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Before you give yourself up to the sweep and scope of People of the Book, the captivating new novel from Pulitzer Prize winner Geraldine Brooks, grab some paper and a pen. You'll be glad you did. From the opening chapter to the closing page, Brooks crams so many people, places, and events into her ambitious and intricate account of a Jewish prayer book that she leaves you longing for a scorecard.
Read the Full ReviewThe untold story of a whiskey-swilling, skirt-chasing, scandal-prone congressman from Texas, and how he conspired with a rogue CIA operative to launch the biggest and most successful covert operation in U.S. history
Charlie Wilson's War is a behind-the-scenes chronicle of a program that is still largely classified. Crile does not provide much insight into his reporting methods, but the book appears to be based on interviews with a number of the principals. The result is a vivid narrative, though a reader may wonder how much of this story is true in exactly the way Crile presents it. Still, few people who remember Wilson's years in Washington would discount even the wildest tales. — David Johnston
More Reviews and RecommendationsGeraldine Brooks is the author of March, the recipient of the 2006 Pulitzer Prize in Fiction. She is also the author of Year of Wonders, Nine Parts of Desire, and Foreign Correspondence. Previously, Brooks was a correspondent for The Wall Street Journal in Bosnia, Somalia, and the Middle East. She lives with her husband, the author Tony Horwitz, and their son.
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July 31, 2006: I would suggest reading 'Oliver North - Under Fire' before reading this to get a view of both sides of government. Charlie Wilson is the epitome of what scares me about politicians. I'd consider Charlie Wilson as more of a 'Sell-Out' than a hero for what he did in Afghanistan. Crile displays Charlie as this person who would go to no lengths to protect America. To me, I can't imagine any womanizing coke-head caring about anything but their own needs. Charlie goes off and defends Pakistan's right to build an Islamic bomb, which makes me view Oliver North as a saint compared to Charlie. Even though Oliver North sold arms to Iran in exchange to free the hostages and use the profits to send to Nicaragua, Charlie sold weapons, gave billions of dollars, and trained are eventual enemy. It's nice to know that coke-heads can run this country. It makes me think about the high gas prices and products and why they came about. It amazed me on how Israel played such a neutral position by providing Iran with weapons, by making special weapons for the Afghans, and by becoming involved in American politics so deeply. Israel makes me think that they care more about themselves than anyone else in the world even disregarding their own allies. There is no way that I can believe that the money to fund this Afghan program was handled properly. Charlies deep pashion for the Afghans were probably caused because of the money he was stealing from the program. The US was probably funding the Islamic bomb with this money as well. The only thing I can say bad about this book is how Crile would introduce each charcter in the same format. You will know what I'm talking about when you read the book. Also, I guess Tom Hanks is supposed to play Charile Wilson in the movie, which I find hard to believe because of Charlie's coke problem and also being 6'4 wher Hanks is only 5'10. Every paranoid idea that I ever thought about this government comes to reality in Crile's book, 'Charlie Wilson's War'.
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March 06, 2005: Fantastic, a must read. While reading this book I laughed out loud on numerous occasions. However, not only funny, this book is an insightful look into Middle East politics. Absolutely wonderful.
Before you give yourself up to the sweep and scope of People of the Book, the captivating new novel from Pulitzer Prize winner Geraldine Brooks, grab some paper and a pen. You'll be glad you did. From the opening chapter to the closing page, Brooks crams so many people, places, and events into her ambitious and intricate account of a Jewish prayer book that she leaves you longing for a scorecard.
Brooks starts out easy. It's 1996 and Hannah Heath, an expert in rare books, has been lured from her laid-back life in Australia to Sarajevo, "where they just stopped shooting at each other five minutes ago." Hannah's job is to conserve and analyze the world-famous Sarajevo Haggadah, one of the earliest illuminated Jewish texts. The ancient manuscript, filled with images so rich and beautiful that it is now a priceless artifact, has appeared, vanished, and reappeared numerous times in its 500-year history. Its most recent rediscovery in war-torn Sarajevo, where a Muslim librarian has saved this Jewish holy book, is nothing short of a miracle.
