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Twelve-thousand feet beneath the Atlantic Ocean . . .
scientists are excavating the most extraordinary undersea discovery ever made. But is it the greatest archaeological find in history—or the most terrifying?
Former naval doctor Peter Crane is urgently summoned to a remote oil platform in the North Atlantic to help diagnose a bizarre medical condition spreading through the rig. But when he arrives, Crane learns that the real trouble lies far below—on “Deep Storm,” a stunningly advanced science research facility built two miles beneath the surface on the ocean floor. The topsecret structure has been designed for one purpose: to excavate a recently discovered undersea site that may hold the answers to a mystery steeped in centuries of myth and speculation.
Sworn to secrecy, Dr. Crane descends to Deep Storm. A year earlier, he is told, routine drilling uncovered the remains of mankind’s most sophisticated ancient civilization: the legendary Atlantis. But now that the site is being excavated, a series of disturbing illnesses has begun to affect the operation. Scientists and technicians are experiencing a bizarre array of symptoms—from simple fatigue to violent psychotic episodes. As Crane is indoctrinated into the strange world of Deep Storm and commences his investigation, he begins to suspect that the covert facility conceals something more complicated than a medical mystery.The discovery of Atlantis might, in fact, be a cover for something far more sinister . . . and deadly.
Like Lincoln Child’s spectacular bestsellers coauthored with Douglas Preston (The Book of the Dead, Relic),Deep Storm melds scientific detail and gripping adventure in a superbly imagined, chillingly real journey into unknown territory. Child is a master of suspense, and Deep Storm is his most ambitious novel to date.
Best known as the coauthor (with Douglas Preston) of such bestselling thrillers as Dance of Death, Child delivers a well-crafted and literate science fiction thriller, his third solo effort (after 2004's Death Match). Peter Crane, a former naval doctor, faces the challenge of his career when he investigates a mysterious illness that has broken out on a North Atlantic oil rig. Sworn to secrecy, Crane is transported from the rig to an amazing undersea habitat run by the military that's apparently pursuing evidence that Atlantis exists. Psychotic episodes among the scientific staff as well as the activities of a saboteur that threatens the project's safety keep Crane busy, even as some of the staff members confront him with concerns that exploring the Earth's core could be fatal to all life on earth. Crisp writing energizes a familiar plot, which builds to an unsettling climax with echoes of Child and Preston's The Ice Limit. Author tour. (Jan.) Copyright 2006 Reed Business Information.
More Reviews and RecommendationsLincoln Child is the co-author with Douglas Preston of a bestselling thriller/adventure series. A former book editor at St. Martin's Press, he has published numerous short story anthologies and founded the company's mass market horror division. He also writes novels and techno-thrillers on his own.
More About the AuthorReader Rating:
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August 10, 2008: This wasn't awful but it really wasn't too good either. It was a hodge-podgey read, ie it had little doses of a lot of things- action, science, sex - you get the idea. But at the end of the day, it was all quite shallow. There was no real depth to anything, sort of like a bad Hollywood action movie that doesn't know what it wants to be.
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September 03, 2007: I read this book through in less than 2 days. I just couldn't make myself put it down. I was completely hooked after the first chapter. Child has a way of writing that just keeps you glued to the plot of the story.

Name:
Lincoln Child
Place of Birth:
Westport, Connecticut
Education:
B.A., Carleton College, 1979
Born in Westport, CT, in 1958, Preston Child grew up with a consuming interest in writing. (On his website, he acknowledges several short stories from his youth and two "exquisitely embarrassing" novels penned in high school -- and currently kept under lock and key!) He graduated from Carleton College in Minnesota with a degree in English. In 1979, he moved to New York to pursue a career in publishing and was hired by St. Martin's Press as an editorial assistant. By 1984, he had worked his way up to full editor.
