After Tupac and D Foster by Jacqueline Woodson

From the Publisher

The day D Foster enters Neeka and her best friend's lives, the world opens up for them. Suddenly they're keenly aware of things beyond their block in Queens, things that are happening in the world—like the shooting of Tupac Shakur—and in search of their Big Purpose in life. When—all too soon—D's mom swoops in to reclaim her, and Tupac dies, they are left with a sense of how quickly things can change and how even all-too-brief connections can touch deeply.

The Washington Post - Elizabeth Ward

…[a] slender, note-perfect novel.

Publishers Weekly

As she did in Featherswith the poetry of Emily Dickinson, Woodson here invokes the music of the late rapper Tupac Shakur, whose songs address the inequalities confronting many African-Americans. In 1994, the anonymous narrator is 11, and Tupac has been shot. Everyone in her safe Queens neighborhood is listening to his music and talking about him, even though the world he sings about seems remote to her. Meanwhile D, a foster child, meets the narrator and her best friend, Neeka, while roaming around the city by herself ("She's like from another planet. The Planet of the Free," Neeka later remarks). They become close, calling themselves Three the Hard Way, and Tupac's music becomes a soundtrack for the two years they spend together. Early on, when Tupac sings, "Brenda's Got a Baby," about a girl putting her baby in a trash can, D explains, "He sings about the things that I'm living," and Neeka and the narrator become aware of all the "stuff we ain't gonna know [about D]," who never does tell them where she lives or who her mother is. The story ends in 1996 with Tupac's untimely death and the reappearance of D's mother, who takes D with her, out of roaming range. Woodson delicately unfolds issues about race and less obvious forms of oppression as the narrator becomes aware of them; occasionally, the plot feels manipulated toward that purpose. Even so, the subtlety and depth with which the author conveys the girls' relationships lend this novel exceptional vividness and staying power. Ages 12-up. (Jan.)

Children's Literature

Three the hard way. Three girls who are best friends. Two who were childhood friends and a third whose freedom is the envy of the others. The three eleven-year-old girls share a common admiration for the music of Tupac Shakur. All of them identify with Tupac's music and lyrics, but free-spirited D Foster seems to sadly connect with Tupac's music more than her friends. The two other girls slowly realize that they really do not know much about D Foster, and they gradually learn that her freedom is not something to be envied. Despite their seeming hardships (including, for one of the girls, having a brother in jail for a crime he did not commit), the girls begins to understand that having a stable home life makes them lucky. D Foster is a foster child who has been moved from home to home for most of her life, and she leaves her new friends as suddenly as she joined them. The shocking and sad passing of Tupac Shakur seemingly coincides with the demise of their friendship. Jacqueline Woodson, an award-winning author of many young adult books, has written another absorbing story that all readers—especially those who have felt the loss of a friendship—will identify with. Reviewer: Denise Daley

VOYA

As they search for their Big Purpose in life, one of the three girls who call themselves Three the Hard Way narrates the tale of Neeka, D, and herself in a Queens neighborhood during the mid-1990s as they become teenagers. The music and tribulations of Tupac weave in and out of the narrative, but most of all it is the story of D, who appears one day and becomes part of a tight-knit friendship. D's story emerges in carefully guarded bits and pieces: She has been bounced among foster homes, her mother taking her when she is able. D feels a connection with Tupac, whose songs about pain echo the craziness of D's life. When D is with her "girls," her life is the best it has ever been, but the summer before Tupac is killed, her mama comes to take her away. As always, Woodson's lyrical writing rings true. Not only does she understand the beauty, confusion, and pain of growing up but also the impact of important music as adolescents search for answers to life's conundrums. Woodson interweaves other food for thought: Neeka's oldest brother Tash is gay and in prison, and her second-oldest brother lives to play basketball. Neeka's family is large and noisy, but the narrator lives only with her mama. One of the most poignant scenes in the story is a family trip to visit Tash at prison. Woodson creates a thought-provoking story about the importance of acceptance and connections in life. Reviewer: Mary Ann Darby

KLIATT

Woodson, Newbery Honor winner and National Book Award finalist, has written some of our best YA fiction, and this novel is no exception. Her spare prose is like poetry, with a rhythm that reflects the speech patterns of the African American community. She has written of African American young people from every corner of our culture: small town, middle class, suburban, and urban. The three young teenage girls in After Tupac and D Foster live in an African American neighborhood in Queens. The narrator, with her single mother, is trying to make sense of her world and her friends. Her best friend Neeka is from a large, church-going family, with an older brother who is hoping for a basketball scholarship to Georgetown and another older brother, gay, who is locked up in prison for a crime he didn't commit. The narrator's other best friend is D, a foster child, who has green eyes and more freedom to roam the streets than her friends. The three adore Tupac and listen to his music all the time (it's 1995) and talk about his life and the danger he is in. Then D's white mother shows up and takes her away to upstate New York, and Tupac dies of gunshot wounds. The narrator's voice is an observer's voice, aching with loss and confusion, yet secure in her mother's love and in her closeness with Neeka. The reader can well imagine that 12 years later, that young girl is a woman who has gotten herself through college and is finding her own Big Purpose, as D promised. Age Range: Ages 12 to adult. REVIEWER: Claire Rosser (Vol. 42, No. 1)

School Library Journal

Gr 6-10- D Foster, Neeka, and an unnamed narrator grow from being 11 to 13 with Tupac Shakur's music, shootings, and legal troubles as the backdrop. Neeka and the narrator have lived on the same block forever and are like sisters, but foster child D shows up during the summer of 1994, while she is out "roaming." D immediately finds a place in the heart of the other girls, and the "Three the Hard Way" bond over their love of Tupac's music. It seems especially relevant to D, who sees truth in his lyrics, having experienced the hard life herself in group homes and with multiple foster families. Woodson's spare, poetic, language and realistic Queens, NY, street vernacular reveal a time and a relationship, each chapter a vignette depicting an event in the lives of the girls and evoking mood more than telling a story. In this urban setting, there are, refreshingly, caring adults and children playing on the street instead of drug dealers on every corner. Readers are right on the block with bossy mothers, rope-jumping girls, and chess-playing elders. With Tupac's name and picture on the cover, this slim volume will immediately appeal to teens, and the emotions and high-quality writing make it a book well worth recommending. By the end, readers realize that, along with the girls, they don't really know D at all. As she says, "I came on this street and y'all became my friends. That's the D puzzle." And readers will find it a puzzle well worth their time.-Kelly Vikstrom, Enoch Pratt Free Library, Baltimore, MD

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