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A woman in her forties is a victim of a suicide bombing at a Jerusalem market. Her body lies nameless in a hospital morgue. She had apparently worked as a cleaning woman at a bakery, but there is no record of her employment. When a Jerusalem daily accuses the bakery of "gross negligence and inhumanity toward an employee," the bakery's owner, overwhelmed by guilt, entrusts the task of identifying and burying the victim to a human resources man. This man is at first reluctant to take on the job, but as the facts of the woman's life take shape-she was an engineer from the former Soviet Union, a non-Jew on a religious pilgrimage to Jerusalem, and, judging by an early photograph, beautiful-he yields to feelings of regret, atonement, and even love.
At once profoundly serious and highly entertaining, A. B. Yehoshua astonishes us with his masterly, often unexpected turns in the story and with his ability to get under the skin and into the soul of Israel today.
Embedded in this simple story are fundamental questions about identity, selfhood, belonging. Yehoshua, long a master of gentle, almost Chekhovian comedy, takes in this instance a deeply bleak premise — Yulia Ragayev’s brutal death — and creates from it a work of art by turns absurd, strange and moving.
More Reviews and RecommendationsOne of Israel's preeminent writers, A. B. YEHOSHUA has been awarded the Israel Prize, the Koret Jewish Book Award, and the National Jewish Book Award. Born in Jerusalem, he lives in Haifa.
A woman in her forties is a victim of a suicide bombing at a Jerusalem market. Her body lies nameless in a hospital morgue. She had apparently worked as a cleaning woman at a bakery, but there is no record of her employment. When a Jerusalem daily accuses the bakery of "gross negligence and inhumanity toward an employee," the bakery's owner, overwhelmed by guilt, entrusts the task of identifying and burying the victim to a human resources man. This man is at first reluctant to take on the job, but as the facts of the woman's life take shape-she was an engineer from the former Soviet Union, a non-Jew on a religious pilgrimage to Jerusalem, and, judging by an early photograph, beautiful-he yields to feelings of regret, atonement, and even love.
At once profoundly serious and highly entertaining, A. B. Yehoshua astonishes us with his masterly, often unexpected turns in the story and with his ability to get under the skin and into the soul of Israel today.
Embedded in this simple story are fundamental questions about identity, selfhood, belonging. Yehoshua, long a master of gentle, almost Chekhovian comedy, takes in this instance a deeply bleak premise — Yulia Ragayev’s brutal death — and creates from it a work of art by turns absurd, strange and moving.
The result is a small masterpiece, a compact, strange work of Chekhovian grace, grief, wit and compassion. "I'd like a yes or no answer: are we guilty or not?" the bakery owner asks at one point. "Responsible is more like it," the human resource manager replies. "Responsible for what?" the old man wants to know. "I'll tell you later," replies the emissary.
Israel's master novelist (Mr. Mani) tells a spellbinding tale about a spellbinding woman whose luminous smile, swan's neck and Tatar eyes are so beguiling that even in death she can lead a man to fall in love with her. The woman is Yulia Ragayev, a Slavic immigrant to Israel who has been killed in a terrorist bombing and whose corpse lies unidentified in a morgue for a week. The man (who, like everyone in the novel except Yulia, remains nameless) is the human resources manager at the commercial bakery where Yulia worked as a cleaning woman. A muckraking article forces the bakery's owner to discover her identity and take action to restore her dignity. The owner orders the HR director to return Yulia's body to her son and mother in her native land for burial-a journey that turns into an opportunity for moral redemption for him after a series of stunning reversals. Throughout, Yulia remains a mystery: why did she come to, and cling to, Jerusalem when she wasn't Jewish? Questions of morality, dignity, identity, nationality and belonging are subtly explored in sometimes hallucinatory prose, fluently translated by Halkin. This short novel's layers reveal themselves only gradually and, once revealed, continue to compel and provoke. (Aug.) Copyright 2006 Reed Business Information.
"An elegantly structured, thoroughly accessible story, albeit one with rich philosophical layers...A WOMAN moves us with deep insights into the meaning of home, belonging and the fate of the stranger."
"[T]he writing is beautifully exact and the moral issues delivered with an understated authority."
