Enter a zip code
(Mass Market Paperback - Reprint)
The Vampire Chronicles continue with Anne Rice's spellbinding new novel, in which the great vampire Marius returns.
In Anne Rice's novel Blood and Gold, the comparison flatters us--surely one of the secrets of her popularity.
More Reviews and RecommendationsBest known for The Vampire Chronicles, a series of dark, hypnotic novels steeped in Gothic horror, Anne Rice now applies her vivid storytelling skills to Christian fiction, most notably an acclaimed series based on the life of Christ.
More About the AuthorReader Rating:
See Detailed Ratings
April 24, 2007: What a sweet character! I really enjoyed this novel, after reading IWTV, TV, and QTD, I was immensly curious about Marius and his shaped personality through the years. The cool thing is, if you don't want to read the books before it (can't imagine why you wouldn't!) Blood and Gold gives a nice review of what happened in QTD and a little of TL.
Reader Rating:
See Detailed Ratings
October 19, 2005: The Vampire Marius was more than a hero he is a legend after being a vampire for 2,000 years, and keeping the secrets of the mother and father. Plus his love of Armand made me fall in love with his true noblelity. And his love of Pandora and Bianca, Lestat, and everyone else and to finally give up his eyes so Maharet wouldn't kill the vampire Thorne is unbelievable. Now the beautiful and graceful Vampire Marius is blind and bond by Maharet. I wish he can be brought back in one of her new novels.

Name:
Anne Rice
Also Known As:
A. N. Roquelaure, Anne Rampling , Howard Allen O'Brien (birth name)
Current Home:
Rancho Mirage, California
Date of Birth:
October 04, 1941
Place of Birth:
Rancho Mirage, California
Education:
B.A., San Francisco State University, 1964; M.A., 1971
In 1976, nearly 80 years after Bram Stoker published Dracula, Anne Rice's bestselling first novel, Interview with the Vampire, reinvented the vampire myth. Rice recast the undead as a secret society of decadent aesthetes, alternately entranced by the world's beauty and haunted by spiritual despair. Set largely in the author's home city of New Orleans, the book created a fantasy underworld rich and compelling enough to sustain its writer and readers through nine sequels, known collectively as The Vampire Chronicles.
Rice wrote Interview with the Vampire, she said later, "without ever realizing I was writing about loss. I was writing about my daughter's loss [Rice's daughter died in 1972]. And I was writing about my loss of Catholic faith long before that, because I had lost my faith in the year 1960, when I first went to college."
After her first book, Rice continued to write about loss -- and about vampires, witches and demons -- for more than 25 years. She also wrote, under the pen name A.N. Roquelaure, the Beauty series, an erotic retelling of the story of Sleeping Beauty; writing as Anne Rampling, she published two other novels, Exit to Eden and Belinda.
But it is as the queen of gothic fiction that Anne Rice's fans know her best. Her fans are passionate about her, and she returns the sentiment, e-mailing tirelessly with them and occasionally posting on their blogs. She also adores communing with them in person on book tours: "They give me personal, priceless and unforgettable feedback and verification of what I have achieved for them in my books," she once explained in a Salon interview.
After Blood Canticle was released in 1993, her readers, accustomed to an output of one book a year, kept asking her what was coming next. "And I've told them, 'You may not want what I'm doing next'," she said in a Newsweek interview.
They were in for a surprise. In 1998, Rice had returned to the Roman Catholic Church, and in 2005 she published Christ the Lord: Out of Egypt, a novel about the childhood of Jesus, narrated by himself.
"It's the most startling public turnaround since Bob Dylan's Slow Train Coming announced that he'd been born again," wrote David Gates in Newsweek.
But as Rice sees it, Christ the Lord represents the fulfillment of a longing that has been in her books, and in her soul, all along.
