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The Prince of Wales has asked four wealthy entrepreneurs and their elegant wives to the palace to discuss a fantastic idea: the construction of a six-thousand-mile railroad that would stretch the full length of Africa. But alas, the prince's gathering proves disastrous when the mutilated body of a prostitute hired for a late-night frolic (after the wives have retired to bed) turns up among the queen's monogrammed sheets in a palace linen closet.
With great haste, Thomas Pitt, brilliant mainstay of Special Services, is summoned to resolve the crisis. The Pitts' cockney maid, Gracie, is also recruited - to pose as a palace servant and listen in on the guests' conversations, scan their bedrooms, and scrutinize their troubled faces for clues to hidden rivalries and attachments that could have led to murder. If Pitt and Gracie fail to find out who brutally murdered the young woman - as seems increasingly likely Pitt's career will be over, and the scandal may just cause the monarchy to fall.
With a cast of wonderful characters, among them the gentle Princess of Wales, and a twisting plot that takes us into the hidden world of the royal family, Anne Perry probes deeply the hearts of men and women ensnared by their emotions.
…Anne Perry's 25th novel featuring her 19th-century police inspector, Thomas Pitt. But unlike so many detective series gliding on cruise control, this mature work provides a fine introduction to Perry's alluring world of Victorian crime and intrigue. Ever the master of her milieu, she delivers sumptuous descriptions of life among the gentry when England still basked in its imperial glory. And in an intricate plot about a murder at the palace while the Prince and Princess of Wales are in residence, she also marshals the series's major themes: the way crime reverberates throughout the social classes; the precarious status of women of every rank; and the need for honorable heroes to preserve and protect the Empire, sometimes from itself.
More Reviews and RecommendationsAnne Perry is the bestselling author of two acclaimed mystery series set in Victorian England, as well holiday novels and historical fiction set during World War I.
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March 18, 2008: In 1893, the Prince of Wales invites four affluent businessmen and their wives to Buckingham Palace to discuss a proposal to construct a Pan Africa rail line. After the ladies turn in for the night the Prince offers special entertainment to the male quartet. The next morning a servant finds a mutilated corpse in a closet. The deceased was part of the previous night?s entertainment.-------------- Special Services Branch agent Thomas Pitt is assigned to solve the murder without bringing unneeded attention to the Royals. He is accompanied by his wife Charlotte and their maid Gracie Phipps, who goes undercover as part of the staff. With the help of the two females, Thomas eliminates the entire huge staff as suspects. Instead he focuses on the prince himself and his eight guests although the sleuth fears if it turns out to be the heir or if he fails to solve the case, the monarchy could be in trouble.------------------- This is a superb Victorian mystery as Anne Perry brings alive the era through the investigation inside Buckingham and the increasing question of why a monarchy in the modern age. The story line is fast-paced as Thomas understands fully what failure could mean while the two women working for him add depth to the whodunit. Fans of the series will fully appreciate the latest tale even of knowledge of history ironically eliminates one of the nine suspects.------------------ Harriet Klausner

Name:
Anne Perry
Current Home:
Portmahomack, Ross-shire, U.K
Date of Birth:
October 28, 1958
Place of Birth:
London, U.K
Awards:
Edgar for short story ‘Heroes’ 2000
Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.
Although Perry held down many jobs – working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter -- the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born ... along with a successful writing career.
In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.
Some fun and fascinating outtakes from our interview with Anne Perry:
The first time I made any money telling a story I was four and a half years old -- golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were -- no food at home, not even enough money for shoes! He gave me his half crown – five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story -- let your imagination go wild, pile on the emotions -- believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!
I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid -- just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!
On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?
Here are some things I like – and one thing I don't:
What was the book that most influenced your life or your career as a writer – and why?
The Collected poems of G. K. Chesterton -- because it would be the book I would take with me if I could have only one! His passion for life, his optimism, love for and belief in mankind gives me heart, courage, and hope. If I am happy, it makes me even happier; if I am down, it gives me steel to fight and a faith to win. His art with words, the music he creates is superb. I could run with examples and end up reciting the whole book, but "The Ballad of the White Horse" -- all 100 pages of it -- will have to do for a start.
What are your ten favorite books, and what makes them special to you?
My ten favorite books is much harder. It varies from year to year.
What are some of your favourite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like listening to when you're writing?
Classical, especially Beethoven, Liszt, Brahms. And Italian opera of the romantic period (not the earlier baroque) -- Puccini, Verdi, Boito, Bellini, etc. I am very particular about artists where opera is concerned and will buy several renditions to get the one I like best. Yes, I do sometimes play it when I m writing; then there are times I am so absorbed I hear nothing -- see nothing, etc.
What are your favorite kinds of books to give – and get – as gifts?
