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Eagerly anticipated by her legions of fans, this sixth novel in Diana Gabaldon’s bestselling Outlander saga is a masterpiece of historical fiction from one of the most popular authors of our time.
Since the initial publication of Outlander fifteen years ago, Diana Gabaldon’s New York Timesbestselling saga has won the hearts of readers the world over -- and sold more than twelve million books. Now, A Breath of Snow and Ashes continues the extraordinary story of 18th-century Scotsman Jamie Fraser and his 20th-century wife, Claire.
The year is 1772, and on the eve of the American Revolution, the long fuse of rebellion has already been lit. Men lie dead in the streets of Boston, and in the backwoods of North Carolina, isolated cabins burn in the forest.
With chaos brewing, the governor calls upon Jamie Fraser to unite the backcountry and safeguard the colony for King and Crown. But from his wife Jamie knows that three years hence the shot heard round the world will be fired, and the result will be independence -- with those loyal to the King either dead or in exile. And there is also the matter of a tiny clipping from The Wilmington Gazette, dated 1776, which reports Jamie’s death, along with his kin. For once, he hopes, his time-traveling family may be wrong about the future.
Anyone who has gotten this far in Gabaldon's popular "Outlander" saga knows to expect loads of steamy sex, kidnappings, medical miracles, and gritty period details. Breath's 900-plus pages don't disappoint. With the threat of the American Revolution looming, 20th-century time traveler Claire Fraser and her 18th-century Scottish husband, Jamie, must finally choose sides and prepare for war. On the domestic front, Claire's and Jamie's daughter, Brianna, experiments with piping running water to their cabin while her husband, Roger, contemplates ordainment as a minister. But what about that newspaper clipping that says Claire and Jamie die in a house fire? Knowledge of the future clearly goes only so far. Enemies both old and new add to the continuing drama of the Fraser family's survival in the hinterlands of North Carolina. Gabaldon's enjoyable formula works, even if it's taken five previous novels and a few thousand pages to get to the year 1776. Essential for every fiction collection. [See Prepub Alert, LJ 6/1/05.]-Laurel Bliss, Princeton Univ. Lib., NJ Copyright 2005 Reed Business Information.
More Reviews and RecommendationsAre they histories? Fantasies? Science fiction? While it may be impossible to categorize the books Diana Gabaldon calls “historical fantasias,” it hardly matters to the author’s huge and loyal fan base, all of whom are just eager to devour Gabaldon’s richly detailed, complexly plotted, extravagantly romantic romps through time, space, and breathtaking landscapes.
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December 01, 2008: I just finished reading Book 6 in this outstanding series. It was absolutely fabulous. I can hardly wait for Book 7 in the Fall of 2009. Jamie and Claire go through so much but their love for each other is timeless.
Reader Rating:
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October 08, 2008: After having read the first 5 novels in the series, I listened the the abridged CD of A BREATH OF SNOW AND ASHES. Needless to say I have truly mixed feelings about it. I loved the story, but hated the abridgment. This cutting had to eliminate too many subplots or skip over resolutions of others. After listening to the whole story I went and ordered the book, so I can fill in the many gaps. If you want to hear the sixth installment of this wonderful series spring for the unabridged version.

Name:
Diana Gabaldon
Also Known As:
Diana Jean Gabaldon (full name)
Current Home:
Flagstaff, Arizona
Date of Birth:
January 11, 1952
Place of Birth:
Flagstaff, Arizona
Education:
B.S., Northern Arizona University, 1973; M.S., Scripps Oceanographic Institute; Ph.D., Northern Arizona University, 1979
Awards:
Favorite Book of the Year, Romance Writers of America, 1991 (for Outlander); Romantic Times Career Achievement Award, 1997; Odom Heritage Award, 2000; Quill Award for Science Fiction/Fantasy/Horror, 2006
To millions of fans, Diana Gabaldon is the creator of a complex, original, and utterly compelling amalgam of 18th-century romantic adventure and 20th-century science fiction. To the publishing industry, she's a grassroots-marketing phenomenon. And to would-be writers everywhere who worry that they don't have the time or expertise to do what they love, Gabaldon is nothing short of an inspiration.
