- Shopping Bag ( 0 items )
- Spend $25, Get FREE SHIPPING
List Price
$32.00
Textbook Details
Used & New From our Trusted Marketplace Sellers
To try again, please visit the B&N Marketplace.
Customer Rating:
See Detailed Ratings
This excellent book should appeal to both the scholar and the interested amateur student of history with its fascinating depiction of the causes, events, and personalities of the French Revolution. The hundreds of illustrations serve the text very well. This is serious history that reads like a novel--a very long and complex novel, to be sure.
It has its faults; I would have preferred that...
Instead of the dying Old Regime, Schama presents an ebullient country, vital and inventive, infatuated with novelty and technology--a strikingly fresh view of Louis XVI's France. A New York Times bestseller in hardcover. 200 illustrations.
...[A] most intelligent work.
More Reviews and RecommendationsSimon Schama is University Professor of Art History and History at Columbia University; a bestselling, prize-winning author and broadcaster; and an art critic and cultural essayist for The New Yorker whose writing has also appeared regularly in The New Republic, The Guardian, and The New York Review of Books.
...[A] most intelligent work.
In what PW called a ``sprawling, provocative, sometimes infuriating chronicle that stands much conventional wisdom on its head,'' Schama argues that the Revolution did not produce a ``patriotic culture of citizenship'' but was preceded by one.
The appearance of this book is certain to be one of the main publishing events of the bicentennial year of the French Revolution. It blends gritty details about everyday life with an old-fashioned, dramatic narrative form. Among other things, Schama argues that the Old Regime fell not because it was stagnant but because it was moving too fast. Unlike Marxists and ``new historians,'' Schama stresses the importance of individual events and people. He detects the emergence of a patriotic culture of citizenship in the decades preceding 1789 and explains how citizenship came to be a public expression of an idealized family during the Revolution. One criticism: there are no footnotes citing sources. -- Thomas J. Schaeper, St. Bonaventure University, New York
The appearance of this book is certain to be one of the main publishing events of the bicentennial year of the French Revolution. It blends gritty details about everyday life with an old-fashioned, dramatic narrative form. Among other things, Schama argues that the Old Regime fell not because it was stagnant but because it was moving too fast. Unlike Marxists and ``new historians,'' Schama stresses the importance of individual events and people. He detects the emergence of a patriotic culture of citizenship in the decades preceding 1789 and explains how citizenship came to be a public expression of an idealized family during the Revolution. One criticism: there are no footnotes citing sources. -- Thomas J. Schaeper, St. Bonaventure University, New York
This well-written, thoroughly documented book should be on every high-school library shelf. It explains the self-destructive, bloody orgy that occurred in France but not in England or Prussia, countries in similar states of poverty and with similarly deprived, disenfranchised populaces. Schama theorizes that the cause of France's revolution lies in the self-deception of the ruling intelligentsia, who believed that they could make a Utopian France by allowing controlled violence, murder, and the destruction of property in the name of liberty, and all to exist simultaneously with good government. Schama presents Talleyrand, Lafayette, and others with more understanding than they are given in most histories, setting them amidst a web of violence of their own making. This book speaks to today's world, as nations strive to move from despotism to democracy.-- Barbara Batty, Port Arthur Independent School District, Texas
...[A] most intelligent work.
Loading...To try again, please visit the B&N Marketplace.