Hannah, at age 30 a cranky and demanding loner, is the first expert to handle the Haggadah in more than a hundred years. Though uneasy in the bombed-out city, she's ecstatic at the chance to preserve the rare volume:
As many times as I've worked on rare, beautiful things, that first touch is always a strange and powerful sensation. It's a combination between brushing a live wire and stroking the back of a newborn baby's head.The Sarajevo Haggadah lives up to her expectations. Decorated with pigments made from silver and gold, saffron, malachite, and crushed lapis lazuli, it's a thing of extraordinary beauty. It also contains startling anomalies -- paintings of the human form done at a time when this was considered the highest sin, and the depiction of the earth as round, drawn when such a radical concept was punished by torture and death.
The wind blew across the Miljacka river, hard as a slap. Lola's thin coat was no protection. She ran across the narrow bridge, her hands thrust deep in her pockets. On the other side of the river, a set of rough-hewn stone stairs rose abruptly, leading to a warren of narrow lanes lined with shabby apartment buildings.Later, with equal deftness, Brooks lets us share a character's yearning for a long-lost home:
We do not feel the sun here. Even after the passage of years, that is still the hardest thing for me. At home, I lived in brightness. Heat baked the yellow earth and dried the roof thatch until it crackled.And here, with the sparest of imagery, Brooks walks a desperate boy onto a frozen river, then breaks your heart:
Embracing his little sister, he stepped off the bank, onto the ice. He walked to the center, where the ice was thin. His sister's head lay on his shoulder. They stood there for a moment, as the ice groaned and cracked. And then it gave way.Each object that Hannah finds within the pages of the Sarajevo Haggadah acts as a springboard for Brooks to tell a new piece of the tale. A missing decoration on the manuscript leads to fin-de-siècle Vienna, where German nationalism is on the rise. Wine stains on the parchment point to the Inquisition in Venice. A white hair reveals a series of surprising twists in 15th-century Spain. In between historical chapters, Hannah's own life takes center stage. A love affair, a family secret, and a betrayal send the story spinning.
I wanted to give a sense of the people of the book, the different hands that made it, used it, protected it. I wanted it to be a gripping narrative, even suspenseful. So I wrote and rewrote certain sections of historical background to use as the seasoning between the discussion of technical issues.That's Hannah explaining her approach to work, but it could just as easily be Brooks explaining the genesis of the novel.
March, Geraldine Brooks's second novel, won her the 2006 Pulitzer Prize for Fiction. People of the Book, her third novel, seems headed for comparable acclaim. Its plot revolves ever so gracefully around the true story of the Sarajevo Haggadah, a 14th-century Sephardic holy book that somehow survived centuries of hatred and destruction. Into this real-life epic tale of heroism and chance, Brooks has skillfully woven a historical fiction of uncanny force. In her hands, this improbable, even wondrous story of one document's survival becomes both a timely meditation on faiths in conflict and a tense historical thriller. Superb storytelling; a literary masterpiece tinged with the excitement of rediscovery.
In a little over a decade, two events have transformed the world we live in: the collapse of the Soviet Union and the rise of militant Islam. Charlie Wilson's War is the untold story behind the last battle of the Cold War and how it fueled the new jihad. George Crile tells how Charlie Wilson, a maverick congressman from east Texas, conspired with a rogue CIA operative to launch the biggest, meanest, and most successful covert operation in the Agency's history.
In the early 1980s, after a Houston socialite turned Wilson's attention to the ragged band of Afghan "freedom fighters" who continued, despite overwhelming odds, to fight the Soviet invaders, the congressman became passionate about their cause. At a time when Ronald Reagan faced a total cutoff of funding for the Contra war, Wilson, who sat on the all-powerful House Appropriations Committee, managed to procure hundreds of millions of dollars to support the mujadiheen. The arms were secretly procured and distributed with the aid of an out-of-favor CIA operative, Gust Avrakotos, whose working-class Greek-American background made him an anomaly among the Ivy League world of American spies. Nicknamed "Dr. Dirty," the blue-collar James Bond was an aggressive agent who served on the front lines of the Cold War where he learned how to stretch the Agency's rules to the breaking point.
Avrokotos handpicked a staff of CIA outcasts to run his operation: "Hilly Billy," the logistics wizard who could open an unnumbered Swiss bank account for the U.S. government in twelve hours when others took months; Art Alper, the grandfatherly demolitions expert from the Technical Services Division who passed on his dark arts to the Afghans; Mike Vickers, the former Green Beret who created a systematic plan to turn a rabble of shepherds into an army of techno Holy warriors.
