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In the tradition of recent hits like The Bitch in the House and Perfect Madness comes a hilarious and controversial book that every woman will have an opinion about, written by America’s most outrageous writer.
In our mothers’ day there were good mothers, neglectful mothers, and occasionally great mothers.
Today we have only Bad Mothers.
If you work, you’re neglectful; if you stay home, you’re smothering. If you discipline, you’re buying them a spot on the shrink’s couch; if you let them run wild, they will be into drugs by seventh grade. If you buy organic, you’re spending their college fund; if you don’t, you’re risking all sorts of allergies and illnesses.
Is it any wonder so many women refer to themselves at one time or another as “a bad mother”? Ayelet Waldman says it’s time for women to get over it and get on with it, in a book that is sure to spark the same level of controversy as her now legendary “Modern Love” piece, in which she confessed to loving her husband more than her children.
Covering topics as diverse as the hysteria of competitive parenting (Whose toddler can recite the planets in order from the sun?), the relentless pursuits of the Bad Mother police, balancing the work-family dynamic, and the bane of every mother’s existence (homework, that is), Bad Mother illuminates the anxieties that riddle motherhood today, while providing women with the encouragement they need to give themselves a break.
… it's the…uncensored rawness that made me reluctant to speed through any of Waldman's essays, for fear I'd miss some of the more jolting zingers…Waldman, hotheaded and opinionated, digs herself into ditches, and with Bad Mother, sends candid shots from the pit…[she] doesn't always tie her essays up in a neat bow, which seems appropriately messy given the subject matter. They say that a good mother is one who doesn't need her kids to like her all the time. Of writers and their readers, Waldman's book leaves me thinking, the same might be true.
More Reviews and RecommendationsA former public defender, Ayelet Waldman left the legal life to write about topics close to her heart: marriage (she's married to fellow author Michael Chabon) and motherhood. She broke out with her clever series of Mommy-Track mysteries, and has garnered praise for the stand-alone novels Daughter's Keeper and Love and Other Impossible Pursuits.
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November 17, 2009: While I found a lot of differences between Ayelet and myself as a woman and mother, you truly have to appreciate her brutal honesty and fearlessness. Despite it all she is a loving mother and wife with a successful career. It is a good reminder that as Moms we don't have to be perfect or even try to be perfect. We come in all different shapes and sizes!
I Also Recommend: Love and Other Impossible Pursuits.
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September 12, 2009: As a mother I can relate to her sentiment, her book goes on and on about things that do happen in child rearing. But it tends to get tedious and I got her point after the first paragraph. I got this book after it was rated by an internet website. Bottom line don't waste your time
Name:
Ayelet Waldman
Current Home:
Berkeley, California
Date of Birth:
December 11, 1964
Place of Birth:
Jerusalem, Israel
Education:
Wesleyan University, 1986; Harvard Law School, 1991
Some writers make it all look too easy. Take Ayelet Waldman, for example. The first novel she ever wrote -- heck, the first piece of creative writing she ever attempted -- was not only published, but it launched the successful Mommy-Track mystery series. Six years and eight novels later, Waldman is still wowing fans and critics alike while occasionally moving into more serious territory.
Waldman is most famous for her witty Mommy-Track mysteries, which follow the adventures of Juliet Applebaum. Like her creator, Juliet Applebaum is a former-public defender now playing the role of stay-at-home mom Unlike Waldman, Juliet breaks up her days of parenting with a little amateur sleuthing on the side. Waldman explained the origin of her beloved series during an interview at UC Berkley in 2004. "They grew out of this period in my life when I had left the public defender's office and I was staying home; I started writing them to keep myself entertained."
The novel that Waldman essentially wrote on a self-entertaining lark -- Nursery Crimes -- became the first in a series of lighthearted mysteries that clearly struck a chord among the writer's peers. "I think they kind of hit the market at a time that there were a lot of women like me," Waldman explained. "A lot of ex-lawyers, ex-doctors, ex-CEOs of companies who were finding themselves straight from the boardroom to the sandbox and kind of going crazy, so there was a ready audience for people who were not necessarily all that fulfilled by making homemade play-dough, but nonetheless realized where they were gonna be for the next couple of years."
