Bliss, O. Z. Livaneli, Book

Synopsis

Fifteen-year-old Meryem lives in a rural village in Eastern Anatolia, Turkey. Her simple, conventional way of life changes dramatically after her uncle, a sheikh in a dervish order, rapes her—and condemns her to death for shaming the family. Asked to carry out the “honor killing” is his son Cemal, a commando in the Turkish army. So begins a long, mystifying voyage for Meryem as her shell-shocked cousin ushers her to the shining metropolis of Istanbul where another troubled soul, the Harvard-educated professor Irfan, embarks on his own journey of transformation—one that catapults him into the heart of Meryem and Cemal’s conflict. The crossed-paths and interwoven destinies of these three characters makes for an affecting, by turns brutal and life-affirming portrayal of traditional and modern-day Turkey that no reader will soon forget. “Livaneli is an essential force in Turkey’s musical, cultural, and political scene.”
--Orhan Pamuk, Nobel Prize Winner and author of Snow

“Bliss is eye-opening and deeply moving.”
--Kirkus Reviews (starred)

“Compelling [for] American readers …hard to put down.”
--The Cleveland Plain Dealer
“With lush scenes of Turkish life and nuanced depictions of the [characters’] inner lives. . .a convergence of lost, likable souls.”
--Entertainment Weekly O. Z. Livaneli, one of Turkey’s most prominent authors, is also an accomplished composer, and previously served as an elected member of the Turkish Parliament. For more information about his background and books,visit his website at livaneli.net.

Annotation

Finalist for the 2006 Discover Award, Fiction

Publishers Weekly

The paths of three characters converge to illustrate, perhaps too patly, the conflicts of contemporary Turkey. Raped by her uncle, the sheikh, 15-year-old villager Meryem has shamed her family. To save the family name, Cemal, the sheikh's son, a soldier home from his tour fighting Kurds in the Gabar Mountains, is ordered by his father to take Meryem to Istanbul and to murder her. When Cemal and Meryem reach Istanbul, they are shocked by the cosmopolitan city, full of women wearing low-cut blouses and children who disobey their parents. Cemal falters at the moment of decision and, instead of murdering Meryem, travels with her to the seaside, where they encounter Irfan, a successful Istanbul professor who, plagued by insomnia and anxiety, has fled his cushy life to set sail in the Aegean Sea. Irfan offers them jobs on his boat and forges a tenuous mentorship with Meryem, but Cemal, whose psychological torment is richly captured early in the book, is soon reduced to a glowering presence. Livaneli, a former exile who was elected to Turkey's Parliament in 2002, takes great pains to reveal his country's complex culture, but the result often reads like a cautionary fable. Readers should prepare themselves for heavy-handed allegory. (Oct.) Copyright 2006 Reed Business Information.

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Biography

One of Turkey's most prominent and popular authors, as well as an accomplished musician and composer, O. Z. Livaneli was held under military detention during the coup of 1971 and lived in exile for eight years. He was later elected to Turkey's Parliament in 2002 and became one of the founders of the Turkish-Kurdish peace movement, in addition to his considerable creative accomplishments.

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April 09, 2008: I found this book very boring. It goes on and on and never really gets to any conclusion. I am not sure what the point was.

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April 17, 2007: Zulfu Livaneli did a wonderful job with this novel. With his three main characters, Meryem, Camel and Dr. Irfan Kurudal he allows the reader to acquire an accurate perception of how different life can be in modern Turkey. Bliss in the American title. It is entitled 'Mutluluk' in most other countries. There is also movie that just came out, but it is in Turkish. Bliss is Middle Eastern Fiction that portrays real controversies 'such as honor killings' in a made-up story. This novel was named Book of the Month in Italy of March 2007. Bliss opens the world's eyes to important problems in Turkey today: women's rights and religion. I am interested in hearing what other authors will have to say about 'Bliis' in the future.

