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Twelve-year-old Veronica Swan's idyllic life in a close-knit Mormon community is shattered when her two younger sisters are brutally murdered. Although her parents find the strength to forgive the deranged killer, Veronica is unable to do the same. Years later, she sets out alone to avenge her sisters' deaths, dropping her identity and severing ties in the process. As she closes in on the murderer, Veronica will discover the true meaning of sin and compassion, before she makes a decision that will change her and her family's lives forever.
Cage of Stars has everything good fiction needs: ably crafted characters, a taut sense of suspense and a lot to say about a world of tough emotional choices.
More Reviews and RecommendationsTackling themes of death, grief, and emotional turmoil without lapsing into cheap sentimentality, Jacquelyn Mitchard has made a career of pulling the heartstrings without patronizing her readers. With her debut novel The Deep End of the Ocean, the first book ever to be featured in Oprah’s Book Club, Mitchard began a career distinguished by intelligent and entertaining explorations of life’s darkest moments.
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July 29, 2008: I actually expected the author to write the words 'blah blah blah' mid sentence - I was bored out of my mind half the time with the meaningless, shallow details. I love Jodi Picoult and knew she recommended the book. However, I wouldn't recommend the book to anyone, and was unable to force myself to finish it.
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July 02, 2008: Im going to be a Freshman in college and before we start our fall semester, the school required all incoming students to read Cage of Stars. They couldnt have made a better choice. Cage of Stars is a real tear jerker that makes one think 'what would i do in that situation'. Although very little action seens, it holds your attention from cover to cover.

Name:
Jacquelyn Mitchard
Current Home:
Madison, Wisconsin
Place of Birth:
Chicago, Illinois
Education:
B.A. in English, Rockford College, 1973
Awards:
Maggie Award for Journalism; Anne Powers Award for fiction from the Council of Wisconsin Writers. 1997
"Jacquelyn Mitchard has considered changing her name legally to The Deep End of the Ocean. This is because her own name is much less well-known than the title of her first book," so read the opening lines of Mitchard's biography on her web site. Granted, the writer is best known for the novel that holds the distinct honor of being the very first pick in Oprah Winfrey's book club, but Mitchard is also responsible for a number of other bestsellers, all baring her distinctive ability to tackle emotional subject matter without lapsing into cloying sentimentality.
Mitchard got her start as a newspaper journalist in the ‘70s, but first established herself as a writer to watch in 1985 when she published Mother Less Child, a gut wrenching account of her own miscarriage. Though autobiographical in nature, Mother Less Child introduced the themes of grief and coping that would often resurface in her fiction. These themes were particularly prevalent in the debut novel that would nab Mitchard her greatest notoriety. The Deep End of the Ocean tells of the depression that grips a woman and her son following the disappearance of her younger son. Like Mother Less Child, the novel was also based on a personal tragedy, the death of her husband, and the author's very real grief contributes to the emotional authenticity of the book.
The Deep End of the Ocean became a commercial and critical smash, lauded by every publication from People Magazine to Newsweek. It exemplified Mitchard's unique approach to her subject. In lesser hands, such a story might have sunk into precious self-reflection. However Mitchard approaches her story as equal parts psychological drama and suspenseful thriller. "I like to read stories in which things happen," she told Book Reporter. "I get very impatient with books that are meditations - often beautiful ones - on a single character's thoughts and reactions. I like a story that roller coasters from one event to the next, peaks and valleys."
The Deep End of the Ocean undoubtedly changed Mitchard's life. She was still working part time at the University of Wisconsin-Madison writing speeches when the novel got Oprah's seal of approval and went into production as a major motion picture starring Michelle Pfeiffer. She didn't even consider leaving her job until, as she recounted to Book Slut.com, "my boss finally said to me, ‘You know, kiddo, people whose books have sold this many copies and are being made into movies don't have this part-time job.'" So, she left her job despite misgivings and embarked upon a writing career that would produce such powerful works as The Most Wanted, Twelve Times Blessed, and The Breakdown Lane. She has also written two non-fictional volumes about peace activist Jane Addams.
