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"Tasty Southern adventure...[Andrews is] the queen of sass." —Daytona Beach News-Journal
After years of hard work, Gina Foxton, chef extraordinaire and former runner-up Miss Teen Vidalia Onion, is hosting her own show Fresh Start, on Georgia public television. She's also dating the producer. But when Fresh Start goes bad—and her boyfriend is caught in flagrante delicto with the boss's wife—Gina decides it's time to pursue bigger dreams. Namely a gig on national television.
Gina knows she's destined to be the Cooking Channel's next superstar. But the execs also have their eyes on Tate Moody, Mr. "Kill It and Grill It" himself, host of the hunting, fishing, and cooking show Vittles. The ultimate man's man, Tate is a tasty side of beef with a large, swooning female fan base. Gina's loyal devotees consist of her free-spirited college-dropout sister and her mother...who calls every single day.
When the smoke clears there can be only one TV chef standing, and Gina and Tate are ready for the cook-off of their lives.
"Juicy"—Raleigh News & Observer
"A real page-turner."—Allure
"Andrews's [fans] will eat this one up."—Publishers Weekly
Andrews (Savannah Breeze; Hissy Fit) delivers a trademark romance set in her native Deep South. Gina Foxton is a 30-year-old chef with a health-conscious approach to classic Southern fare whose public access cooking show gets canceled when the show's big sponsor pulls out after finding the show's producer (and Gina's boyfriend) in bed with his wife. So news that the Cooking Channel is looking to add a new show is a welcome development. The producers are also interested in another local cooking show called Vittles, hosted by "Kill It and Grill It" Tate Moody. The competition between Gina and Tate ramps up when the network decides to turn their competition into a reality show. The close quarters and competition create the right atmosphere for the two chefs to fall in love, though things never get too racy. Andrews takes a long time to get the romance off the ground, but when it starts moving, it moves fast. Andrews's readership will eat this one up. (Feb.)
Copyright 2007 Reed Business Information More Reviews and RecommendationsMary Kay Andrews has been delighting critics and readers for years with a series of funny, breezy mysteries, which are quite different from the more hard-boiled detective novels of a certain Kathy Hogan Trocheck. Of course, as most fans of Andrews and Trocheck know, they are one-and-the-same.
More About the AuthorReader Rating:
See Detailed Ratings
November 15, 2009: This book was great. I loved the story line and the book was written well. The ending felt a little forced, which is why I gave four stars instead of five.
Reader Rating:
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August 21, 2009: I am a HUGE fan of Mary Kay Andrews. Normally her characters are so unique and quirky and I get swept up in the mystery and fun of the story. With "Deep Dish" I was disappointed. I found the two main characters to be lacking in substance. I found Gina to be whiny and such a whimpy woman. And Tate was predictable throughout the story. There were some interesting moments in the story but overall I was let down by one of my favorite authors.
Name:
Mary Kay Andrews
Also Known As:
Kathy Hogan Trocheck (real name)
Current Home:
Atlanta, Georgia
Date of Birth:
July 27, 1954
Place of Birth:
Tampa, Florida
Education:
B.A. in newspaper journalism, University of Georgia, 1976
In In 2003, a writer named Mary Kay Andrews burst on the book scene with an entertaining, lighthearted confection entitled Savannah Blues. Hailed as a promising debut, the book received positive reviews; but not everyone realized it was actually the work of journalist-turned-novelist Kathy Hogan Trocheck, author of a bestselling mystery series begun in 1990 and featuring ex-cop-turned P.I. Callahan Garrity.
Trocheck explained in an interview with Reading Group Guides.com the reason for adopting a pseudonym (derived, by the way, from combining the names of her two children): "Because Blues is so different from my Callahan books, I wanted a chance to try for a whole new group of readers, people who like women's fiction, Southern fiction, and still, mysteries. That Mary Kay is a pseudonym for Kathy Hogan Trocheck is not a secret from my fans."
Savannah Blues introduced readers to Eloise "Weezie" Foley, whose marriage to the wealthy Talmadge Evans III suffers a fatal blow when he announces he is in love with someone else. When Talmadge's mistress moves into his Savannah mansion, it's the backyard carriage house for Weezie, who soon begins to devise a plan to get revenge on her cheating hubby. Blues may have been a marked departure from Trocheck's grittier early work, but it was a rousing success on all fronts. Publishers Weekly hailed it as "delightfully breezy, richly atmospheric" and Kirkus reviews called it "pure fun."