After the initial four books in the Mommy-Track series (which included such tongue-in-cheek titles as The Big Nap and A Playdate With Death), Waldman decided to use her newfound literary success as an opportunity to try her hand at a non-series novel. "The more I wrote," she said, "the more I realized that [writing] was something that I really loved to do and I wanted to do more with it. I wanted to grow as a writer and I wanted to start writing more serious fiction." Daughter's Keeper, a tale that sheds some critical light on the War on Drugs, revealed that she was more than capable of handling heavier subject matter. As Publishers Weekly noted: "Waldman's passion and affection for her characters shines through."
Having broken into a new realm of writing, Waldman then delivered two more installments in the Juliet Applebaum adventures before penning her second non-series novel. Like all of her previous works, Love and Other Impossible Pursuits addresses Waldman's favorite subject, motherhood, but this time around she also touches on the grittier issues of grief and death. Once again, Waldman's foray outside of her popular series has proved a resounding success. In Chelsea Cain's laudatory review in The New York Times, she described Love and Other Impossible Pursuits as "a romantic, shocking and sometimes painful page-turner does the unthinkable: it actually says something new and interesting about women, families and love."
While more Mommy-Track mysteries are likely on the way from the prolific Waldman, the side roads she has taken thus far confirm that she is a writer willing to defy expectations.
Some interesting outtakes from our interview with Waldman:
"My children are my inspiration. I write about mothers, and about maternal ambivalence. No matter what I set out to do, it seems, I end up writing about that. My four kids have veto power on anything I write about them, but the only time it's ever been exercised is when my eight-year-old told me never to write about breastfeeding him ever again, as long as he and I both walked the earth."
"My husband and I both edit one another's work. Nothing leaves the house that the other hasn't gone over with a fine-toothed comb.
"Nursery Crimes, my first murder mystery, was the first piece of fiction -- the first piece of creative writing -- I ever did.
"I have no hobbies, other than reading. I love to read, and on my web site I keep a log of every book I read, along with a few words about the book and about what I thought. Check it out at www.ayeletwaldman.com
What was the book that most influenced your life or your career as a writer?
Gosh, only one book? I suppose then I'd have to say Mansfield Park by Jane Austen. Austen taught me that you can write elegantly and with great humor about traditionally female concerns. Marriage, family, love. And no one has ever tried to shove Austen into a chick-lit ghetto!
What are your ten favorite books, and what makes them special to you?
What are some of your favorite films, and what makes them unforgettable to you?
Heathers is my favorite movie of all time. As a goobery, geeky, unpopular girl, this farce about the horrors that befall a group of mean, popular girls makes me absolutely shiver with delight!
I cannot watch Four Weddings and a Funeral without weeping like a baby. I'm waiting for my daughter to be old enough to watch it with me. It's all those "buggers" and "f**ks" in the beginning that make me think we need to wait a year or so.
Twelve Angry Men taught me so more about jury trials than I'm even comfortable admitting, as a former public defender. It's an amazing film.
Rushmore is a perfect movie. My favorite thing? The titles. "October." "January." I can't explain why those are so funny, but they are.
And Say Anything is the best date movie of all time.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I like all kinds of music -- except jazz. I just have never gotten into jazz. But I'll listen to anything from Death Cab for Cutie to the Magnetic Fields to Patsy Cline. When I work, however, I listen to a very particular kind of music -- modernist classical music. Steve Reich, Philip Glass. I find that music propulsive -- it keeps my mind of my work and keeps me moving forward.
If you had a book club, what would it be reading?
Novels. From every epoch! I was once in a book club and ended up leaving after we read both volumes of the Lyndon Johnson biography. I mean, great books, right? But I was craving fiction. Right now we'd be reading Paul Auster's new book, Brooklyn Follies. Because that's what I'm reading right now!
