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Ramona Quimby is the youngest of all the famous characters in Mrs. Cleary's wonderful Henry Huggins stories. She is also far and away the most deadly. Readers of the earlier books will remember that Ramona has always been a menace to Beezus, her older sister, to Henry, and to his dog Ribsy. It is not that Ramona deliberately sets out to make trouble for other people. She simply has more imagination than is healthy for any one person.
In this book Ramona and her imagination really come into their own. Starting with a fairly mild encounter with the librarian, which is harder on Beezus than anyone else, Ramona goes from strength to strength, winding up by inviting her entire kindergarten class to a part at her home without mentioning it to her mother. The riot that ensues is probably the most hilarious episode in this extremely funny book, which proves that Mrs. Cleary's imagination is almost as lively as Ramona's.
Beezus' biggest problem was her 4-year-old sister Ramona. Even though Beezus knew sisters were supposed to love each other, with a sister like Ramona, it seemed impossible.
More Reviews and RecommendationsNew readers find a friend in Beverly Cleary, who displays an uncanny understanding of kid life in Ramona Quimby, Age 8, Henry Huggins, and other titles in her classic series of books about life on Klickitat Street -- books that hold up decade after decade.
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June 21, 2009: Ramona means well but always ends up getting into trouble. Realistic and funny portrayal of a little girl and her family.
I Also Recommend: Gooney Bird Greene, Clementine, Ivy and Bean (Ivy and Bean Series #1).
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May 26, 2009: I wanted to let people know that there is a movie coming out Ramona and Beezus starring Selena Gomez from Wizards of Waverly Place as Beezus and Joey King as Ramona. I have read some of Beverly Cleary when I was younger and loved them. But I am going to see this movie and I can't wait!
Name:
Beverly Cleary
Also Known As:
Beverly Atlee Bunn (birth name)
Current Home:
Carmel, California
Date of Birth:
April 12, 1916
Place of Birth:
McMinnville, Oregon
Education:
B.A., University of California-Berkeley, 1938; B.A. in librarianship, University of Washington (Seattle), 1939
Awards:
Laura Ingalls Wilder Award, 1975; Newbery Honor for Ramona and Her Father, 1978; Newbery Honor for Ramona Quimby, Age 8, 1982; Newbery Medal for Dear Mr. Henshaw, 1984
Beverly Cleary was inadvertently doing market research for her books before she wrote them, as a young children’s librarian in Yakima, Washington. Cleary heard a lot about what kids were and weren’t responding to in literature, and she thought of her library patrons when she later sat down to write her first book.
Henry Huggins, published in 1950, was an effort to represent kids like the ones in Yakima and like the ones in her childhood neighborhood in Oregon. The bunch from Klickitat Street live in modest houses in a quiet neighborhood, but they’re busy: busy with rambunctious dogs (one Ribsy, to be precise), paper routes, robot building, school, bicycle acquisitions, and other projects. Cleary was particularly sensitive to the boys from her library days who complained that they could find nothing of interest to read – and Ralph and the Motorcycle was inspired by her son, who in fourth grade said he wanted to read about motorcycles. Fifteen years after her Henry books, Cleary would concoct the delightful story of a boy who teaches Ralph to ride his red toy motorcycle.
Cleary’s best known character, however, is a girl: Ramona Quimby, the sometimes difficult but always entertaining little sister whom Cleary follows from kindergarten to fourth grade in a series of books. Ramona is a Henry Huggins neighbor who, with her sister, got her first proper introduction in Beezus and Ramona, adding a dimension of sibling dynamics to the adventures on Klickitat Street. Cleary’s stories, so simple and so true, deftly portrayed the exasperation and exuberance of being a kid. Finally, an author seemed to understand perfectly about bossy/pesty siblings, unfair teachers, playmate politics, the joys of clubhouses and the perils of sub-mattress monsters.
Cleary is one of the rare children’s authors who has been able to engage both boys and girls on their own terms, mostly through either Henry Huggins or Ramona and Beezus. She has not limited herself to those characters, though. In 1983, she won the Newbery Medal with Dear Mr. Henshaw, the story of a boy coping with his parents’ divorce, as told through his journal entries and correspondence with his favorite author. She has also written a few books for older girls (Fifteen, The Luckiest Girl, Sister of the Bride, and Jean and Johnny) mostly focusing on first love and family relationships. A set of books for beginning readers stars four-year-old twins Jimmy and Janet.
Some of Cleary’s books – particularly her titles for young adults – may seem somewhat alien to kids whose daily lives don’t feature soda fountains, bottles of ink, or even learning cursive. Still, the author’s stories and characters stand the test of time; and she nails the basic concerns of childhood and adolescence. Her books (particularly the more modern Ramona series, which touches on the repercussions of a father’s job loss and a mother’s return to work) remain relevant classics.