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Fact File

Name:
O. Z. Livaneli

Also Known As:
Omer Zulfu Livaneli (full name)

Current Home:
Istanbul, Turkey

Date of Birth:
June 20, 1946

Place of Birth:
Ilg�n, Konya, Turkey

Education:
B.A. in Music, 1974

* O. Z. Livaneli's official web site

Biography

O. Z. Livaneli is one of Turkey's most prominent and popular authors, as well as an accomplished musician and composer, whose works have been recorded by the London Symphony Orchestra. He was held under military detention during the coup of March 12, 1971, and lived in exile for eight years. He studied music in Stockholm, then lived in Paris and Athens, returning to Turkey in 1984. He was one of the founders of the Turkish-Kurdish Peace Movement and the initiator of the Campaign Against Violence in Turkey, and he has made significant contributions to the Greek-Turkish Frienship Committee. He was elected a Member of Parliament in 2002.

Author biography courtesy of St. Martin's Press.

Good to Know

Some interesting outtakes from our interview with Livaneli:

"One day a student approaches Borges, who is blind then, as he's walking the streets of Buenos Aires and asks him, �Are you Mr.Borges?' Borges replies, �Sometimes!' There are many moments in my life when I find myself feeling the same way. Sometimes joyous, sometimes sad, sometimes optimistic, sometimes pessimistic. I guess everyone is like that."

"I began my career as a publisher; I had a publishing house in Ankara. So I was somehow always related with the world of books. When my publishing house was shut down by the military junta and I was imprisoned, I chose to continue my relationship with books through the act of writing. I've been writing ever since."

"The desire to write was always there in me from my youth onwards, and I began by writing stories. One of my stories, �A Child in Purgatory,' was filmed by Swedish and German television. This year my novel Bliss is adapted to cinema. I think I have a special liking for novels that can be adapted to cinema. For me it indicates that the book has a decent story and characters."

Feature Interview

In the winter of 2007, O. Z. Livaneli took some time out to talk with us about his favorite books, authors, and interests.

What was the book that most influenced your life or your career as a writer?
Ernest Hemingway's entire work -- and especially The Old Man and the Sea -- influenced my life and career to a great extent. I first read Hemingway when I was a kid, and he immediately became my idol. I not only admired him as an author, but also because of the feeling of adventure that he aroused in so many young people all around the world. After having read The Old Man and the Sea many times -- I had even memorized some parts of it -- I had decided to be a writer myself and lead a life of adventure just like he had done.

At my parents' home in Ankara, the walls of my room were full not with photographs of famous people from the world of music and cinema, but with portraits of Hemingway. I had read all his biographies. On Saturdays, I used to go to the American library in Ankara to check whether there was anything new about him in the journals. In time, his influence over me grew to such an extent that when I was 16 years old, during my summer holiday, I went to a fishing village -- without letting my parents know -- to live like him. I started to work in a fishing boat. At night, I slept in the boat with the novel under my pillow. At the end of two months, I had to return to my parents' house, but at that point I knew for sure that I was going to be a writer.

What are your ten favorite books, and what makes them special to you?

William Faulkner, Light in August -- I read William Faulkner's Light in August when I was young, and I felt that it would change my life. The novel elevates a local crime to the level of a universal human tragedy, and hence creates a sense of identification with the events that may have taken place anytime, anywhere in the world. Although its style has an archaic air reminding one of the Old Testament, it at the same time has a very modern quality. Faulkner creates a shadowy atmosphere even in those parts of the novel where the events take place in daylight and in this way, represents the dark and shadowy nature of our consciousness. I must say I tried hard to get rid of Faulkner's influence.

I always think that certain characteristics of the 19th-century Russian novelistic tradition have somehow been transferred to 20th-century American literature. I find similarities between Dostoevsky, Tolstoy, and Turgenev and Faulkner, Caldwell, Steinbeck.

Dostoevsky, Crime and Punishment -- One of the things I most like about this novel is the way in which Dostoevsky describes St.Petersburg; the city reflects the inner worlds of the heroes. Also, Raskolnikov's pangs of conscience due to his crime and his confession move me deeply. Today those who commit a crime go on with their lives comfortably as long as their crime remains unknown. It may be said that Dostoevsky is idealizing the human heart. Only this can explain the fact that at the end of all the novels of this great author, whose main concern is analyzing the depths of human psychology, there appears the light of hope.

