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Readers are in for the shock of Kay Scarpetta's life.
Patricia Cornwell is on target - and spectacularly so - with her latest Kay Scarpetta thriller...
More Reviews and RecommendationsReaders of Patricia Cornwell's crime novels need a strong stomach, both for the gruesome details and the suspenseful turns of her plots. With medical examiner Kay Scarpetta, Cornwell created a cool and compelling heroine who repeatedly draws readers back for more.
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July 11, 2009: Patricia Cornwell's character Kay Scarpetta continues to reign supreme in another book in the series.
I Also Recommend: Point of Origin (Kay Scarpetta Series #9), The Beginning (FBI Series), Postmortem (Kay Scarpetta Series #1).
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February 16, 2009: In the last year I have picked up on Patricia Cornwell novels and have loved every one! "Blow Fly" was fast-paced, exciting and a great read to get you away from it all! I highly recommend all of Cornwell's books in the Kay Scarpetta series!
Name:
Patricia Cornwell
Also Known As:
Patricia Daniels Cornwell (full name)
Current Home:
Boston, MA and New York, NY
Date of Birth:
June 09, 1956
Place of Birth:
Miami, Florida
Education:
B.A. in English, Davidson College, 1979; King College
Awards:
Edgar Award for Postmortem, 1991; Gold Dagger for Cruel and Unusual, 1993
Patricia Cornwell writes crime fiction from an unusually informed point of view. While many writers are, as she says, conjuring up "fantasy" assumptions regarding what really goes into tracking criminals and examining crime scenes, Cornwell really does walk the walk, which is why her novels ring so true.
Before becoming one of the most widely recognized, respected, and read writers in contemporary crime fiction, she worked as a police reporter for The Charlotte Observer and as a computer analyst in the chief medical examiner's office in Virginia. During this period of her life, Cornwell observed literally hundreds of autopsies. While the vast majority of people would surely regard such work unsavory beyond belief, Cornwell was acquiring valuable information that would not only help her write the groundbreaking 2002 study Portrait of a Killer: Jack the Ripper -- Case Closed but would also enrich her fiction with uncommon authenticity.
"Most of these crime scene shows... are what I call ‘Harry Potter' policing," she said in a candid, heated interview. "They're absolutely fantasy. And the problem is the general public watches these, 60 million people a week or whatever, and they think what they're seeing is true." If Cornwell comes off as a bit vehement in her criticism of television shows meant to simply entertain, that's just because she takes her work so seriously.
Not that Cornwell's novels are ever anything short of entertaining, even if their grisly details may require extra-strong stomachs of her readers. She has created a tremendously well-defined and complex character in her favorite fictional crime solver Dr. Kay Scarpetta. Cornwell introduced medical examiner Scarpetta in her first novel, Postmortem in 1990. Today, Scarpetta is still cracking cases and cracking open cadavers. (She has even inspired a cook book called Food to Die For: Secrets from Kay Scarpetta's Kitchen.) In addition, Cornwell writes more lighthearted cop capers in her Andy Brazil & Judy Hammer series.
Cornwell knows what its like to shatter records. Her debut, Postmortem, was the only novel by a first-time author to ever win five major mystery awards in a single year.
Cornwell may be a former crime solver, but she shudders to think that her books could actually contribute to crime. In fact, she says she has received "thank you" notes from prisoners who claim they have gleaned information from her books that might help them cover their tracks while committing future crimes.
If parody is indeed the sincerest form of flattery, then Cornwell has a fan in Chris Elliott. The professional wisenheimer published a hilarious takeoff on her true crime book Portrait of a Killer called The Shroud of the Thwacker.
The Barnes & Noble Review
Returning to her bestselling Kay Scarpetta series after a foray into nonfiction (Portrait of a Killer: Jack the Ripper -- Case Closed), Patricia Cornwell takes her forensic pathologist heroine into another unsettling tale that blends fast-paced action with skillful character development.
After sending Jean-Baptiste Chandonne up the river in The Last Precinct, Scarpetta now faces the vengeance of his insane brother, who is rampaging through the Louisiana bayous, hideously torturing and murdering a number of Scarpetta look-alikes. As if this weren't enough, she's eventually forced to turn to the demonic Jean-Baptiste in an effort to catch yet another killer; but his help comes at a horrific price.
Blow Fly is an engaging, well-crafted story that lures you with a series of chilling incidents. Never one to shrink from disturbing material, Cornwell does a particularly fine job of fleshing out her villains -- a cruel, depraved, and thoroughly intriguing cast of characters who keep the action moving at a steady pace. This powerful entry in the Scarpetta canon mesmerizes with its unflinching glimpse into the darkest depths of the human heart. Tom Piccirilli
Readers are in for the shock of Kay Scarpetta's life.
