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Buffalo Valley, North Dakota, has become a good place to live the way it used to be. People here are feeling confident about the future again.
Stalled lives are moving forward. People are taking riskson new ventures and lifelong dreams. On happiness. And one of those people is local rancher Margaret Clemens, who's finally getting what she wants most. Marriage to cowboy Matt Eilers. Her friends don't think Matt's such a prize, but Margaret's aware of his reputation and his flaws. She wants him anyway. And she wants his baby.
A multifaceted tale of romance and deceit, the final installment of Macomber's Dakota trilogy (Dakota Born, Dakota Home) oozes with country charm and a strong sense of community spirit. Thanks to the arrival of enterprising newcomers, the once struggling farming town of Buffalo Valley, N.Dak., is now enjoying a revival. The marriage between Margaret Clemens, the only daughter of a longtime rancher, and outsider Matt Eilers symbolizes the town's metamorphosis. For any cowboy, Margaret would appear to be the catch of the town with her forthright demeanor and her recent inheritance of her father's prosperous ranch. What Matt has to offer besides his good looks is harder to discern, however. Smothering the weak flame of Matt and Margaret's attraction, Matt's scheming ex-girlfriend, Sheryl, announces that she is pregnant with his child. As Margaret and Matt grapple with issues of trust, other members of the community (familiar to those who have read the trilogy's earlier volumes) attempt to cope with a rebellious teenager, a fragile pregnancy and a kidnapping. Although Macomber excels at depicting believable characters, the romantic tension between Margaret and Matt is less than compelling. The real virtue of this narrative lies in Macomber's earnest portrayal of the people who inhabit this delightful town. (May) Copyright 2001 Cahners Business Information.
More Reviews and RecommendationsWhen Debbie Macomber started out, she was a young, dyslexic mother of four who wrote in her kitchen on a rented typewriter. Years later, she's the blockbuster bestselling author of dozens of heartwarming novels that celebrate love, laughter, and the bonds of family and friendship.
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June 13, 2008: For those who enjoyed visiting this town in the Dakota trilogy, there is a book 4 sequel which I found in our local library. It is called 'Buffalo Valley' by Debbie Macomber. It is a somewhat shorter novel and quite repetetive in spots of the former Dakota series,but enjoyable reading. Once again, the community bands together to address a crisis, there is a new romance, and the former mariages produce new offspring.
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April 19, 2002: I just finished Always Dakota and although Ms. MaComber rapped things up nicely, there is room for more stories about the people in this lovely town! I think Giselle was so disappointed about the 'back and forth between characters' because you HAVE to read the first 2 stories before you can read Always Dakota. The relationship between Mat and Margaret was beautiful, as well as the relationships between Jeb and Maddy and Sarah and Dennis. At times, I wanted to shake Calle, but I guess growing up a teen in a small town is sometimes hard. All in all, I think this was a great ending to the story of a town's (re)growth as well as the growth of it inhabitants. Bravo, Ms. MaComber!

Name:
Debbie Macomber
Current Home:
Port Orchard, Washington
Date of Birth:
October 22, 1948
Place of Birth:
Yakima, Washington
Education:
Graduated from high school in 1966; attended community college
Publishing did not come easy to self-described "creative speller" Debbie Macomber. When Macomber decided to follow her dreams of becoming a bestselling novelist, she had a lot of obstacles in her path. For starters, Macomber is dyslexic. On top of this, she had only a high school degree, four young children at home, and absolutely no connections in the publishing world. If there's one thing you can say about Debbie Macomber, however, it is that she does not give up. She rented a typewriter and started writing, determined to break into the world of romance fiction.
The years went on and the rejection letters piled up. Her family was living on a shoestring budget, and Debbie was beginning to think that her dreams of being a novelist might never be fulfilled. She began writing for magazines to earn some extra money, and she eventually saved up enough to attend a romance writer's conference with three hundred other aspiring novelists. The organizers of the conference picked ten manuscripts to review in a group critique session. Debbie was thrilled to learn that her manuscript would be one of the novels discussed.