Ernest Hemingway -- The Old Man and the Sea -- See above.

The Book of One Thousand and One Nights -- I think that this unique masterpiece of Eastern literature with its multitude of stories that intertwine and form a labyrinth have influenced many writers in the world, such as Jorge Louis Borges and others. Told by a woman, these stories on the unfaithfulness of women stand somewhere between life and death. This book is an infinite source of inspiration for any writer.

Rumi, Masnavi -- Another masterpiece of Eastern literature, this is written by Jalal ad-Din Rumi, the great Sufi poet and thinker of the 13th century. Composed of intertwining tales and stories, Masnavi surprises the reader with its depth and it's full of modern thoughts. As early as the 13th century, Rumi opposes all kinds of religious, ethnic, and sexual discrimination. In my own books, I frequently quote stories from the Masnavi.

Leo Tolstoy, Anna Karenina -- I have always admired the way Tolstoy identifies with women in love and studies carefully the depth of their feelings. It's interesting that in 19th-century Orthodox Russia, this old count with a white beard is telling the story of a woman who would in the end commit suicide because of a desperate love. How could this be explained by other than the ability of great writers to identify with different people and situations around the world?

Gustave Flaubert, Madame Bovary -- I like this book for similar reasons as Anna Karenina. I have always admired Flaubert's strict loyalty to details and his ability to bring to life visually each scene, place, and person that he describes.

Garc�a M�rquez, Chronicle of a Death Foretold --This short but intense novel tells about the people of a village who are very well aware of a murder being committed in the name of tradition but yet remain quiet. Although the suspects brag about the crime, people seem to ignore it. I like this book very much because it has so much to say on the conflict of tradition and modernity, an issue which I am dealing with all the time in my own country.

Yashar Kemal, Memed My Hawk -- The most cherished classic of Turkish literature has instilled in all of us, during our youth, a feeling for the necessity of struggle against injustice.

Cervantes, Don Quixote -- In this masterpiece which I've read over and over again, I find a very sad side to the desperate struggle of Don Quixote, who tries to defend values that are being worn out by a changing world. It's not a coincidence that my novel Bliss has a chapter called "Don Quixote at Night, Sancho Panza in the Morning." I believe that every one of us is like this a little bit. At night, we're full of idealism and sublime feelings, but in the morning, reality makes us Sancho Panza.

What are some of your favorite films, and what makes them unforgettable to you?
The ones that immediately come to my mind are Fellini's Amarcord and Fred Zinnemann's High Noon. The first is a very personal film in which Fellini is remembering his youth; the carnivalesque nature of the film, Fellini's sense of humor and Nina Rota's music make it unforgettable. High Noon is another of my favorites, with marvelous character building and a wonderful script.

What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like classical music, jazz, and world music.

If you had a book club, what would it be reading?
If I had a book club, I would start by reading Don Quixote; as everyone well knows, today it represents the true beginning of the art of the novel.

What are your favorite kinds of books to give -- and get -- as gifts?
I give all kinds of books as gifts, depending on the person's likes and interests. I myself like receiving history books, memoirs, and biographies.

Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
No rituals, really. On my desk I usually have my notes, my reference books, and a cup of coffee.

Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
My first stories were published in 1978, but I began writing years before that date. So mine is hardly an overnight success story.

What tips or advice do you have for writers still looking to be discovered?
I believe that one just has to write and write until one finds his true voice.

From Barnes & Noble

Barnes & Noble Discover Great New Writers
Life was much easier when Meryem was a little girl. "Thin as a beanpole, she played with the other children" in the streets of the small Turkish village where she was born. But too soon she is forced to realize the legacy of her womanly inheritance -- swathed in thick cloth from head to toe, she is hidden away, ignored, her only purpose to serve others.

Following a violent assault by a powerful relative, Meryem is shunned by her family and is led to a barn, expected to fulfill her duty to restore her family's name. Conversely, her cousin Cemal returns a hero from the war against the Kurds. Yet it is her childhood playmate Cemal who is selected to mete out Meryem's punishment.