Gabaldon wrote her first novel while juggling the demands of motherhood and career: in between her job as an ecology professor, she also had a part-time gig writing freelance software reviews. Gabaldon had never written fiction before, and didn't intend to publish this first novel, which she decided to call Outlander. This, she decided, would be her "practice novel". Worried that she might not be able to pull a plot and characters out of thin air, she settled on a historical novel because "it's easier to look things up than to make them up entirely."
The impulse to set her novel in 18th-century Scotland didn't stem -- as some fans have assumed—from a desire to explore her own familial roots (in fact, Gabaldon isn't even Scottish). Rather, it came from watching an episode of the British sci-fi series Dr. Who and becoming smitten with a handsome time traveler in a kilt. A time-travel element crept into Gabaldon's own book only after she realized her wisecracking female lead couldn't have come from anywhere but the 20th century. The resulting love affair between an intelligent, mature, sexually experienced woman and a charismatic, brave, virginal young man turned the conventions of historical romance upside-down.
Gabaldon has said her books were hard to market at first because they were impossible to categorize neatly. Were they historical romances? Sci-fi adventure stories? Literary fiction? Whatever their genre (Gabaldon eventually proffered the term "historical fantasias"), they eventually found their audience, and it turned out to be a staggeringly huge one.
Even before the publication of Outlander, Gabaldon had an online community of friends who'd read excerpts and were waiting eagerly for more. (In fact, her cohorts at the CompuServe Literary Forum helped hook her up with an agent.) Once the book was released, word kept spreading, both on the Internet and off, and Gabaldon kept writing sequels. (When her fourth book, "Drums of Autumn," was released, it debuted at No. 1 on the Wall Street Journal bestseller list, and her publisher, Delacorte, raced to add more copies to their initial print run of 155,000.)
With her books consistently topping the bestseller lists, it's apparent that Gabaldon's appeal lies partly in her ability to bulldoze the formulaic conventions of popular fiction. Salon writer Gavin McNett noted approvingly, "She simply doesn't pay attention to genre or precedent, and doesn't seem to care that identifying with Claire puts women in the role of the mysterious stranger, with Jamie -- no wimp in any regard -- as the romantic 'heroine."'
In between Outlander novels, Gabaldon also writes historical mysteries featuring Lord John Grey, a popular, if minor, character from the series, and is working on a contemporary mystery series. Meanwhile, the author's formidable fan base keeps growing, as evidenced by the expanding list of Gabaldon chat rooms, mailing lists, fan clubs and web sites -- some of them complete with fetching photos of red-haired lads in kilts.
Outlander may have been Gabaldon's first novel, but she was already a published writer. Her credits included scholarly articles, political speeches, radio ads, computer manuals and Walt Disney comic books.
Gabaldon gets 30 to 40 e-mails a day from her fans, who often meet online to discuss her work. "I got one letter from a woman who had been studying my book jacket photos (with a magnifying glass, evidently), who demanded to know why there was a hole in my pants," wrote Gabaldon on her web site. "This strikes me as a highly metaphysical question, which I am not equipped to answer, but which will doubtless entertain some chat-groups for quite a long time."
Eagerly anticipated by her legions of fans, this sixth novel in Diana Gabaldon’s bestselling Outlander saga is a masterpiece of historical fiction from one of the most popular authors of our time.
Since the initial publication of Outlander fifteen years ago, Diana Gabaldon’s New York Timesbestselling saga has won the hearts of readers the world over -- and sold more than twelve million books. Now, A Breath of Snow and Ashes continues the extraordinary story of 18th-century Scotsman Jamie Fraser and his 20th-century wife, Claire.
The year is 1772, and on the eve of the American Revolution, the long fuse of rebellion has already been lit. Men lie dead in the streets of Boston, and in the backwoods of North Carolina, isolated cabins burn in the forest.
With chaos brewing, the governor calls upon Jamie Fraser to unite the backcountry and safeguard the colony for King and Crown. But from his wife Jamie knows that three years hence the shot heard round the world will be fired, and the result will be independence -- with those loyal to the King either dead or in exile. And there is also the matter of a tiny clipping from The Wilmington Gazette, dated 1776, which reports Jamie’s death, along with his kin. For once, he hopes, his time-traveling family may be wrong about the future.