Mitchard's latest Cage of Stars tells of Veronica Swan, a twelve-year old girl living in a Mormon community whose life is completely upturned when her sisters are murdered. Again, a story of this nature could have easily played out as a banal tear jerker, but Mitchard allows Veronica to take a more active role in the novel, setting out to avenge the death of her sisters. Consequently, Case of Stars is another example of Mitchard's ability to turn the tables on convention and produce a story with both emotional resonance and a page-turning narrative, making for a novel created with the express purpose of pleasing her fans. "Narrative is not in fashion in the novels of our current era; reflection is," she told Book Reporter. "But buying a book and reading it is a substantial investment of time and money. I want to take readers on a journey full circle. They deserve it."
Mitchard is certainly most famous for her sophisticated adult novels, yet she has also written two children's novels, Rosalie and Starring Prima, as well as Baby Bat's Lullaby, a picture book. She currently has three new children's books in development.
Now that Mitchard has officially scored a successful writing career, what could be left for the writer to achieve? Well, according to her web site, her "truest ambition" is to make an appearance on the popular TV show Law and Order.
What was the book that most influenced your life or your career as a writer?
There were two books: In Cold Blood by Truman Capote made me understand the elegance of simplicity and the urgency of thorough, obsessive research, and A Tree Grows in Brooklyn by Betty Smith. This book profoundly illustrates the kind of book that that I might one day hope to write. It tells universal truths about poverty, loss, decency, pity, love, maturity and courage, through the vehicle of a deceptively simple story.
Another big influence was In this House of Brede by Rumer Godden, a British author best known for her children's books, and National Velvet by Enid Bagnold, whose style as a writer I think was the most influential on mine (almost too much). It's a wonderful, beautiful book, evocative from the first paragraph establishing the Cornwall countryside as a character; not a "young person's" book exclusively any more than Charlotte's Web.
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
Oh, please. Music is my whole life. Show tunes, rock, punk, rap, classical -- while writing A Theory of Relativity, I listened to Claire de Lune twenty-seven times straight. My true talent is not writing, but knowing the lyrics of just about every pop song, including the Disney ones, since about 1938. Try to stump me. I listen to about everything except German opera.
If you had a book club, what would it be reading -- and why?
We'd be reading The Killer Angels by Michael Shaara, in case someone else missed the classic novel of Gettysburg, or, if we read modern books, we'd be reading Lorrie Moore's novel Who Will Run the Frog Hospital? or Alice Elliott Dark's wonderful book Think of England.
What are your favorite kinds of books to give -- and get -- as gifts?
I like to give, as gifts, a writer's whole oeuvre -- unless it's 120 books -- like all of Martha Grimes, or Michael Cunningham, or Jane Hamilton, or Grace Paley or Penelope Lively.
For babies, I like to give what I think are each of the seminal books for the first five years of life.
I also like to give signed books. They are indeed relics. My very favorite gift even given me, besides the Harper Lee book, was a first edition of A Tree Grows in Brooklyn made out by Betty Smith to her agent, given me by my agent. When I opened the book, letters to him from her fell out, describing her marriage, after knowing the man only a few weeks, to the love of her life -- I'd known my husband only five weeks when we married. I cried so hard my whole family had tears in their eyes.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I always get dressed and brush my teeth, but I have no office. I write on a writing desk with a laptop computer, or in my bed, where I can see the hills and trees.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
My first novel was bought by the first publisher who saw it -- in three days. Then I experienced bad reviews, slow sales, a climb back onto the lists and to some respect. It was a reverse life.
If you could choose one new writer to be "discovered," who would it be?
I wish everyone would read Dean Bakapoulous' novel Please Don't Come Back From the Moon or Tenaya Darlington's Maybe Baby.
What tips or advice do you have for writers still looking to be discovered?
Stop waiting! Have scathingly brilliant ideas and send them to agents today!