Miles away in Istanbul, Dr. Irfan Kurudal, a famous professor, flees his comfortable but empty life to sail across the magnificent Aegean Sea. Leaving behind a wife, a career, and decades of hard work, he doesn't know what he's searching for, only that he cannot survive if he remains in a life that feels increasingly insignificant.

Set against a backdrop and culture both foreign and mysterious, Bliss is the provocative story of three lives shattered by the constraints and contradictions of the society in which they live. In Livaneli's artfully written novel, their paths unexpectedly cross, launching each of them on a journey to freedom and a second chance. (Holiday 2006 Selection)

From the Publisher

Fifteen-year-old Meryem lives in a rural village in Eastern Anatolia, Turkey. Her simple, conventional way of life changes dramatically after her uncle, a sheikh in a dervish order, rapes her—and condemns her to death for shaming the family. Asked to carry out the “honor killing” is his son Cemal, a commando in the Turkish army. So begins a long, mystifying voyage for Meryem as her shell-shocked cousin ushers her to the shining metropolis of Istanbul where another troubled soul, the Harvard-educated professor Irfan, embarks on his own journey of transformation—one that catapults him into the heart of Meryem and Cemal’s conflict. The crossed-paths and interwoven destinies of these three characters makes for an affecting, by turns brutal and life-affirming portrayal of traditional and modern-day Turkey that no reader will soon forget. “Livaneli is an essential force in Turkey’s musical, cultural, and political scene.”
--Orhan Pamuk, Nobel Prize Winner and author of Snow

“Bliss is eye-opening and deeply moving.”
--Kirkus Reviews (starred)

“Compelling [for] American readers …hard to put down.”
--The Cleveland Plain Dealer
“With lush scenes of Turkish life and nuanced depictions of the [characters’] inner lives. . .a convergence of lost, likable souls.”
--Entertainment Weekly O. Z. Livaneli, one of Turkey’s most prominent authors, is also an accomplished composer, and previously served as an elected member of the Turkish Parliament. For more information about his background and books,visit his website at livaneli.net.

Publishers Weekly

The paths of three characters converge to illustrate, perhaps too patly, the conflicts of contemporary Turkey. Raped by her uncle, the sheikh, 15-year-old villager Meryem has shamed her family. To save the family name, Cemal, the sheikh's son, a soldier home from his tour fighting Kurds in the Gabar Mountains, is ordered by his father to take Meryem to Istanbul and to murder her. When Cemal and Meryem reach Istanbul, they are shocked by the cosmopolitan city, full of women wearing low-cut blouses and children who disobey their parents. Cemal falters at the moment of decision and, instead of murdering Meryem, travels with her to the seaside, where they encounter Irfan, a successful Istanbul professor who, plagued by insomnia and anxiety, has fled his cushy life to set sail in the Aegean Sea. Irfan offers them jobs on his boat and forges a tenuous mentorship with Meryem, but Cemal, whose psychological torment is richly captured early in the book, is soon reduced to a glowering presence. Livaneli, a former exile who was elected to Turkey's Parliament in 2002, takes great pains to reveal his country's complex culture, but the result often reads like a cautionary fable. Readers should prepare themselves for heavy-handed allegory. (Oct.) Copyright 2006 Reed Business Information.

Library Journal

A writer, composer, and elected member of the Turkish parliament, Livaneli offers readers a fascinating look at the diversity of Turkey today in his American debut (Bliss was first published in 2003). The story is told from the perspective of three main characters. Cemal serves in Turkey's army, fighting the Kurds, though he hails from a village where Turks and Kurds have lived in peace for generations, often intermarrying. His younger cousin Meryam is content with the changeless village life until she is raped at 15 by Cemal's father. Irfan is a Harvard-educated professor and frequent television talking head who with his wealthy wife spends his evenings at the hottest restaurants and clubs. When Cemal returns from his service, he is charged with "taking Meryam to Istanbul"-a euphemism for murdering Meryam somewhere so that the crime is not traced back to the family. In the meantime, Irfan longs for the simple life he dreamed of as a boy and heads to sea in a rented boat. Eventually, the three characters meet, a significant event that affects them all. Highly recommended for libraries where readers like to explore other cultures.-Debbie Boggenshutz, Cincinnati State Technical & Community Coll. Lib. Copyright 2006 Reed Business Information.