It was around this time that Child met Douglas Preston, a writer employed by the American Museum of Natural History. Author and editor bonded while working together on the nonfiction book Dinosaurs in the Attic; and when the project ended, Preston treated Child to a private midnight tour of the AMNH. The excursion proved fateful: Exploring the deserted corridors and darkened nooks and crannies of the museum, Child turned to Preston and said, "This would make the perfect setting for a thriller!" Although the book would not see print until 1995, the idea for Relic was born that night, cementing a friendship and launching a unique cross-country writing partnership.
Child left St. Martin's in 1987 to went to work for MetLife as a systems analyst. Shortly after the publication of Relic, he resigned his position to become a full-time writer. Subsequent collaborations with Preston have produced an intriguing string of interconnected novels that are less a series than what the authors call a "pangea." The books are self-contained, but the stories take place in the same universe and they share events and characters -- including many introduced in Relic. Readers obviously enjoy this cross-pollination, since the Preston-Child thrillers turn up regularly on the bestseller charts.
In 2002, Child released his first solo novel, Utopia, the story of a futuristic amusement park held hostage by a group of techno-terrorists. Other solo works have followed, blending cutting-edge science and high-octane thrills. Preston, too, has produced fiction and nonfiction on his own, and the two men continue their successful collaborations. It's an arrangement that suits both writers to a tee.
While at St. Martin's, Lincoln Child assembled several collections of ghost and horror stories. He also founded the company's mass-market horror division.
On his website, Child lists the following among his interests: pre-1950s literature and poetry; post-1950s popular fiction; playing the piano, various MIDI instruments, and the 5-string banjo; English and American history; motorcycles; architecture; classical music, early jazz, blues, and R&B; exotic parrots; esoteric programming languages; mountain hiking; bow ties; Italian suits; fedoras; archaeology; and multiplayer deathmatching.
In our interview Child shared some fun and fascinating personal anecdotes.
"I try to write about things, places, events, and phenomena I know about personally. That helps make the novels more genuine. My grandmother, Nora Kubie, who was herself a published novelist, always gave me that advice. And it's probably the best I've received, or for that matter given. I even try to make use of my personal eccentricities and quirks. I hate subways, for example, and in such works as Reliquary I tried to instill -- or at least convey -- that groundless but persistent fear."
"My first job out of college was as an editorial assistant in a New York publishing house. Being an editorial assistant is the purgatory would-be editors must endure before they can ascend the ladder and begin acquiring books on their own. I spent a year filing paperwork, writing copy, and typing rejection letters."
"For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen. As long as the work, and the finished product, remains fresh and important to a writer -- and the day it stops being important to me is the day I'll lay down my pen -- said writer can never allow himself to coast, or go soft, or recycle old material, or take the easy way out."
"I like exotic parrots, motorcycles, wine from Pauillac, playing the piano and the banjo, the poetry of John Keats, the music of Fats Waller, collecting old books and new guitars, computer FPS and RPG games, and preparing dishes like caneton a l'Orange and desserts like soufflé au chocolat."
What was the book that most influenced your life or your career as a writer?
Probably the essays of E. B. White. Nobody has influenced my love for words and wordplay as much as White has. In his hands, essays become poetry, and poetry becomes music. I've wanted to be a writer from a very young age, but it was such essays in this book as "Farewell, My Lovely!'" and "Death of a Pig" and "Here Is New York" that fueled my resolve, kept me determined despite setbacks and wrong turns, and ultimately helped turn a fond dream into reality.
What are your favorite books, and what makes them special to you?
This is hard. Ask me tomorrow, and you'd probably get some different titles. But these are the ones that spring immediately to mind:
What are some of your favorite films?
I love everything from drawing-room comedies to modern thrillers to art-house films. My favorites include, in no particular order:
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I love many types of music: classical music, R&B, soul, rock, bluegrass, jazz. Of the last five categories, I'm particularly partial to music composed and performed between 1940 and 1970. I can't listen to music while writing -- any such distraction would have dreadful consequences.
If you had a book club, what would it be reading?
Probably great works of English, Russian, and French literature. There are still many important novels in the canon that have to date eluded me -- the formal structure of a book club would help give me the discipline necessary to pick them up at last.