Patricia Cornwell is on target - and spectacularly so - with her latest Kay Scarpetta thriller...
"Please don't go there. The past is the past," sighs New York Assistant District Attorney Jaime Berger, who herself was introduced in Cornwell's last Kay Scarpetta novel, The Last Precinct (2000). Alas, many of Cornwell's fans are bound to agree. One fascinating nonfiction bestseller (Portrait of a Killer: Jack the Ripper, Case Closed) later, Cornwell now returns to Scarpetta, formerly Virginia's chief medical examiner. From the start, however, the formidable author is up against the equally formidable task of getting her charismatic main character off ice and back in action. We encounter Scarpetta languishing in a crumbling little rental house in Florida. She has taken refuge there and become a private forensic consultant after she was driven from her job for her alleged involvement in the murder of a deputy police chief. The violent death of her lover, Benton Wesley, the brilliant FBI psychological profiler, has left her filled with an unappeasable grief. When the coroner in Baton Rouge asks her advice on a cold case concerning an affluent woman found dead of a drug overdose in a seedy hotel, it seems little more than a diversion. Yet it becomes clear that the overdose may be related to a fresh string of serial killings. Also disturbing Scarpetta's somber peace is a troubling letter from someone out to kill her, the sick and obsessed death-row inmate Jean-Baptiste. When Scarpetta is at last allowed to get back to business, she is a feisty, independent powerhouse whose capacity to concentrate and observe rivals Sherlock Holmes's. But too much of this book is bound up in retrospective musings about events in previous books. The great Scarpetta, her fiery crime-busting niece, Lucy, and a colorful supporting cast deserve better. 1,000,000 first printing; Literary Guild, Doubleday Book Club and Mystery Guild main selections; foreign sales to Finland, France, Germany, Holland, Italy, Japan, Spain and the U.K.. (Oct. 13) Copyright 2003 Reed Business Information.
Dr. Kay Scarpetta (The Last Precinct) is back-this time as a private forensic consultant. First, she is called to Baton Rouge to help investigate a socialite's mysterious death and perhaps provide insight about a serial killer on the loose there. Then she receives a letter from Jean-Baptiste Chandonne, the infamous Loup Garou (Black Notice), who nearly killed her several years before. With his execution approaching, Chandonne claims that he has information that could destroy his family's international cartel, but he will only give it to Scarpetta. As she becomes more involved in her investigations in Louisiana, Scarpetta begins to suspect that the crimes are somehow tied to Chandonne and that she has become a pawn in his powerful family's grasp. What she finally discovers stuns her to the core. This is, in some ways, the most shocking Scarpetta installment, and readers new to the series might find it confusing. Fans will definitely want it, though. Highly recommended. [Previewed in Prepub Alert, LJ 6/1/03; a Literary Guild, Doubleday Book Club, and Mystery Guild main selection.]-Leslie Madden, Georgia Inst. of Technology, Atlanta Copyright 2003 Reed Business Information.
Fresh from tussling with a nonpareil real-life serial killer (Portrait of a Killer: Jack the Ripper, Case Closed, not reviewed), Cornwell brings back forensic pathologist Kay Scarpetta for her first outing in three years. The interval's been so tough on Scarpetta that now she requires a third-person narrator and chapters short as a gasp. She's left her job as Virginia's Chief Medical Examiner, and she's been mourning her FBI lover Benton Wesley, not realizing her niece Lucy Farinelli helped him fake his death so that he could go underground. Jean-Baptiste Chandonne, the Wolfman Scarpetta blinded and brought to book in The Last Precinct (2000), may be on Death Row in Texas, but he's still as dangerous as ever, promising Scarpetta help in tracking down the killer of Charlotte Dard in Baton Rouge eight years ago if she'll come visit him and promise to give him the fatal needle. Back in Louisiana, Jay Talley, Chandonne's handsome if equally depraved twin, is kidnapping, torturing, and murdering a series of middle-aged Wal-Mart shoppers in literally unspeakable ways. One problem this time, in fact, is that Cornwell never provides any of the unblinking set pieces that have made her so widely imitated. A more serious problem is that the perils feel recycled, shapeless, and so soaked in evil that they're headed nowhere in particular for Sisyphus Scarpetta. First printing of 1,000,000; $850,000 ad/promo; Literary Guild/Doubleday Book Club/Mystery Guild main selection; author tour. Agent: Esther Newberg/ICM
Loading...DR. KAY SCARPETTA moves the tiny glass vial close to candlelight, illuminating a maggot drifting in a poisonous bath of ethanol.
At a glance, she knows the exact stage of metamorphosis before the creamy carcass, no larger than a grain of rice, was preserved in a specimen vessel fitted with a black screw cap. Had the larva lived, it would have matured into a bluebottle Calliphora vicina, a blow fly. It might have laid its eggs in a dead human body's mouth or eyes, or in a living person's malodorous wounds.