Some fun and fascinating outtakes from our interview:
"I got my first job at a newspaper this way: I'd been fired from my teaching job, mostly for teaching about Martin Luther King in a very rich, backwater town of white country squire types, and was working as a waitress in a German restaurant. I had to wear a dirndl and puffed sleeves. I was on my dinner break -- anyone who has ever worked in food service knows you don't eat where you work because you've seen the food made -- and I walked past a storefront that said ‘REPORTERS WANTED.' I thought, ‘I can do that.'"
So I walked in, and it was all dark, except in the back where a small man was sitting on a high stool scribbling in a notebook. He had on Kelly green pants and a red-and-white striped shirt. He looked up and asked, ‘Why are you dressed like that?' I responded, ‘Why are you dressed like that?' He hired me to cover the sewer and water commission.
I was uniquely qualified, since I'm a plumber's daughter. And, oh, yes, we got married six years later. My husband Dan was a wonderful writer and editor, and a very stern taskmaster about my writing. He died eleven years ago from colon cancer, leaving three sons, aged nine, six, and three. His last name was Allegretti, an Italian musical term that means "quick" or "lively." When I met Chris, the second love of my life, five years later, his last name was Sornberger, with a soft "G," a Danish name. He wanted to adopt the boys and the daughter I had since adopted, but the older boys said, "How will we ever fit both names on a driver's license?" So Chris, who is a real sweetie, changed his last name, taking his middle name – Brent -- as a last name, for the children's sake."
You cannot stump me on the lyrics to a song I have heard. I know more lyrics to show tunes than any gay man living. I love horses, but am currently forbidden to ride since breaking both my hands and dislocating a hip in a fall two years ago (and it was, to be fair, during a jump, and, to be fair, the horse, not I, decided to jump the fence). I would have twelve children if I could. I'm still as excited about writing as I was when I wrote the first words of my first novel. I love research. I'm currently researching, for a character, social communication among bats. I love bats. You know, they're not rodents. They're an order of their own, the largest order of mammal species on earth, chrontera, which means ‘winged hand.' Bats eat nearly 2,000 insects per hour, especially mosquitoes, another reason I love them, and they can live more than 30 years and raise only one pup each year, sleeping with their wings wrapped around their babies."
"I love coffee and oysters."
"I hate rudeness, of any kind -- on the road, on the phone, from people who want my money but don't want to give me simple civility. I don't give my children things they don't ask for nicely. I believe in chores and no grades below B's unless the teacher is a real heller. I know people really do mind if your dog jumps up on them; so I've trained mine to stop on command."
"I think a great many writers are braggarts and phonies. Not my friends. But other people. They brag about Saul Bellow as if having known Bellow makes them smarter. I knew Arthur Miller; it made me more humble. I'm not much on braggarts, of any variety. People hear you best when you whisper, I was once told by someone who'd won a Pulitzer Prize."
"I've had children every possible way you can have one: by marriage, the regular way, through adoption, IVF and surrogacy."
"I think thunderstorms are the sexiest thing."
"I love spiders; but I have a mortal terror of worms, not snakes. I've picked up a nine-foot King snake, but I will not touch a worm."
"I'm allergic to chocolate, which led to one of the most humiliating experiences of my life. I was in Washington, D.C. for the second Clinton inaugural, and I was in a bookstore, standing in line. The Deep End of the Ocean was all over the store, and I was telling my date -- a guy I couldn't stand -- about my allergy to chocolate. When I got up to the front and got out my credit card, the woman at the counter said, "I really want to shake your hand." Naturally, I thought it was because my book had been number one on the bestseller lists for months. I thought that, upon seeing my credit card, she recognized my name as the author of The Deep End of the Ocean. But she said, ‘I've never met anyone else who's allergic to chocolate!'"