What are your favorite kinds of books to give -- and get -- as gifts?
I'm very hard to buy for. As a collector, my favorite books to receive are obviously collectible titles: rare first editions, very old books, and the like.
As for giving books to others, any book that has had a profound effect on me, or that I think the recipient will truly enjoy, is a delight to pass on or recommend. I recently gave Doug a copy of Kenneth Roberts's Northwest Passage, and it helped him get through a grueling period of touring in support of our latest joint book. I think most readers would agree that recommending books to people can be almost as rewarding as discovering the book for yourself.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
My desk is cluttered with computers, phones, fax machines, printers, network storage devices, keyboards, and flat panel displays -- all sorts of technological flotsam and jetsam.
As for writing rituals, I find that late morning through early afternoon is the best time for me to do creative writing. I can only do so many hours of that per day, however, both from standpoints of creative energy and simple logistics: there are numerous other chores that demand a writer's time, such as answering email, doing publicity....
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
As a former book editor, I had contacts in the industry among agents and publishers. That guaranteed that our first novel, Relic, would at least be given a sympathetic reading -- but it certainly didn't guarantee success. Our agent showed that manuscript to a long, long list of publishers over many months, and he was very patient, keeping hope alive when both Doug Preston and I began to despair of the book ever being published. In the end, Tor Books took a chance on us.
What tips or advice do you have for writers still looking to be discovered?
Be patient, and have fun -- it sounds like a truism, but the act of writing should be, in part, its own reward. Doug and I tried to have fun while we wrote Relic, and we also tried hard to make it the kind of book that we ourselves would like to read. Readers are very intelligent people, and they are quick to spot the difference between a book that was written with the genuine intent of pleasing the author and his/her readers, and a book written with the cynical intention of simply selling a lot of copies.
Twelve-thousand feet beneath the Atlantic Ocean . . .
scientists are excavating the most extraordinary undersea discovery ever made. But is it the greatest archaeological find in history—or the most terrifying?
Former naval doctor Peter Crane is urgently summoned to a remote oil platform in the North Atlantic to help diagnose a bizarre medical condition spreading through the rig. But when he arrives, Crane learns that the real trouble lies far below—on “Deep Storm,” a stunningly advanced science research facility built two miles beneath the surface on the ocean floor. The topsecret structure has been designed for one purpose: to excavate a recently discovered undersea site that may hold the answers to a mystery steeped in centuries of myth and speculation.
Sworn to secrecy, Dr. Crane descends to Deep Storm. A year earlier, he is told, routine drilling uncovered the remains of mankind’s most sophisticated ancient civilization: the legendary Atlantis. But now that the site is being excavated, a series of disturbing illnesses has begun to affect the operation. Scientists and technicians are experiencing a bizarre array of symptoms—from simple fatigue to violent psychotic episodes. As Crane is indoctrinated into the strange world of Deep Storm and commences his investigation, he begins to suspect that the covert facility conceals something more complicated than a medical mystery.The discovery of Atlantis might, in fact, be a cover for something far more sinister . . . and deadly.
Like Lincoln Child’s spectacular bestsellers coauthored with Douglas Preston (The Book of the Dead, Relic),Deep Storm melds scientific detail and gripping adventure in a superbly imagined, chillingly real journey into unknown territory. Child is a master of suspense, and Deep Storm is his most ambitious novel to date.
Best known as the coauthor (with Douglas Preston) of such bestselling thrillers as Dance of Death, Child delivers a well-crafted and literate science fiction thriller, his third solo effort (after 2004's Death Match). Peter Crane, a former naval doctor, faces the challenge of his career when he investigates a mysterious illness that has broken out on a North Atlantic oil rig. Sworn to secrecy, Crane is transported from the rig to an amazing undersea habitat run by the military that's apparently pursuing evidence that Atlantis exists. Psychotic episodes among the scientific staff as well as the activities of a saboteur that threatens the project's safety keep Crane busy, even as some of the staff members confront him with concerns that exploring the Earth's core could be fatal to all life on earth. Crisp writing energizes a familiar plot, which builds to an unsettling climax with echoes of Child and Preston's The Ice Limit. Author tour. (Jan.) Copyright 2006 Reed Business Information.