Her excitement quickly faded when an editor from Harlequin tore her manuscript to pieces in front of the crowded room, evoking peals of laughter from the assembled writers. Afterwards, Macomber approached the editor and asked her what she could do to improve her novel. "Throw it away," the editor suggested.
Many writers would have given up right then and there, but not Macomber. The deeply religious Macomber took a lesson from Job and gathered strength from adversity. She returned home and mailed one last manuscript to Silhouette, a publisher of romance novels. "It cost $10 to mail it off," Macomber told the Milwaukee Journal Sentinel in 2000. "My husband was out of work at this time, in Alaska, trying to find a job. The children and I were living on his $250-a-week unemployment, and I can't tell you what $10 was to us at that time."
It turned out to be the best $10 Macomber ever spent. In 1984, Silhouette published her novel, Heartsong. (Incidentally, although Heartsong was Macomber's first sale, she actually published another book, Starlight, before Heartsong went to print.) Heartsong went on to become the first romance novel to ever be reviewed in Publishers Weekly, and Macomber was finally on her way.
Today, Macomber is one of the most widely read authors in America. A regular on the New York Times bestseller charts, she is best known for her Cedar Cove novels, a heartwarming story sequence set in a small town in Washington state, and for her Knitting Books series, featuring a group of women who patronize a Seattle yarn store. In addition, her backlist of early romances, including several contemporary Westerns, has been reissued with great success.
Macomber has made a successful transition from conventional romance to the somewhat more flexible genre known as "women's fiction." "I was at a point in my life where I found it difficult to identify with a 25-year-old heroine," Macomber said in an interview with ContemporaryRomanceWriters.com. "I found that I wanted to write more about the friendships women share with each other." To judge from her avid, ever-increasing fan base, Debbie's readers heartily approve.
Some outtakes from our interview with Macomber:
"I'm dyslexic, although they didn't have a word for it when I was in grade school. The teachers said I had 'word blindness.' I've always been a creative speller and never achieved good grades in school. I graduated from high school but didn't have the opportunity to attend college, so I did what young women my age did at the time -- I married. I was a teenager, and Wayne and I (now married nearly 37 years) had four children in five years."
"I'm a yarnaholic. That means I have more yarn stashed away than any one person could possibly use in three or four lifetimes. There's something inspiring about yarn that makes me feel I could never have enough. Often I'll go into my yarn room (yes, room!) and just hold skeins of yarn and dream about projects. It's a comforting thing to do."
"My office walls are covered with autographs of famous writers -- it's what my children call my ‘dead author wall.' I have signatures from Mark Twain, Earnest Hemingway, Jack London, Harriett Beecher Stowe, Pearl Buck, Charles Dickens, Rudyard Kipling, Alfred, Lord Tennyson, to name a few."
"I'm morning person, and rip into the day with a half-mile swim (FYI: a half mile is a whole lot farther in the water than it is on land) at the local pool before I head into the office, arriving before eight. It takes me until nine or ten to read through all of the guest book entries from my web site and the mail before I go upstairs to the turret where I do my writing. Yes, I write in a turret -- is that romantic, or what? I started blogging last September and really enjoy sharing bits and pieces of my life with my readers. Once I'm home for the day, I cook dinner, trying out new recipes. Along with cooking, I also enjoy eating, especially when the meal is accompanied by a glass of good wine. Wayne and I take particular pleasure in sampling eastern Washington State wines (since we were both born and raised in that part of the state).
What was the book that most influenced your life or your career as a writer?
The one book that has had the strongest influence on my life, without question, is the Bible. God's Word has been the guiding force behind all I do. I read the Bible each and every day and gain inspiration, encouragement, and joy.
What are your ten favorite books, and what makes them special to you?