Cleary has said in an essay that she wrote her two autobiographical books, A Girl from Yamhill and My Own Two Feet, "because I wanted to tell young readers what life was like in safer, simpler, less-prosperous times, so different from today." She has conveyed that safer, simpler era -- still fraught with its own timeless concerns -- to children in her fiction as well, more than half a century after her first books were released.
Word processing is not Cleary's style. She writes, "I write in longhand on yellow legal pads. Some pages turn out right the first time (hooray!), some pages I revise once or twice and some I revise half-a-dozen times. I then attack my enemy the typewriter and produce a badly typed manuscript which I take to a typist whose fingers somehow hit the right keys. No, I do not use a computer. Everybody asks."
Cleary usually starts her books on January 2.
Up until she was six, Cleary lived in Yamhill, Oregon -- a town so small it had no library. Cleary's mother took up the job of librarian, asking for books to be sent from the state branch and lending them out from a lodge room over a bank. It was, Clearly remembers, "a dingy room filled with shabby leather-covered chairs and smelling of stale cigar smoke. The books were shelved in a donated china cabinet. It was there I made the most magical discovery: There were books written especially for children!"
Cleary authored a series of tie-in books in the early 1960s for classic TV show Leave It to Beaver.
Cleary's books appear in over 20 countries in 14 languages.
Cleary's book The Luckiest Girl is based in part on her own young adulthood, when a cousin of her mother's offered to take Beverly for the summer and have her attend Chaffey Junior College in Ontario, California. Cleary went from there to the University of California at Berkeley.
The actress Sarah Polley got her start playing Ramona in the late ‘80s TV series. Says Cleary in a Q & A on her web site: “I won’t let go of the rights for television productions unless I have script approval. There have been companies that have wanted the movie rights to Ramona, but they won’t let me have script approval, and so I say no. I did have script approval for the television productions of the Ramona series…. I thought Sarah Polley was a good little actress, a real little professional.”
What was the book that most influenced your life, and why?
The book that made the greatest impact on my life was The Dutch Twins by Lucy Fitch Perkins. Let me explain. When I was in the first grade I was afraid of the teacher and had a miserable time in the reading circle, a difficulty that was overcome by the loving patience of my second grade teacher. Even though I could read, I refused to do so. My despairing mother made sure that we had children’s books in our house. One rainy Sunday when I was in the third grade and in the days before TV I picked up a book to look at the pictures and discovered that even though I did not want to, I was reading and actually enjoying The Dutch Twins. I have been a reader ever since.
What are your ten favorite books, and why?
My favorite books are a constantly changing list, but one favorite has remained constant: the dictionary. Is the word I want to use spelled practice or practise? The dictionary knows. The dictionary also slows down my writing because it is such interesting reading that I am distracted.
My other favorites at this time fall into categories. Novels by British writers are among my favorites because our family has enjoyed travel in England and because they are written with an economy of words as if they were written with a pen instead of a computer. Penelope Fitzgerald is a favorite. Recently I have read Flight of the Maidens by Jane Gardam and Atonement by Ian McEwan and have recommended them to others. I also enjoy autobiographies because I am curious about the lives of others as seen by themselves. This House of Sky and Heart Earth by Ivan Doig, memories of hardscrabble ranching, were both enjoyable and enlightening to read about. I wouldn’t care to live such a life myself.
Favorite films?
This is a tough one. In my grammar school years back in the 1920s I used my ten-cents-a-week allowance for Saturday matinees of Douglas Fairbanks movies. All that swashbuckling and leaping about in the midst of the sails of ships! In high school my favorite was It Happened One Night with Clark Gable and Claudette Colbert. Ah…romance. Then came Gone with the Wind, the original version, not the version shown on TV today which has cut most of the history of the South and left only the love story. A film we recently have seen twice is Mr. Holland’s Opus, a moving story of a composer’s struggle to reconcile his creativity with his family responsibilities, a familiar problem in our household. I also enjoyed it because it was filmed at my high school, U.S. Grant in Portland, Oregon.
Favorite music?
I particularly enjoy cello music because our daughter plays the cello. I have listened to her practice for so many hours that I am familiar with the music written for that instrument. I am also fond of the popular music of the 1930s because my future husband and I danced to it so many Saturday nights when we were in college. He held me close and sang in my ear in his beautiful tenor voice: “You’re as sweet as a red rose in June, dear…” Ah...youth.
If you had a book club, what would it be reading, and why?
My book club would read and discuss The Adventures of Huckleberry Finn, one of the great works of American fiction. I read it when I was about 12 years old and was so eager to find out what happened next that I am sure much of the novel’s meanings passed me by.
Who are your favorite writers, and what makes their writing special?