"This subject is in no way a departure from that of my previous works; no one who knows my work could possibly think so," she said in a Q&A on her publisher's Web site. "The whole theme of Interview with the Vampire was Louis's quest for meaning in a godless world. He searched to find the oldest existing ‘immortal' simply to ask ‘What is the meaning of what we are?' I was always compelled to seek the ‘big answers.'"
Christ the Lord received mixed reviews, but many critics were as impressed with the book's style as its ambitious subject matter. "Rice's book is a triumph of tone -- her prose lean, lyrical, vivid -- and character," noted Kirkus Reviews. Janet Maslin wrote in The New York Times Book Review: "Even in biblical times and in the Holy Land, Rice retains her obsessions with ritual and purification, with lavish detail and gaudy decor. But she writes this book in a simpler, leaner style, giving it the slow but inexorable rhythm of an incantation. The restraint and prayerful beauty of Christ the Lord is apt to surprise her usual readers and attract new ones."
Some of those usual readers, of course, are now wondering whether she will write any more vampire novels. Will the vampire Lestat ever return?
Anne's response, from her publisher's Web site: "I can't see myself doing that. My vampires were metaphors for the outsiders, the lost, the wanderers in the darkness who remembered the warmth of God's light but couldn't find it. My wish to explore that is gone now. I want to meet a much bigger challenge."
In our exlusive interview, Rice shared some fascinating stories with us:
"My first job was as a cafeteria waitress at a Walgreen's cafeteria over the drugstore on Canal and Baronne Street in New Orleans when I was sixteen years old. What a plunge into reality. Canal Street was then the only downtown in town. And I was in fact a boarding school student and unbeknownst to the principal, Sr. Felix, took this job on weekends. When she found out, she did not approve of a St. Joseph's Academy girl being a waitress. I was undeterred. I had discovered that I could turn time into money. I never forgot that lesson. The crashing boredom of childhood was over!"
"I was employed from then on a shocking variety of low level jobs, including grill cook at a huge downtown cafeteria in San Francisco. I had to be there at 5:00 a.m., and once while I was en route on a bus, a drunken man fell asleep against me. The conductor had to wake him up for me to get off, poor guy. I think he'd staggered out of an after hours club. I was a crack waitress, a receptionist, a claims examiner, a theatre usherette in a big Cinerama house, and must have seen It's Mad, Mad, Mad, Mad World over one hundred times while standing there with a flashlight. My last job in the straight world -- after motherhood -- was that of proofreader for a law book company. I hated it. Then my devoted husband Stan, who was already teaching and had been for some time, said, 'Stay home and write, I believe in you.' And I wrote Interview with the Vampire."
"I was a painfully slow reader. Never really read a novel for pure pleasure until I was 35. It was Ordinary People by Judith Guest. Thought it very good."
"How do I unwind? There are different levels to unwind. The primo way for me is to read history or some form of involving scholarship. A good book on an obscure subject. The recent bestseller Krakatoa by Simon Winchester was a wonderful example! That's a delicious unwind book. And there are others out there like that. The British writers seem especially good at it. But I can't get enough on how or why the Roman Empire fell. That's my idea of a good evening. To be in Florida with the deck door open to the roar of the waves, and a good book open to pages on the decline of paganism."
"But! There is another kind of unwind. The gripping fiction bestseller that takes two days. The Da Vinci Code is a good example. Every now and then I have time for that. I was smiling all the way through it. At one time in my life, I had read everything I could find on the Knights Templar (see First Way to Unwind, above), and on Opus Dei, and Holy Blood, Holy Grail, and so I was just tickled by what the author did with the material. And of course, I couldn't stop reading. Such cleverness, such a puzzle and right up to the last page."