Moving from the back rooms of the Capitol, to secret chambers at Langley, to arms-dealers conventions, to the Khyber Pass, Charlie Wilson's War is brilliantly reported and one of the most detailed and compulsively readable accounts of the inside workings of the CIA ever written.
Charlie Wilson's War is a behind-the-scenes chronicle of a program that is still largely classified. Crile does not provide much insight into his reporting methods, but the book appears to be based on interviews with a number of the principals. The result is a vivid narrative, though a reader may wonder how much of this story is true in exactly the way Crile presents it. Still, few people who remember Wilson's years in Washington would discount even the wildest tales. — David Johnston
The stories George Crile tells in Charlie Wilson's War must be true -- nobody could make them up. This is a rousing tale of jihad on the frontiers of the Cold War, infighting at the CIA and horse-trading in Congress, spiced by sex, booze, ambition and larger-than-life personalities. — Thomas Lippman
The good news is that this new novel by the author of March, which won the Pulitzer Prize for Fiction in 2006, is intelligent, thoughtful, gracefully written and original. Brooks has built upon her experience as a correspondent in Bosnia for the Wall Street Journal to construct a story around a booksmall, rare and very oldand the people into whose hands it had fallen over five centuries…Suffice it to say that it's a book that resides comfortably in a place we too often imagine to be a no-man's land between popular fiction and literature. Brooks tells a believable and engaging story about sympathetic but imperfect characters"popular" fiction demands all of thatbut she also does the business of literature, exploring serious themes and writing about them in handsome prose. She appears to be finding readers and admirers in growing numbers, and People of the Book no doubt will increase those numbers.
An amazing tale, made all the more amazing because it was missed by the press. George Crile has written a book revealing the extraordinary details and intrigue of a secret war, and that alone would be a monumental achievement. But he has also written a book about how power works in Washington, about how the C.I.A. succeeded in this war but failed because it armed an ally who became our enemy, about how we might better understand Islamic fundamentalism, about how a solitary Congressman guilefully moved the U.S. government, and all of this comes with a breathtaking cast of characters worthy of a LeCarre novel. Only it's all true. And just as vivid.
Americans often ask: 'Where have all the heroes gone?' Well a lot of them come roaring through in this tour de force of reporting and writing. Tom Clancy's fiction pales in comparison with the amazing, mesmerizing story told by George Crile. By resurrecting a missing chapter out of our recent past, Charlie Wilson's War provides us with the key to understanding the present.
A cross between Tom Clancy and Carl Hiassen, with the distinguishing feature that it's all apparently true. . . . Throw in a middle-aged Texan belly dancer, an assortment of Congressional looinies, a few beauty queens, some ruthless Afghan rebels, and a murderous Pakistani dictator who only wants to be understood.
Crucial and timely. . . . Criles book, with its investigative verve and gripping narrative, is a comprehensive political assessment and sobering account of the power structures that run parallel to, but apparently unknown by, official government authorities.
Reviewed by Margot Livesey
Reading Geraldine Brooks's remarkable debut novel, Year of Wonders, or more recently March, which won the Pulitzer Prize, it would be easy to forget that she grew up in Australia and worked as a journalist. Now in her dazzling new novel, People of the Book, Brooks allows both her native land and current events to play a larger role while still continuing to mine the historical material that speaks so ardently to her imagination. Late one night in the city of Sydney, Hanna Heath, a rare book conservator, gets a phone call. The Sarajevo Haggadah, which disappeared during the siege in 1992, has been found, and Hanna has been invited by the U.N. to report on its condition.
Missing documents and art works (as Dan Brown and Lev Grossman, among others, have demonstrated) are endlessly appealing, and from this inviting premise Brooks spins her story in two directions. In the present, we follow the resolutely independent Hanna through her thrilling first encounter with the beautifully illustrated codex and her discovery of the tiny signs-a white hair, an insect wing, missing clasps, a drop of salt, a wine stain-that will help her to discover its provenance. Along with the book she also meets its savior, a Muslim librarian named Karaman. Their romance offers both predictable pleasures and genuine surprises, as does the other main relationship in Hanna's life: her fraught connection with her mother.