Before I answer this, I feel it's necessary to mention that I read widely, across the board. In compiling this list I discovered several of my favorite books are nonfiction. I have not noted the Bible a second time, although as I indicated above, it is the most influential book in my life.
What are some of your favorite films, and what makes them unforgettable to you?
I'm a big film buff, although I'm not fond of movies with excessive violence. I've always enjoyed musicals. My first exposure was with West Side Story. I memorized all the songs and belted them out for months afterward. I almost entered the convent after watching The Sound of Music. Thankfully, I didn't; it wouldn't have been a good fit for either of us. In recent years I've enjoyed The Princess Bride and the Star Wars series. I like movies with what I call a zinger -- Collateral and The Replacement Killers are good examples. And comedies, too. I don't think I've ever laughed so hard as when I watched The Gods Must Be Crazy, It's a Mad, Mad, Mad World, and The Hallelujah Trail.
What types of music do you like? Is there any particular kind you like to listen to when you're writing?
I don't listen to music while writing. It's not that I need silence in order to create. I started out writing when our four children were small and I needed to keep my ears tuned to them in case one of them decided to play Superman and fly out a window or start a campfire in the middle of the living room. When it comes to listening to the radio, I prefer the oldies stations. When I'm on the treadmill, I play Christian CDs and make a joyful noise. Correction: It's a joyful noise to me, but I doubt others would think so.
What are your favorite kinds of books to give -- and get -- as gifts?
There's a bookstore directly below my office. It's hard to believe but I write above a bookstore and an ice cream parlor. This, my friends, is a writer's nirvana. On average I buy a book a day, and that's no exaggeration. Mostly I purchase nonfiction for gifts. One of my favorites is Gifts from the Sea by Anne Morrow Lindberg. For my writer friends I've bought Goals by Brian Tracy, and for friends who are animal lovers I've bought The Dog Who Rescues Cats by Gonzalez & Fleischer.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
I have a cherrywood desk with a glass top to protect the wood. Over the years a number of things have made their way under the glass. There's a picture of my dad and his brother, who looked so much alike that they were often mistaken for identical twins -- only my dad was a full foot shorter than his brother. Then there are pictures of my grandchildren (by far the cutest grandkids in the universe), and there's a slip of paper on which I've written four words. They are: "provocative," "relevant," "creative," and "honest." When I decide on a plot for one of my big hardcover stories, I weigh the story against each of these words. I want to provoke my readers to think. I want the story to be relevant to them and to our times. My goal is to tell this story in as creative a way as possible and to be honest with my readers and with myself. As you might have guessed, I'm a lover of words. As for rituals, I really don't have any.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
In my humble opinion, there are a lot of writers out there who haven't suffered enough. I suffered plenty. When I first started writing, I didn't know another writer in the world. This was back in the late 1970s before Romance Writers of America was formed. For nearly five years I wrote and submitted my manuscripts. My work was rejected so fast it practically hit me in the back of the head on my way home from the post office. At one point in my lonely sojourn, an editor read and reviewed my manuscript, and with the utmost sincerity told me there was no use in revising it and the best thing I could do was throw it away. Thankfully, I didn't take her advice, because that same manuscript sold to a rival publishing house and launched my writing career.
What tips or advice do you have for writers still looking to be discovered?
I would suggest that writers pay close attention to the market -- read the bestsellers, analyze each story and look for the key element that is drawing an audience. Who would ever have imagined that Life of Pi by Yann Martel would command the audience it has? Or The Da Vinci Code? As writers, it's important we not follow trends but observe and understand life -- and start our own. It was when I saw a lot of angel figurines turning up in catalogs that I wrote the first Shirley, Goodness, and Mercy Christmas book.
Buffalo Valley, North Dakota, has become a good place to live the way it used to be. People here are feeling confident about the future again.