"Interest and hobbies: well, my interests are pretty much literary, except for maintaining two pre-Civil War houses in New Orleans (both family homes, one used for Mardi Gras season entertaining), and then I do devote some attention to my doll collection, which includes a small assortment of French antique dolls -- but this part of my life is drawing to a close. I am divesting myself of possessions rather than acquiring them. I am decorating, yes, and redecorating, but cutting down on the area, and the amount of things I have to maintain. I've let go of my huge property, St. Elizabeth's Orphanage -- a monster building which used to house my doll collection and so many other things. It was the fulfillment of dreams for about 10 years for me and so many other people. Weddings, book signings, book parties, benefits, fundraisers -- all kinds of events were held there. We even hosted President Clinton there. But that chapter of my life is over. For those ten years I asked 'what if?' many times. And I found out and as the result I am a satisfied person and a happy one. But it's over."
"I guess you could call my cats a hobby. I have five of them, all Siberians and very lovable and demanding and sweet. They are keepers certainly. Other than that, I don't know that I have hobbies so much as passions, and my passions center around my writing."
"My only other diversion of late is seeing that The Witching Hour will soon be made into a television limited series -- that is, a mini-series that will extend over 10 hours. The scripts that have been written by writer-producer John Wilder are very simply wonderful -- profoundly faithful to the material and the characters. Our producer, Mark Wolper, is extraordinarily dedicated and we have the network behind us. It looks very good."
"Other news looming is that Elton John and Rob Roth are making a musical based on the Vampire Chronicles for Broadway. I've talked to Elton John several times. He's absolutely charming. I've heard the first five songs, performed by him, and they were great. Bernie Taupin wrote the lyrics, and will write the lyrics for all. The other people involved have top credits. The treatment I read was a wonder -- very true to the books, quite terrific. My conversation with Rob Roth was very exciting."
"What I've learned from both these experiences so far -- the television series and the Broadway production -- is that the passion of people makes all the difference in the world. And sometimes it is the passion of a few key people that moves a project forward. Sometimes one person alone goes to the hard work of getting everybody else together, and making the studio that owns the underlying rights respond. People who love the work, who want to make something of it, can be brought together by that one key person. That one key person has to believe that past disappointments or failed connections don't mean anything. When you have that sort of person, something can happen."
"I've also learned that the author of the books usually can't do it. Not unless she wants to stop being an author altogether and move to L.A. or N.Y. and become a producer."
What was the book that most influenced your life or your career as a writer?
I find that answers to this question change with the season. Right now, I would say that Jane Eyre by Charlotte Bronte and Great Expectations by Charles Dickens were the two books that most powerfully influenced me to write.
But at other times I come up with other answers. I can't underestimate the enormous power of Hemingway's writing on me when I was a young woman, or of Virginia Woolf or of what an effect Shakespeare had on me once I was able to wallow in his writing for pleasure. One whole summer of my life was given over to reading Anna Karenina out loud, and that was an immense influence. On the Road by Jack Kerouac greatly empowered me. I can't isolate one single book. Each book broke down walls for me. Nabokov's Speak, Memory and Lolita swept me off my feet. All of this went into the brew before I really hit my stride.
What are your ten favorite books, and what makes them special to you?
Bear in mind that this is an "As of the Moment" list:
What are some of your favorite films, and what makes them unforgettable to you?
The Godfather -- Of course, the beginning of an era of American masterpieces that were equal to the earlier foreign films of the sixties.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like many kinds of music, particularly baroque and classical, rock, and country and western. I never listen to music when writing. I have to hear the rhythm of my sentences. Music is too intoxicating for me to have it on most of the time. When I listen I surrender. I'm a huge fan of Beethoven, of Vivaldi, of Elvis.
If you had a book club, what would it be reading?
Dickens, of course, because he's too neglected now, and Kafka because more people need to know his short stories, and Hemingway's short stories because each and every one is genius, and people have forgotten that.
What are your favorite kinds of books to give -- and get -- as gifts?