My favorite books to give or receive are those which make me think. Laughter is good, beauty is good, but a new idea is priceless.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Writing rituals? Only one: Get on with it! Start writing something; if it's rubbish, you can always go back and rewrite it. I don't use a desk. I sit in an armchair with my feet up and write with a pen on a pad of paper. A good pen helps a lot -- preferably a box of them.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I think I may have taken longer than many people to get to the point I'm at now. It took me nearly two decades to write a book that was accepted and published. It was my first mystery. I had enough rejection slips for non-mystery historical stories to paper the walls!
What tips or advice do you have for writers still looking to be discovered?
I would say keep working and accept the necessary re-writing, but above all – get a good agent, then listen to what they say – but don't abandon your own beliefs. A dishonest ‘voice' will not be heard for long.
The Prince of Wales has asked four wealthy entrepreneurs and their elegant wives to the palace to discuss a fantastic idea: the construction of a six-thousand-mile railroad that would stretch the full length of Africa. But alas, the prince's gathering proves disastrous when the mutilated body of a prostitute hired for a late-night frolic (after the wives have retired to bed) turns up among the queen's monogrammed sheets in a palace linen closet.
With great haste, Thomas Pitt, brilliant mainstay of Special Services, is summoned to resolve the crisis. The Pitts' cockney maid, Gracie, is also recruited - to pose as a palace servant and listen in on the guests' conversations, scan their bedrooms, and scrutinize their troubled faces for clues to hidden rivalries and attachments that could have led to murder. If Pitt and Gracie fail to find out who brutally murdered the young woman - as seems increasingly likely Pitt's career will be over, and the scandal may just cause the monarchy to fall.
With a cast of wonderful characters, among them the gentle Princess of Wales, and a twisting plot that takes us into the hidden world of the royal family, Anne Perry probes deeply the hearts of men and women ensnared by their emotions.
…Anne Perry's 25th novel featuring her 19th-century police inspector, Thomas Pitt. But unlike so many detective series gliding on cruise control, this mature work provides a fine introduction to Perry's alluring world of Victorian crime and intrigue. Ever the master of her milieu, she delivers sumptuous descriptions of life among the gentry when England still basked in its imperial glory. And in an intricate plot about a murder at the palace while the Prince and Princess of Wales are in residence, she also marshals the series's major themes: the way crime reverberates throughout the social classes; the precarious status of women of every rank; and the need for honorable heroes to preserve and protect the Empire, sometimes from itself.
The detecting and diplomatic skills of Thomas Pitt, now assigned to the Special Branch, are tested as never before in bestseller Perry's solid 25th novel to feature the Victorian sleuth (after 2005's Long Spoon Lane). In 1893, the discovery of a prostitute's mutilated corpse in a Buckingham Palace cupboard after a stag party presided over by the prince of Wales could spell political disaster for the monarchy. Pitt soon eliminates the members of the sizable household staff as suspects, narrowing his focus to the prince himself and his close friends, who, it turns out, have been planning a major construction project in Africa-a railway that would run from South Africa to Egypt. Though the sensitive nature of Pitt's assignment precludes any active involvement by Charlotte, his wife and partner in earlier cases, he's able to place her maid, Gracie Phipps, on the palace staff to assist him. Perry does a nice job with some plot twists, even if most readers will quickly discount the heir to the throne of England as a viable suspect. (Mar.)
Copyright 2007Reed Business Information
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She was apparently found in the linen cupboard, poor creature,” Narraway replied, his lean face dour, his eyes so dark they seemed black in the interior shadow of the hansom cab. Then, before Pitt could say anything further, he corrected himself. “One of the linen cupboards in Buckingham Palace. It was a particularly brutal murder.”
The vehicle jerked forward, throwing Pitt back in the seat. “A prostitute?” he said incredulously.
Narraway was silent for a moment. The horse’s hoofs clattered loudly, the carriage’s wheels rattling over the cobbles dangerously close to the pavement edge.
“Surely that’s a bad joke!” he said at last as they swung around the corner into The Mall and picked up speed again.
“Very bad,” Narraway agreed. “At least I hope so. But I fear it is perfectly serious. However, if Mr. Cahoon Dunkeld proves to be wasting our time exercising his sense of humor, I shall take great joy in personally putting him in jail—preferably one of our less pleasant ones.”
“It has to be a joke,” Pitt said, shivering at the thought. “There couldn’t be a murder at the Palace. How could a prostitute get in there, anyway?”
“Through the door, exactly as we shall, Pitt,” Narraway answered. “Don’t be naïve. And she was probably more welcome than we shall be.”