When men working on an oil rig in the North Atlantic experience symptoms of a mysterious illness, former naval doctor Peter Crane is called in to diagnose. Forced to sign an oath of secrecy before he can start, Crane learns that the true source of the sickness lies miles beneath the water's surface in a state-of-the-art research laboratory called Deep Storm. A major discovery that the scientists are investigating at the bottom of the ocean will change the history of humankind forever. Crane must work through the secrecy and deception if he is going to save the lives of everyone on the rig. Never predictable and always fascinating, Child's (Death Match) thriller will be remembered as one of the best of the year. Highly recommended. [See Prepub Alert, LJ 9/1/06.]-Jeff Ayers, Seattle P.L. Copyright 2006 Reed Business Information.
Deep drilling in the North Atlantic brings discovery of considerably greater interest than the usual crude oil. Summoned mysteriously, Peter Crane, an ex-naval physician between jobs, is dropped off by helicopter on an oil rig in the turbulent seas somewhere between Greenland and Iceland, where he learns, after signing reams of secrecy pledges, that the rig has been taken over by a joint American military-scientific task force. The action is not on the platform itself in this latest almost-sci-fi novel from Child, whose 2004 thriller Death Match also flirted with the fantastic, but in an elaborate research station housed in a hemisphere miles under the ocean's surface, where spooks and scientists have gathered to plumb mysteries revealed when the rig's previous owners started bringing up bits and pieces of something that shouldn't be there. Crane is told that the huge top-secret lab is sitting on the top of the lost continent of Atlantis, and that he's gotten the call because of his expert knowledge of diving ailments. A shockingly large number of the lab's employees have turned up with a wide variety of serious physical and mental illnesses. Teaming with unfriendly Dr. Michelle Bishop, Crane pokes and prods the patients and plows into the medical evidence. But as he gets closer to a diagnosis, he also observes what's going on in the station, where security and secrecy are way out of proportion to an archaeological dig. It becomes evident that the legend of pre-historic Atlantis is just that, a legend. The elaborate setup and the continued drilling all have something to do with a cataclysmic event 600 years earlier, an event that threatens the earth today even as a saboteur threatens theunderwater lab. Mildly chilling techno-thriller.
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It looked, Peter Crane thought, like a stork: a huge white stork, rising out of the water on ridiculously delicate legs. But as the helicopter drew closer and the distant outline sharpened against the sea horizon, the resemblance gradually fell away. The legs grew sturdier, became tubular pylons of steel and pre–stressed concrete. The central body became a multi–level superstructure, studded with flare stacks and turbines, festooned with spars and girders. And the thin, neck–like object above resolved into a complex crane-and-derrick assembly, rising several hundred feet above the superstructure.
The pilot pointed at the approaching platform, held up two fingers. Crane nodded his understanding.
It was a brilliant, cloudless day, and Crane squinted against the bright ocean stretching away on all sides. He felt tired and disoriented by travel: commercial flight from Miami to New York, private Gulfstream G150 charter to Reykjavik, and now helicopter. But the weariness hadn’t blunted his deep—and growing—curiosity.
It wasn’t so much that Amalgamated Shale was interested in his particular expertise: that he thought he could understand. It was the hurry with which they’d wanted him to drop everything and rush out to the Storm King platform that surprised him. Then there was the fact that AmShale’s forward headquarters in Iceland had, rather oddly, been bustling with technicians and engineers rather than the usual drillers and roughnecks.
And then there was the other thing. The helicopter pilot wasn’t an AmShale employee. He wore a Navy uniform—and a sidearm.
