Biography
Eric Jerome Dickey was born in Memphis, Tennessee, and attended the University of Memphis (the former Memphis State), where he pledged Alpha Phi Alpha fraternity and earned a degree in computer system technology. In 1983, he moved to Los Angeles to pursue a career in engineering.
After landing a job in the aerospace industry working as a software developer, Dickey's artistic talents surfaced, inspiring him to become an actor and a stand-up comedian. He soon began working the local and national comedy circuit. In the early 1990s the aerospace industry took a downward turn and Dickey found himself "downsized," but took this as an opportunity to embark on a writing career.
Having written several scripts for his personal comedy act, Dickey started writing poetry and short stories. He joined the IBWA (International Black Writers and Artists), participated in their development workshops, and became a recipient of the IBWA SEED Scholarship to attend UCLA's creative writing classes. In 1994 his first published short story, "Thirteen," appeared in the IBWA's River Crossing, Voices of the Diaspora: An Anthology of the International Black Experience. A second short story, "Days Gone By," was published in the magazine A Place to Enter.
With those successes behind him, Dickey decided to fine-tune some of his earlier work and developed a screenplay called Cappuccino. Cappuccino was directed and produced by Craig Ross Jr. and appeared in coffeehouses around the Los Angeles area. In February 1998, Cappuccino made its local debut during the Pan African Film Festival at the Magic Johnson Theater in Los Angeles and is currently on the film festival circuit.
Dickey's book-signing tours for Sister, Sister, Friends and Lovers, and Milk in My Coffee took him coast to coast and helped propel these novels to No. 1 on the Blackboard bestsellers List. His books have been featured in many publications, including Essence magazine and USA Today, and have appeared on the bestseller lists of The Los Angeles Times, Blackboard, The Wall Street Journal, and The New York Times. Dickey has appeared as a guest on many television shows, including BET's Our Voices and CNN's Sunday Morning Live.
Author biography courtesy of Penguin Group (USA).
Feature Interview
In the fall of 2004, Eric Jerome Dickey took some time out to talk with us about some of his favorite books, authors, and interests: What was the book that most influenced your life or your career as a writer?
No one book has influenced my life or career -- there are numerous books.
Stephen King, Maya Angelou, Walter Mosley -- their bodies of work have both inspired and motivated me. I love Walter Mosley's style -- the grit and the noir, the way he brought characters and that time period to life. I love Stephen King's body of work -- the way he also creates rich and unforgettable characters.
What are some of your all-time favorite books?
The Cay by Theodore Taylor -- Read it when I was pup. Loved it. "Dis be dat outrageous Cay, huh Timothy?"
The 158-Pound Marriage by John Irving
Disappearing Acts by Terry McMillan
Devil in a Blue Dress by Walter Mosley -- This most definitely motivated me toward writing -- its influence can be seen in at least two of my novels.
I Know Why the Caged Bird Sings by Maya Angelou
Sula by Toni Morrison What are some of your favorite films?
As many movies as I watch, and you want a list? I'll keep it short. For the most part, I love my movies suspenseful and dark. Anything by Hitchcock. Any classic noir. Any movie where Bogart has a gun. Any movie with a femme fatale. A short list: Carl Franklin's One False Move, Devil in a Blue Dress, The Killers (either version), Thelma and Louise. Cool Hand Luke, anything with Audrey Hepburn, A Raisin in the Sun, The Autobiography of Miss Jane Pittman. And I love the erotic: Lolita, The Lover, Emmanuelle, The Red Shoe Diaries (the original Showtime movie, not the spinoffs). Fatal Attraction, Single White Female, Heat with Al Pacino, and others. I'm just getting warmed up...
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Blues (John Lee Hooker, Bobby "Blue" Bland, BB King, Robert Jones out of Michigan, and many others), anything by Nina Simone, Mase, T.I. out of ATL, Chante Moore, Kina, Pru, Alicia Keyes, Usher, Beyonce, Kanye West, Janet, Inobe out of ATL, Ashanti, Joe, yada yada yada... Trust me, just like with the movies, you don't want the whole list.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
A fifth of Jack Daniels. Pack of Djarum. Maybe some one-point-fives. A stripper reading to me from the Bible. My Prozac prescription. My stack of bills as motivation. An eight-by-ten glossy of The Dalai Lama. J Kidding.
Point blank, in between doing laundry and sweeping the floor, I write as much as I can. That sums it up. Whenever, whereever. There are no rituals, just discipline. I've written at the car wash, at hotels, at coffee shops, on airplanes. A laptop and a controlled environment are all I need.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I had at least three years of rejections. At least. It takes years to become an overnight success, I also lost around five thousand dealing with a publishing company, that was back when I was younger in the biz and very naïve, that ordeal ending up in arbitration as the FBI was shutting the publisher down. Never pay anyone to read your work. There are a lot of con artists out there.
If you could choose one new writer to be "discovered," who would it be?
Sorry, I have to pick two: Keith Lee Johnson and Travis Hunter. Both are excellent writers and neither gets a lot of press.
What tips or advice do you have for writers still looking to be discovered?
While you wait, work on improving your writing skills. That's the key to making this a career. Read books on writing, learn how to write a scene, dialogue, characterization, suspense, erotica, mystery, understanding elements of each, study both good and bad writing, learn from what others have done, but in the end have your own style. Don't try to be the "next" anybody. Be you, be original, and be good at what you do.