Pitt felt a little stung. “Who is Cahoon Dunkeld?” he asked, avoiding looking at Narraway. He had a reverence for Queen Victoria, especially now in her advanced age and widowhood, even though he wasperfectly well aware of her reputed eccentricities and the fact that she had not always been so popular with her people. She had been in mourning too long, retreating not only from joy but also from duty. And he had gained some personal knowledge a couple of years ago of the extravagance and the self-indulgence of the Prince of Wales, and knew he kept several very expensive mistresses. Pitt had been superintendent of Bow Street then, and the conspiracy around the Prince had cost him his job and very nearly brought down the throne. That was why Pitt was now working for Victor Narraway in Special Branch, learning more about treason, anarchy, and other forms of violence against the State.
But the thought of a prostitute in the Queen’s home was different. It disgusted him, and he had difficulty concealing it, even though he knew Narraway found him plebeian amd faintly amusing for having such idealism.
“Who is Cahoon Dunkeld?” he repeated.
Narraway leaned forward a little. The dappled, early-morning sunlight of The Mall made bright patterns on the road. There was little traffic. It was not a residential area, and such horseback riders as were out would be cantering up and down Rotten Row on the edge of Hyde Park.
“An adventurer of considerable charm when he wishes, and undoubted ability, who is now seeking to become a gentleman in the more recognized social sense,” Narraway answered. “And apparently a friend of His Royal Highness.”
“What is he doing at the Palace at this hour of the morning?” Pitt said.
“That is what we are about to find out,” Narraway snapped as they came out of The Mall in front of the Palace. The magnificent wrought-iron railings were tipped with gold. Guards were on duty wearing bearskin helmets, their red tunics bright in the sun.
Pitt looked up at the sweeping façade itself and then at the roof. He saw with a flood of relief that there was no flag flying, indicating that Her Majesty was not in residence. At the same time he was inexplicably disappointed. He was quite aware that Narraway would find it gauche of him, but Pitt would like to have caught another glimpse of Her Majesty Queen Victoria. In spite of all common sense, there was a quickening of his heartbeat. Even inside the hansom cab he sat straighter, lifted his chin a little, and squared his shoulders.
If Narraway noticed, he did not allow himself even the slightest smile.
They swung round to the right, heading for the entrance where tradesmen and deliveries would go. They were stopped at the gate. Narraway gave his name, and immediately the guard stepped back and saluted. The cabdriver, startled into respect, urged his horse forward at a newly dignified pace.
Ten minutes later Pitt and Narraway were being conducted up the wide, elegant stairs by a manservant who had introduced himself as Tyndale. He was of slight build but he moved with suppleness, even some grace, although Pitt judged him to be well into his fifties. He was courteous enough, but quite obviously distressed beyond any ability to maintain his normal composure.
At any other time Pitt would have been fascinated to think that he was inside Buckingham Palace. Now all he could think of was the enormity of what lay ahead of them. The magnificence of history meant nothing.
Was this an idiotic practical joke? Tyndale’s pallid face and stiff shoulders said not, and for the first time since Narraway had made his extraordinary statement in the hansom, Pitt considered the possibility that it might be true.
They were at the top of the stairs. Tyndale walked across the landing and knocked on a door a little to the left. It was opened immediately by a man of much greater height than he, with broad shoulders and a dark face of remarkable dynamism. He was severely balding, but this in no way diminished his handsomeness. His gray hair must once have been black because his brows still were. His skin was burned by sun and wind to a deep bronze.
“Mr. Narraway has arrived, Mr. Dunkeld,” Tyndale said quietly.
“Good,” Dunkeld replied. “Now please leave us, and make sure that we are not interrupted. In fact, see that no staff come up onto this floor at all.” He turned to Narraway as if Tyndale was already gone. “Narraway?” he asked.
Narraway acknowledged it, and introduced Pitt.
“Cahoon Dunkeld.” The big man held out his hand and shook Narraway’s briefly. He ignored Pitt except for a nod of his head. “Come in, close the door.”
He turned and led the way into the charming, highly overfurnished room. Its wide, tall windows overlooked a garden, and beyond them the trees were motionless billows of green in the morning sun.
Dunkeld remained standing in the middle of the floor. He spoke solely to Narraway. “There has been a shocking event. I have never seen anything quite so . . . bestial. How it should happen here, of all places, is beyond my comprehension.”
“Tell me exactly what has happened, Mr. Dunkeld,” Narraway responded. “From the beginning.”
Dunkeld winced, as if the memory were painful. “From the beginning? I woke early. I . . .”
Deliberately Narraway sat down in one of the large overstuffed chairs covered in wine-colored brocade. He crossed his legs elegantly, if a little rigidly, at the knees. “The beginning, Mr. Dunkeld. Who are you, and why are you here at this hour of the morning?”