In the other strand of the narrative we learn, moving backward through time, how the codex came to be lost and found, and made. From the opening section, set in Sarajevo in 1940, to the final section, set in Seville in 1480,these narratives show Brooks writing at her very best. With equal authority she depicts the struggles of a young girl to escape the Nazis, a duel of wits between an inquisitor and a rabbi living in the Venice ghetto, and a girl's passionate relationship with her mistress in a harem. Like the illustrations in the Haggadah, each of these sections transports the reader to a fully realized, vividly peopled world. And each gives a glimpse of both the long history of anti-Semitism and of the struggle of women toward the independence that Hanna, despite her mother's lectures, tends to take for granted.
Brooks is too good a novelist to belabor her political messages, but her depiction of the Haggadah bringing together Jews, Christians and Muslims could not be more timely. Her gift for storytelling, happily, is timeless.
Margot Livesey'sThe House on Fortune Street will be published by HarperCollins in May 2008.
Copyright 2007 Reed Business InformationPut the Tom Clancy clones back on the shelf; this covert-ops chronicle is practically impossible to put down. No thriller writer would dare invent Wilson, a six-feet-four-inch Texas congressman, liberal on social issues but rabidly anti-Communist, a boozer, engaged in serial affairs and wheeler-dealer of consummate skill. Only slightly less improbable is Gust Avrakotos, a blue-collar Greek immigrant who joined the CIA when it was an Ivy League preserve and fought his elitist colleagues almost as ruthlessly as he fought the Soviet Union in the Cold War's waning years. In conjunction with President Zia of Pakistan in the 1980s, Wilson and Arvakotos circumvented most of the barriers to arming the Afghan mujahideen-distance, money, law and internal CIA politics, to name a few. Their coups included getting Israeli-modified Chinese weapons smuggled into Afghanistan, with the Pakistanis turning a blind eye, and the cultivation of a genius-level weapons designer and strategist named Michael Vickers, a key architect of the guerrilla campaign that left the Soviet army stymied. The ultimate weapon in Afghanistan was the portable Stinger anti-aircraft missile, which eliminated the Soviet's Mi-24 helicopter gunships and began the train of events leading to the collapse of the U.S.S.R. and its satellites. A triumph of ruthless ability over scruples, this story has dominated recent history in the form of blowback: many of the men armed by the CIA became the Taliban's murderous enforcers and Osama bin Laden's protectors. Yet superb writing from Crile, a 60 Minutes producer, will keep even the most vigorous critics of this Contra-like affair reading to the end. (May) Copyright 2003 Reed Business Information.
This is a fast-paced and highly colored account, presumably true, of how a freewheeling Congressman teamed up with an Oliver North-ish CIA employee to funnel arms and money to the Afghan mujahideen fighting the Soviet takeover of their country. The subtitle pretty well sums up not only what the book is about, but also its literary style and its target audience. Author George Crile is a CBS television producer, and has put his Washington insider's knowledge to good use. Representative Charles Wilson (D-TX), a 60ish and undeniably handsome politician, was frequently described as a freewheeling party boy with a perennial midlife crisis. Never really a Congressional insider in spite of his longevity, he was most noted for an extremely hawkish view of foreign affairs. The Speaker of the House viewed him as something of a loose cannon, but also as someone who could be useful if he could be held in check. The Soviet invasion of Afghanistan brought everything together. Wilson leapt into extracurricular action, making under-the-table connections and deals that raised money, bought weapons, and got them into rebel hands. In the end he not only helped the mountain guerillas but also managed to spare his party and the House Leadership some discomfort. The combination of James Bond-like action, a noble cause, and sexual escapades proves too much for Crile, and he makes the most of the story. His narrative is fast-moving, supercharged, and overheated, chock-full of high drama and sexual innuendo. In short, it is great fun. KLIATT Codes: SARecommended for senior high school students, advanced students, and adults. 2003, Grove Press, 550p. illus. notes. index., Ages 15 to adult.
Rare because haggadahs are seldom illuminated and precious for the quality of those illustrations, the Sarajevo Haggadah has survived the siege of that city, saved by a Muslim who headed the library at the National Museum. Rare books conservator Hanna Heath, summoned from Sydney to Sarajevo to evaluate it, finds tiny clues-an insect's wing, a wine stain, a hair-that establish its provenance and lead into flashbacks about the book's history, showing how it survived the Spanish Inquisition, the expulsion of the Jews from Spain, and the Nazis and how it came to be created in the first place. Not the least of these stories is Hanna's own. Brooks, whose March won a Pulitzer Prize in 2006, convincingly re-creates several unfamiliar settings-Seville in 1480, Barcelona in 1492, Venice in 1609, Vienna in 1894, Yugoslavian resistance to German occupation, and Sarajevo in 1996. Reader Edwina Wren, faced with re-creating all these accents, sometimes defaults to one that's generically foreign. Some of the many characters could also have been a little more developed, but this is both a literary novel and a popular hit, one of those big, ambitious, impossibly erudite books that pursue hidden knowledge through the ages. Recommended.