What are your favorite kinds of books to give -- and get -- as gifts?
I love giving books to kids. We have assembled -- my four kids, my husband and I -- a box with 20 books in it. Each child picked his five favorites. That's the present we give to the new babies in our lives.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have no rituals, but I have a phobia. I hate desks. I write in an armchair or on a couch, with my laptop on my lap. That's probably why I have so many repetitive stress problems!
What are you working on now?
A novel called Winter's End. It's inspired by the experience I had on Oprah last year. So many of the women on the stage with me were so very angry with me, and so many of them seemed so depressed. Frustrated and sad. I couldn't help but feel that I had little to do with either their rage or their sadness. I also realized that that is exactly the person I would have become had I not started writing. Writing saved me when I left my job to be with my kids. It was the distraction I needed, the thing I had that was separate from the kids.
I am writing a novel about the person I might have become had I not found this outlet. It's sort of a Madame Bovary set in Silicon Valley.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I got my start writing murder mysteries. No mounds of rejection letters, but definitely a fear that because that's where I began, I'd never be allowed to write anything else. And, in fact, Daughter's Keeper was rejected 31 times. That's not a misprint. Oy. Even thinking about that period makes my skin crawl.
If you could choose one new writer to be "discovered," who would it be?
Ryan Harty. He's got a gorgeous collection of short stories published by the University of Iowa Press, and he's working on a novel that I know is going to be magnificent.
What tips or advice do you have for writers still looking to be discovered?
Forget discovery. Think about discipline. Writing is a habit -- a physical habit. You can't wait for the muse -- you must just sit down at the same time every day and do your work. Remember Annie Lamott's fabulous advice: All you need to do is write a sh*tty first draft. That's it. The rest -- good drafts, publication, etc. -- will follow.
If you're a mom, you're almost certainly a bad mom. Contradictory demands make any choice controversial: If you work, you're neglecting your kids. If you don't, you're probably smothering them or sending them mixed messages. If you discipline, you're twisting them for life. If you don't, you're being irresponsible. Ayelet Waldman's Bad Mother grapples in hilarious ways with questions that most of our grandparents never pondered: Will Megan's play group help propel her toward the Ivies? How do I wean the kids from fast food to organic? What is the proper homework/organized activity ratio? Remedial humor.
In the tradition of recent hits like The Bitch in the House and Perfect Madness comes a hilarious and controversial book that every woman will have an opinion about, written by America’s most outrageous writer.
In our mothers’ day there were good mothers, neglectful mothers, and occasionally great mothers.
Today we have only Bad Mothers.
If you work, you’re neglectful; if you stay home, you’re smothering. If you discipline, you’re buying them a spot on the shrink’s couch; if you let them run wild, they will be into drugs by seventh grade. If you buy organic, you’re spending their college fund; if you don’t, you’re risking all sorts of allergies and illnesses.
Is it any wonder so many women refer to themselves at one time or another as “a bad mother”? Ayelet Waldman says it’s time for women to get over it and get on with it, in a book that is sure to spark the same level of controversy as her now legendary “Modern Love” piece, in which she confessed to loving her husband more than her children.
Covering topics as diverse as the hysteria of competitive parenting (Whose toddler can recite the planets in order from the sun?), the relentless pursuits of the Bad Mother police, balancing the work-family dynamic, and the bane of every mother’s existence (homework, that is), Bad Mother illuminates the anxieties that riddle motherhood today, while providing women with the encouragement they need to give themselves a break.
… it's the…uncensored rawness that made me reluctant to speed through any of Waldman's essays, for fear I'd miss some of the more jolting zingers…Waldman, hotheaded and opinionated, digs herself into ditches, and with Bad Mother, sends candid shots from the pit…[she] doesn't always tie her essays up in a neat bow, which seems appropriately messy given the subject matter. They say that a good mother is one who doesn't need her kids to like her all the time. Of writers and their readers, Waldman's book leaves me thinking, the same might be true.