“For God’s sake . . . !” Dunkeld burst out. Then controlling himself with obvious difficulty, body stiff, he sat down also and began to explain. He had the air not of having grasped Narraway’s reasoning so much as being given no choice but to humor a lesser intelligence. His fingers drummed on the arm of his chair.
“His Royal Highness, the Prince of Wales, is deeply interested in an engineering project that may be undertaken by my company, and certain of my colleagues,” he began again. “Four of us are here at his invitation in order to discuss the possibilities—the details, if you like. Our wives have accompanied us to give it the appearance of a social occasion. The other three are Julius Sorokine, Simnel Marquand, and Hamilton Quase. We have been here two days already, and the discussions have been excellent.”
Pitt remained on his feet, listening and watching Dunkeld’s face. His expression was intense, his eyes burning with enthusiasm. His left hand, gripping the chair arm, was white at the knuckles.
“Yesterday evening we celebrated our progress so far,” Dunkeld continued. “I assume you are a man of the world, and do not need to have every detail drawn for you? The ladies retired early. We sat up considerably longer, and a certain amount of entertainment was provided. The brandy was excellent, the company both relaxing and amusing. We were all in high spirits.” Not once did he glance at Pitt as he spoke. He might have been as invisible as a servant.
“I see,” Narraway answered expressionlessly.
“We retired between one and two in the morning,” Dunkeld went on. “I awoke early—about six, I imagine. I was in my robe, not yet dressed, when my valet came with a message that he had received over the telephone. It was a matter His Royal Highness had asked to be informed of immediately, so, in spite of the hour, I took it to him. I returned to my room, shaved and dressed, had a cup of tea, and was on my way back to see His Royal Highness further about the matter, but passing the linen cupboard in the passage I saw the door slightly open.” His voice was harsh with tension. “That in itself, of course, is of no interest, but I became aware of a curious odor, and when I pulled it wider . . . I saw . . . probably the most dreadful thing I have ever seen.” He blinked and seemed to need a moment to compose himself again.
Narraway did not interrupt him, nor move his gaze from Dunkeld’s face.
“The naked body of a woman, covered in blood,” Dunkeld said hoarsely. “There was blood all over the rest of the linen.” He gulped air. “For a moment, I could not believe it. I thought I must have taken more brandy than I had imagined and become delirious. I don’t know how long I stood there, leaning against the door frame. Then I backed into the corridor. There was no one else in sight.”
Narraway nodded.
“I closed the door.” Dunkeld seemed to find some comfort in remembering the act, as if he could at the same time close the horror from his inner vision. “I called Tyndale, the man who called you. He is the principal manservant in this guest wing. I told him that one of the women from the previous evening had been found dead, that he must keep all servants from that corridor; serve breakfast to the other guests in their rooms. Then I asked for the telephone and called you.”
“Is His Royal Highness aware of this event?” Narraway asked.
Dunkeld blinked. “Naturally I had to inform him. He has given me full authority to act in his name and get this ghastly tragedy cleared up with the utmost haste, and absolute discretion. You cannot fail to be aware of the scandal it would cause if it became public.” His eyes were hard, demanding, and the very slight lift in his voice suggested he needed reassurance of both Narraway’s intelligence and his tact. “Her Majesty will be returning next week, on her way from Osborne to travel north to Balmoral. It is imperative that your investigation is entirely accomplished before that time. Do you understand me?”
Pitt felt his stomach knot, and suddenly there was barely enough air in the room for him to breathe. He had been here minutes, and yet he felt imprisoned.
He must have made a slight sound, because Dunkeld looked at him, then back at Narraway. “What about your man here?” he asked abruptly. “How far can you trust his discretion? And his ability to handle such a vital matter? And it is vital. If it became public, it would be ruinous, even affect the safety of the realm. Our business here concerns a profoundly important part of the Empire. Not only fortunes but nations could be changed by what we do.” He was staring at Narraway as if by sheer will he could force some understanding into him, even a fear of failure.
Narraway gave a very slight shrug. It was a minimal, elegant gesture of his shoulders. He was far leaner than Dunkeld, and more at ease in his beautifully tailored jacket. “He is my best,” he answered.
Dunkeld looked unimpressed. “And discreet?” he persisted.
“Special Branch deals with secrets,” Narraway told him.
Dunkeld’s eyes turned to Pitt and surveyed him coolly.
Narraway rose to his feet. “I would like to see the body,” he announced.
Dunkeld took a deep breath and stood up also. He walked past Pitt and opened the door, leaving them to follow him. He led the way along the corridor with its ornately plastered and gilded ceiling, and up another broad flight of stairs. At the top he turned right past two doors to where a young footman stood at attention outside a third door.
Excerpted from Buckingham Palace Gardens by Anne Perry Copyright © 2008 by Anne Perry. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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