(Hardcover)
| More Formats | |
|---|---|
| Available in eBook | $15.19 |
| Mass Market Paperback | $7.99 |
Beekeeper Marisol has been chosen as the new Chalice, destined to stand beside the Master and mix the ceremonial brews that hold the Willowlands together. But the relationship between Chalice and Master has always been tumultuous, and the new Master is unlike any before him.
Fans and new readers alike will greedily devour McKinley's latest, a high fantasy as perfectly shaped and eloquently told as Beauty and The Hero and the Crown. Humble beekeeper Mirasol has been chosen to take on the key ceremonial role of Chalice, the woman charged with maintaining the province's well-being by communicating with the (sentient) land. She is keenly aware of the suffering brought on by the misrule of its former Master: "[The province] Willowlands was restless, hurt and unhappy... delirious as a child with a bad fever." Hope flickers when the former Master's brother returns and assumes the role; but because he is now an Elemental priest of Fire, he may not be able to perform the duties. Mirasol and the new Master are drawn to each other, even though she suspects their union is prohibited, and their smoldering attraction-plus the gorgeously evoked magic and the escalating threat that Willowlands will be usurped-gives this tale its sizzle. In the best McKinley fashion, the fantasy realm is evoked in thorough and telling detail, with the energy of the narrative lending excitement to descriptions of even the most stylized rituals. A lavish and lasting treat. Ages 12-up. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. More Reviews and RecommendationsRobin McKinley is the critically acclaimed author of numerous novels, including The Hero and the Crown (Newbery Medal winner) and The Blue Sword (Newbery Honor winner). She lives in England.
Reader Rating:
See Detailed Ratings
October 25, 2009: Through the first three quarters of this novel, I was very much enjoying it. It seemed a curious throwback in McKinley's cannon, more akin to The Hero and the Crown than more recent works like Sunshine or Dragonhaven. It was again in a sort of distant third-person limited replete with lyrical imagery, and very much like The Hero and the Crown it completely ignored the convention of telling its story linearly. It was also set in a beautiful imaginary world that felt small but deep -- geographically it covered maybe 50 square miles (minuscule for a fantasy novel) but it felt like there was history there going back hundreds of years.
I loved the political system McKinley imagined, magically tied to the land and thus chosen by the land itself. Again very much like The Hero and the Crown, very little about the setting is ever spelled out for the reader: we see the role of the Chalice because Mirasol spends the novel trying to embody it, but the Master, the Grand Seneschal, and the rest of the circle are left in shadow. All we know about them is what we are able to glean from the corner of our eyes and our common sense knowledge of language (the titles are, after all, descriptive). I found this refreshing; it's wearying at times to read modern fantasy novels that spend page after page lovingly detailing their world but without actually using that world in their plot. None of the Circle had a major role, so giving the reader a prosaic job description for each of them would have broken the point of view (Mirasol knows what they do, so she doesn't need to think about their day to day tasks at any point) and would therefore have been pure indulgence on the author's part (a way of saying "look at what I made!").And of course, like all McKinley novels, it is a Beauty and the Beast tale.Unfortunately, while in The Hero and the Crown all the digressions and flashbacks subtly build to a climax that is moving and wondrous, in Chalice the ending feels abrupt, almost anti-climactic. Just as we are fitting the characters into their world and feeling the tension starting to rise toward some final showdown, the showdown is over and we are given a happily ever after that doesn't feel deserved. Mirasol never has to make a hard choice like Aerin does, her beast is magically transformed back to a man, and we are left saying "huh?" It really feels as though McKinley simply didn't know how to end her story, so she pasted some images together and sent it off to her publisher.Still, none of McKinley's writing is ever unpleasant to read, and even if the ending fell flat, the rest of the novel was very much McKinley in top form. Like all McKinley novels it also leaves the reader wanting a sequel, wanting many sequels really, so we can peer longer into all the delightful little corners we glimpsed here. A sequel is highly unlikely, given McKinley's track record, but that craving indicates how good a writer she is, even when the novel isn't her best.I Also Recommend: The Hero and the Crown, Trickster's Choice (Daughters of the Lioness Series #1), Spindle's End, Sunshine, The Hero and the Crown.
Reader Rating:
See Detailed Ratings
June 16, 2009: At the end of this book I was sad that it ended, and that is my definition of a good book. At the beginning/ middle it was a bit slow and it was never a book full of action. It was kind of difficult to identify with the characters. I really liked the underlying meaning of this book, but it is not for all readers. If you hav a short attention span, you may never finish it.