Ellen BellCopyright 2006 Reed Business Information. - School Library Journal

Adult/High School
Left in the barn to hang herself as a consequence of her uncle raping her, 15-year-old Meryem defies local tradition and refuses to do it. Her cousin Cemal, recently a soldier in the army, who grew up with her in a tiny village in eastern Turkey, is sent to take her to Istanbul and is told to kill her on the way. On the train, Meryem's eyes are opened to city women who wear modern-day dress and speak and eat in front of men. Cemal cannot kill her, and after a short stay with his brother in Istanbul, he goes to a war buddy who gives them a place of temporary refuge, a fish farm on a cove in western Turkey. Here they meet a professor who has run away from his privileged life in Istanbul and is living on a large sailboat. He invites the two cousins to join him as his crew and companions. The dynamics created by this union give these three characters a new direction in which to take their lives. Teens will be drawn to the plight of a girl who has been raped and is then treated as the perpetrator of the crime. Livaneli shows village life and modern city life as two separate realities that coexist in Turkey today. Students interested in human rights and global studies will also appreciate this novel.

Kirkus Reviews

Turkey's wildly disparate and clashing cultures, from isolated Muslim fundamentalism to jaded secularism, collide in this romantic yet clear-eyed translation from a noted Turkish composer and politician, now a member of that country's Parliament. Her village family ostracizes teenage Meryem after she is raped. When her older cousin Cemal returns from fighting in the Turkish army against the Kurds, his father, the family's religious leader (and Meryem's secret rapist), orders him to take Meryem to Istanbul and make her "disappear," the typical fate of defiled village girls. Meryem innocently enjoys the journey to Istanbul, unaware of Cemal's orders. To his mortification, Cemal cannot bring himself to kill Meryem. His army buddy Selahattin, a devout Muslim and genuinely good man, shows Cemal that the Koran can be interpreted as promoting love and peace, not vengeance. Meanwhile, Irfan, a professor with a TV show and a rich wife, escapes the meaningless of his life in Istanbul by sailing the Aegean Sea in an old boat. He hires Meryem and Cemal as his crew and introduces them to modern ways. Drawn to her budding intelligence, Irfan teaches Meryem to read. As Meryem blossoms, Cemal grows resentful, yet he, too, loses his desire to return to his father's village. Tensions rise in an idyllic seaside village where they stay with a former ambassador who has withdrawn to his orange orchard to escape the ugliness he has witnessed in the world. Meryem falls in with a kind family who run a restaurant. Cemal and Irfan confront each other with truths neither wants to face. Irfan sails away after giving Meryem all his money. She goes to the restaurant full of hope, leaving Cemal to find his own way.Livaneli deftly folds his philosophical and political questioning into the psychology of his characters. Eye-opening and deeply moving-essential for anyone looking for decency in the world today.

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Product Details

ISBN: 0312360541
ISBN-13: 9780312360542
Format: Paperback, 304pp
Publisher: St. Martin's Press
Pub. Date: September 2007
Edition Description: Reprint
Sales Rank: 221,423

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She no longer remembered the hut by the vineyard at the edge of the village where she had gone to take her uncle his food. She no longer recollected how the man had thrown himself on her and violated her; nor how she had fainted; nor even later, when she had come to her senses, how she had rushed out of the hut and run madly down the road. It was all buried deep in the shadows of her mind.

Two young men had found her near the graveyard, her skin scratched by thornbushes, dried blood on her legs. Delirious with fright, she had fluttered like a wounded bird. They carried her through the village marketplace and brought her home -- where everyone was stunned into silence. Too afraid to discuss the incident, Meryem's family had locked her in the damp and dingy outhouse they called the barn.

Meryem spoke to no one about the rape in the vineyard hut, nor did she reveal the identity of her attacker. In fact, she began to doubt it had ever happened. Perhaps it had just been a dream. Her memory was blurred, and she could not remember what she had done after regaining her senses. It was all so confused, so impossible to think of, though she could not imagine ever saying "uncle" to him again. She thrust the event to the farthest corner of her mind. Yet, even there, out of conscious reach, it still lay lurking -- ready to surface again in her dreams.

