From the Publisher
Since its inception fifty years ago the New York City Ballet has been a vital force in American dance and an essential component of American cultural life. As the vehicle for the development and expression of George Balanchine's immensely influential artistic vision as well as that of other eminent choreographers the company has created a vast and significant body of work. Its dancers, choreographers, and artistic directors have seeded new dance companies around the nation, disseminating both the NYCB's repertory and its lofty standards of virtuosity. The company's numerous close ties with the overlapping New York artistic and intellectual worlds have played an important part in the foundation of many of the artistic movements of the twentieth century. Exploring these and other achievements with critical acumen, Dance for a City produced in conjunction with a major exhibition at the New-York Historical Society examines the rich history, cultural significance, and continuing accomplishments of America's premier ballet company.
Lavishly illustrated with a wide range of extraordinary photographs, this collection of essays edited by dance scholar and exhibition curator Lynn Garafola and historian Eric Foner takes a new and provocative look at the history of the New York City Ballet, placing it within the context of the city's changing intellectual and cultural life and underscoring its role in the development of a distinctly American aesthetic. Drawing on the perspectives of dance scholars, urbanists, musicologists, art historians, and scholars of gay history, Dance for a City explores the many art forms and artisticfigures associated with the company, revealing the complex forces that contributed to its success, its representation in the broader cultural milieu, and its formative role in American dance during the past half-century.
Dance for a City includes:
• Lynn Garafola's interpretive history of the New York City Ballet, beginning with its origins in the 1930s
• urban historian Thomas Bender on the company's place in postwar intellectual life
• dance historian Sally Banes on the New York City Ballet's surprising relationship with modern dance
• musicologist Charles M. Joseph on the sources of Agon, George Balanchine's avant-garde masterpiece of the 1950s
• Richard Sennett on the New York City Ballet audience of the 1960s as it appeared to an aspiring musician
• art historian Jonathan Weinberg on the ballet photographs of photographer George Platt Lynes
• an unpublished interview with George Balanchine by Nancy Reynolds
• a portfolio of photographs of Jerome Robbins
• the first complete list of Jerome Robbins's ballets and musicals
Terry Teachout
First-rate. . . . You may want to buy two copies of Dance for a City, one for reading and the other for clipping and framing.
Anna Kisselgoff
Lynn Garafola, a dance historian who was curator of the show with her husband, Eric Foner, professor of history at Columbia University, has done an admirable job of assembling material, some of it unfamiliar, from a vast variety of sources.
Michael Spinella
Captures the beauty and reverie of the world of dance that ballet itself evokes. Garafola and Foner have compiled a lovely and interesting look at this amazing company and its lush history. . . . This lovely volume pleases the eye and the mind.
Doug Elder
Illuminated from many angles, clear sighted, lavish, and enjoyably appreciative of its subject.
Glen Giffin
A visually eloquent collection.
Booknews
Published in conjunction with a 1999 exhibition at the New York Historical Society, this volume examines the rich history, cultural significance, and continuing accomplishments of America's premier ballet company. Drawing on the perspectives of dance scholars, urbanists, musicologists, art historians, and scholars of gay history, eight essays (edited by dance scholar and exhibition curator Garafola and historian Foner) take a new and provocative look at this outstanding company and place it within the context of the city's changing intellectual and cultural life. Special features include an unpublished interview with George Balanchine, a portfolio of photographs of Jerome Robbins, and many b&w photographs and illustrations that will delight dance afficionados. Annotation c. Book News, Inc., Portland, OR (booknews.com)
The New York Times Book Review -
Terry Teachout
...[T]he pictures are so good that you may want to buy two copies of Dance for a City, one for reading and the other for clipping and framing.