A follow-up to "Charlie Did It," a piece on CBS's 60 Minutes that Crile produced with Robert Anderson in 1990, this book is an account of Texas representative Wilson's efforts to aid covert CIA activities to get military aid to Afghanistan's Mujahideen guerrillas, who were fighting the occupying Soviet Red Army in the 1980s. As a member of the powerful House Defense Appropriations and Intelligence Oversight committees, Wilson was in a good position to play a role in the "Great Game" and may have seen himself as a new Lawrence of Arabia. This work must be based on unacknowledged interviews with the main participants, for there is no bibliography and few reference notes; more documentation could surely have been provided. With its colorful international cast of characters, this book provides powerful background for understanding our current predicament. But while this may have been the largest covert operation in U.S. history, it was not the most important; that honor goes to Operation Bodyguard, which hid the D-day invasion plan from Hitler. An interesting and readable story that is suitable for academic and large public libraries. [Previewed in Prepub Alert, LJ 9/15/02; illustrations and index not seen.]-Daniel K. Blewett, Coll. of DuPage Lib., Glen Ellyn, IL Copyright 2003 Reed Business Information.
Adult/High School -Hanna Heath, an Australian book conservationist, is thrilled to be chosen to work on the rare illuminated Haggadah created in Spain in the Middle Ages. The book had been protected in a museum in Sarajevo until 1994, when it was rescued from certain plunder during the Bosnian conflict and hidden in a bank vault by a Muslim librarian. Hanna is as eager to learn and preserve the mysterious history of the codex as she is to restore the manuscript. How did it come to be illustrated, a practice believed to have been forbidden by Jewish law? What is the meaning of the wine stain, the hair, the insect wing, and the salt crystals? The author uses these artifacts to weave a thrilling tale of the unusual creation of the Haggadah in Seville in 1480 and its dangerous journey to Tarragona, Venice, Vienna, and finally Sarajevo. It is a story of the Inquisition and wars, and the enlightenment or ignorance of the men and women who would save or destroy this brilliant treasure. Integrated into these compelling vignettes is Hanna's own story: her passion for her work, her unhappy relationship with her mother, and her bittersweet love affair. Sophisticated teens will appreciate Hanna's sarcastic, witty observations, which mask a vulnerable lack of confidence. The mystery of the codex and the forensic examinations are intriguing and will keep readers eagerly awaiting the next revelation. Inspired by the true story of the Sarajevo Haggadah, Brooks has imagined a thrilling mystery and a history that has deep ramifications in our own time.-Jackie Gropman, Chantilly Regional Library, Fairfax County, VA
From 1480 Seville to 1996 Sarajevo, a priceless scripture is chased by fanatics political and religious. Its recovery makes for an enthralling historical mystery. In Sydney, ace (and gorgeous) old-book conservator Hannah Heath gets a 2 a.m. phone call. She's summoned to Sarajevo to check out a 15th-century Spanish-made Haggadah, a codex gone missing in Bosnia during a 1992 siege. The document is a curiosity, its lavish illuminations appearing to violate age-old religious injunctions against any kind of illustration. Remarkably, it's Muslim museum librarian Ozren Karaman who rescued the Hebrew artifact from furious shelling. Questioning (and bedding) Ozren, Hannah examines the Haggadah binding and from clues embedded there-an insect's wings, wine stains, white hair-reconstructs the book's biography. And it's an epic. Chapter by chapter, each almost an independent story, the chronicle unwinds-of the book's changing hands from those of anti-Nazi partisans dreaming of departing for Palestine from war-torn Croatia, from schemers in 1894 Vienna, home, despite Freud and Mahler, of virulent anti-Semitism. Perhaps the best chapter takes place in 1609 Venice. There, not-so-grand Inquisitor Domenico Vistorini, a heretic hunter with a drinking problem, contends in theological disputation with brilliant rabbinical star Judah Aryeh. The two strike up an unlikely alliance to save the book, even while Vistorini at first blanches at its art-a beautiful depiction of the glowing sun, prophesying, the hysterical priest assumes, Galileo's heliocentric blasphemy. Tracing those illustrations back to their origin point, Hannah unkinks a series of fascinating conundrums-and learns, even more fiercely, to prizethe printed page. Rich suspense based on a true-life literary puzzle, from the Pulitzer Prize-winning Brooks (March, 2005, etc.). Agent: Kristine Dahl/ICM
Loading...A Hot Tub in Las Vegas
When Congressman Charlie Wilson set off for a weekend in Las Vegas on June 27, 1980, there was no confusion in his mind about why he had chosen to stay at Caesars Palace. He was a man in search of pure decadent pleasure, and the moment he walked into the hotel and saw the way the receptionists were dressed, he knew he had come to the right place. No doubt there were other members of the Ninety-sixth Congress who fantasized about orgies and altered states. But had any of them chosen to take the kind of plunge that Charlie Wilson had in mind, you can be sure they would have gone to some trouble to maintain a low profile, if not don a disguise.