Anyone who has gotten this far in Gabaldon's popular "Outlander" saga knows to expect loads of steamy sex, kidnappings, medical miracles, and gritty period details. Breath's 900-plus pages don't disappoint. With the threat of the American Revolution looming, 20th-century time traveler Claire Fraser and her 18th-century Scottish husband, Jamie, must finally choose sides and prepare for war. On the domestic front, Claire's and Jamie's daughter, Brianna, experiments with piping running water to their cabin while her husband, Roger, contemplates ordainment as a minister. But what about that newspaper clipping that says Claire and Jamie die in a house fire? Knowledge of the future clearly goes only so far. Enemies both old and new add to the continuing drama of the Fraser family's survival in the hinterlands of North Carolina. Gabaldon's enjoyable formula works, even if it's taken five previous novels and a few thousand pages to get to the year 1776. Essential for every fiction collection. [See Prepub Alert, LJ 6/1/05.]-Laurel Bliss, Princeton Univ. Lib., NJ Copyright 2005 Reed Business Information.
Time-travelers revolutionize colonial America with anachronisms and cliffhangers galore, in Gabaldon's sixth Outlander epic. It's 1773, and we rejoin Jamie Fraser, an exiled Scots laird, and his 20th-century physician wife Claire in the North Carolina colony where they had emigrated in Drums of Autumn (1997). Their mountain compound, Fraser's Ridge, is shared by daughter Brianna, her husband Roger and, intermittently, by Ian, Jamie's semi-feral nephew, a former adopted Mohawk. Brianna and Roger, also moderns, had slipped through a time portal in the Highlands. Jamie and Claire, now middle-aged, still have plenty of swash in their buckle. Roger doubts son Jem's paternity since Brianna was raped by pirate Stephen Bonnet in a previous installment. Jamie, forced to swear fealty to the Crown, inwardly espouses the rebel cause, and not just because his relatives know who wins. Abductions and daring rescues abound. Claire is kidnapped by a band of marauding arsonists. On her return, hot flashes and non-stop medical emergencies demand her attention. Homemade penicillin, quinine and ether help her cure appendicitis, malaria and syphilis. Brianna invents matches, makes paper and almost brings hot running water to the Ridge. When Claire falls ill amid a dysentery epidemic, no one suspects her assistant Malva, abused daughter (actually niece) of Jamie's comrade Tom Christie. Later, Malva, six months pregnant, implicates Jamie. Claire finds Malva dead, her throat slit, and attempts an emergency Caesarian. Taken prisoner, Claire becomes the colonial governor's unpaid scribe. While Roger, called to the ministry, is away seeking ordination, Brianna is snatched by one of Jamie's enemies, and ends up thecaptive, once more, of the unsinkable Bonnet. Gold ingots, a corpulent white sow, polyandry, incest, miscegenation, a new time-portal and much backstory augment this installment's edematous bloat.
Loading...Chapter One
An Interrupted Conversation
The dog sensed them first. Dark as it was, Ian Murray felt rather than saw Rollo’s head lift suddenly near his thigh, ears pricking. He put a hand on the dog’s neck, and felt the hair there ridged with warning.
So attuned as they were to each other, he did not even think consciously, “Men,” but put his other hand to his knife and lay still, breathing. Listening.
The forest was quiet. It was hours ’til dawn and the air was still as that in a church, with a mist like incense rising slowly up from the ground. He had lain down to rest on the fallen trunk of a giant tulip tree, preferring the tickle of wood-lice to seeping damp. He kept his hand on the dog, waiting.
Rollo was growling, a low, constant rumble that Ian could barely hear but felt easily, the vibration of it traveling up his arm, arousing all the nerves of his body. He hadn’t been asleep–he rarely slept at night anymore–but had been quiet, looking up into the vault of the sky, engrossed in his usual argument with God. Quietness had vanished with Rollo’s movement. He sat up slowly, swinging his legs over the side of the half-rotted log, heart beating fast now.