Stalled lives are moving forward. People are taking riskson new ventures and lifelong dreams. On happiness. And one of those people is local rancher Margaret Clemens, who's finally getting what she wants most. Marriage to cowboy Matt Eilers. Her friends don't think Matt's such a prize, but Margaret's aware of his reputation and his flaws. She wants him anyway. And she wants his baby.
A multifaceted tale of romance and deceit, the final installment of Macomber's Dakota trilogy (Dakota Born, Dakota Home) oozes with country charm and a strong sense of community spirit. Thanks to the arrival of enterprising newcomers, the once struggling farming town of Buffalo Valley, N.Dak., is now enjoying a revival. The marriage between Margaret Clemens, the only daughter of a longtime rancher, and outsider Matt Eilers symbolizes the town's metamorphosis. For any cowboy, Margaret would appear to be the catch of the town with her forthright demeanor and her recent inheritance of her father's prosperous ranch. What Matt has to offer besides his good looks is harder to discern, however. Smothering the weak flame of Matt and Margaret's attraction, Matt's scheming ex-girlfriend, Sheryl, announces that she is pregnant with his child. As Margaret and Matt grapple with issues of trust, other members of the community (familiar to those who have read the trilogy's earlier volumes) attempt to cope with a rebellious teenager, a fragile pregnancy and a kidnapping. Although Macomber excels at depicting believable characters, the romantic tension between Margaret and Matt is less than compelling. The real virtue of this narrative lies in Macomber's earnest portrayal of the people who inhabit this delightful town. (May) Copyright 2001 Cahners Business Information.
Rancher Margaret Clemens decides to take a chance on marriage to cowboy Matt Eilers, despite what anyone else says, in Always Dakota(2001), the rerelease of the third volume in Macomber's popular series set in Buffalo Valley, ND. Recommended for libraries with a strong Macomber readership that need to replenish their collections.
In Someday Soon(1995), a grieving widow meets a professional mercenary, and they both learn they need to reassess their priorities in order to accept love.
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Prologue
September
Bernard Clemens was dying and he knew it, despite what the doctorsall those fancy specialistshad said about his heart. He knew. He was old and tired, ready for death.
Sitting in the den of the home he'd built thirty years ago for his wife, he closed his eyes and remembered. Maggie had been his great love. His only love. Delicate and beautiful, nearly sixteen years younger, she could have had her choice of husbands, but she'd chosen him. An aging rancher with a craggy face and work-roughened hands. A man who had simple tastes and lacked social refinement. And yet she'd loved him.
God help him, he'd loved her, loved her still, although she'd been gone now for nearly twenty-seven years.
Her love had been gift enough, but she'd yearned to give him a son. Bernard, too, had hoped for an heir. He'd purchased the Circle C as a young man, buying the land adjacent to his parents' property, and eventually he'd built the combined ranches into one huge spread, an empire to pass onto his son. However, the child had been a girl and they'd named her Margaret, after her mother.
The pregnancy had drained Maggie and she was further weakened that winter by a particularly bad strain of the flu. Pneumonia had set in soon afterward, and before anyone realized how serious it was, his Maggie was gone.
In all his life, Bernard had never known such grief. With Maggie's death, he'd lost what he valued mostthe woman who'd brought him joy. When they lowered her casket into theground, they might as well have buried him, too. From that point forward, he threw himself into ranching, buying more land, increasing his herd and consequently turning the Circle C into one of the largest and most prosperous cattle ranches in all of North Dakota.
As for being a father to young Margaret, he'd tried, but as the eldest of seven boys, he had no experience in dealing with little girls. In the years that followed, his six younger brothers had all lived and worked with him for brief periods of time, eventually moving on and getting married and starting families of their own.
They'd helped him raise her, teaching her about ranching waysriding and roping ... and cussing, he was sorry to admit.
To this day, Margaret loved her uncles. Loved riding horses, too. She was a fine horsewoman, and more knowledgeable about cattle than any man he knew. She'd grown tall and smartnot to mention smart-mouthedbut Bernard feared he'd done his only child a grave disservice. Margaret resembled him more than she did her mother. Maggie had been a fragile, dainty woman who brought out everything that was good in Bernard.