Soon, Mary Kay Andrews had assumed a life of her own. A year later, she published Little Bitty Lies, followed in 2005 by the joyfully wacky New York Times bestseller Hissy Fit. Having revisited the world of her irresistible protagonist Weezie Foley twice more in Savannah Breeze and Blue Christmas, Andrews continues to craft her winning brand of witty, Southern-fried fiction -- much to the delight of her many fans.
When Andrews was a journalist at The Atlanta Journal-Constitution, she covered the famous "Midnight in the Garden of Good and Evil" murder case.
As Kathy Hogan Trocheck, Andrews's mysteries have been nominated for the Edgar, Anthony, Agatha, and Macavity Awards.
When she isn't writing, Mary Kay Andrews lectures and teaches at writing workshops.
A few fun outtakes from our interview with Andrews:
"When I finish writing a book, I always celebrate with my favorite junk foods: Reese's Peanut Butter Cups and Wink grapefruit soda."
"I have no sense of direction and am incapable of reading a map."
"I'm a charter member of the Salty Dog chapter of the Andy Griffith Show Re-run Watchers club."
"I love afternoon naps, junking, reading, cooking with my husband, anything with avocados, English Setters, old movies, anything blue and white. I hate shopping for clothes, cigarette smoke, math, magic, mimes, scary movies, and Star Trek re-runs."
What was the book that most influenced your life or your career as a writer?
The Cat in the Hat by Dr. Seuss. It awakened in me the joy of reading for the sheer fun of it as a very small child. That, I can remember thinking, is what I want to do when I grow up: write books! Have fun! Later, as I read that book and his others to my children, I was struck by Seuss's juicy, playful language which manages to obscure the very real, important message behind the madness. And when I had the amazing opportunity to interview Dr. Seuss, during my days as a journalist, meeting him reminded me of that old dream of mine of writing fun books.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Some of the current country stuff -- especially the Dixie Chicks, classics like Eric Clapton and Van Morrison and James Taylor and Harry Connick Jr. Then, I love the oldies -- the Beatles, the Beach Boys, Carolina beach music, sixties girl groups, Sinatra. I rarely listen to music when I'm actually writing, although I did listen to Phil Spector's Christmas album to put me in the holiday mood last July and August while working on my Christmas book.
What are your favorite kinds of books to give -- and get -- as gifts?
I love beautifully illustrated cookbooks and home decorating books -- to get as well as to give, and am always on the lookout for fiction to share with my book-loving friends.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have a writing shrine with a statue of St. Therese, and I honor her with little bouquets of flowers. I like to burn aromatherapy candles while writing, and I usually have a secret stash of peanut M&Ms.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I've been writing professionally my entire adult life. Years ago, when I was a newspaper reporter, my paper's managing editor told me I was not a writer and would never be a writer. I experienced one of those Scarlett O'Hara "As God Is My Witness Moments," cried, cursed, and set out to prove him wrong.
What tips or advice do you have for writers still looking to be discovered?
Find your authentic voice and make it the very best version of you. Take your writing seriously, but not yourself. Really work at craft. Go to a writer's workshop where New York agents and editors are critiquing manuscripts. Finish what you start.
Gina Foxton is hosting a local Georgia public TV show called Fresh Start when two things occur to propel her toward new beginnings: The show is canceled and she catches her boyfriend having sex with a married woman. Not deterred by these vexing setbacks, feisty Gina aims high, seeking nothing less than a prestigious slot on the Cooking Channel. With this job squarely within her sights, Gina refuses to be deterred by any competition, even that of handsome "Kill and Grill It" Tate Moody. Cooked to tasty perfection with southern sass and spice.
"Tasty Southern adventure...[Andrews is] the queen of sass." —Daytona Beach News-Journal
After years of hard work, Gina Foxton, chef extraordinaire and former runner-up Miss Teen Vidalia Onion, is hosting her own show Fresh Start, on Georgia public television. She's also dating the producer. But when Fresh Start goes bad—and her boyfriend is caught in flagrante delicto with the boss's wife—Gina decides it's time to pursue bigger dreams. Namely a gig on national television.
Gina knows she's destined to be the Cooking Channel's next superstar. But the execs also have their eyes on Tate Moody, Mr. "Kill It and Grill It" himself, host of the hunting, fishing, and cooking show Vittles. The ultimate man's man, Tate is a tasty side of beef with a large, swooning female fan base. Gina's loyal devotees consist of her free-spirited college-dropout sister and her mother...who calls every single day.
When the smoke clears there can be only one TV chef standing, and Gina and Tate are ready for the cook-off of their lives.