Rollo’s warning hadn’t changed, but the great head swiveled, following something unseen. It was a moonless night; Ian could see the faint silhouettes of trees and the moving shadows of the night, but nothing more.
Then he heard them. Sounds of passage. A good distance away, but coming nearer by the moment. He stood and stepped softly into the pool of black under a balsam fir. A click of thetongue, and Rollo left off his growling and followed, silent as the wolf who had been his father.
Ian’s resting-place overlooked a game trail. The men who followed it were not hunting. White men. Now that was odd, and more than odd. He couldn’t see them, but didn’t need to; the noise they made was unmistakable. Indians traveling were not silent, and many of the Highlanders he lived among could move like ghosts in the wood–but he had no doubt whatever. Metal, that was it. He was hearing the jingle of harness, the clink of buttons and buckles–and gun barrels.
A lot of them. So close, he began to smell them. He leaned forward a little, eyes closed, the better to snuff up what clue he could.They carried pelts; now he picked up the dried-blood cold-fur smell that had probably waked Rollo–but not trappers, surely; too many. Trappers moved in ones and twos.Poor men, and dirty. Not trappers, and not hunters. Game was easy to come by at this season, but they smelled of hunger. And the sweat of bad drink.
Close by now, perhaps ten feet from the place where he stood. Rollo made a tiny snorting sound, and Ian closed his hand once more on the dog’s ruff, but the men made too much noise to hear it. He counted the passing footsteps, the bumping of canteens and bullet boxes, foot-sore grunts and sighs of weariness.
Twenty-three men, he made it, and there was a mule–no, two mules with them; he could hear the creak of laden panniers and that querulous heavy breathing, the way a loaded mule did, always on the verge of complaint.
The men would never have detected them, but some freak of the air bore Rollo’s scent to the mules. A deafening bray shattered the dark, and the forest erupted in front of him with a clishmaclaver of crashing and startled shouts. Ian was already running when pistol shots crashed behind him.
“A Dhia!” Something struck him in the head and he fell headlong. Was he killed?
No. Rollo was pushing a worried wet nose into his ear. His head buzzed like a hive and he saw bright flashes of light before his eyes.
“Run! Ruith!” he gasped, pushing at the dog. “Run out! Go!” The dog hesitated, whining deep in his throat. He couldn’t see, but felt the big body lunge and turn, turn back, undecided.
“Ruith!” He got himself up onto hands and knees, urging, and the dog at last obeyed, running as he had been trained.
There was no time to run himself, even could he have gained his feet. He fell facedown, thrust hands and feet deep into the leaf mold, and wriggled madly, burrowing in.
A foot struck between his shoulder blades, but the breath it drove out of him was muffled in wet leaves. It didn’t matter, they were making so much noise. Whoever had stepped on him didn’t notice; it was a glancing blow as the man ran over him in panic, doubtless thinking him a rotted log.
The shooting ceased. The shouting didn’t, but he made no sense of it. He knew he was lying flat on his face, cold damp on his cheeks and the tang of dead leaves in his nose–but felt as though very drunk, the world revolving slowly round him. His head didn’t hurt much, past the first burst of pain, but he didn’t seem able to lift it.
He had the dim thought that if he died here, no one would know. His mother would mind, he thought, not knowing what had become of him.
The noises grew fainter, more orderly. Someone was still bellowing, but it had the sound of command. They were leaving. It occurred to him dimly that he might call out. If they knew he was white, they might help him. And they might not.
He kept quiet. Either he was dying or he wasn’t. If he was, no help was possible. If he wasn’t, none was needed.
Well, I asked then, didn’t I? he thought, resuming his conversation with God, calm as though he lay still on the trunk of the tulip tree, looking up into the depths of heaven above. A sign, I said. I didna quite expect Ye to be so prompt about it, though.
Chapter Two
Dutch Cabin
March 1773
no one had known the cabin was there, until Kenny Lindsay had seen the flames, on his way up the creek.
