All for a Few Perfect Waves: The Audacious Life and Legend of Rebel Surfer Miki Dora by David Rensin

From Barnes & Noble

Vanity Fair called legendary surfer Mike Dora (1934-2002) "the most renegade spirit the sport has yet to produce." The London Times described this Hungarian-born athlete as "a Kerouac in board shorts, the soul-mate of Jack Nicholson in One Flew Over the Cuckoo's Nest: a subversive, restless wild man." Dora's mastery of the waves cut him a significant niche in surfing history, but his maverick spirit made him a fugitive for five years and, ultimately, a convicted felon. David Rensin's biography pierces the secrecy that surrounds this sensitive, often defiant hero even six years after his death.

From the Publisher

There will never be another surfer like Miki "Da Cat" Dora.

All for a Few Perfect Waves is the story of Miki "Da Cat" Dora, the dashing and enigmatic rebel who, for twenty years, was the king of Malibu surfers. He dominated the waves, ruled his peers' imaginations, and—to this day—inspires the fantasies of decades of Dora wannabes who began to swarm his pristine paradise after the movie Gidget helped surfing explode into the mainstream and changed it forever—many say for the worse.

Disenchanted, Dora railed against the ruination; angry that the waves were no longer his own, he fought back—or found better things to do. Dora was also an avid sportsman, raconteur, philosopher, traveler—and scam artist of wide repute. When, in 1973, he finally ran afoul of the law, he soon abandoned America and led the FBI and Interpol on a seven-year chase around the globe. At the same time, he never gave up searching for (and occasionally finding) the empty waves and spirit of the Malibu he'd lost. From homes in New Zealand to South Africa to France, he continued to personify the rebel heart of surfing and has been widely acknowledged as "the most relentlessly committed surfer of all time."

The New York Times named him "the most renegade spirit the sport has yet to produce." Vanity Fair called him "a dark prince of the beach." The Times (London) wrote, "A hero to a generation of beach bums. He was tanned . . . good-looking . . . trouble."

To capture Dora's never-before-told story, David Rensin spent four years interviewing more than three hundred of Dora's friends,enemies, family members, lovers, and peers—none of whom would previously talk in depth about him—to uncover the truth about surfing's most outrageous practitioner, charismatic prince, chief antihero, committed loner, and enduring mystery. The result is a riveting and living portrait of an uncommon character whose unique influence on surfing has never waned, and who became what most can never be: a legend in his own time.

Publishers Weekly

In this vivid biography, Rensin (The Mailroom: Hollywood History from the Bottom Up) takes on a daunting task: to clarify the clouded myth of legendary surfer Miki Dora. Growing up in post-WWII California, the half-Hungarian Dora came to surfing in the 1950s and '60s, when it was still an oddball pastime of random kooks riding longboards made out of redwoods off nearly empty Los Angeles beaches. Dora's grace and signature style brought him attention as surfing grew into the central image of the California "endless summer." Yet Dora was no ordinary beach bum, and his restless intelligence led him around the world in search of waves as yet unsullied by the masses. Dora also possessed a darker side and had no qualms about ripping off even his closest friends. His credit card scams eventually landed him in prison. Rensin faces a difficult task in tracking down an elusive and paranoid target (Dora died of pancreatic cancer in early 2002). After a muddled introduction in which Dora is compared to everyone from Muhammad Ali to the beat poets, Rensin lets Dora's friends, lovers and rivals tell the story. The result brings a remarkable focus to a man whose greatest accomplishments were written on water. Dora's life tracked the explosion of celebrity culture and it's hard not to sympathize with Dora's ambivalence about his fame. (Apr.)

Product Details

• Table of Contents
• Read an Excerpt
• Read a Sample Chapter

Table of Contents

Read an Excerpt

Chapter One

Dora World

What we call fame is nothing but the sum of all mistakes circulating about one individual.—Rainer Maria Rilke

I'm a freak of nature and don't fit in with anybody.—Miki Dora

On December 29, 2001, shipwrecked on his sickbed at his father's home in Montecito, California, his withering, jaundiced body still remarkably tan from the sun in whose sustaining grace he had spent nearly every day of his life, Miki Dora slowly dictated two brief paragraphs as a female friend printed the words on a small sheet of lined note paper. They began: "I, Myklos [sic] Sandor Dora, under the circumstances I find myself, I have no alternative but to leave all my personal effects to . . .”

Four days later, the undisputed king of Malibu in its glory days, whose beyond-graceful feline self-possession and uncanny wave artistry had earned him the nickname "Da Cat," and the accolade then that "At the perfect surfing spot, on the perfect day, Miki Dora is Probably the best surfer in the world," was dead at sixty-seven of pancreatic cancer.

