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This book contains an extensive and diversified mix of Coleridge's work. The footnotes are well-researched, and editorial commentary and criticism are relatively unbiased. Its structure allows readers of Coleridge to come to their own conclusions about the content of his writings. Criticism: a synopsis of Coleridge's personal history would be helpful in reading this text.
His writings are wide-ranging in form and content, and vast in number. Norton’s long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge’s and the editors’), biographical register, glossary, and an index of poems and first lines.
"Criticism" includes twenty assessments of Coleridge’s poetry and prose by British and American authors.
A Chronology and Selected Bibliography are also included.
Nicholas Halmi is Assistant Professor at the University of Washington. He is co-editor of Coleridge’s Opus Maximum (Princeton), contributor to the Encyclopedia of the Romantic Era, and author of numerous articles on Enlightenment and Romantic topics.
Paul Magnuson was Professor of English at New York University.
Raimonda Modiano is Professor of English at the University of Washington. She is the author of Coleridge and the Concept of Nature, and co-editor of Volumes II-V of Coleridge’s Marginalia (Princeton).
Loading...| List of Illustrations | ||
| General Introduction | ||
| Textual Introduction | ||
| Acknowledgments | ||
| Permissions Acknowledgments | ||
| Abbreviations | ||
| Preface | 4 | |
| Monody on the Death of Chatterton | 5 | |
| To a Young Lady with a Poem on the French Revolution | 10 | |
| Effusion I [To Bowles] | 12 | |
| Effusion II [To Burke] | 13 | |
| Effusion III [To Pitt] | 13 | |
| Effusion IV [To Priestley] | 14 | |
| Effusion V [To Erskine] | 14 | |
| Effusion VI [To Sheridan] | 15 | |
| Effusion XX. To the Author of the "Robbers" | 16 | |
| Effusion XXII. To a Friend together with an Unfinished Poem | 16 | |
| Effusion XXXV. Composed August 20th, 1975, at Clevedon, Somersetshire [The Eolian Harp] | 17 | |
| Religious Musings | 20 | |
| To Thomas Poole, of Stowey | 35 | |
| Ode on the Departing Year | 37 | |
| To the Reverend George Coleridge, of Ottery St. Mary, Devon | 44 | |
| From Preface to the Second Edition | 46 | |
| Introduction to the Sonnets | 48 | |
| Sonnet IV. To the River Otter | 50 | |
| Sonnet IX. Composed on a journey homeward ... | 51 | |
| Sonnet X. To a Friend ... | 52 | |
| Reflections on Having Left a Place of Retirement | 52 | |
| The Rime of the Ancyent Marinere, in Seven Parts (1798) | 58 | |
| The Rime of the Ancient Mariner (1834) | 59 | |
| The Foster-Mother's Tale, A Dramatic Fragment | 100 | |
| The Nightingale; A Conversational Poem, Written in April, 1798 | 102 | |
| The Dungeon | 105 | |
| Love | 106 | |
| Fears in Solitude | 110 | |
| France. An Ode | 116 | |
| Frost at Midnight | 120 | |
| The Visions of the Maid of Orleans | 125 | |
| Recantation, Illustrated in the Story of the Mad Ox | 129 | |
| Lines Written in the Album at Elbingerode, in the Hartz Forest | 133 | |
| To a Friend | 134 | |
| This Lime-Tree Bower My Prison | 136 | |
| Sonnet XII. To W. L. Esq | 139 | |
| Fire, Famine, & Slaughter. A War Eclogue | 140 | |
| A Letter to - [Sara Hutchinson] | 145 | |
| Dejection: An Ode | 155 | |
| Christabel | 161 | |
| Kubla Khan: or A Vision in a Dream | 180 | |
| The Pains of Sleep | 184 | |
| The Picture, or The Lover's Resolution | 188 | |
| The Visionary Hope | 192 | |
| Recollections of Love | 193 | |
| Hymn Before Sun-rise, in the Vale of Chamouny | 195 | |
| Inscription for a Fountain on a Heath | 198 | |
| A Tombless Epitaph | 198 | |
| To a Gentleman [William Wordsworth] | 200 | |
| Poetical Works (1828). Prose in Rhyme: or, Epigrams, Moralities, and Things Without a Name | 206 | |
| Phantom or Fact? A Dialogue in Verse | 206 | |
| Work Without Hope | 207 | |
| A Day Dream | 208 | |
| Lines Suggested by the Last Words of Berengarius | 209 | |
| Constancy to an Ideal Object | 210 | |
| Prefatory Note to The Wanderings of Cain | 211 | |
| The Wanderings of Cain | 214 | |
| Poetical Works (1829): The Garden of Boccaccio | 218 | |
| Phantom | 221 | |
| Youth and Age | 221 | |
| Love's Apparition and Evanishment | 223 | |
| A Character | 224 | |
| - E coelo descendit [gnothi seayton] - Juvenal | 226 | |
| Epitaph | 227 | |
| [Apologia pro vita sua] | 228 | |
| The Day Dream | 228 | |
| [Metrical Experiments, 1805] | 229 | |
| A Thought Suggested by a View of Saddleback | 230 | |