James Thurber is one of my favorites because of his wit and his view of American life. I have read all of the novels of Barbara Pym, tragic-comedies about women who live quiet English lives, the sort of women we have seen in villages when we have traveled in England. I always look forward to the next book by Anne Lamott who writes with self-mocking and brutal honesty about her own life in California. Although I do not read my own books, I have enjoyed writing them. Perhaps this makes me one of my favorite writers.
What else do you want your readers to know?
I like to read, walk, cook, and travel to cities. We live in the country so we miss museums and the bustle of city life. I also enjoy needlework of any kind and have made many of my own clothes and those of our children, knit sweaters for the whole family, designed and made needlepoint tapestries and pieced two quilts which now hang on the walls of our son’s home. At present our daughter-in-law and I are working on an embroidered wall hanging with a crazy-quilt background. When I am writing a book I also enjoy ironing, an idiosyncrasy that probably makes me sound more domestic than I really am. Working with my hands frees my imagination.
Ramona Quimby is the youngest of all the famous characters in Mrs. Cleary's wonderful Henry Huggins stories. She is also far and away the most deadly. Readers of the earlier books will remember that Ramona has always been a menace to Beezus, her older sister, to Henry, and to his dog Ribsy. It is not that Ramona deliberately sets out to make trouble for other people. She simply has more imagination than is healthy for any one person.
In this book Ramona and her imagination really come into their own. Starting with a fairly mild encounter with the librarian, which is harder on Beezus than anyone else, Ramona goes from strength to strength, winding up by inviting her entire kindergarten class to a part at her home without mentioning it to her mother. The riot that ensues is probably the most hilarious episode in this extremely funny book, which proves that Mrs. Cleary's imagination is almost as lively as Ramona's.
Loading...Beezus Quimby tries very hard to be patient with her little sister, but four-year-old Ramona has the habit of doing the most unpredictable, annoying, embarrassing things in the world. How many nine-year-old girls have to put up with a silly little sister who hops around in rabbit ears and bakes a rubber doll into her sisters birthday cake? Sometimes Beezus doesnt like Ramona very much, and that makes her feel very guilty. Sisters are supposed to love each other, but pesky little Ramona just doesnt seem very lovable to Beezus.
Discussion Questions
About the author
Beverly Cleary was born in McMinnville, Oregon, and, until she was old enough to attend school, lived on a farm in Yamhill, a town so small it had no library. Her mother arranged with the State Library to have books sent to Yamhill and acted as librarian in a lodge room upstairs over a bank. There Mrs. Cleary learned to love books. When the family moved to Portland, where Mrs. Cleary attended grammar school and high school, she soon found herself in the low reading circle, an experience that has given her sympathy for the problems of struggling readers. By the third grade she had conquered reading and spent much of her childhood either with books or on her way to and from the public library. Before long her school librarian was suggesting that she should write for boys and girls when she grew up. The idea appealed to her, and she decided that someday she would write the books she longed to read but was unable to find on the library shelves, funny stories about her neighborhood and the sort of children she knew.
After graduation from junior college in Ontario, California, and the University of California at Berkeley, Mrs. Cleary entered the School of Librarianship at the University of Washington, Seattle. There she specialized in library work with children. She was Children's Librarian in Yakima, Washington, until she married Clarence Cleary and moved to California. The Clearys are the parents of twins, now grown. Mrs. Cleary's hobbies are travel and needlework.
Mrs. Cleary's books have earned her many prestigious awards, including the 1984 John Newbery Medal for Dear Mr. Henshaw, for the most distinguished contribution to American literature for children in 1983. Her Ramona and Her Father and Ramona Quimby, Age 8 were named 1978 and 1982 Newbery Honor Books, respectively. Among Mrs. Cleary's other awards are the American Library Association's 1975 Laura Ingalls Wilder Award, the Catholic Library Association's 1980 Regina Medal, and the University of Southern Mississippi's 1982 Silver Medallion, all presented in recognition of her lasting contribution to children's literature. In addition, Mrs. Cleary was the 1984 United States author nominee for the Hans Christian Andersen Award, a prestigious international award. Equally important are the more than 35 statewide awards Mrs. Cleary's books have received based on the direct votes of her young readers. The Beverly Cleary Sculpture Garden for Children featuring bronze statues of Ramona Quimby, Henry Huggins, and Ribsy, was recently opened in Portland, Oregon.
This witty and warm author is truly an international favorite. Mrs. Cleary's books appear in over twenty countries in fourteen languages and her characters, including Henry Huggins, Ellen Tebbits, Otis Spofford, and Beezus and Ramona Quimby, as well as Ribsy, Socks, and Ralph S. Mouse, have delighted children for generations. There have been Japanese, Spanish, and Swedish television programs based on the Henry Huggins series. PBS-TV aired a ten-part series based on the Ramona stories. One-hour adaptations of the three Ralph S. Mouse books have been shown on ABC-TV. All of Mrs. Cleary's adaptations still can be seen on cable television, and the Ramona adaptations are available in video stores.