Art books -- big lush books with full color illustrations, like books on Medieval altar pieces or on the works of Sodoma, or Cranach, or Andrea del Sarto or lesser known masters; books with big richly produced illustrations of the miniatures in medieval prayer books, books that deliver works of enduring value right into your hands and into your home, books that can lie on your desk, bedside table, etc.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have open books in archaeological layers, and it takes a digger to get through them, I tell you. What a mess, but it's the way I work, searching and piling, and compiling. I'm a writer who uses books, and I love allusions. There are lots of allusions in my work, and lots of thorough research. I have fun with it, always have.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I developed slowly and in secret. My rejection slip period lasted nine months with the manuscript of Interview with the Vampire and involved five rejection slips, some of which were just hilariously negative. I just went right on pushing. I think I was fortunate. But I didn't really try to be published until I was thirty-four, and had a complete book in my hands. And then that complete book was rewritten and greatly expanded after its acceptance by Knopf.
My apprenticeship was really a private affair, during the years of my wandering from course to course as an unclassified graduate, reading widely and bumping into subjects at random, and typing away into the night, searching for my voice, and then "discovering" it in the character of my vampire hero, Louis. It was an eccentric path.
What tips or advice do you have for writers still looking to be discovered?
Live and write as if you were already discovered. Demand respect and time for yourself as a writer as if you were already published and famous. Consider yourself a consummate professional even if you moonlight in a garage or at a kitchen table. This is how great writers are made.
The Barnes & Noble Review
Anne Rice writes grand romances in the traditional sense of the word, the Victor Hugo sense: novels with larger-than-life characters whose epic experiences sweep through all the great themes and emotions of life, death, love, passion, and loss, while also providing plenty of action.
Blood and Gold continues Rice's Vampire Chronicles by taking up the tale of Marius, who was for centuries the guardian of Those Who Must Be Kept, and whose duty to the King and Queen of the Vampires caused him much pain, loss, and suffering. Marius, who originally appeared in The Vampire Lestat and has figured briefly in the majority of the Chronicles that have followed, was an aristocrat of ancient Rome before his conversion to the Living Death. Blood and Gold follows his lonely life through the ages, sweeping from Imperial Rome to Constantinople to Venice during the Renaissance (Botticelli makes a brief cameo appearance) to the present day. His passion for longtime companion Pandora (detailed in a book of the same name, although told from her perspective), results in his loneliness and a centuries-long search for her.
Blood and Gold is one of Rice's finest achievements and has the added benefit of standing completely on its own for new readers. But those seeking the most complete picture of Marius will also want to revisit The Vampire Lestat, Pandora, and The Vampire Armand to understand how he's viewed by those his life has touched. (Greg Herren)
“RICE WRITES WITH HER USUAL EROTIC AND HISTORICALLY EVOCATIVE FLAIR.”
–People
Once a proud Senator in Imperial Rome, Marius is kidnapped and forced into that dark realm of blood, where he is made a protector of the Queen and King of the vampires–in whom the core of the supernatural race resides. Through his eyes we see the fall of pagan Rome to the Emperor Constantine, the horrific sack of the Eternal City at the hands of the Visigoths, and the vile aftermath of the Black Death. Ultimately restored by the beauty of the Renaissance, Marius becomes a painter, living dangerously yet happily among mortals, and giving his heart to the great master Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice Armand. But it is in the present day, deep in the jungle, when Marius will meet his fate seeking justice from the oldest vampires in the world. . . .
In Anne Rice's novel Blood and Gold, the comparison flatters us--surely one of the secrets of her popularity.
Rice brings her long-waning Vampire Chronicles series back to life with this passionate book about the vampire Marius, who recounts his life story to a visitor he has invited in out of the cold. Made into an immortal by a band of Druids during the time of Caesar Augustus, Marius, once a Roman senator, spent centuries living an opulently idle life. His primary task throughout the years was to guard the unmoving forms of Akasha and Enkil, the queen and king of the vampires, who caused such a ruckus in Rice's earlier novels. Marius has always been one of the author's more fascinating characters. His florid, foppish recollections of Rome and Venice, run-ins with people like Botticelli, battles with hordes of Satan-worshiping vampires and the never-ending search for his true love, Pandora, make for a satisfying read, something Rice has not delivered in far too long.