Their daughter, unfortunately, revealed very little of her mother's gentleness or charm. How could she, seeing that she'd been raised by a grief-stricken father and six bachelors? Margaret looked like Bernard, talked like him and dressed like him: It was a crying shame she hadn't been a boy, since, until recently, she was often mistaken for one. His own doing, he thought, shaking his head. Had Maggie lived, she would have seen to the proper upbringing of their daughter. Would have taught their little girl social graces and femininity, as mothers do. Bernard had given it his best shot. He loved his daughter, but he felt that he'd failed her.
To her credit, Margaret possessed a generous, loving heart and she was a fine businesswoman. Bernard couldn't help being proud of her, despite a constant sense of guilt about her unconventional upbringing.
There was a light knock. At his hoarse "Come in" the housekeeper opened the door. "Matt Eilers is here to see you," Sadie announced brusquely.
With effort, Bernard straightened, his fingers digging into the padded leather arms of his chair as he forced himself to meet this neighbor. "Send him in."
She nodded and left.
Less than a minute later, Matt Eilers appeared, Stetson in hand.
"You'll forgive me if I don't get up," Bernard said.
"Of course."
Bernard gestured toward the matching chair on the opposite side of the fireplace. "Sit down."
Matt obliged, giving Bernard his first good look at this man his daughter apparently loved. Frankly, he was disappointed. He'd seen Matt at social affairs, the occasional wedding, harvest dance or barbecue, but they'd never spoken. Somehow, he'd expected more substance, and he felt surprised that Margaret would be taken in by a pretty face and an empty heart. Over the last few years Bernard had heard plenty about his neighbor to the west, and not much of it had been flattering.
"I imagine you're wondering why I asked to meet with you."
"I am," Matt said, perching on the edge of the chair. He held his hat in both hands, his expression questioning.
"You enjoy ranching?"
"Yes, sir."
At least he was polite, and that boded well. "How long you been ranching the Stockert place?"
"Four years. I'd like to buy my own spread one day, but for now I'm leasing the land and building up my herd."
"So I understand." Bernard leaned back in his chair. His breath came slowly, painfully. "You have family in the area?"
Matt's gaze shifted to the Oriental rug. "No. My parents divorced when I was five. My father ranched in Montana and I worked summers with him, but he died when I was fifteen."
"Ranching's in your blood then, same as mine."
"It is," Matt agreed.
Bernard hesitated, waiting until he had breath enough to continue. "You know my daughter Margaret."
Matt nodded.
"What do you think of her?"
The question seemed to take him by surprise. "Think of her? How do you mean?"
Bernard waved his hand. "Your general impression."
Slumping back in the chair, Matt shrugged. "I ... I don't know what you want me to say."
"Just be honest," he snapped, impatient. He didn't have the strengthor the timefor word games.
"Well ..." Matt paused. "Margaret's Margaret. She's ... unique."
That was true enough. As far as Bernard knew, she'd only worn a dress twice in her entire life. He'd tried to get her into one when she was ten and the attempt had damn near killed him. "Did you know she's in love with you?"
"Margaret?" Matt sprang to his feet. "I swear I haven't touched her! I swear it." The color fled from his face and he shook his head as though to emphasize his words.
"I believe you.... Sit down."
Matt did as asked, but his demeanor had changed dramatically. His posture was stiff, his face tight with apprehension and uncertainty.
"She's gotten it in her head that she's going to marry you."
Matt had the look of a caged animal. "I ... I'm not sure what to say."
"You don't know my daughter, otherwise you'd realize that when she sets her mind to something, there isn't much that'll stand in her way."
"I ... I ..."
Bernard cut him off. He was growing weak and there
(Continues...)
Copyright © 2001 Meg O'Brien. All rights reserved.
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