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Reader Rating: (19 ratings)
Detailed Rating: "Writing Style" See All
| More Formats | |
|---|---|
| Hardcover | $23.70 |
| Paperback | $11.20 |
| Compact Disc - ABR | $28.45 |
| MP3 Book - Unabridged | $20.75 |
A smart, comic page-turner about a Silicon Valley family in free fall over the course of one eventful summer.
When Paul Miller’s pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she’s been waiting years for — until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune. Meanwhile, four hundred miles south in Los Angeles, the Millers’ older daughter, Margaret, has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, Snatch. Sliding toward bankruptcy and dogged by creditors, she flees for home where her younger sister Lizzie, 14, is struggling with problems of her own. Formerly chubby, Lizzie has been enjoying her newfound popularity until some bathroom graffiti alerts her to the fact that she’s become the school slut.
The three Miller women retreat behind the walls of their Georgian colonial to wage battle with divorce lawyers, debt collectors, drug-dealing pool boys, mean girls, country club ladies, evangelical neighbors, their own demons, and each other, and in the process they become achingly sympathetic characters we can’t help but root for, even as the world they live in epitomizes everything wrong with the American Dream. Exhilarating, addictive, and superbly accomplished, All We Ever Wanted Was Everything crackles with energy and intelligence and marks the debut of a knowing and very funny novelist, wise beyond her years.
All We Ever Wanted Was Everything employs a women-under-duress theme familiar to viewers of weeknight TV movies, but executed with more nerve and wit…Brown's comic scenes and devastating details make her postmillennial consumer universe surprisingly entertaining. Even that blockhead Janice, who inadvertently signed away all rights to her husband's fortune (this, after the world suffered through four Ronald Perelman divorces?), begins to insert herself into a hardened reader's affections after a while.
More Reviews and RecommendationsJanelle Brown is a freelance journalist who writes for the New York Times, Vogue, Wired, Elle, and Self, among other publications, and was formerly a senior writer for Salon. She lives with her husband in Los Angeles. This is her first novel.
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November 05, 2009: The cover of the book is what struck my attention. I must say I'm glad I read it. It was absolutely funny, and definitely a page turner. Had me laughing out loud in every chapter. I would recommend.
Reader Rating:
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September 07, 2009: I couldn't put this book down! It had me completely invested in the characters' lives. I was sad when it ended, but I would definitely recommend. A very good read for a day at the beach!
I Also Recommend: In the Woods, Something Borrowed, Something Blue, Confessions of a Shopaholic (Shopaholic Series #1), The Undomestic Goddess.
A smart, comic page-turner about a Silicon Valley family in free fall over the course of one eventful summer.
When Paul Miller’s pharmaceutical company goes public, making his family IPO millionaires, his wife, Janice, is sure this is the windfall she’s been waiting years for — until she learns, via messengered letter, that her husband is divorcing her (for her tennis partner!) and cutting her out of the new fortune. Meanwhile, four hundred miles south in Los Angeles, the Millers’ older daughter, Margaret, has been dumped by her newly famous actor boyfriend and left in the lurch by an investor who promised to revive her fledgling post-feminist magazine, Snatch. Sliding toward bankruptcy and dogged by creditors, she flees for home where her younger sister Lizzie, 14, is struggling with problems of her own. Formerly chubby, Lizzie has been enjoying her newfound popularity until some bathroom graffiti alerts her to the fact that she’s become the school slut.
The three Miller women retreat behind the walls of their Georgian colonial to wage battle with divorce lawyers, debt collectors, drug-dealing pool boys, mean girls, country club ladies, evangelical neighbors, their own demons, and each other, and in the process they become achingly sympathetic characters we can’t help but root for, even as the world they live in epitomizes everything wrong with the American Dream. Exhilarating, addictive, and superbly accomplished, All We Ever Wanted Was Everything crackles with energy and intelligence and marks the debut of a knowing and very funny novelist, wise beyond her years.
All We Ever Wanted Was Everything employs a women-under-duress theme familiar to viewers of weeknight TV movies, but executed with more nerve and wit…Brown's comic scenes and devastating details make her postmillennial consumer universe surprisingly entertaining. Even that blockhead Janice, who inadvertently signed away all rights to her husband's fortune (this, after the world suffered through four Ronald Perelman divorces?), begins to insert herself into a hardened reader's affections after a while.
An unexceptional reading makes the audio version of this satiric work of women's fiction a pleasantly neutral experience. Paul Miller's announcement of his intent to divorce his wife leaves his accomplished housewife-socialite feeling empty and purposeless. Meanwhile, 28-year-old daughter Margaret attempts to hide from the catastrophic failure of her feminist magazine, and 14-year-old Lizzie deals with the consequences of believing that having sex with six guys in three months will make her cool. Rebecca Lowman reads expressively and unobtrusively: she doesn't detract from the text, but she doesn't enhance it, either. This smooth abridgement is acceptable, if not particularly diverting. A Spiegel & Grau hardcover (Reviews, Apr. 7).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Brown's fiction debut is a bitter comedy about divorce in California's Silicon Valley, where apparently men are even more ruthless in marriage than in business. The same day his pharmaceutical company stock rises meteorically, Paul Miller sends his wife, via messenger, a typed note letting her know that he is leaving her for her tennis partner. Forty-nine-year-old Janice is shocked. She and Paul have been married since she became pregnant in college with their first daughter, Margaret, now 29, and she gave up her dreams to become Paul's perfect wife-or at least a smashing cook and tennis player. The kind of controlled suburban matron who keeps herself and her home in immaculate condition, Janice doesn't have a clue about her daughters. After spending most of her childhood overweight and unpopular, 14-year-old Lizzie has recently lost weight and become more popular-or at least busy-since she started having sex with any boy who asks. Margaret, who moved to Los Angeles with her actor boyfriend several years ago, much to her parents' dismay, has driven the boyfriend away and racked up close to $100,000 in debt running a feminist magazine that even she knows is pretentious twaddle. Learning of the impending divorce, Margaret rushes home not to care for her distraught mother but to escape her creditors. Meanwhile, a distraught Janice starts drinking heavily and buying methamphetamines from the pool guy. Then Margaret discovers that Paul is trying to screw Janice out of her share of his wealth-he even attempts bribing Margaret to testify against her mother in court-and she is galvanized into action. Meanwhile, Lizzie, who has joined a Christian youth group and signed an abstinence oath, realizesshe is pregnant. Janice and her daughters bicker and keep secrets from each other but eventually they unite against Paul, who, like most of the male characters, is a total jerk. Desperately contrived, but the bitchiness is fun in small doses. Agent: Susan Golomb/Susan Golomb Agency
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