“I wouldna ha’ seen at all,” he said, for perhaps the sixth time. “Save for the dark comin’ on. Had it been daylight, I’d never ha’ kent it, never.” He wiped a trembling hand over his face, unable to take his eyes off the line of bodies that lay at the edge of the forest. “Was it savages, Mac Dubh? They’re no scalped, but maybe–”
“No.” Jamie laid the soot-smeared handkerchief gently back over the staring blue face of a small girl. “None of them is wounded. Surely ye saw as much when ye brought them out?”
Lindsay shook his head, eyes closed, and shivered convulsively. It was late afternoon, and a chilly spring day, but the men were all sweating.
“I didna look,” he said simply.
My own hands were like ice; as numb and unfeeling as the rubbery flesh of the dead woman I was examining. They had been dead for more than a day; the rigor of death had passed off, leaving them limp and chilled, but the cold weather of the mountain spring had preserved them so far from the grosser indignities of putrefaction.
Still, I breathed shallowly; the air was bitter with the scent of burning. Wisps of steam rose now and then from the charred ruin of the tiny cabin. From the corner of my eye, I saw Roger kick at a nearby log, then bend and pick up something from the ground beneath.
Kenny had pounded on our door long before daylight, summoning us from warm beds. We had come in haste, even knowing that we were far too late to offer aid. Some of the tenants from the homesteads on Fraser’s Ridge had come, too; Kenny’s brother Evan stood with Fergus and Ronnie Sinclair in a small knot under the trees, talking together in low-voiced Gaelic.
“D’ye ken what did for them, Sassenach?” Jamie squatted beside me, face troubled. “The ones under the trees, that is.” He nodded at the corpse in front of me. “I ken what killed this puir woman.”
The woman’s long skirt stirred in the wind, lifting to show long, slender feet shod in leather clogs. A pair of long hands to match lay still at her sides. She had been tall–though not so tall as Brianna, I thought, and looked automatically for my daughter’s bright hair, bobbing among the branches on the far side of the clearing.
I had turned the woman’s apron up to cover her head and upper body. Her hands were red, rough-knuckled with work, and with callused palms, but from the firmness of her thighs and the slenderness of her body, I thought she was no more than thirty–likely much younger. No one could say whether she had been pretty.
I shook my head at his remark.
“I don’t think she died of the burning,” I said. “See, her legs and feet aren’t touched. She must have fallen into the hearth. Her hair caught fire, and it spread to the shoulders of her gown. She must have lain near enough to the wall or the chimney hood for the flames to touch; that caught, and then the whole bloody place went up.”
Jamie nodded slowly, eyes on the dead woman.
“Aye, that makes sense. But what was it killed them, Sassenach? The others are singed a bit, though none are burned like this. But they must have been dead before the cabin caught alight, for none o’ them ran out. Was it a deadly illness, perhaps?”
“I don’t think so. Let me look at the others again.”
I walked slowly down the row of still bodies with their cloth-covered faces, stooping over each one to peer again beneath the makeshift shrouds. There were any number of illnesses that could be quickly fatal in these days–with no antibiotics to hand, and no way of administering fluids save by mouth or rectum, a simple case of diarrhea could kill within twenty-four hours.
I saw such things often enough to recognize them easily; any doctor does, and I had been a doctor for more than twenty years. I saw things now and then in this century that I had never encountered in my own–particularly horrible parasitical diseases, brought with the slave trade from the tropics–but it was no parasite that had done for these poor souls, and no illness that I knew, to leave such traces on its victims.
All the bodies–the burned woman, a much older woman, and three children–had been found inside the walls of the flaming house. Kenny had pulled them out, just before the roof fell in, then ridden for help. All dead before the fire started; all dead virtually at the same time, then, for surely the fire had begun to smolder soon after the woman fell dead on her hearth?
1
An Interrupted Conversation
The dog sensed them first. Dark as it was, Ian Murray felt rather than saw Rollo's head lift suddenly near his thigh, ears pricking. He put a hand on the dog's neck, and felt the hair there ridged with warning.
So attuned as they were to each other, he did not even think consciously, "Men," but put his other hand to his knife and lay still, breathing. Listening.
The forest was quiet. It was hours 'til dawn and the air was still as that in a church, with a mist like incense rising slowly up from the ground. He had lain down to rest on the fallen trunk of a giant tulip tree, preferring the tickle of wood-lice to seeping damp. He kept his hand on the dog, waiting.