Chris Barsanti
After a long, deep sleep, the vampire Thorne looks to centuries-old Marius for guidance as he comes back into the world. Thorne is curious about Marius's life and his relationship to others in the community of Blood Drinkers, and Marius consents to tell all. It is this story that makes up the bulk of Rice's newest entry to the "Vampire Chronicles," the first of which was Interview with the Vampire. This complex tale presents the history of vampires through the eyes of Marius, who offers his perspective on several characters, most of whom have appeared in earlier volumes. Marius, who is something of an erudite philosopher, brings his own spin to the stories of the various undead he has met in his long existence. Though it is not as engrossing as the earlier books perhaps because so much of the story has already been told devoted followers of the series will find new information about familiar characters, and new readers will find this a good introduction to Rice's world of the vampire. Most public libraries will want to purchase. [Previewed in Prepub Alert, LJ 6/1/01.] Patricia Altner, Information Seekers, Columbia, MD Copyright 2001 Cahners Business Information.
Large arterial heart-piece in Rice's Vampire Chronicles. Though much of the lordly speech ("Oh . . . you foolish, mad, self-important dreamer!") suggests no advance in dialogue since Lew Wallace's Ben-Hur (1880) or H. Rider Haggard's She (1887), Rice opens grandly, reviewing cultural vampirology, its origins and historical underpinnings, in a backstory skimmed from earlier works. Akasha, mother of all vampires and Queen of the Damned (1990), is 6,000 years old when red-haired twins Maharet and Mekare rise up and behead her. Mute Mekare becomes Queen, having taken into herself from Akasha the Sacred Core of blood drinkers. Akasha's destruction liberates Marius, who for 2,000 years kept safe the sleeping bodies of Akasha and her consort Enkil, to tell his story to red-haired Thorne, a Viking given the Dark Gift long ago by Maharet. Too sensitive to kill, Thorne encased himself in an arctic cave for centuries and only now awakens to the modern world. As Thorne listens, Marius describes carrying the royal vampire coffins from Antioch to Rome, seeing Byzantium change into Christian Constantinople, and (skipping the Dark Ages) participating in Italy's glory years of blood and gold, during which he becomes a great painter. For centuries he mourns his beloved Pandora, whom he fled in Antioch. A pair of two-dimensional vampires, angry Mael and tearful Avicus, cling to Marius as he meets the glorious Eastern vamp Eudoxia, who herself has drunk from Akasha. But Eudoxia must die and be replaced by Zenobia, a virginal variation on child-vampire Claudia. Besotted by Botticelli, painter Marius hears Satan whisper, Give Botticelli the Blood. Then Marius loves Bianca the poisoner and the Russian waif Amadeo/Armand. Later turns: Marius is burned by Christian Satanists and tries to win back Pandora. Given her historical antecedents, Rice-Who-Must-Be-Obeyed writes like a damned Queen.
Loading...When he had first come to the frozen land, he had hoped he would sleep eternally. But now and then the thirst for blood awakened him, and using the Cloud Gift, he rose into the air, and went in search of the Snow Hunters.
He fed off them, careful never to take too much blood from any one so that none died on account of him. And when he needed furs and boots he took them as well, and returned to his hiding place.
These Snow Hunters were not his people. They were dark of skin and had slanted eyes, and they spoke a different tongue, but he had known them in the olden times when he had traveled with his uncle into the land to the East for trading. He had not liked trading. He had preferred war. But he'd learnt many things on those adventures.
In his sleep in the North, he dreamed. He could not help it. The Mind Gift let him hear the voices of other blood drinkers.
Unwillingly he saw through their eyes, and beheld the world as they beheld it. Sometimes he didn't mind. He liked it. Modern things amused him. He listened to far-away electric songs. With the Mind Gift he understood such things as steam engines and railroads; he even understood computers and automobiles. He felt he knew the cities he had left behind though it had been centuries since he'd forsaken them.
