Harlem Renaissance. Featuring the work of women and men in equal numbers, and including overlooked writers as well as the major figures of the period, the book assembles poetry, short stories, drama, essays, and song lyrics. Artwork and illustrations from periodicals of the time are also included. Essays discuss the history of Harlem, jazz, discrimination against African Americans, and sexism. Brief biographies precede the work of each writer. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Library Journal

With this new anthology of Harlem Renaissance literature, Patton (Women in Chains: The Legacy of Slavery in Black Women's Fiction) and Honey (editor, Shadowed Dreams: Women's Poetry of the Harlem Renaissance), both at the University of Nebraska, Lincoln, attempt to "restore and underline the importance of women's writing" and sexual orientation to the Harlem Renaissance. The balanced selection of women and men is similar to that found in Henry Louis Gates's Norton Anthology of African American Literature (LJ 2/01/97), but the inclusion of lesser-known figures and works is aimed at focusing on the ideology of the renaissance, gay and lesbian themes, and differences in gender-based issues. Countee Cullen, Nella Larsen, and Zora Neale Hurston are among the authors represented, and the selected works include essays, poetry, prose, and drama, with lyrics and visual art used as illustration. The editors also break with the tendency to define the beginning and end of the renaissance with political events by focusing on specific literary works, which allows them to broaden the period to 1916-37. Both editors have done previous research in the field of African American women's literature and include a biographical sketch of each writer to underline how their gender, class, and sexual orientation shaped their work. Necessary for all academic libraries. Paolina Taglienti, Long Island Univ. Lib., Brooklyn, NY Copyright 2001 Cahners Business Information.

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