As thechopper banked sharply around the side of the platform, heading for the landing zone, Crane realized for the first time just how large the oil rig was. The jacket structure alone had to be eight stories high. Its upper deck was covered with a bewildering maze of modular structures. Here and there, men in yellow safety uniforms checked couplings and worked pump equipment, dwarfed by the machinery that surrounded them. Far, far below, the ocean frothed and worried around the pillars of the substructure, where it vanished beneath the surface to run the thousands of feet to the sea floor itself.
The chopper slowed, turned, and settled down onto the green hexagon of the landing zone. As Crane reached back for his bags, he noticed that someone was standing at the edge of the LZ, waiting: a tall, thin woman in an oilskin jacket. He thanked the pilot, opened the passenger door, and stepped out into frigid air, ducking instinctively under the whirring blades.
The woman held out her hand at his approach. “Dr. Crane?”
Crane shook the hand. “Yes.”
“This way, please.” The woman turned and led the way off the landing platform, down a short set of stairs, and along a metal catwalk to a closed, submarine–style hatch. She did not give her name.
A uniformed seaman stood guard outside the hatch, rifle at his side. He nodded as they approached, opened the hatch, then closed and secured it behind them.
Beyond lay a spacious, brightly–lit corridor, studded along both sides with open doors. There was no frantic hum of turbines, no deep throbbing of derrick equipment. The smell of oil, though detectable, was faint, almost as if efforts had been made to remove it.
Crane followed the woman, bags slung over his shoulder, glancing curiously into the rooms as he passed. Once again, curiosity pricked at him: there were laboratories full of whiteboards and workstations; computer centers; communications suites. Topside had been quiet, but there was plenty of activity here.
Crane decided he’d venture a question. “Are the divers in a hyperbaric chamber?” he asked. “Can I see them now?”
“This way, please,” the woman repeated.
They turned a corner, descended a staircase, and entered another hallway, even wider and longer than the first. The rooms they passed were larger here: machine shops, storage bays for high–tech equipment Crane didn’t recognize. Crane frowned. Although Storm King resembled an oil rig in all outward appearances, it was clearly no longer in the business of pumping crude.
What the hell is going on here?
“Have any vascular specialists or pulmonologists been flown in from Iceland?” he asked.
The woman didn’t answer, and Crane shrugged. He’d come this far—he could stand to wait another couple of minutes.
Up ahead, the woman had stopped before a closed door of gray metal. “Mr. Lassiter is waiting for you,” she said.
Lassiter? Crane wondered. That wasn’t a name he recognized. The person who’d spoken to him over the phone, briefed him about the problem at the rig, had been named Simon. He glanced at the door. There was the nameplate, white letters on black plastic, spelling out E. Lassiter, External Liaison.
Crane turned back to the woman in the oilskin jacket, but she was already moving down the corridor. He shifted his bags, knocked on the door.
“Enter,” came the crisp voice from within.
E. Lassiter was a tall, thin man with closely–cropped blond hair. He stood up as Crane entered, came around his desk, shook hands. He wasn’t wearing a military uniform, but with his haircut and his brisk, economical movements he might as well have been. The office was small and just as efficient–looking as its tenant. The desk was almost studiously bare: there was a single manila envelope on it, carefully sealed, and a digital recorder.
“You can stow your gear there,” Lassiter said, indicating a far corner. “Please sit down.”
“Thanks.” Crane took the proffered seat. “I’m eager to learn just what the emergency is. My escort here didn't have much to say on the subject.”
“Actually, neither will I.” Lassiter gave a brief smile, which disappeared as quickly as it came. “That will come. My job is to ask you a few questions.”
Crane digested this. “Go ahead,” he said after a moment.
Lassiter pressed a button on the recorder. “This recording is taking place on June 2. Present are myself—Edward Lassiter—and Dr. Peter Crane. Location is the E. R. F. Support and Supply Station.” Lassiter glanced over the desk at Crane. “Dr. Crane, you are aware that your tour of service here cannot be fixed to a specific length?”
“Yes.”