Twelve-year-old Veronica Swan's idyllic life in a close-knit Mormon community is shattered when her two younger sisters are brutally murdered. Although her parents find the strength to forgive the deranged killer, Veronica is unable to do the same. Years later, she sets out alone to avenge her sisters' deaths, dropping her identity and severing ties in the process. As she closes in on the murderer, Veronica will discover the true meaning of sin and compassion, before she makes a decision that will change her and her family's lives forever.
Cage of Stars has everything good fiction needs: ably crafted characters, a taut sense of suspense and a lot to say about a world of tough emotional choices.
A young Mormon girl finds herself torn between retribution and forgiveness in The Deep End of the Ocean author Mitchard's latest. Twelve-year-old Veronica "Ronnie" Swan witnesses the murder of her two sisters in her family's yard in tiny Cedar City, Utah. Murderer Scott Early is immediately apprehended, but is diagnosed with schizophrenia and ends up spending just three years in a state mental hospital. The rest of Ronnie's family turns to their faith to forgive Early, visiting him just before his release after a battery of drugs have restored him to normalcy. But Ronnie remains angry and haunted by her inability to save her sisters from him, and as she comes of age she tracks Early to San Diego, becomes an EMT, talks his wife into hiring her as a nanny for their infant daughter, and starts planning her vengeance. But as Early's life comes into focus, Ronnie's plan leads to an unexpected, if overly summative, climax. Ronnie progresses from a stock girl-next-door type to a young woman with considerable emotional depth, and Mitchard understatedly portrays her attempts to navigate romance and other interactions as a Mormon raised very "of the Church." The results are sweet and solid. (May 1) Copyright 2006 Reed Business Information.
The book opens with the terrible slaughter of two young sisters by a psychopathic killer in a rural Mormon community in Utah. The killer strikes while older sister Veronica (Ronny) is playing hide-and seek with the girls. Told from Ronny's point of view, the story describes the next months and years of a family consumed by grief. Eventually, Ronny's very devout parents are able to forgive the killer, who was sentenced to a few years in a treatment facility and released to return to a normal life with a wife and baby of his own while he studies to become a librarian. Ronny, on the other hand, is consumed by vengeance. Obsessed with destroying the killer and his family, she insinuates herself into the position of nanny to the killer's baby. There are a number of twists and some big coincidences as the story continues. It feels as if the author is reaching for an ending that is just a little too contrived, and it ultimately detracts from the first half of the work. Still, narrator Hope Davis has a beautifully clear voice and captures the strong emotions with compelling drama. Mitchard is an enormously popular author, and Cage of Stars, like her earlier novels, is sure to be in demand in public libraries.
As with Mitchard's The Deep End of the Ocean and A Theory of Relativity, this latest novel explores family dynamics in the aftermath of tragedy. Cage of Stars is told from the perspective of a young Mormon girl, 17-year-old Veronica Swan, who relates the story of the murder of her two younger sisters and her subsequent journey to avenge their deaths and find peace. But at what price? Mitchard's novel struggles with questions of divinity and retribution by asking if it is really anyone's place to sit in judgment of others. It is a story that is at times eloquent, yet always painful to read. Readers are invited to get to know the Swans; they will be left all the more complete because of the experience. This is Mitchard's best novel to date and is an essential purchase for all public libraries.-Nanci Milone Hill, Nevins Memorial Lib., MA Copyright 2006 Reed Business Information.