Instead Charlie strode into the lobby of Caesars almost as if he were trying to imitate his childhood hero, Douglas MacArthur, majestically stalking ashore to take back the Philippines. He looked in no way ashamed or uncertain about what he was doing in this center of gambling and entertainment.
In truth, it wouldn't have been easy for Wilson to fade into any background. Six foot seven in his cowboy boots, he was handsome, with one of those classic outdoor faces that tobacco companies bet millions on. And he just didn't have the heart or the temperament to operate in the shadows; he felt like a soldier out of uniform when he wasn't wearing his trademark bright suspenders and boldly striped shirts with their custom- designed military epaulets.
Moreover, Wilson had never been able to shake the politician's impulse to take center stage. He covered ground rapidly, shoulders back, square jaw jutting forward. There were no volume controls on his voice as he boomed out greetings with astonishing clarity-and people in the Caesars lobby turned to see who was making such a stir. He looked like a millionaire, but the truth was, after eight years in the Texas legislature and almost as many in the House, he had nothing to show for his efforts but debt and a $70,000-a-year government salary that didn't come near to supporting his lifestyle.
Along the way, however, Wilson had discovered that he didn't need money of his own to lead a big, glamorous life. The rules governing Congress were far looser in those days, and he'd become a master at getting others to pick up the tab: junkets to exotic foreign lands at government expense, campaign chests that could be tapped to underwrite all manner of entertainments, and, of course, the boundless generosity of friendly lobbyists, quick to provide the best seats at his favorite Broadway musicals, dinners at the finest Parisian restaurants, and romantic late-night boat parties on the Potomac.
All of which explains how the tall, charismatic congressman with the blazing eyes and the ever-present smile had grown accustomed to moving about the world with a certain flair. And so as he arrived in Las Vegas, he was observing his hard-and-fast rule that whenever he traveled, he went first class and tipped lavishly. The bellhops and receptionists at Caesars loved this, of course, and Wilson, in turn, appreciated their outfits: little white goddess robes showing lots of cleavage for the girls, and Roman togas and sandals for the bellhops.
In all of Vegas, there was no place like Caesars Palace in 1980. It was the first of the great hotel emporiums to be inspired by the fall of a civilization. Its promoters had had the genius to recognize that the sins of Rome could seem far more enticing than any contemporary offering; and as the young Roman in the toga whipped out the gleaming, two-inch-thick golden key to the Fantasy Suite, he opened a door designed to lead even the most pious of visitors straight to hell.
Charles Nesbitt Wilson comes from a part of the country very familiar with Satan. The Second Congressional District lies in the heart of the Bible Belt, and it may well be that Wilson's Baptist and Pentecostal constituents spend more time worrying about sin and wrestling with the Devil than just about any other group of Americans. JESUS IS THE LORD OF LUFKIN reads the huge sign in the center of the district's biggest city where Wilson maintained a house, on Crooked Creek Road.