"Juicy"—Raleigh News & Observer
"A real page-turner."—Allure
"Andrews's [fans] will eat this one up."—Publishers Weekly
Andrews (Savannah Breeze; Hissy Fit) delivers a trademark romance set in her native Deep South. Gina Foxton is a 30-year-old chef with a health-conscious approach to classic Southern fare whose public access cooking show gets canceled when the show's big sponsor pulls out after finding the show's producer (and Gina's boyfriend) in bed with his wife. So news that the Cooking Channel is looking to add a new show is a welcome development. The producers are also interested in another local cooking show called Vittles, hosted by "Kill It and Grill It" Tate Moody. The competition between Gina and Tate ramps up when the network decides to turn their competition into a reality show. The close quarters and competition create the right atmosphere for the two chefs to fall in love, though things never get too racy. Andrews takes a long time to get the romance off the ground, but when it starts moving, it moves fast. Andrews's readership will eat this one up. (Feb.)
Copyright 2007 Reed Business InformationAndrews (Savannah Breeze) serves up a breezy Southern romance with appeal to foodies as well as chick-lit fans. Gina Foxton, host of the PBS cooking show Fresh Start, and Tate Moody, star of Vittles, a popular Outdoor Network hunting and cooking show, face off in a culinary competition whose winner earns a nationally televised show on TCC (The Cooking Channel). The TCC cook-off, Food Fight, is shot on a sleepy island off the Georgia coast where, predictably, the two gorgeous young competitors fall in love. There are few surprises in Andrews's lighthearted plot, but, as in many of her novels, the zany secondary characters provide the entertainment. In the abridgment, Isabel Keating, performer of several of Andrews's audiobooks, provides spot-on Southern vocal characterizations, although her pacing is a little slow. In the unabridged version, veteran narrator Julia Gibson offers a solid performance, and her more up-tempo reading works better with the somewhat slow-moving plot. While both versions are suitable for public libraries, selectors may want to consider the almost $100 cost difference between the two. The unabridged program is recommended where the author has a strong following; the abridged would work well elsewhere. [Andrews is a New York Times best-selling author; Deep Dish is also available as downloadable audio from
Atlanta TV cooking star Gina Foxton notices budgetary cuts around the meager set of her local PBS show in the form of substituted ingredients, but the final straw is the replacement of mackerel for salmon in her fish dish. Worse, the budget cuts are caused by her boyfriend's affair with the wife of the sponsor, who withdraws from the show. Things look brighter when Gina gets considered for a spot on the national cooking channel. Unfortunately, Tate "Kill It and Grill It" Moody, the popular star of the cooking show Vittles , is also in the running. Humor abounds as the two rivals lock horns in their quest for the brass ring. Colorful secondary characters add to the hilarity. Readers with a taste for delectable culinary romances like Millie Criswell's The Trouble with Mary , Susan Mallery's Delicious , and Deirdre Martin's Just a Taste will enjoy Andrews's (Hissy Fit ) latest big helping of fun. For popular fiction collections of all sizes. [See Prepub Alert, LJ 11/15/07.]-Shelley Mosley,Glendale Community Coll. Lib. Media Ctr., AZ
Copyright 2006 Reed Business Information.
Loading...Chapter One
One more week. Gina repeated the words to herself as she stood on the set, her makeup already starting to melt under the hot lights trained on her.
Five more days, two shows a day. Ten shows. And the season would be over. She would have two weeks to rest. Two weeks with no makeup. No heels. No cameras. She would let her jaw muscles relax. Not smile for fourteen days. No cooking either, she vowed, knowing immediately that was one promise she couldn't keep. Right now she might be sick of smiling, sick of staring into a camera, sick of explaining why you had to let a roast rest before carving it, sick of chopping, dicing, slicing, and sautéing. But that would pass, she told herself. Just ten more shows.
"Ready?" Jess asked, from just off camera.
Gina took a deep breath and smiled up at the camera trained on her. "Ready."
Her brow wrinkled in intense concentration as she carefully whisked the Parmesan cheese into the bubbling pot of grits on the front burner of the cooktop.
"Turn the pot toward the camera so we can see the label," Jess said quietly from the table where she usually sat beside Scott, watching through the monitor on the laptop. Where was Scott, Gina wondered? Jessica DeRosa, his assistant producer, was only twenty-four, just a couple years out of film school, and she was probably quite capable of directing a show on her own, but Scott was such a control freak, he rarely let her.
Without warning, the gas flame under the pot flared up, and then just as suddenly died. Gina stared down at it, grimacing in disbelief.
"You're frowning," Jesscommented. "Come on, Gina, don't make it look so hard. Remember what Scott says. These recipes should look so easy, a trained chimp could fix 'em blindfolded."