"Thank you very much," Scarpetta says, looking around the table at the fourteen cops and crime-scene technicians of the National Forensic Academy's class of 2003. Her eyes linger on Nic Robillard's innocent face. "I don't know who collected this from a location best not to contemplate at the dinner table, and preserved it with me in mind . . . but . . ."
Blank looks and shrugs.
"I have to say that this is the first time I've been given a maggot as a gift."
No one claims responsibility, but if there is a fact Scarpetta has never doubted, it is a cop's ability to bluff and, when necessary, outright lie. Having noticed a tug at the corner of Nic Robillard's mouth before anyone else realized that a maggot had joined them at the dinner table, Scarpetta has a suspect in mind.
The light of the flame moves over the vial in Scarpetta's fingertips, her nails neatly filed short and square, her hand steady and elegant but strong from years of manipulating the unwilling dead and cutting through their stubborn tissue and bone.
Unfortunately for Nic, her classmates aren't laughing, and humiliation finds her like a frigid draft. After ten weeks with cops she should now count as comrades and friends, she is still Nic the Hick from Zachary, Louisiana, a town of twelve thousand, where, until recently, murder was an almost unheard-of atrocity. It was not unusual for Zachary to go for years without one.
Most of Nic's classmates are so jaded by working homicides that they have come up with their own categories for them: real murders, misdemeanor murders, even urban renewal. Nic doesn't have her own pet categories. Murder is murder. So far in her eight-year career, she has worked only two, both of them domestic shootings. It was awful the first day of class when an instructor went from one cop to another, asking how many homicides each of their departments averaged a year. None, Nic said. Then he asked the size of each cop's department. Thirty-five, Nic said. Or smaller than my eighth-grade class, as one of her new classmates put it. From the beginning of what was supposed to be the greatest opportunity of her life, Nic quit trying to fit in, accepting that in the police way of defining the universe, she was a them, not an us.
Her rather whimsical maggot mischief, she realizes with regret, was a breach of something (she's not sure what), but without a doubt she should never have decided to give a gift, serious or otherwise, to the legendary forensic pathologist Dr. Kay Scarpetta. Nic's face heats up, and a cold sweat dampens her armpits as she watches for her hero's reaction, unable to read it, probably because Nic is stunned stupid by insecurity and embarrassment.
"So I'll call her Maggie, although we really can't determine gender yet," Scarpetta decides, her wire-rim glasses reflecting shifting candlelight. "But a good enough name for a maggot, I think." A ceiling fan snaps and whips the candle flame inside its glass globe as she holds up the vial. "Who's going to tell me which instar Maggie is? What life stage was she in before someone"-she scans the faces at the table, pausing on Nic's again-"dropped her in this little bottle of ethanol? And by the way, I suspect Maggie aspirated and drowned. Maggots need air the same way we do."
"What asshole drowned a maggot?" one of the cops snipes.
"Yeah. Imagine inhaling alcohol . . ."
"What'cha talking about, Joey? You been inhaling it all night."
A dark, ominous humor begins to rumble like a distant storm, and Nic doesn't know how to duck out of it. She leans back in her chair, crossing her arms at her chest, doing her best to look indifferent as her mind unexpectedly plays one of her father's worn-out storm warnings: Now, Nic, honey, when there's lightning, don't stand alone or think you'll be protected by hiding in the trees. Find the nearest ditch and lie as low in it as you can. At the moment, she has no place to hide but in her own silence.
"Hey Doc, we already took our last test."
"Who brought homework to our party?"
"Yeah, we're off duty."
"Off duty, I see," Scarpetta muses. "So if you're off duty when the dead body of a missing person has just been found, you're not going to respond. Is that what you're saying?"
"I'd have to wait until my bourbon wears off," says a cop whose shaved head is so shiny it looks waxed.
"That's a thought," she says.
Now the cops are laughing-everyone but Nic.
"It can happen." Scarpetta sets the vial next to her wineglass. "At any given moment, we can get a call. It may prove to be the worst call of our careers, and here we are, slightly buzzed from a few drinks on our time off, or maybe sick, or in the middle of a fight with a lover, a friend, one of the kids."
She pushes away her half-eaten yellowfin tuna and folds her hands on top of the checkered tablecloth.
"But cases can't wait," she adds.
"Seriously. Isn't it true that some can?" asks a Chicago detective his classmates call Popeye because of the anchor tattooed on his left forearm. "Like bones in a well or buried in a basement. Or a body under a slab of concrete. I mean, they ain't going anywhere."
"The dead are impatient," Scarpetta says.
--from Blow Fly by Patricia Cornwell, copyright © 2003 by Patricia Cornwell, published by G. P. Putnam's Sons, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.
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