The congressman did at least have one dim justification for being in Las Vegas that weekend. He could say he was there to help a constituent: the striking twenty-three-year-old Liz Wickersham, former Miss Georgia, fourth runner-up in the Miss America contest, soon-to-be Playboy cover girl, and, later, host of a CNN talk show that an admirer, Ted Turner, would create specifically for her. The free-spirited Wickersham was the daughter of one of Wilson's main fund-raisers, Charlie Wickersham, who owned the Ford-Lincoln dealership in Orange, Texas, where Wilson always got special deals on his huge secondhand Lincolns. When Liz moved to Washington, her father asked Wilson to show her around, which he did with great enthusiasm. He even took her to the White House, where he introduced her to Jimmy Carter, proudly informing him that Liz Wicker-sham had won the Miss Georgia beauty contest the very year Carter had been elected president. There was never any question that Wilson would go all out to promote the career of his friend and fund-raiser's attractive young daughter. Now, in Vegas, he was doing just that-orchestrating an introduction to a producer who was casting for a soap opera.
A few months earlier, a young hustler named Paul Brown had approached him about helping to develop a Dallas-type TV series based on the real political goings-on in the nation's capital. It wasn't long before Brown had convinced Wilson to invest most of his savings-$29,000 and to sign on as the show's consultant. The reason for the Las Vegas weekend was to meet a big-time Hollywood producer who, Brown claimed, was eager to back the project.
It was a giddy moment for Wilson and Liz as they sat in the Fantasy Suite talking about a deal that was all but iced. Brown had already persuaded Caesars to comp the congressman's stay, and now he was making Charlie and Liz feel like they were the toasts of the town. He had brought up some pretty showgirls, and before long the whole party was acting as if they were part of a big-time Hollywood mogul's entourage, knocking back champagne as they congratulated one another on the deal that was about to be signed and the role that Liz was about to land.
Two years later, teams of investigators and federal prosecutors would spend weeks trying to reconstruct exactly what the congressman did that night after Paul Brown and the other hangers-on left the Fantasy Suite. It almost landed Wilson in jail. And given the very high wire he later had to walk to avoid indictment, it's quite astonishing to hear the way he cheerfully describes those moments in the hot tub that the investigators were never quite able to document. No matter how much hellish trouble it later caused him, the congressman leaves the unmistakable impression that he relished every single moment of his outrageous escapade.
"It was an enormous Jacuzzi," he recalled. "I was in a robe at first because, after all, I was a congressman. And then everyone disappeared except for two beautiful, long-legged showgirls with high heels. They were a bit drunk and flirtatious and they walked right into the water with their high heels on. . . . The girls had cocaine and the music was loud-Sinatra, 'My Kind of Town.' We all mellowed out, saying outrageous things to each other. It was total happiness. And both of them had ten long, red fingernails with an endless supply of beautiful white powder. It was just tremendous fun-better than anything you've ever seen in the movies."
As Wilson later framed the episode that almost brought him down, "the Feds spent a million bucks trying to figure out whether, when those fingernails passed under my nose, did I inhale or exhale-and I ain't telling."
Other middle-aged men have brought young women to the Fantasy Suite for activities not unlike Wilson's. But ordinarily there is something a bit desperate and tawdry about such aging pleasure seekers. It's unlikely that any of them would be able to talk about their debauchery in such a way that it would sound almost fresh and innocent. Charlie Wilson, however, had a genius for getting people to judge him not as a middle-aged scoundrel but instead as if he were a good-hearted adolescent, guilty of little more than youthful excess.
This survival skill permitted him to routinely do things that no one else in Congress could have gotten away with. One of the first to marvel at this unique capacity to openly flaunt the rules was the young Diane Sawyer, who met Wilson in 1980 when she was just beginning her career as a network correspondent. "He was just untamed," she recalled, "tall and gangly and wild-like a kid before they discovered Ritalin. He had this ungoverned enthusiasm, and it extended to women and the world."
The congressman was like no one Sawyer had met in Washington. He was simply outrageous. Sawyer recalled the experience of driving with Charlie in his big old Continental on one of their few dinner dates: "Going down Connecticut Avenue with him, I felt as if we could have been driving into any American Graffiti hamburger place."
When Wilson was first elected to Congress, he'd persuaded a distinguished college professor, Charles Simpson, to leave academia and sign on as his administrative assistant. Simpson says Wilson was the brightest person he's ever worked with: "He had an uncanny ability to take a complex issue, break it down, get all the bullshit out, and deliver the heart of it. There's no question he could have been anything he wanted to be. His goal was to become secretary of defense. Certainly he intended to run for the Senate."