Rollo was growling, a low, constant rumble that Ian could barely hear but felt easily, the vibration of it traveling up his arm, arousing all the nerves of his body. He hadn't been asleep-he rarely slept at night anymore-but had been quiet, looking up into the vault of the sky, engrossed in his usual argument with God. Quietness had vanished with Rollo's movement. He sat up slowly, swinging his legs over the side of the half-rotted log, heart beating fast now.
Rollo's warning hadn't changed, but the great head swiveled, following something unseen. It was a moonless night; Ian could see the faint silhouettes of trees and the moving shadows of the night, but nothing more.
Then he heard them. Sounds of passage. A good distance away, but coming nearer by the moment. He stood and stepped softly into the pool of black under a balsam fir. A click of the tongue, and Rollo left off his growling and followed, silent as the wolf who had been his father.
Ian's resting-place overlooked a game trail. The men who followed it were not hunting. White men. Now that was odd, and more than odd. He couldn't see them, but didn't need to; the noise they made was unmistakable. Indians traveling were not silent, and many of the Highlanders he lived among could move like ghosts in the wood-but he had no doubt whatever. Metal, that was it. He was hearing the jingle of harness, the clink of buttons and buckles-and gun barrels.
A lot of them. So close, he began to smell them. He leaned forward a little, eyes closed, the better to snuff up what clue he could.They carried pelts; now he picked up the dried-blood cold-fur smell that had probably waked Rollo-but not trappers, surely; too many. Trappers moved in ones and twos.Poor men, and dirty. Not trappers, and not hunters. Game was easy to come by at this season, but they smelled of hunger. And the sweat of bad drink.
Close by now, perhaps ten feet from the place where he stood. Rollo made a tiny snorting sound, and Ian closed his hand once more on the dog's ruff, but the men made too much noise to hear it. He counted the passing footsteps, the bumping of canteens and bullet boxes, foot-sore grunts and sighs of weariness.
Twenty-three men, he made it, and there was a mule-no, two mules with them; he could hear the creak of laden panniers and that querulous heavy breathing, the way a loaded mule did, always on the verge of complaint.
The men would never have detected them, but some freak of the air bore Rollo's scent to the mules. A deafening bray shattered the dark, and the forest erupted in front of him with a clishmaclaver of crashing and startled shouts. Ian was already running when pistol shots crashed behind him.
"A Dhia!" Something struck him in the head and he fell headlong. Was he killed?
No. Rollo was pushing a worried wet nose into his ear. His head buzzed like a hive and he saw bright flashes of light before his eyes.
"Run! Ruith!" he gasped, pushing at the dog. "Run out! Go!" The dog hesitated, whining deep in his throat. He couldn't see, but felt the big body lunge and turn, turn back, undecided.
"Ruith!" He got himself up onto hands and knees, urging, and the dog at last obeyed, running as he had been trained.
There was no time to run himself, even could he have gained his feet. He fell facedown, thrust hands and feet deep into the leaf mold, and wriggled madly, burrowing in.
A foot struck between his shoulder blades, but the breath it drove out of him was muffled in wet leaves. It didn't matter, they were making so much noise. Whoever had stepped on him didn't notice; it was a glancing blow as the man ran over him in panic, doubtless thinking him a rotted log.
The shooting ceased. The shouting didn't, but he made no sense of it. He knew he was lying flat on his face, cold damp on his cheeks and the tang of dead leaves in his nose-but felt as though very drunk, the world revolving slowly round him. His head didn't hurt much, past the first burst of pain, but he didn't seem able to lift it.
He had the dim thought that if he died here, no one would know. His mother would mind, he thought, not knowing what had become of him.
The noises grew fainter, more orderly. Someone was still bellowing, but it had the sound of command. They were leaving. It occurred to him dimly that he might call out. If they knew he was white, they might help him. And they might not.
He kept quiet. Either he was dying or he wasn't. If he was, no help was possible. If he wasn't, none was needed.