Had Dora been just another top surfer from a bygone era he might have washed quietly into the back pages of Sports Illustrated or Surfer magazine years ago. Instead, in his heyday and Malibu's—before and for a short time after the 1959 movie Gidget explosively popularized an edge-dwelling sport enjoyed by a rugged and eccentric few and changed it (many say for the worse) forever—Dora not onlydominated surfing style and soul, but unlike his contemporaries, many of them break-the-mold wave-masters in their own right, transcended both. Dora's God-given gifts in the water coupled with the living theater of his complicated, comic, nonconformist personality, both on and off the beach, made him what they could never be: a legend in his own time.

And yet . . . in a flawed and restive life framed against the backdrop of a sport and postwar America coping with radical social change in the '50s and '60s, and later, after he abandoned Malibu and California in the mid-'70s to roam a world enduring its own growing pains caused by what he saw as First World corruption, ecological disaster, and the death of the individual, Dora found himself trapped in a black hole of celebrity between the soul-sucking consequences of his iconic talent, charm, and mystique, and his hermetic instinct to reject the spotlight because he believed that nothing in life was more valuable than total personal freedom—no matter what the cost to himself, and often others.

Many desire personal freedom; few actually seize it. Dora did and hung on with all his might, to his betterment and detriment.

If it meant never having a real job, never marrying, never having children (at least that he knew or acknowledged; there are rumors), finding love with an assortment of enraptured women and true love mostly late in life with the loyal canine companion he considered his "child"—he embraced it. If it meant using forged passports and fraudulent credit cards, for a time, to sustain his world travels, or simply scamming you out of a few bucks or a free lunch—he'd risk it. If it meant lamenting environmental ruin, seeing conspiracy and Big Brother everywhere, and pining out loud for the good old days he knew could never return, while predicting the imminent Apocalypse—he'd broadcast it. If it meant dodging the FBI, doing prison time, going expatriate, trusting few and revealing himself to fewer—he'd keep that secret. If it meant flexing his irresistible star quality and rapier wit to live on the kindness, gullibility, or fan worship of strangers, and be reached Poste Restante in odd corners of the world—he'd work it. If it meant avoiding the press, fiercely protecting his public image as someone who never "sold out," leaving a string of breathless movie producers and publishers at the altar, and writing audacious semifictional travelogues for surf magazines that added an ago-boosting literary dimension to his artistic canon and put a few dollars in his pocket—he'd string them along. If it meant being a Rorschach test incarnate that inspired obsessive projection and transference like a sacred text demands constant re-interpretation—he'd be it without even breaking a sweat. If it meant being a delightful dinner companion, courteous guest, friendly to friends' children who could immediately sense his own childlike nature—he'd enjoy the moment. If it meant being estranged from his parents yet unable to cut the cord, befriending the occasional odd or interesting younger man or woman and treating them in embryo as he wished he'd been treated (then testing them to make sure they wanted nothing from him), forever rejecting authority, and seeing most human interaction as a competition to be won—he'd endure the consequences. If it meant speaking out against the commodification of surfing, the tidal wave of corporate groupthink, the sell-out mentality of surfing peers poised to profit from their sudden "careers" or celebrity—he'd bite the hand. If it meant forever baptizing himself in the most intimate communion with the ocean itself, a mystical congruence that he couldn't and wouldn't explain to just anyone no matter how hard they pressed—then let the ritual begin.

Reclusive and gregarious, cocksure and cryptic, primitive and urbane, solemn and witty, canny and reckless, uncompromising and mercurial, contradictory and unequivocal, Dora was surfing's most outspoken practitioner, charismatic prince, chief antihero, committed loner, and enduring mystery.

He wanted it that way. Except, of course, when he didn't.

This much is certain: Mild Dora's is the greatest surf story never told. It's all about surfing, and it's not about surfing at all.

Loner. Rebel. Outlaw. Wanderer. Legend.

Those who knew Mild Dora, those who wished they had or never had, all agree: there will never be another character in surfing like Mild Dora o one. Not even close.

Which is not to suggest that anyone ever really knew him.

Read a Sample Chapter

Chapter One

Dora World

What we call fame is nothing but the sum of all mistakes circulating about one individual.—Rainer Maria Rilke

I'm a freak of nature and don't fit in with anybody.—Miki Dora

On December 29, 2001, shipwrecked on his sickbed at his father's home in Montecito, California, his withering, jaundiced body still remarkably tan from the sun in whose sustaining grace he had spent nearly every day of his life, Miki Dora slowly dictated two brief paragraphs as a female friend printed the words on a small sheet of lined note paper. They began: "I, Myklos [sic] Sandor Dora, under the circumstances I find myself, I have no alternative but to leave all my personal effects to . . .”