An awareness had come over him that hewasn't going to die. Loneliness in itself could not destroy him. Neglect was insufficient. And so he slept.
Then a strange thing happened. A catastrophe befell the world of the blood drinkers.
A young singer of sagas had come. His name was Lestat, and in his electric songs, Lestat broadcast old secrets, secrets which Thorne had never known.
Then a Queen had risen, an evil and ambitious being. She had claimed to have within her the Sacred Core of all blood drinkers, so that, should she die, all the race would perish with her.
Thorne had been amazed.
He had never heard these myths of his own kind. He did not know that he believed this thing.
But as he slept, as he dreamt, as he watched, this Queen began, with the Fire Gift, to destroy blood drinkers everywhere throughout the world. Thorne heard their cries as they tried to escape; he saw their deaths in so far as others saw such things.
As she roamed the earth, this Queen came close to Thorne but she passed over him. He was secretive and quiet in his cave. Perhaps she didn't sense his presence. But he had sensed hers and never had he encountered such age or strength except from the blood drinker who had given him the Blood.
And he found himself thinking of that one, the Maker, the red-haired witch with the bleeding eyes.
The catastrophe among his kind grew worse. More were slain; and out of hiding there came blood drinkers as old as the Queen herself, and Thorne saw these beings.
At last there came the red-haired one who had made him. He saw her as others saw her. And at first he could not believe that she still lived; it had been so long since he'd left her in the Far South that he hadn't dared to hope she was still alive. The eyes and ears of other blood drinkers gave him the infallible proof. And when he looked on her in his dreams, he was overwhelmed with a tender feeling and a rage.
She thrived, this creature who had given him the Blood, and she despised the Evil Queen and she wanted to stop her. Theirs was a hatred for each other which went back thousands of years.
At last there was a coming together of these beings–old ones from the First Brood of blood drinkers, and others whom the blood drinker Lestat loved and whom the Evil Queen did not choose to destroy.
Dimly, as he lay still in the ice, Thorne heard their strange talk, as round a table they sat, like so many powerful Knights, except that in this council, the women were equal to the men.
With the Queen they sought to reason, struggling to persuade her to end her reign of violence, to forsake her evil designs.
He listened, but he could not really understand all that was said among these blood drinkers. He knew only that the Queen must be stopped.
The Queen loved the blood drinker Lestat. But even he could not turn her from disasters, so reckless was her vision, so depraved her mind.
Did the Queen truly have the Sacred Core of all blood drinkers within herself? If so, how could she be destroyed?
Thorne wished the Mind Gift were stronger in him, or that he had used it more often. During his long centuries of sleep, his strength had grown, but now he felt his distance and that he was weak.
But as he watched, his eyes open, as though that might help him to see, there came into his vision another red-haired one, the twin sister of the woman who had loved him so long ago. It astonished him, as only a twin can do.
And Thorne came to understand that the Maker he had loved so much had lost this twin thousands of years ago.
The Evil Queen was the mistress of this disaster. She despised the red-haired twins. She had divided them. And the lost twin came now to fulfill an ancient curse she had laid on the Evil Queen.
As she drew closer and closer to the Queen, the lost twin thought only of destruction. She did not sit at the council table. She did not know reason or restraint.
"We shall all die," Thorne whispered in his sleep, drowsy in the snow and ice, the eternal arctic night coldly enclosing him. He did not move to join his immortal companions. But he watched. He listened. He would do so until the last moment. He could do no less.
Finally, the lost twin reached her destination. She rose against the Queen. The other blood drinkers around her looked on in horror. As the two female beings struggled, as they fought as two warriors upon a battlefield, a strange vision suddenly filled Thorne's mind utterly, as though he lay in the snow and he were looking at the heavens.