Mormon teen's sisters meet grisly deaths, resulting in a slow slog over the much-trod territory of post-traumatic stress. Mitchard (The Breakdown Lane, 2005, etc.) is defter with melodrama that admits some farce, an element sorely lacking in this glacially paced chronicle of slaughter's aftermath. Twelve-year-old Veronica (Ronnie) Swan is playfully hiding from her sisters in a shed near the Swan family's Utah home. She emerges to carnage: Scott Early, a pharmacy student on a psychotic rampage, has murdered her sisters with her father's weeding scythe, in what the media will call the Grim Reaper slayings. The Swans are victimized again when Early's diagnosis of schizophrenia means he is incompetent to stand trial. Instead, he is committed for four years-a lenient sentence, but a convenient one, plot-wise. The author offers an interminable depiction of the depressing numbness of the Swans' days (Papa goes for long walks at night, Mama takes to her bed). Eventually the parents decide that forgiving Early is the only way the family can find release, but Ronnie refuses to participate in the therapeutic meeting with Early and his wife, Kelly. The moribund drama almost revives when Ronnie, 16, decamps for California, ostensibly to train as a paramedic and raise funds for college and medical school. Early, now medicated and released, is living with Kelly in San Diego, and Ronnie contrives to become, under assumed name and hairdo, nanny to their infant, Juliet. While saving lives as an apprentice EMT, Ronnie has vague plans to avenge her sisters' deaths or rescue adorable Juliet by kidnapping her. But Mitchard pulls back before things can get remotely nefarious. Instead, there's-you guessedit-peace and reconciliation. The Mormon aspect adds no resonance. The Swans might as well be Lutherans, like Early. Thinly conceived and timidly executed.
Loading...It wasn't because I was afraid. I wasn't afraid to die then, and I'm not afraid now. It was because we were playing hide-and-seek. My little sisters always started begging me the minute my parents left me to baby-sit. "Ronnie, Ronnie, Ronnie!" they would tease me, pulling on my shirt while I tried to straighten up the kitchen, "Betcha we can find you this time. Betcha on our chores!" And I would always give in, warning them that if they didn't find me, they were going to spend two hours, until Mama got back, picking up every crayon and every sticker book in their room.
"This time I'm not kidding, Thing One and Thing Two," I told them that day. "I'm not going in there right before Mama gets home and pull all your clean clothes and markers out from under your bed."
"I promise, slalomly," Becky said. I had to laugh. Her teeth were purple from the berries she'd eaten for breakfast. Becky was as thin and fast as a minnow in a creek and seemed to live practically on air. Ruthie was as round and "slalom" as a little koala bear. Her favorite thing was to eat cookie dough right from the bowl.
They wanted to play outside, because it was a really warm, sunny day for November, not that it'sever too cold at the edge of what's practically the Mojave Desert. The purples and yellows and reds of the changing trees that day were as flashy as a marching band.
And so, an hour later, I was crouched down in the shed, behind a big sack of potting soil and a crate of clay, hoping a spider didn't pick that time to crawl up my back. I couldn't see my little sisters. But I imagined that they were leaning against the picnic table, where we ate our supper almost every summer night when the bugs weren't bad - our own tomatoes and sweet corn, sometimes with tacos and black beans - listening to the birds making their go-to-sleep sounds. Becky and Ruthie most likely had their little hands over their eyes, counting fast so that they could yell out, "Ready or not, here I come!" Ruthie would call first, I knew. She always did, and Becky always shushed her, saying there was no way she could have gotten to a hundred yet because she, Becky, was older and she hadn't got up to fifty. I know they didn't peek, because I'd told them peeking wasn't fair, and that I wouldn't play unless they played fair.
That day, though, they never made a sound.
I figured they were counting to a hundred silently, because whenever we played hide-and-seek, Becky would count straight up as fast as she could, and Ruthie, who was only four, would say out loud, "One, two, three, four, eight, fourteen, fifteen, ten." Becky would get so confused she'd have to start all over again.
But five minutes went by, and still, they never made a sound. When it got to be a long time, I opened the door.
And I saw my sisters, lying there like little white dolls in great dark pools of paint. I saw Scott Early, a young man with short blond hair, sitting on the picnic table, wearing only his underwear, sobbing as if they were his little sisters, as if a terrible monster had come along and done this. Which was sort of what he did think, though I didn't know that then.
It was a good thing, a doctor later said to my mother, that Becky and Ruthie didn't cry out. It meant that they died quickly. They barely felt a thing. They must never have heard Scott Early come walking barefoot across our lawn. The merciful Father shielded them from fear. Being cut across the carotid artery is a very quick way to die. I knew that, even then, from biology. But it's not over in an instant, and I prayed for months that Becky and Ruthie never had time to wonder why I wasn't there to help them. For I was always there to help them.