Four days later, the undisputed king of Malibu in its glory days, whose beyond-graceful feline self-possession and uncanny wave artistry had earned him the nickname "Da Cat," and the accolade then that "At the perfect surfing spot, on the perfect day, Miki Dora is Probably the best surfer in the world," was dead at sixty-seven of pancreatic cancer.

Had Dora been just another top surfer from a bygone era he might have washed quietly into the back pages of Sports Illustrated or Surfer magazine years ago. Instead, in his heyday and Malibu's—before and for a short time after the 1959 movie Gidget explosively popularized an edge-dwelling sport enjoyed by a rugged and eccentric few and changed it (many say for the worse) forever—Dora not onlydominated surfing style and soul, but unlike his contemporaries, many of them break-the-mold wave-masters in their own right, transcended both. Dora's God-given gifts in the water coupled with the living theater of his complicated, comic, nonconformist personality, both on and off the beach, made him what they could never be: a legend in his own time.

And yet . . . in a flawed and restive life framed against the backdrop of a sport and postwar America coping with radical social change in the '50s and '60s, and later, after he abandoned Malibu and California in the mid-'70s to roam a world enduring its own growing pains caused by what he saw as First World corruption, ecological disaster, and the death of the individual, Dora found himself trapped in a black hole of celebrity between the soul-sucking consequences of his iconic talent, charm, and mystique, and his hermetic instinct to reject the spotlight because he believed that nothing in life was more valuable than total personal freedom—no matter what the cost to himself, and often others.

Many desire personal freedom; few actually seize it. Dora did and hung on with all his might, to his betterment and detriment.

If it meant never having a real job, never marrying, never having children (at least that he knew or acknowledged; there are rumors), finding love with an assortment of enraptured women and true love mostly late in life with the loyal canine companion he considered his "child"—he embraced it. If it meant using forged passports and fraudulent credit cards, for a time, to sustain his world travels, or simply scamming you out of a few bucks or a free lunch—he'd risk it. If it meant lamenting environmental ruin, seeing conspiracy and Big Brother everywhere, and pining out loud for the good old days he knew could never return, while predicting the imminent Apocalypse—he'd broadcast it. If it meant dodging the FBI, doing prison time, going expatriate, trusting few and revealing himself to fewer—he'd keep that secret. If it meant flexing his irresistible star quality and rapier wit to live on the kindness, gullibility, or fan worship of strangers, and be reached Poste Restante in odd corners of the world—he'd work it. If it meant avoiding the press, fiercely protecting his public image as someone who never "sold out," leaving a string of breathless movie producers and publishers at the altar, and writing audacious semifictional travelogues for surf magazines that added an ago-boosting literary dimension to his artistic canon and put a few dollars in his pocket—he'd string them along. If it meant being a Rorschach test incarnate that inspired obsessive projection and transference like a sacred text demands constant re-interpretation—he'd be it without even breaking a sweat. If it meant being a delightful dinner companion, courteous guest, friendly to friends' children who could immediately sense his own childlike nature—he'd enjoy the moment. If it meant being estranged from his parents yet unable to cut the cord, befriending the occasional odd or interesting younger man or woman and treating them in embryo as he wished he'd been treated (then testing them to make sure they wanted nothing from him), forever rejecting authority, and seeing most human interaction as a competition to be won—he'd endure the consequences. If it meant speaking out against the commodification of surfing, the tidal wave of corporate groupthink, the sell-out mentality of surfing peers poised to profit from their sudden "careers" or celebrity—he'd bite the hand. If it meant forever baptizing himself in the most intimate communion with the ocean itself, a mystical congruence that he couldn't and wouldn't explain to just anyone no matter how hard they pressed—then let the ritual begin.

Reclusive and gregarious, cocksure and cryptic, primitive and urbane, solemn and witty, canny and reckless, uncompromising and mercurial, contradictory and unequivocal, Dora was surfing's most outspoken practitioner, charismatic prince, chief antihero, committed loner, and enduring mystery.

He wanted it that way. Except, of course, when he didn't.

This much is certain: Mild Dora's is the greatest surf story never told. It's all about surfing, and it's not about surfing at all.

Loner. Rebel. Outlaw. Wanderer. Legend.

Those who knew Mild Dora, those who wished they had or never had, all agree: there will never be another character in surfing like Mild Dora o one. Not even close.

Which is not to suggest that anyone ever really knew him.