The cameraman snickered, and Gina looked up to give Eddie a stare of disapproval.
"Not funny," she said. But it wasn't Eddie, the overweight, balding veteran of three seasons' worth of her shows, behind the camera. This cameraman was a kid, with a frizzy shock of blond hair sticking out from under a red bandanna worn piratelike, around his forehead.
Where was Eddie? she wondered. Were he and Scott in some kind of meeting elsewhere—maybe over at the Georgia Public Broadcasting offices?
"I'm not frowning because the recipe won't work," Gina said. "The darned stove is on the fritz again. The flame keeps flickering out. I thought Scott said we were gonna get a new stove before the season was over."
Jess shrugged. "I guess we're just gonna make do with this one for the last week. Does it make any difference?"
"Only if we want viewers to believe I know better than to try to cook grits on a cold stove."
"Keep stirring," Jess advised. "And smiling."
Perky, that's what Scott always insisted on. Nobody really cared how your food tasted, as long as you looked perky and happy while you were fixing it. And sexy. Which was why she was wearing a scoop-neck tank top that showed off her tanned shoulders and shapely arms, instead of the bib apron with "Gina Foxton" embroidered on it in flowing script that she'd worn the previous season, before Scott took over the show. And her career.
"Now add the cheese," Jess called. "And tell us why you need to keep stirring."
Gina made a show of turning down the burner, even though in reality, the burner was stone cold and now seemingly inoperative.
"Once your grits reach the boiling point, you want to turn the heat way down, to keep them from burning," she said. "Now whisk in your cheese, which you've already grated, and if it looks too thick, you can add some more of the cream to make sure you've got the right consistency."
She reached for the bowl of Parmesan and dumped it into the hot grits, stirring rapidly. But now, despite Jess's directions to the contrary, she was frowning again.
She sniffed as her nose, always hypersensitive, alerted her that something was amiss.
What was that smell? She sniffed again and realized, with horror, that the aroma wafting from the pot was not the honest corn smell of her stone-ground grits, nor the smell of homemade chicken stock, nor the fresh scent of cooking cream.
No. This . . . this smell . . . resembled nothing more than the stink of melting polymer.
"Gina," Jess said, a warning in her voice. "You're frowning again."
"Gawd, y'all," Gina exclaimed, shoving the offending pot away, toward the back burner. "This stuff reeks." As sometimes happened, usually when she was overexcited or totally aggravated, her carefully moderated accent-eradication coaching fell away in an instant. "Jee-zus H. You-know-what," Gina said. "What is this stuff?" The kid behind the camera guffawed.
Jess blinked innocently. "What?"
Gina reached over to the tray of ingredients her prep cook had placed on the countertop, and grabbed the plastic tub of grated cheese. Without her reading glasses, she had to hold the tub right up to her face to read the label.
"Cheez-Ease? Is this what we've come to? Y'all have sold my soul for a tub of dollar-ninety-eight artificial cheese made out of recycled dry-cleaning bags?"
"Please, Gina," Jess said quietly. "Can we just finish this segment?"
Gina dipped a spoon into the pot of grits and tasted. "I knew it," she said. "And that's not cream, either. Since when do we substitute canned condensed milk for cream?"
Jess stared down at her notes, then looked up, a pained expression on her face. "We're having budget issues. Scott told the girls they should substitute cheaper ingredients wherever necessary."
"He didn't say anything about it to me," Gina said, walking off the set and toward the table where Jess sat.
She hated to make a scene, hated to come across as a prima donna or a food snob. But you couldn't have a show about healthy southern cooking, a show called Fresh Start, for heaven's sake, if you started to compromise on ingredients.
"Jess," Gina said calmly. "What's going on around here?"
Jessica's pale, usually cheerful face reddened. "Let's take a break," she said. "Everybody back in ten minutes."
Deep DishChapter One
One more week. Gina repeated the words to herself as she stood on the set, her makeup already starting to melt under the hot lights trained on her.
Five more days, two shows a day. Ten shows. And the season would be over. She would have two weeks to rest. Two weeks with no makeup. No heels. No cameras. She would let her jaw muscles relax. Not smile for fourteen days. No cooking either, she vowed, knowing immediately that was one promise she couldn't keep. Right now she might be sick of smiling, sick of staring into a camera, sick of explaining why you had to let a roast rest before carving it, sick of chopping, dicing, slicing, and sautéing. But that would pass, she told herself. Just ten more shows.
"Ready?" Jess asked, from just off camera.
Gina took a deep breath and smiled up at the camera trained on her. "Ready."
Her brow wrinkled in intense concentration as she carefully whisked the Parmesan cheese into the bubbling pot of grits on the front burner of the cooktop.