But Simpson gradually came to believe that his boss had a fatal flaw. That failing was perfectly summed up in a fitness report written by Wilson's commanding officer in the navy in the late 1950s: "Charlie Wilson is the best officer who ever served under me at sea and undoubtedly the worst in port."
There was little question in Simpson's mind in those days that his boss had a drinking problem. As with many alcoholics, it was not immediately noticeable; Wilson had an uncanny ability to consume enormous quantities of Scotch and seem unaffected. Also, he was a happy drunk who told wonderful stories and made everyone laugh. On the occasions when drinking would get to him, Simpson says, "Wilson would simply lie down on the floor for an hour, wake up, and act as if he had just had twelve hours of sleep. It was the most unreal thing I'd ever seen. He'd do this at his own parties-just sleep for an hour with everything going on around him, then get up and start again."
Most of the 435 members of Congress lead surprisingly anonymous lives in Washington. They are, of course, celebrities of sorts in their own districts, but the reality of life in the capital is that all but a few will leave Washington without much of anyone knowing they had been there. Wilson, in contrast, had begun to attract a great deal of media attention by the early 1980s, albeit the kind that any other politician would have considered the kiss of death. The gossip columnists called him "Good-Time Charlie," and they had a good time themselves describing the parade of beauty queens he escorted to White House receptions and fancy embassy parties. One Texas newspaper called him "the biggest playboy in Congress." The Washington Post featured a picture of Wilson and House Majority Leader Jim Wright saddled up on white horses, riding down Pennsylvania Avenue to a nightclub Wilson had just invested in. The Dallas Morning News observed that there were more congressmen on the floor of Wilson's disco, Élan ("a club for the dashing" was its motto), than you were ever likely to find on the floors of Congress. When challenged about his lifestyle, Wilson replied good-naturedly, "Why should I go around looking like a constipated hound dog? I'm having the time of my life."
In truth, at age forty-seven, in his fourth term in office, Charlie Wilson was completely lost. Public officials are forever doing stupid things, but they don't step into hot tubs with naked women and cocaine unless they are driven to play Russian roulette with their careers. And it was hard not to conclude that this recently divorced congressman was a man in free fall, programmed for disaster.
Wilson himself would later say, "I was caught up in the longest midlife crisis in history. I wasn't hurting anybody, but I sure was aimless." If Charlie Wilson's midlife crisis had thrown him off course, it was nothing compared to the crisis America was going through. The night Wilson checked into Caesars Palace, Ted Koppel had opened his Nightline broadcast with a disturbing refrain: "Good evening. Tonight is the two hundred and thirty-seventh night of captivity for the hostages in Tehran." The United States, with its $200 billion annual defense budget, couldn't even force a taunting Third World nation to turn over fifty hostages. And then, when it finally screwed up its courage to mount a rescue mission, the whole world watched the humiliating spectacle of Desert One, as a U.S. helicopter pilot lost his vision in a blinding dust cloud and rammed into a parked plane, leaving eight soldiers dead and the rescue mission aborted.
Over and over again it was said that "Vietnam syndrome" had infected the spirit of America. And by the summer of 1980 a growing number of conservatives, led by Ronald Reagan, had begun to warn that the Soviet Union might have achieved nuclear superiority, that a "window of opportunity" had been opened in which the Soviets could launch and win a nuclear war. Other voices added to the unease, claiming that the KGB had infiltrated most Western intelligence services and that they were mounting devastatingly effective "disinformation" campaigns, which were blinding America to the danger it faced.
To the president at the time, Jimmy Carter, this kind of extreme worst-case thinking had created what he called "America's paranoid fear of Communism." A born-again Christian, a onetime peanut farmer and former governor of Georgia, Carter had almost no experience in foreign affairs when he ran for president, but he had won over an American public still traumatized by Vietnam and Watergate. The intelligence scandals in the late 1970s had only reinforced the widespread suspicion that the CIA was out of control-a virtual government within the government. Vowing "never to lie" to the American public and to introduce a new morality in Washington, Carter had all but promised an end to the CIA's dirty tricks.
Once in office, President Carter moved to discipline the Agency, coming close to suggesting that it was time to stop conducting covert operations altogether.
Continues...
Excerpted from Charlie Wilson's War by George Crile Copyright © 2003 by George Crile
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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