What he saw was a great intricate web stretching out in all directions, and caught within it many pulsing points of light. At the very center of this web was a single vibrant flame. He knew the flame was the Queen; and he knew that the other points of light were all the other blood drinkers. He himself was one of those tiny points of light. The tale of the Sacred Core was true. He could see it with his own eyes. And now came the moment for all to surrender to darkness and silence. Now came the end.
The far-flung complex web grew glistening and bright; the core appeared to explode; and then all went dim for a long moment, during which he felt a sweet vibration in his limbs as he often felt in simple sleep, and he thought to himself, Ah, so, now we are dying. And there is no pain.
Yet it was like Ragnarok for his old gods, when the great god, Heimdall, the World Brightener, would blow his horn summoning the gods of Aiser to their final battle.
"And we end with a war as well," Thorne whispered in his cave. But his thoughts did not end.
It seemed the best thing that he live no more, until he thought of her, his red-haired one, his Maker. He had wanted so badly to see her again.
Why had she never told him of her lost twin? Why had she never entrusted to him the myths of which the blood drinker Lestat sang? Surely she had known the secret of the Evil Queen with her Sacred Core.
He shifted; he stirred in his sleep. The great sprawling web had faded from his vision. But with uncommon clarity he could see the red-haired twins, spectacular women.
They stood side by side, these comely creatures, the one in rags, the other in splendor. And through the eyes of other blood drinkers he came to know that the stranger twin had slain the Queen, and had taken the Sacred Core within herself.
"Behold, the Queen of the Damned," said his Maker twin as she presented to the others her long-lost sister. Thorne understood her. Thorne saw the suffering in her face. But the face of the stranger twin, the Queen of the Damned, was blank.
In the nights that followed the survivors of the catastrophe remained together. They told their tales to one another. And their stories filled the air like so many songs from the bards of old, sung in the mead hall. And Lestat, leaving his electric instruments for music, became once more the chronicler, making a story of the battle that he would pass effortlessly into the mortal world.
Soon the red-haired sisters had moved away, seeking a hiding place where Thorne's distant eye could not find them.
Be still, he had told himself. Forget the things that you have seen. There is no reason for you to rise from the ice, any more than there ever was. Sleep is your friend. Dreams are your unwelcome guests.
Lie quiet and you will lapse back into peace again. Be like the god Heimdall before the battle call, so still that you can hear the wool grow on the backs of sheep, and the grass grow far away in the lands where the snow melts.
But more visions came to him.
The blood drinker Lestat brought about some new and confusing tumult in the mortal world. It was a marvelous secret from the Chris- tian past that he bore, which he had entrusted to a mortal girl.
There would never be any peace for this one called Lestat. He was like one of Thorne's people, like one of the warriors of Thorne's time.
Thorne watched as once again, his red-haired one appeared, his lovely Maker, her eyes red with mortal blood as always, and finely glad and full of authority and power, and this time come to bind the unhappy blood drinker Lestat in chains.
Chains that could bind such a powerful one?
Thorne pondered it. What chains could accomplish this, he wondered. It seemed that he had to know the answer to this question. And he saw his red-haired one sitting patiently by while the blood drinker Lestat, bound and helpless, fought and raved but could not get free.
What were they made of, these seemingly soft shaped links that held such a being? The question left Thorne no peace. And why did his red-haired Maker love Lestat and allow him to live? Why was she so quiet as the young one raved? What was it like to be bound in her chains, and close to her?
Memories came back to Thorne; troubling visions of his Maker when he, a mortal warrior, had first come upon her in a cave in the North land that had been his home. It had been night and he had seen her with her distaff and her spindle and her bleeding eyes.
From her long red locks she had taken one hair after another and spun it into thread, working with silent speed as he approached her.
It had been bitter winter, and the fire behind her seemed magical in its brightness as he had stood in the snow watching her as she spun the thread as he had seen a hundred mortal women do....
loading...
loading...
loading...
Hear our exclusive audio interview with Anne Rice (13:43).
Terms of Use, Copyright, and Privacy Policy
© 1997-2008 Barnesandnoble.com llc