Waldman hates to hold back, and that trait serves her well in Bad Mother, a collection of 18 essays, many of which have been published previously. She covers a lot of the terrain of modern motherhood as experienced by a privileged subset of women…After reading these stories, plenty of parents will fault Waldman for something or other. Plenty more will be able to relate.
Having aroused the ire of righteous mothers with her confession to loving her husband more than her children, Waldman (Love and Other Impossible Pursuits) offers similar boldface opinions in 18 rather defensive essays. The mother of four, living in Berkeley and married for 15 years to an ideal partner who told her on their first date that he wanted to be a stay-at-home husband and father (he also happens to be novelist Michael Chabon), Waldman was a Jewish girl who grew up in 1970s suburban New Jersey, where her mother introduced her to Free to Be You and Me and instilled in her the importance of becoming a working mother. With her supportive husband to manage the domestic drudgery, Waldman did pursue a law career, until she quit to be with her growing family. As a champion of "bad mothering," that is, dropping the metaphorical ball-making mistakes and forgiving yourself for it-Waldman writes in these well-fashioned essays how a mother's best intentions frequently go awry: she really meant to breastfeed, until one of her children was bottle-fed because of a palate abnormality; she denounced the playing of dodgeball in her children's school, out of her own memories of schoolyard humiliations; and she confesses to aborting a fetus who suffered a genetic defect. Her determinedly frank revelations are chatty and sure to delight the online groups she frequents. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Loading...1. The author begins by quoting some of the unattainable definitions of being a “good mother” that doom women to fail in the pursuit. What are some definitions of “good mother” that you’ve come across in your experience? How do you think society defines a good mother? Do you agree with the author that these expectations are generally too high?
2. What do you consider a responsible, attainable ideal of a modern mother?
3. Are you familiar with any of the blogs the author mentions–Salon, urbanbaby.com, or other similar sites? What is your experience with them?
4. What do you think of the author’s declaration that she loves her husband more than her children? Is there a hierarchy in your household between spouse, children, home, self? Do you think there is a right way to organize affections within a family?
5. Discuss the idea of being honest with one’s children. How far do (or would) you take this in your home? Where would you make exceptions?
6. The author concludes by saying that her parenting goal, rather than to be “good,” is to be “mindful.” Can you summarize your parenting goals in a single word (or phrase)? Do you think it is important to have a guiding principle like this?
7. The author describes her evolving relationship with her mother-in-law as having been initially tainted by jealousy (her own), and then improving as the children were born. Have you gone through anything like this? Do you think her mother-in-law was as guileless as Waldman claims in this evolution?
8. In reference to Zeke’s ADHD diagnosis, the author discusses her feelings that the facts offamily are sometimes disappointing when compared to our unrealistic expectations. What are your expectations for your children? Which ones derive from your children themselves, and which from your and your spouse’s traits and experiences? Are you fair to your children with regard to your expectations? Do you think the concept of “fairness” applies here?
9. Discuss the author’s difficult experience with Rocketship. Why does she choose to include such a detailed description of the events in this book? Do you consider the decision to terminate the pregnancy to be a parenting decision? Were any of the events and decisions she shares surprising or helpful to you?
10. The division of labor in the household is an important theme in the book–both in terms of the author’s actual experience and the statistical information she cites. How does this play out in your family? Do you and your partner discuss these issues, or just let them determine themselves? What are your jobs in the home?
11. The author describes at length her feminist upbringing, and how her home in liberal Berkeley, California helped shape her outlook on motherhood. Similarly, how did your upbringing, either liberal or more conservative, contribute toward who you are as a parent?
12. What do you make of the author’s opinions on optimism vs. pessimism? What are the relative benefits of each? Does one’s optimism or pessimism play into the idealized role of a “good mother”?
13. Are there any passages in the book you would like to share (or have already shared) with your partner or friends?
14. What lessons do you take from the book? Were any passages particularly meaningful to you? What do you think is most useful about the book, and about Waldman’s philosophy?
15. Why do you think the author chose to write this book? Do you think it was successful in its aims?
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