Don't Cry by Mary Gaitskill

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(Hardcover)

  • Pub. Date: March 2009
  • 240pp
  • Sales Rank: 70,257
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    • Overview
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    Product Details

    • Pub. Date: March 2009
    • Publisher: Knopf Doubleday Publishing Group
    • Format: Hardcover, 240pp
    • Sales Rank: 70,257

    The Barnes & Noble Review

    Mary Gaitskill walks into a bar, accompanied by no Irishmen, rabbis, ducks, or humorous guide dogs, and -- the place empties. Choked-off laughter hanging in the air; on the counter the bartender's cloth abandoned mid-swipe. Receding sound of scuttling feet. Outside it's late winter, with dirty snow piled in the streets like the residue of some vast industrial process. She sweeps the scene with a hard and genderless eye. Heh heh. Everybody's afraid of her.

    Well, I exaggerate of course. Gaitskill is probably an excellent woman to have a drink with, precisely because her fiction is so damned harsh -- writing works like that sometimes. But her professional aura, at least, is forbidding. Since Bad Behavior appeared in 1988, she has been the laureate of everything nameless, faulty, and unredeemed in American manners. Harps do not chime nor bluebirds trill when her men and women get together; instead we hear rough sex through the drywall, and the noise of meshing pathologies. Trouble, always trouble; her avenging muse is merciless. Her short story "Secretary" was made into the 2002 film of the same name -- not a great film, although it supplied the culture with the image of James Spader, taut-jawed and dragon-nostrilled, bending Maggie Gyllenhaal over his desk to give her a good spanking.

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    Synopsis

    Following the extraordinary success of her novel Veronica, Mary Gaitskill returns with a luminous new collection of stories--her first in more than ten years.

    In “College Town l980,” young people adrift in Ann Arbor debate the meaning of personal strength at the start of the Reagan era; in the urban fairy tale “Mirrorball,” a young man steals a girl’s soul during a one-night stand; in “The Little Boy,” a woman haunted by the death of her former husband is finally able to grieve through a mysterious encounter with a needy child; and in “The Arms and Legs of the Lake,” the fallout of the Iraq war becomes disturbingly real for the disparate passengers on a train going up the Hudson--three veterans, a liberal editor, a soldier’s uncle, and honeymooners on their way to Niagara Falls.

    Each story delivers the powerful, original language, and the dramatic engagement of the intelligent mind with the craving body--or of the intelligent body with the craving mind--that is characteristic of Gaitskill’s fiction. As intense as Bad Behavior, her first collection of stories, Don’t Cry reflects the profound enrichment of life experience. As the stories unfold against the backdrop of American life over the last thirty years, they describe how our social conscience has evolved while basic human truths--“the crude cinder blocks of male and female down in the basement, holding up the house,” as one character puts it--remain unchanged.


    From the Hardcover edition.

    The New York Times - Kathryn Harrison

    No writer understands and gratifies the voyeurism inherent in reading fiction better than Mary Gaitskill. Don't Cry,…confirms what made Bad Behavior and Because They Wanted To such idiosyncratic and memorable books. She has a perturbing ability to generate what seems as much a vivisection as a narrative, slicing through her characters to expose interior lives that are more often "broken or incomplete" than in any way admirable…Because her subject is intimacy, often but not necessarily sexual, because she has a gift for inventing details that feel authentic, as if excised from an unwitting, living victim, Mary Gaitskill commands her readers' attention as few fiction writers can.

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    Biography

    From short stories like the S&M-tinged "Secretary" (the inspiration for the indie film of the same name) to her 2005 National Book Award-nominated novel, Veronica, Mary Gaitskill's words are often etched on a dark canvas -- but still manage to illuminate. "Gaitskill is an unforgiving writer, harsh, caustic and raw," reads the National Book Award judges' citation. "All that masks the enormous accomplishment of her work, the ability to use the dark to cast light."

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    Customer Reviews

    Don't Cryby GWL

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    June 01, 2009: Not accurately described. Interesting writing style, but too dense and offbeat for a leisure read.

    ???by Anonymous

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    April 06, 2009: I agree with the earlier reviewer. Maybe I just "didn't get it", but it was very boring to me and I had to force myself to continue, hoping to find some redeeming part somewhere.


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