Well, I asked then, didn't I? he thought, resuming his conversation with God, calm as though he lay still on the trunk of the tulip tree, looking up into the depths of heaven above. A sign, I said. I didna quite expect Ye to be so prompt about it, though.
2
Dutch Cabin
March 1773
no one had known the cabin was there, until Kenny Lindsay had seen the flames, on his way up the creek.
"I wouldna ha' seen at all," he said, for perhaps the sixth time. "Save for the dark comin' on. Had it been daylight, I'd never ha' kent it, never." He wiped a trembling hand over his face, unable to take his eyes off the line of bodies that lay at the edge of the forest. "Was it savages, Mac Dubh? They're no scalped, but maybe-"
"No." Jamie laid the soot-smeared handkerchief gently back over the staring blue face of a small girl. "None of them is wounded. Surely ye saw as much when ye brought them out?"
Lindsay shook his head, eyes closed, and shivered convulsively. It was late afternoon, and a chilly spring day, but the men were all sweating.
"I didna look," he said simply.
My own hands were like ice; as numb and unfeeling as the rubbery flesh of the dead woman I was examining. They had been dead for more than a day; the rigor of death had passed off, leaving them limp and chilled, but the cold weather of the mountain spring had preserved them so far from the grosser indignities of putrefaction.
Still, I breathed shallowly; the air was bitter with the scent of burning. Wisps of steam rose now and then from the charred ruin of the tiny cabin. From the corner of my eye, I saw Roger kick at a nearby log, then bend and pick up something from the ground beneath.
Kenny had pounded on our door long before daylight, summoning us from warm beds. We had come in haste, even knowing that we were far too late to offer aid. Some of the tenants from the homesteads on Fraser's Ridge had come, too; Kenny's brother Evan stood with Fergus and Ronnie Sinclair in a small knot under the trees, talking together in low-voiced Gaelic.
"D'ye ken what did for them, Sassenach?" Jamie squatted beside me, face troubled. "The ones under the trees, that is." He nodded at the corpse in front of me. "I ken what killed this puir woman."
The woman's long skirt stirred in the wind, lifting to show long, slender feet shod in leather clogs. A pair of long hands to match lay still at her sides. She had been tall-though not so tall as Brianna, I thought, and looked automatically for my daughter's bright hair, bobbing among the branches on the far side of the clearing.
I had turned the woman's apron up to cover her head and upper body. Her hands were red, rough-knuckled with work, and with callused palms, but from the firmness of her thighs and the slenderness of her body, I thought she was no more than thirty-likely much younger. No one could say whether she had been pretty.
I shook my head at his remark.
"I don't think she died of the burning," I said. "See, her legs and feet aren't touched. She must have fallen into the hearth. Her hair caught fire, and it spread to the shoulders of her gown. She must have lain near enough to the wall or the chimney hood for the flames to touch; that caught, and then the whole bloody place went up."
Jamie nodded slowly, eyes on the dead woman.
"Aye, that makes sense. But what was it killed them, Sassenach? The others are singed a bit, though none are burned like this. But they must have been dead before the cabin caught alight, for none o' them ran out. Was it a deadly illness, perhaps?"
"I don't think so. Let me look at the others again."
I walked slowly down the row of still bodies with their cloth-covered faces, stooping over each one to peer again beneath the makeshift shrouds. There were any number of illnesses that could be quickly fatal in these days-with no antibiotics to hand, and no way of administering fluids save by mouth or rectum, a simple case of diarrhea could kill within twenty-four hours.
I saw such things often enough to recognize them easily; any doctor does, and I had been a doctor for more than twenty years. I saw things now and then in this century that I had never encountered in my own-particularly horrible parasitical diseases, brought with the slave trade from the tropics-but it was no parasite that had done for these poor souls, and no illness that I knew, to leave such traces on its victims.
All the bodies-the burned woman, a much older woman, and three children-had been found inside the walls of the flaming house. Kenny had pulled them out, just before the roof fell in, then ridden for help. All dead before the fire started; all dead virtually at the same time, then, for surely the fire had begun to smolder soon after the woman fell dead on her hearth?
From the Hardcover edition.
Excerpted from A Breath of Snow and Ashes by Diana Gabaldon Excerpted by permission.
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