Barbara Hoffert
"A moving, unsentimental reckoning with death and renewal."
"What engages Mr. Yehoshua most here is the question of humanity...Yet his evocation of what it means to be human is drawn in the subtlest strokes...A sad, warm, funny book about Israel and being Jewish, and one that has deep lessons to impart--for other people as well as his own."
New York Times Book Review "100 Notable Books of the Year."
Publisher's Weekly "Best Books of the Year" list.
"[An] astonishing new novel...Like sacred music, the deepest chords resound."
"A WOMAN IN JERUSALEM is a book about a mission and a memorial...But while the novel is always aware of the sorrows of modern Israel, it soars on wry, wise wings far above the battered landscape...The result is a small masterpiece, a compact, strange work of Chekhovian grace, grief, wit and compassion."
"Compelling reading...[A Woman in Jerusalem] is a realistic tale of everyday life in Israel, gracefully told, that sometimes has a mythic quality; at other times it is playful."
"This mysterious, quiet meditation on Jerusalem is, I think, about something much greater [than Israel's "problems and identity."] The manager . . . trying to make some meaning of . . . pointless, violent death, as all the structures of his own life fall apart around him, is a figure much bigger and much sadder than even the horrific reality of Israel can suggest." Neil Gordon
"The author beautifully renders a humanity that transcends culture and ritual, the distinctly personal engagement of a lonely man and the woman in his care, no obstacle too great in a quest for the fulfillment of a promise."
"Yehoshua is examining a deeper question: what does it mean to be human--humane--especially during troubled times? ''When Jerusalem is burning, does any of this matter?'' The answer for both the author and his main character seems to be: ''more than ever.''"
He doesn't know it, but the manager of the human resources division of a bakery in Jerusalem is about to launch on a journey. A woman killed in a terrorist bombing has been traced to the bakery by a pay stub, and a nasty newspaper story condemns the owner's insensitivity in letting her languish nameless in the morgue. In fact, she's not currently an employee, but it's up to the manager to fix this public relations disaster, an assignment that leads him from the victim's shabby home all the way to Russia to deliver her body to her mother and son. While surmounting bureaucratic hurdles, the manager wrestles with issues of doing good. He's also painfully reminded of his strained relationships with his daughter and ex-wife. As might be expected from noteworthy Israeli author Yehoshua (The Liberated Bride), the writing is beautifully exact and the moral issues delivered with understated authority. Yet the protagonist's circumscribed nature and grinding battles to accomplish his goal can lend the narrative an airless and boxed-in feel. Nevertheless, any novel by Yehoshua should be strongly considered by literary and international fiction collections. [See Prepub Alert, LJ 4/1/06.]-Barbara Hoffert, Library Journal Copyright 2006 Reed Business Information.
Israeli novelist Yehoshua (The Liberated Bride, 2003, etc.) explores our obligations to the dead in an emotionally powerful novel. The central event-the death of a young woman-happens before the story opens, but informs all of what will come for the main character, an unnamed human-resources manager. Yulia Ragayev, a cleaning woman for a bakery in Jerusalem, is killed in a suicide bombing, and when no one claims her body, a fiery newspaper reporter denounces the woman's employer. Unwilling to be cast as a heartless businessman, the bakery's kindly owner gives the company's HR guy the task of finding Yulia's family. After a moving tour of the places where Yulia's marginal life unfolded, the man, heart-stricken that this beautiful woman was, in fact, a lonely illegal immigrant, begins to feel a connection with her. Accompanied by the opportunistic reporter, he brings Yulia's body to the impoverished Eastern European country she left in search of a better life. The journey is curiously liberating for the man, who-divorced, estranged from his own daughter, careless about making human connections-sees in Yulia a wasted life with redemptive possibilities. The story ends with an unexpected plot twist that dovetails perfectly with Yehoshua's subtle ruminations on what constitutes family and home. The narrative strategy of naming the dead woman while referring to everyone else by their job titles is, like the emotional restraint of Yehoshua's writing, characteristic of his political bluntness and more subdued hopefulness. A moving, unsentimental reckoning with death and renewal.
Excerpted from A Woman in Jerusalem by Yehoshua, A. B. Copyright © 2006 by Yehoshua, A. B.. Excerpted by permission.
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