"Turn the pot toward the camera so we can see the label," Jess said quietly from the table where she usually sat beside Scott, watching through the monitor on the laptop. Where was Scott, Gina wondered? Jessica DeRosa, hisassistant producer, was only twenty-four, just a couple years out of film school, and she was probably quite capable of directing a show on her own, but Scott was such a control freak, he rarely let her.
Without warning, the gas flame under the pot flared up, and then just as suddenly died. Gina stared down at it, grimacing in disbelief.
"You're frowning," Jess commented. "Come on, Gina, don't make it look so hard. Remember what Scott says. These recipes should look so easy, a trained chimp could fix 'em blindfolded."
The cameraman snickered, and Gina looked up to give Eddie a stare of disapproval.
"Not funny," she said. But it wasn't Eddie, the overweight, balding veteran of three seasons' worth of her shows, behind the camera. This cameraman was a kid, with a frizzy shock of blond hair sticking out from under a red bandanna worn piratelike, around his forehead.
Where was Eddie? she wondered. Were he and Scott in some kind of meeting elsewhere—maybe over at the Georgia Public Broadcasting offices?
"I'm not frowning because the recipe won't work," Gina said. "The darned stove is on the fritz again. The flame keeps flickering out. I thought Scott said we were gonna get a new stove before the season was over."
Jess shrugged. "I guess we're just gonna make do with this one for the last week. Does it make any difference?"
"Only if we want viewers to believe I know better than to try to cook grits on a cold stove."
"Keep stirring," Jess advised. "And smiling."
Perky, that's what Scott always insisted on. Nobody really cared how your food tasted, as long as you looked perky and happy while you were fixing it. And sexy. Which was why she was wearing a scoop-neck tank top that showed off her tanned shoulders and shapely arms, instead of the bib apron with "Gina Foxton" embroidered on it in flowing script that she'd worn the previous season, before Scott took over the show. And her career.
"Now add the cheese," Jess called. "And tell us why you need to keep stirring."
Gina made a show of turning down the burner, even though in reality, the burner was stone cold and now seemingly inoperative.
"Once your grits reach the boiling point, you want to turn the heat way down, to keep them from burning," she said. "Now whisk in your cheese, which you've already grated, and if it looks too thick, you can add some more of the cream to make sure you've got the right consistency."
She reached for the bowl of Parmesan and dumped it into the hot grits, stirring rapidly. But now, despite Jess's directions to the contrary, she was frowning again.
She sniffed as her nose, always hypersensitive, alerted her that something was amiss.
What was that smell? She sniffed again and realized, with horror, that the aroma wafting from the pot was not the honest corn smell of her stone-ground grits, nor the smell of homemade chicken stock, nor the fresh scent of cooking cream.
No. This . . . this smell . . . resembled nothing more than the stink of melting polymer.
"Gina," Jess said, a warning in her voice. "You're frowning again."
"Gawd, y'all," Gina exclaimed, shoving the offending pot away, toward the back burner. "This stuff reeks." As sometimes happened, usually when she was overexcited or totally aggravated, her carefully moderated accent-eradication coaching fell away in an instant. "Jee-zus H. You-know-what," Gina said. "What is this stuff?" The kid behind the camera guffawed.
Jess blinked innocently. "What?"
Gina reached over to the tray of ingredients her prep cook had placed on the countertop, and grabbed the plastic tub of grated cheese. Without her reading glasses, she had to hold the tub right up to her face to read the label.
"Cheez-Ease? Is this what we've come to? Y'all have sold my soul for a tub of dollar-ninety-eight artificial cheese made out of recycled dry-cleaning bags?"
"Please, Gina," Jess said quietly. "Can we just finish this segment?"
Gina dipped a spoon into the pot of grits and tasted. "I knew it," she said. "And that's not cream, either. Since when do we substitute canned condensed milk for cream?"
Jess stared down at her notes, then looked up, a pained expression on her face. "We're having budget issues. Scott told the girls they should substitute cheaper ingredients wherever necessary."
"He didn't say anything about it to me," Gina said, walking off the set and toward the table where Jess sat.
She hated to make a scene, hated to come across as a prima donna or a food snob. But you couldn't have a show about healthy southern cooking, a show called Fresh Start, for heaven's sake, if you started to compromise on ingredients.
"Jess," Gina said calmly. "What's going on around here?"
Jessica's pale, usually cheerful face reddened. "Let's take a break," she said. "Everybody back in ten minutes."
Excerpted from Deep Dish by Mary Kay Andrews Copyright © 2008 by Mary Kay Andrews. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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