| [Notebook Fragment, 1806] | 231 | |
| [Notebook Fragment, 1807] | 231 | |
| [Notebook Fragment, 1810] | 232 | |
| [Notebook Fragments, 1811] | 233 | |
| From A Moral and Political Lecture (1795) | 236 | |
| Conciones ad Populum, or Addresses to the People (1795) | 248 | |
| From On the Present War | 250 | |
| Lectures on Revealed Religion (1795) | 258 | |
| From The Plot Discovered; or An Address to the People, Against Ministerial Treason (1795) | 274 | |
| Prospectus | 282 | |
| Modern Patriotism | 284 | |
| On the Slave Trade | 287 | |
| Once a Jacobin Always a Jacobin (1802) | 299 | |
| [On Romeo and Juliet] | 309 | |
| [On Ancient And Modern Drama and The Tempest] | 320 | |
| [On Hamlet] | 332 | |
| [On Dramatic Illusion] | 336 | |
| Essays on the Principles of Genial Criticism (1814) | 338 | |
| From The Statesman's Manual; or The Bible the Best Guide to Political Skill and Foresight | 354 | |
| From Appendix C of The Statesman's Manual | 362 | |
| From A Lay Sermon ("Blessed are ye that sow beside all Waters!") | 369 | |
| Biographia Literaria; or Biographical Sketches of My Literary Life and Opinions (1817) | 372 | |
| [Reason and Understanding] | 555 | |
| From Essays on the Principles of Method | 560 | |
| Aids to Reflection (1825) | 568 | |
| On the Constitution of the Church and State (1830) | 576 | |
| Androgynous Minds | 587 | |
| The Bible | 587 | |
| Death | 588 | |
| Dreams and Sleep | 589 | |
| Education | 591 | |
| Evil | 592 | |
| Feelings | 592 | |
| The French Revolution | 593 | |
| John Keats | 594 | |
| Language | 594 | |
| Life | 596 | |
| Love, Lust, and Friendship | 597 | |
| Madness | 598 | |
| Nature | 599 | |
| Opium | 601 | |
| Pantheism | 602 | |
| Parliamentary Reform | 603 | |
| Philosophy | 604 | |
| Platonists and Aristotelians | 605 | |
| Poetry | 605 | |
| Prayer | 605 | |
| Religion | 606 | |
| Self-Analysis | 607 | |
| Symbol | 608 | |
| Women | 609 | |
| William Wordsworth | 609 | |
| Letter: To John Thelwall (November 19, 1796) | 611 | |
| Letter: To Thomas Poole (February 6, 1797) | 613 | |
| Letter: To Thomas Poole (March 1797) | 614 | |
| Letter: To Joseph Cottle (April 1797) | 617 | |
| Letter: To Thomas Poole (October 9, 1797) | 618 | |
| Letter: To Thomas Poole (October 16, 1797) | 620 | |
| Letter: To Thomas Poole (February 19, 1798) | 624 | |
| Letter: To George Coleridge (c. March 10, 1798) | 626 | |
| Letter: To Thomas Poole (March 16, 1801) | 627 | |
| Letter: To Thomas Poole (March 23, 1801) | 628 | |
| Letter: To William Sotheby (September 10, 1802) | 630 | |
| Letter: To Sara Coleridge (November 23, 1802) | 632 | |
| Letter: To Thomas Wedgwood (September 16, 1803) | 633 | |
| Letter: To Thomas Poole (October 14, 1803) | 636 | |
| Letter: To J. J. Morgan (May 14, 1814) | 637 | |
| Letter: To J. J. Morgan (May 15, 1814) | 639 | |
| Letter: To Thomas Allsop (March 30, 1820) | 640 | |
| The Prelude (1805), book 6, lines 249-331 | 645 | |
| From Christ's Hospital Five and Thirty Years Ago | 647 | |
| From Letters | 648 | |
| From [The Album of a London Bookseller] | 649 | |
| From Lectures on the English Poets | 649 | |
| From The Spirit of the Age | 650 | |
| From The Life and Correspondence of Charles Mathews the Elder, Comedian | 653 | |
| From Samuel Taylor Coleridge | 654 | |
| From Autobiography | 657 | |
| From The Life of John Sterling | 658 | |
| From Coleridge | 662 | |
| From Letters | 665 | |
| From Journals and Miscellaneous Notebooks | 666 | |
| From First Visit to England | 666 | |
| From Letter to B - | 668 | |
| From a Review of Letters, Conversations and Recollections | 668 | |
| From Art, Literature and the Drama | 669 | |
| From A Poem of Pure Imagination: An Experiment in Reading | 671 | |
| From Structure and Style in the Greater Romantic Lyric | 682 | |
| Coleridge and the Deluded Reader: "The Rime of the Ancient Mariner" | 696 | |
| From "Christabel": The Wandering Mother and the Enigma of Form | 710 | |
| From Wordsworth and Coleridge: The Radical Years | 722 | |
| Coleridge on Shakespeare: Method Amid the Rhetoric | 731 | |
| From The Biographia Literaria and the Contentions of English Romanticism | 738 | |
| [Coleridge's Theory of the Imagination] | 750 | |
| From The Idea of the Clerisy: Samuel Taylor Coleridge | 755 | |
| Biographical Register | 769 | |
| Glossary | 775 | |
| Coleridge: A Chronology | 779 | |
| Selected Bibliography | 785 | |
| Index of Poem Titles and First Lines | 793 |
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