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This text reflects the current state of computer technology and music composition. The authors offer clear, practical overviews of program languages, real-time synthesizers, digital filtering, artificial intelligence, and much more.
| Preface to the Second Edition | ||
| Preface to the First Edition | ||
| 1 | Fundamentals of Computer Music | |
| 2 | The Acoustics and Psychoacoustics of Music | |
| 3 | Fundamentals of Digital Audio | |
| 4 | Synthesis Fundamentals | |
| 5 | Synthesis Using Distortion Techniques | |
| 6 | Subtractive Synthesis | |
| 7 | Analysis-Based Synthesis Techniques | |
| 8 | Granular Synthesis | |
| 9 | Physical Modeling | |
| 10 | Reverberation, Auditory Localization, And Other Sound-Processing Techniques | |
| 11 | Composition with Computers | |
| 12 | Real-Time Performance of Computer Music | |
| Glossary | ||
| Index |
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