The barn, where her thin mattress lay on the ground, was dark. Feeble beams of light from the courtyard flickered through the cracks in the aged wooden door and the tiny hole in the ceiling. In the dimness, the shapes of discarded saddles, saddlebags, halters, harnesses, a pitchfork abandoned in a corner, bundles arranged in rows on the wooden shelves, a bag used to store dried phyllo dough, thin sheets of sun-dried grape pulp, and grain sacks were all indistinguishable, but Meryem knew by heart the place of each and every one of them.

She had spent her entire life in this place on the shores of Lake Van, this place half town, half village. She knew each house, each tree, each bird there. Every detail of the abandoned Armenian house, two stories high, in which they lived was stamped on her mind: the granary, the simple bathroom, the earthen oven, the stable, the chicken coop, the garden, the poplars, and the courtyard. Even with her eyes closed, she could easily find the smallest thing, as if she had put it there herself. On the wooden door of their house were two knockers -- one big, one small. The larger knocker was used by the men and the smaller one by the women who visited the house. The women of the household understood from the sound who was at the door, and when they heard the banging of the bigger knocker they had just enough time to cover themselves for the male visitor.

Since Meryem had never left the village, or even seen the other side of the hill that was always there in front of her, she sometimes thought she knew nothing of the world. But this did not bother her. After all, she could go to the city of Istanbul anytime she liked; whenever people talked about some acquaintance or other, they always seemed to remark, "She went to Istanbul" or "He came from Istanbul." Meryem was certain that it lay just beyond the distant hill. She had always believed that if she climbed to the top, she would see the golden city about whose glories the villagers never tired of telling.

To go to a city so near might not have been difficult, but now it was quite impossible. Quite apart from going to Istanbul just over the hill, now she could not even go to the fountain, the bakery from which she used to fetch bread, the store full of sweet-smelling, colorful cloth she had been taken to by her elders, or the public bath where once a week they used to spend the whole day. She was now imprisoned in the barn into which her family had thrust her, then locked the door. An outcast, she was in solitary confinement.

Meryem had not seen her father since the incident when the sinful part of her body had been violated. Her father was quiet and withdrawn, and her uncle dominated the family. No one, not even Meryem's father, dared to speak freely in front of him. He was highly regarded, not only in their village but throughout the neighborhood, and visitors, bearing gifts, would often come to kiss his hand and pay their respects. Strict, quick-tempered, and intimidating, he recited verse from the Quran, invoked the hadiths of the Prophet Muhammad, and acted as a guide in all matters of daily life. As he was the head of the religious sect of that area, he had many followers, even in Istanbul on the other side of the hill.

It was Meryem's uncle who had confined her to the barn. She could still hear his furious shot, "Lock up that accursed, immoral whore!" and the remembrance of his cruel words made her tremble even more.

As D�ne was quick to tell her, Meryem had thrown the family honor into the dust. No longer could they walk through the village with their heads held high.

"What happens to girls who get in trouble like this?" Meryem had asked her stepmother.

"They get sent to Istanbul. Two or three have already gone there."

Meryem's fear lessened. Her punishment would only be to go over the hill there behind them. But then she noticed D�ne's expression -- as if she were saying, "You'll get what you deserve, my girl!"

Bliss by O. Z. Livaneli

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Customer Reviews

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Blissby Anonymous

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From the Publisher

Publishers Weekly

Library Journal

Ellen BellCopyright 2006 Reed Business Information. - School Library Journal

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Bliss by O. Z. Livaneli

BUY IT NEW

BUY IT USED

FIND & RESERVE AN IN-STORE COPY

Synopsis

Annotation

Publishers Weekly

Biography

Customer Reviews

Blissby Anonymous

Blissby Anonymous

Fact File

Biography

Good to Know

Feature Interview

From Barnes & Noble

From the Publisher

Publishers Weekly

Library Journal

Ellen BellCopyright 2006 Reed Business Information. - School Library Journal

Kirkus Reviews

Product Details

Read an Excerpt

Customers who bought this also bought

More by This Author

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