“And you understand that you must never divulge anything you witness here, or recount your actions while at the Facility?”
“Yes.”
“And are you willing to sign an affidavit to that effect?”
“Yes.”
“Dr. Crane, have you ever been arrested?”
“No.”
“Were you born a citizen of the United States, or are you naturalized?”
“I was born in New York City.”
“Are you taking medication for any ongoing physical condition?”
“No.”
“Do you abuse alcohol or drugs with any regularity?”
Crane had fielded the questions with growing surprise. “Unless you call the occasional weekend six–pack ‘abuse’, then no.”
Lassiter didn’t smile. “Are you claustrophobic, Dr. Crane?”
“No.”
Lassiter put the recorder on pause. Then he picked up the manila envelope, slit it open with a finger, pulled out half a dozen sheets of paper, and passed them across the table. “If you could please read and sign each of these,” he said, plucking a pen from a pocket and placing it beside the sheets.
Crane picked them up and began to read. As he did so, his surprise turned to something close to disbelief. There were three separate non–disclosure agreements, an Official Secrets Act affidavit, and something called a Binding Cooperation Initiative. All were branded documents of the U.S. Government; all required signature; and all threatened dire consequences if any of their articles were breached.
Crane put the documents down. He was uncomfortably aware of Lassiter’s gaze upon him. This was too much. Maybe he should thank Lassiter politely, then excuse himself and head back to Florida.
But how, exactly, was he going to do that? AmShale had already paid a great deal of money to get him here. The helicopter had already left. He was—to put it euphemistically—between research projects at the moment. And besides, he had never been one to turn down a challenge: especially one as mysterious as this.
He picked up the pen and, without giving himself time to reconsider, signed all six documents.
“Thank you,” Lassiter said. He started the recorder again. “Let the transcript show that Dr. Crane has signed the requisite forms.” Then, snapping off the recorder, he stood. “If you'll follow me, Doctor, I think you'll get your answers.”
He led the way out of the office and down the corridor, through a labyrinthine administrative area, up an elevator, and into a well–furnished library, stocked with books, magazines, and computer workstations. Lassiter gestured toward a table on the far side of the room, which held only a computer monitor. “I’ll come back for you,” he said, then turned on his heel and left the room.
Crane sat where directed, watching the door close behind Lassiter. There was nobody else in the library, and he was beginning to wonder what would happen next, when the computer screen winked on in front of him. It showed the face of a grey–haired, deeply tanned man in his late sixties. Some kind of introductory video, Crane thought. But when the face smiled directly at him, he realized he wasn't looking at a computer monitor, but a closed–circuit television screen, with a tiny camera embedded in its upper frame.
“Hello, Dr. Crane,” the man said. He smiled, his kindly face breaking into a host of creases. “My name is Howard Asher.”
“Pleased to meet you,” Crane told the screen.
“I’m the chief scientist of the National Ocean Service. Have you heard of it?”
“Isn’t that the ocean–management arm of NOAA?”
“That’s correct.”
“I’m a little confused, Dr. Asher—it’s Doctor, right?”
“Right. But call me Howard.”
“Howard. What does the National Ocean Service have to do with an oil rig? And where’s Mr. Simon, the person who I spoke with on the phone? The one who arranged all this? He said he’d be here to meet me.”
“Actually, Dr. Crane, there is no Mr. Simon. But I’m here, and I’ll be happy to explain what I can.”
Crane frowned. “I was told there were medical issues with the divers maintaining the rig’s underwater equipment. Was that a deception, too?”
“Only in part. There has been a lot of deception, and for that I’m sorry. But it was necessary. We had to be sure. You see, secrecy is absolutely critical to this project. Because what we have here, Peter—may I call you Peter?—is the scientific and historical discovery of the century.”
“The century?” Crane repeated, not fully able to keep the disbelief from his voice.
“You’re right to be doubtful. But this is no deception, Peter. It’s the last thing from it. Still, ‘discovery of the century’ may not be quite accurate.”
“I didn’t think so,” Crane replied.
