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In this icy noir from a master of American fiction, the darkest secrets are the ones we keep hidden from ourselves. With the same erotic force as Killing Johnny Fry but grounded in a far darker vision of human nature, Diablerie is a transfixing new novel from one of our most powerful writers.
A taut and suspenseful thriller that follows Ben Dibbuk as he unravels a mysterious plot against him initiated by his own wife, Mosley's latest effort is captivating. Richard Allen's reading, however, is not quite suitablenot because he isn't clear or doesn't reads well, but because his deep and rich tone that sounds almost classically trained doesn't suit the common, everyman character of Dibbuk. Allen's narration creates a disconnect from the story, and he fails to capture the essence of this thrilling tale with characters whose voices only vaguely resemble those of Mosley's text. Though there is an underlying tension created at the very onset of the story, Allen is simply not the right choice for this particular reading. Simultaneous release with the Bloomsbury hardcover (Reviews, Nov. 15). (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. More Reviews and RecommendationsA genre-bending author who can move from science-fiction to mysteries, Walter Mosley is perhaps best-known -- and loved -- for his 1940s and ‘50s noir crime novels starring the cool, complex detective Easy Rawlins.
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December 27, 2007: This novel is short (180 pages) and straight to the point. I enjoyed it from beginning to end. Mosley included just enought erotic scenes in the novel as not to drown the story line.
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December 26, 2007: Compact, concise, compelling. Dark. Walter Mosley has crafted a brief novel, an exploration of the human psyche that grips the reader with the opening page. We know the protagonist's name. It is Ben Dibbuk, he's an almost 50-year-old computer programmer, married with a daughter in college. He has Svetlana, a Russian mistress his daughter's age. Nonetheless, exactly who is Ben Dibbuk? He's alienated, unable to care for anyone or anything. Nothing matters to him - not his wife, Mona, his daughter, Seela, or his work. He simply would like to be left alone. Earlier he had suffered from frightening nightmares and went into therapy at the behest of Mona. The terrifying dreams stopped after awhile as did his visits to the therapist. One day Mona insists that he go to a banquet with her, an evening with her co-workers at a fashion magazine, Diablerie. It is there that he's approached by the keynote speaker, Star, a woman who claims to know him. He has no recollection whatsoever of her. When she tells him the exact date they were together, he replies, 'That's back when I was still drinking......I was just telling the waitress there that I've forgotten more nights than I remember.' That same evening he is introduced to Harvard Rollins, a fact-checker for the magazine, and as he later learns his wife's lover, the man she has asked to look into Ben's past. Why? At this point for whatever reason he feels compelled to get in touch with his mother, a woman he hasn't seen in 15 years. Just before Ben hung up he heard his mother say, '...I never thought I'd feel that I regretted my own son's birth but?' He also places a telephone call to his brother, Briggs, who is now in jail. Briggs remembers another phone call from Ben some 20 years earlier in which Ben asked questions about criminal apprehension, mentioned something wrong that he had done, and that there had been a witness - a woman by the name of Star. Moseley is a master of prose. Who else would describe an alcoholic's desire for cognac as '...rich amber liquor moving through my veins like chamber music on a sunny afternoon in a many-windowed room in July'? He's also a master at creating an intriguing mystery, one that is irresistible to readers and grows deeper as the narrative moves on. Daring, adventurous, powerful, Moseley is all of these as he proves once again in the hauntingly erotic Diablerie. - Gail Cooke