Though I was only twelve-almost-thirteen, Mama could trust me to look after the little girls alone, even if she had to be out in the part of the shed that was her "studio" or at the galleries, as far away as St. George, for hours at a time.
"You are as responsible as any mother, Ronnie," Mama quietly told me one night, after the time Becky's hand got burned. Becky had been impatient that morning for her "cheesy eggs," and reached up to see if they were finished while I was cooking. She burned her hand on the pan. Mama said I had "presence of mind" because I didn't start to cry or panic when Becky screamed. I didn't try to put butter on the burn, which my own grandma would have done, because that would have made it worse. From the firstaid section of health class Mama taught me, I remembered that a burn had to be cooled down with water right away or the heat inside would keep right on burning the skin and the damage would go deeper. I put Becky's hand under the cold-water tap for five minutes and wrapped ice in a thick towel and taped it down around her hand. Then I ran, pulling Becky and Ruthie in the wooden wagon, down to our nearest neighbor, Mrs. Emory, who drove us to Pine Mountains Clinic ten miles away, between our house and Cedar City. At the clinic, the doctor, a young woman, placed a net shield and gauze under a bandage on Becky's palm. The doctor spoke so gently to Becky that I suppose it was then that I first thought I would become a doctor one day myself. I wondered if the incident meant I was called to it.
Becky had just a tiny scar on one finger after her hand healed. Our pediatrician, Dr. Pratt, said he wouldn't have done one thing different himself, except to drive her to a hospital. But there wasn't a real hospital within fifty miles of where we lived at the foot of a pine-covered ridge. Where we lived wasn't even really a town. It was a sort of settlement, for people like my father, who always said he liked his "elbow room."
And so, on the day they died, unless paramedics could have arrived at our house within minutes; and everyone knew that was impossible, or unless there was a doctor already at our house; and I was just a child, and Mr. Sissinelli, our neighbor, who was a doctor, was at his hospital, no one could have saved my sisters.
I must not feel guilty, Mama and Papa told me over and over, in the days afterward, although I could see in their eyes and hear in their voices that they felt exactly that way themselves. I was not to feel guilty for being unable to call for help until it was too late, or for being unable to get Papa's gun because he was out hunting for quail, they said. By the time I opened the door on the sight that would change me for the rest of my life, it was already too late.
When the police asked questions about why we weren't supervised, my parents spoke up. They defended me and their choice of leaving me to watch my sisters, telling the officers what a responsible girl I was. I had done just what I should have done. I had been brave. They said that not even a parent could have suspected that Scott Early would even find such a remote place, much less grab the weeding scythe Papa had left leaning against the barn and use it like the sword of an avenging angel, striking a death blow in seconds.
I listened and I nodded, but I didn't really believe them. I didn't want to cause Papa, and especially Mama, any more pain, but no one could say I wasn't guilty. My cousins, and my best friends, Clare and Emma, and even goofy boys like Finn and Miko, said the same thing. But it didn't matter. Even after the panic was gone, and the worst of the agony, the guilt was always there. It could never be turned off. The guilt was like using a plain magnifying glass to focus a beam of sunlight, bringing all that heat together, turning something soft and bright into something that could hurt. Even love couldn't dim it. It was the guilt that made my anger like a burn that no one ever ran under cold water; and so it kept burning and burning down to my bones. And as time went by, and other peoples' cooled down, mine did not. It got hotter, and became a part of me, and it didn't heal until long after. Even now, I think the scars must still be there.
(Continues...)
Excerpted from Cage of Stars by Jacquelyn Mitchard Copyright © 2006 by Jacquelyn Mitchard. Excerpted by permission.
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Hear our exclusive audio interview with Jacquelyn Mitchard (12:38).
From the Publisher: See a video introduction to Cage of Stars by Jacquelyn Mitchard (1:53).
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