“I should have called it the greatest discovery of all time.”
2
Crane stared at the image on the viewscreen. Dr. Asher was smiling back at him in a friendly, almost paternal way. But there was nothing in the smile that suggested a joke.
“I couldn’t tell you the truth, Peter, until you were physically here, at the Facility. And until you’d been fully vetted. We used your travel time to complete that process. Fact is, there’s still much I can’t tell you, even now.”
Crane looked over his shoulder. The library was empty. “Why? Isn’t this line secure?”
“Oh, it’s secure. But we need to know you’re fully committed to the project first.”
Crane waited, saying nothing.
“What little I can tell you now is nevertheless highly secret. Even if you decline our offer, you will still be bound by all the confidentiality agreements.”
“I understand,” Crane said.
“Very well.” Asher hesitated. “Peter, the platform you’re on right now is suspended over something more than an oil field. Something much more.”
“What’s that?" Crane asked automatically.
Asher smiled mysteriously. “Suffice to say the well drillers on the platform discovered something nearly two years ago. Something so fantastic that, overnight, the platform stopped pumping oil and took on a new and highly secret role.”
“Let me guess. You can’t tell me what it is.”
Asher laughed. “No, not yet. But it’s such an important discovery the government is, quite literally, sparing no expense to reclaim it.”
“Reclaim?”
“It’s buried in the sea bed directly below this platform. Remember I called this the discovery of all time? What’s going on here is, in essence, a dig: an archaeological dig like none other. And we are, quite literally, making history.”
“But why all the secrecy?”
“Because if people caught wind of what we’ve found, it would instantly become front–page news on every paper in the world. In hours, the place would be a disaster area. Half a dozen governments, all claiming sovereignty; journalists; rubberneckers. The discovery is simply too critical to be jeopardized that way.”
Crane leaned back in his chair, considering. The entire trip was becoming almost surreal. The rushed flight plans, the oil platform that wasn’t a platform, the veil of secrecy…and now this face in a box, speaking of an unimaginably important discovery.
“Call me old fashioned,” he said, “but I’d feel a lot better about it if you’d take the time to see me in person, talk face to face.”
“Unfortunately, Peter, it’s not that easy. Commit to the project, though, and you’ll see me soon enough.”
“I don’t understand. Why, exactly, is it so difficult?”
Asher chuckled again. “Because at the moment, I’m several thousand feet beneath you.”
Crane stared at the screen. “You mean—”
“Precisely. The Storm King oil platform is just the support structure, the resupply station. The real action is far below. That’s why I’m speaking to you over this videofeed.”
Crane digested this a moment. “What’s down there?” he asked quietly.
“Imagine a huge research station, ten levels high, full of equipment and technology beyond the cutting edge, all sunk into the ocean floor. That’s the ERF—the heart and soul of the most extraordinary archaeological effort of all time.”
“The ERF?”
“Exploratory and Recovery Facility. But we refer to it simply as the Facility. The military—you know how fond they are of buzzwords—have labeled it Deep Storm.”
“I noticed the military presence. Why are the soldiers necessary?”
“I could tell you it’s because the Facility is government property, because the NOS is a branch of the government. And that’s true. But the real reason is because a lot of the technology we’re using in the recovery project is classified.”
“What about those men I saw topside, working on the rig?”
“Window dressing, for the most part. We do have to look like a functioning oil platform, after all.”
“And AmShale?”
“They’ve been paid exceptionally well to lease us the rig, act as front office, and ask no questions.”
Crane shifted in his chair. “This Facility you mention. That’s where I’d be quartered?”
“Yes. It’s where all the marine scientists, historians, and engineers live and work. I know how much time you’ve spent in submerged environments, Peter, and I think you’ll be pleasantly surprised. Actually, ‘amazed’ is more like it. You’ve got to see the place to believe it—the Facility is a miracle of undersea technology.”
Excerpted from Deep Storm by Lincoln Child Copyright © 2007 by Lincoln Child. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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