| The Face and Head | |
| Cartoon Faces - In Four Easy Steps | 1 |
| Simple Yet Profound Facts about Cartooning | 2 |
| Side and Front View Noses and Eyeglasses | 3 |
| Eyes and Brows and Eyes on Side of Nose | 4 |
| Mouths and Chins | 5 |
| Mustaches, Beards and Ears | 6 |
| Head Shapes and Hair - Male | 7 |
| Hair - Female and Women's and Men's Hats | 8 |
| The Profile within the Front View Head and the Partial Profile in the Full Face | 9 |
| The Emotions and Facial Expressions | |
| Anger | 10 |
| Fear | 11 |
| Surprise | 12 |
| Sorrow | 13 |
| Yelling | 14 |
| Worrying, Thinking and Meditating | 15 |
| Smiling - Side and Front View | 16 |
| Laughing - Tongues, Teeth and Plain Openings | 17 |
| Eyelids and Eye Locations (with All Emotions) | 18 |
| Alphabetized Catalog of Emotions and Expressions (with Cross References) | 19 |
| Muscles of Expression | 22 |
| The Pretty Girl | |
| Drawing Pretty Girls | 24 |
| Girl Transition into Cartoon | 25 |
| Types of Girl Cartoon Profiles and a Step-at-a-Time Procedure | 26 |
| Going to Real Life for Cartoon Elements | 28 |
| Breaking Down Faces for Cartoon | 29 |
| More Tips on the Pretty Girl Head | 30 |
| Eight Easy Steps in Drawing Teen-Age Girls | 31 |
| Highly Stylized Cartoon Girl Heads | 32 |
| The Caricature | |
| The Art of Caricature | 33 |
| Helpful Pointers in Caricature | 34 |
| The Standing Figure | |
| Building Cartoon Figures on the Simple Oval | 35 |
| Beginning the Side View Figure on a Triangle | 36 |
| The Triangle Modified and Reversed and the Dangling Arm and Jutting Heel | 37 |
| The Front View Figure on a Triangle | 38 |
| Expanding the Stick Figure | 39 |
| Stepping Outside the Normal into the Cartoon World | 40 |
| Usually Cartoon Heads Are Larger, Bodies Smaller | 41 |
| Cartooning on a Hairpin | 42 |
| Drawing the Funny Man | 43 |
| Drawing the Comic Lady | 44 |
| Women's Fashions and Cartooning | 45 |
| The Side View Female Cartoon | 46 |
| The Front View Female Cartoon | 47 |
| Six Simplified Methods of Female Construction | 48 |
| The Figure in Different Positions | |
| The Seated Front View Figure | 49 |
| The Seated Side View Male, Emotions, Sitting, and Sitting with Legs Crossed | 50 |
| The Seated Female | 51 |
| The Kneeling and Bowing Position | 52 |
| Reclining Female Figures | 53 |
| Cartooning Males in Bed - Side View | 54 |
| Male Recliners - Additional Positions | 55 |
| The Walking Figure | |
| The Walk in Cartoon - Angular and Rounded Beginnings | 56 |
| Over 150 Side View Walking Combinations | 57 |
| The Walk Wheel - Over 125 Front View Walking Combinations and Leg and Foot Factors | 58 |
| Creating Forward Motion by Perspective and Overlap and the Walking Front View Woman | 60 |
| The Magic of Straights in a Cartoon Walk and the Back View Walk | 61 |
| The Running Figure | |
| The Run in Cartoon and the Reaching Run | 62 |
| The Desperation Run | 63 |
| Running Figures - in Easy Follow-Through Stages | 64 |
| The Hands | |
| A Simplified Guide: Eight Basic Hand Groups | 65 |
| The Four Shape Treatments in Cartoon Hands and the Basic Thumbs | 66 |
| Ways of Drawing Cartoon Hands | 67 |
| The Feet | |
| Cartooning Legs and Feet and the Cartoon Shoe | 70 |
| The Clothing | |
| Cartoon Clothing and Folds | 71 |
| Men's and Women's Clothing | 72 |
| The Styles and Techniques | |
| Breaking the Chain of Tight Conformity | 73 |
| Style and Technique Possibilities Are Unlimited | 74 |
| The Wandering Pen Line | 76 |
| Aerating a Cartoon | 77 |
| The Editorial and Political Cartoon | |
| Approaching the Editorial Cartoon | 78 |
| Tips on Editorial Cartooning | 80 |
| Fluoro Wash and Dry Transfer Screen Cartooning | 81 |
| The Advertising Application - Newspapers, Magazines, Television, etc. | |
| The Commercial Cartoon and Ad Eye Catchers | 82 |
| Line Width in a Commercial Cartoon and Cartoon Message Bearers | 83 |
| Using Various Papers in the Commercial Cartoon | 84 |
| More Styles and Techniques for Advertising | 85 |
| Different Techniques Featuring Women | 86 |
| Notes on Cartooning Little People and Pre-set Alphabets | 87 |
| The Cartoon Design | 88 |
| Unusual Effects with a Design Slant | 89 |
| Making Ordinary Objects Come Alive, the Silhouette and the Old-Fashioned Look in Cartoon | 90 |
| Costumes of Many Lands in Cartoon | 91 |
| Animation in Cartoon | 92 |
| The Baby and Child | |
| Babies in Cartoon | 93 |
| Tips on Cartooning Babies | 94 |
| Very Young Children | 95 |
| Little Girls and Parents with Children | 96 |
| Little Boys | 97 |
| The Sports Cartoon | |
| The Importance of the Sports Cartoon and Simplified Figure Anatomy | 98 |
| Putting Muscles on the Stick Figure and Areas of Exaggeration | 99 |
| Exaggerating Sports Action | 100 |
| Putting Thunder in the Sports Cartoon | 101 |
| Drawing Sports Personalities | 102 |
| Sports Spots | 103 |
| Special Problems | |
| Cartooning Old Age | 104 |
| Hobos and Tramps | 106 |
| Low and High Society | 107 |
| The Heavy Figure | 108 |
| Pre-historic Characters | 109 |
| The Military | 110 |
| Cartooning Total Exhaustion | 111 |
| Characters in Conversation | 112 |
| People in the Act of Writing | 113 |
| Speakers and Orators | 114 |
| Cartooning Special Attire | 115 |
| Dealing with Various Cartoon Subjects | 116 |
| Miscellaneous Situations | 117 |
| Miscellaneous Characters and Types | 118 |
| Drawing Crowds of People | 119 |
| A Final Word | 120 |
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