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Exotic and yet familiar, rife with passion, immorality, hunger, and freedom, Bohemia was an object of both worry and fascination to workaday Parisians in the nineteenth century. No mere revolt against middle-class society, the Bohemia Seigel discovers was richer and more complex, the stage on which modern bourgeois acted out the conflicts of their social identities, testing the liberation promised by postrevolutionary society against the barriers set up to contain it. Turning life into art, Bohemia became a space where many innovative and original figures--some famous, some obscure--found a home.
The research that went into Bohemian Paris turns up some treasures—the very stuff of history... This highly readable book probes further than any other I know into the reciprocating movements that connect and distinguish bohemia and bourgeois.
Roger Shattuck
More Reviews and RecommendationsJerrold Seigel is William J. Kenan Professor in the Department of History at New York University. He is also the author of The Private Worlds of Marcel Duchamp and Marx's Fate.
The research that went into Bohemian Paris turns up some treasures—the very stuff of history... This highly readable book probes further than any other I know into the reciprocating movements that connect and distinguish bohemia and bourgeois.
Roger Shattuck
The central attraction of this study lies in its imaginative grasp of these remarkable denizens (both declared and undeclared) of bohemia. Mr. Seigel has written a cultural history that respects the complex entanglements found in both life and art, and that is no mean feat.
Arnold Weinstein
It deserves to be read... for the skill with which it explores an ever-interesting tract of cultural history.
John Gross
This is an enormously useful approach to a complex phenomenon... It also brings together a dazzling assortment of individuals, from such well-known figures as Baudelaire, Courbet, Zola, Manet, Verlaine, and Rimbaud to such relatively obscure figures as the writer Henry Murger and the cabaret owner Emile Goudeau.
Jay Tolson
| Acknowledgments | ||
| List of Illustrations | ||
| Pt. I | Bohemians and Bourgeois | 1 |
| Ch. 1 | The Boundaries of Bohemia | 3 |
| Ch. 2 | A Country Explored: Murger | 31 |
| Ch. 3 | Politics, Fantasy, Identity: Bohemia in the Revolution of 1848 | 59 |
| Ch. 4 | The Poet as Dandy and Bohemian: Baudelaire | 97 |
| Ch. 5 | The Other Bohemia and Its Uses | 125 |
| Ch. 6 | Friends and Enemies | 150 |
| Ch. 7 | "A Fatal Scent of Liberty": Bohemia and the Commune of 1871 | 181 |
| Pt. II | Public Worlds and Inner Lives | 213 |
| Ch. 8 | Publicity and Fantasy: The World of the Cabarets | 215 |
| Ch. 9 | Compulsion and Disorganization | 242 |
| Ch. 10 | Cults of the Self | 269 |
| Pt. III | From Bohemia to the Avant-Garde | 293 |
| Ch. 11 | Temperament, Narcissism, and Provocation | 295 |
| Ch. 12 | Art and Life in Montmartre | 336 |
| Ch. 13 | Dissolving the Boundaries | 366 |
| Documentation | 399 | |
| A Note on Histories of Bohemia | 401 | |
| Notes | 405 | |
| Index | 441 |
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