Beatrice Quimby's biggest problem was her little sister Ramona. Beatrice, or Beezus (as everyone called her, because that was what Ramona had called her when she first learned to talk), knew other nine-year-old girls who had little sisters who went to nursery school, but she did not know anyone with a little sister like Ramona.
Beezus felt that the biggest trouble with fouryear-old Ramona was that she was just plain exasperating. If Ramona drank lemonade through a straw, she blew into the straw as hard as she could to see what would happen. If she played with her finger paints in the front yard, she wiped her hands on the neighbors' cat. That was the exasperating sort of thing Ramona did. And then there was the way she behaved about her favorite book.
It all began one afternoon after school when Beezus was sitting in her father's big chair embroidering a laughing teakettle on a pot holder for one of her aunts for Christmas. She was trying to embroider this one neatly, because she planned to give it to Aunt Beatrice, who was Mother's younger sister and Beezus' most special aunt.
With gray thread Beezus carefully outlined the steam coming from the teakettle's spout and thought about her pretty young aunt, who was always so gay and so understanding. No wonder she was Mother's favorite sister. Beezus hoped to be exactly like Aunt Beatrice when she grew up. She wanted to be a fourth-grade teacher and drive a yellow convertible and live in an apartment house with an elevator and a buzzer that opened the front door. Because she was named after Aunt Beatrice, Beezus felt she might belike her in other ways, too.
While Beezus was sewing, Ramona, holding a mouth organ in her teeth, was riding around the living room on her tricycle. Since she needed both hands to steer the tricycle, she could blow in and out on only one note. This made the harmonica sound as if it were groaning oh dear, oh dear over and over again.
Beezus tried to pay no attention. She tied a small knot in the end of a piece of red thread to embroider the teakettle's laughing mouth. "Conceal a knot as you would a secret," Grandmother always said.
Inhaling and exhaling into her mouth organ, Ramona closed her eyes and tried to pedal around the coffee table without looking.
"Ramona!" cried Beezus. "Watch where you're going!"
When Ramona crashed into the coffee table, she opened her eyes again. Oh dear, oh dear, moaned the harmonica. Around and around pedaled Ramona, inhaling and exhaling.
Beezus looked up from her pot holder. "Ramona, why don't you play with Bendix for a while?" Bendix was Ramona's favorite doll. Ramona thought Bendix was the most beautiful name in the world.
Ramona took the harmonica out of her mouth. "No," she said. "Read my Scoopy book to me."
"Oh, Ramona, not Scoopy," protested Beezus. "We've read Scoopy so many times."
Instead of answering, Ramona put her harmonica between her teeth again and pedaled around the room, inhaling and exhaling. Beezus had to lift up her feet every time Ramona rode by.
The knot in Beezus' thread pulled through the material of her pot holder, and she gave up trying to conceal it as she would a secret and tied a bigger knot. Finally, tired of trying to keep her feet out of Ramona's way, she put clown her embroidery. "All right, Ramona," she said. "If I read about Scoopy, will you stop riding your tricycle around the living room and making so much noise?"
"Yes," said Ramona, and climbed off her tricycle. She ran into the bedroom she shared with Beezus and returned with a battered, dog-eared, sticky book, which she handed to Beezus. Then she climbed into the big chair beside Beezus and Waited expectantly.
Reflecting that Ramona always managed to get her own way, Beezus gingerly took the book and looked at it with a feeling of great dislike. It was called The Littlest Steam Shovel. On the cover was a picture of a steam shovel with big tears coming out of its eyes. How could a steam shovel have eyes, Beezus thought and, scarcely looking at the words, began for what seemed like the hundredth or maybe the thousandth time, "Once there was a little steam shovel named Scoopy. One day Scoopy said, 'I do not want to be a steam shovel. I want to be a bulldozer.'"
"You skipped," interrupted Ramona.
"No, I didn't," said Beezus.
"Yes you did,"insisted Ramona. "You're supposed to say, 'I want to be a big bulldozer.'"
"Oh, all right," said Beezus crossly. "'I want to be a big bulldozer.'"
Ramona smiled contentedly and Beezus continued reading. "'G-r-r-r,' said Scoopy, doing his best to sound like a bulldozer."
Beezus read on through Scoopy's failure to be a bulldozer. She read about Scoopy's wanting to be a trolley bus ("Beep-beep," honked Ramona), a locomotive ("A-hooey, a-hooey," wailed Ramona), and a pile driver ("Clunk! Clunk!" shouted Ramona). Beezus was glad when she finally reached the end of the story and Scoopy learned it was best for little steam shovels to be steam shovels. "There!" she said with relief, and closed the book. She always felt foolish trying to make noises like machinery.
Beezus and Ramona. Copyright © by Beverly Cleary. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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