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From this New York Times bestselling author, a brand new holiday mystery!
Superintendent Runcorn-who Anne Perry fans will remember as William Monk's ex-boss-is feeling rather lonely during his holiday on the remote, snowy island of Anglesey, off the north coast of Wales. However, he is suddenly called into action when the sister of the local vicar is discovered murdered and draped over a gravestone in her brother's churchyard. Investigating this tragic crime with the assistance of the beautiful Melisande gives him just the opportunity he needs to spend time with an upper class woman who normally wouldn't give him the time of day. Interweaving the original Christmas story with her own holiday tale, Perry also explores the meaning of Joseph's secondary role compared to that of Mary and Jesus.
Mystery author Perry returns to holiday fare (after last year's A Christmas Secret) and sends rumpled London policeman Runcorn to a lonely Welsh island for Christmas, where he gets pulled into the case of the murder of Olivia Costain, the town vicar's lively single sister. Runcorn employs his bare-knuckle investigative skills in interviewing Olivia's family and her various suitors, to the chagrin of the local constable, Sir Alan Faraday, whose pursuit Olivia rejected. Runcorn's modest, unflashy ways carry this moody, understated mystery. (Oct.)
Copyright 2007 Reed Business Information More Reviews and RecommendationsAnne Perry is the bestselling author of two acclaimed mystery series set in Victorian England, as well holiday novels and historical fiction set during World War I.
More About the Author
Name:
Anne Perry
Current Home:
Portmahomack, Ross-shire, U.K
Date of Birth:
October 28, 1958
Place of Birth:
London, U.K
Awards:
Edgar for short story ‘Heroes’ 2000
Born in London in October 1938, Anne Perry was plagued with health problems as a young child. So severe were her illnesses that at age eight she was sent to the Bahamas to live with family friends in the hopes that the warmer climate would improve her health. She returned to her family as a young teenager, but sickness and frequent moves had interrupted her formal education to the extent that she was finally forced to leave school altogether. With the encouragement of her supportive parents, she was able to "fill in the gaps" with voracious reading, and her lack of formal schooling has never held her back.
Although Perry held down many jobs – working at various times as a retail clerk, stewardess, limousine dispatcher, and insurance underwriter -- the only thing she ever seriously wanted to do in life was to write. (In her '20s, she started putting together the first draft of Tathea, a fantasy that would not see print until 1999.) At the suggestion of her stepfather, she began writing mysteries set in Victorian London; and in 1979, one of her manuscripts was accepted for publication. The book was The Cater Street Hangman, an ingenious crime novel that introduced a clever, extremely untidy police inspector named Thomas Pitt. In this way an intriguing mystery series was born ... along with a successful writing career.
In addition to the Thomas and Charlotte Pitt novels, Perry crafts darker, more layered Victorian mysteries around the character of London police detective William Monk, whose memory has been impaired by a coach accident. (Monk debuted in 1990's The Face of a Stranger.) She also writes historical novels set during the First World War (No Graves as Yet, Shoulder the Sky, etc.) and holiday-themed mysteries (A Christmas Journey, A Christmas Secret, etc), and her short stories have been included in several anthologies.
Some fun and fascinating outtakes from our interview with Anne Perry:
The first time I made any money telling a story I was four and a half years old -- golden hair, blue eyes, a pink smocked dress, and neat little socks and shoes. I walked home from school (it was safe then) with my lunchtime sixpence unspent. A large boy, perhaps 12 or 13, stopped me. He was carrying a stick and threatened to hit me if I didn't give him my sixpence. I told him a long, sad story about how poor we were -- no food at home, not even enough money for shoes! He gave me his half crown – five times sixpence! It's appalling! I didn't think of it as lying, just escaping with my sixpence. How on earth he could have believed me I have no idea. Perhaps that is the knack of a good story -- let your imagination go wild, pile on the emotions -- believe it yourself, evidence to the contrary be damned. I am not really proud of that particular example!
I used to live next door to people who had a tame dove. They had rescued it when it broke its wing. The wing healed, but it never learned to fly again. I used to walk a mile or so around the village with the dove. Its little legs were only an inch or two long, so it got tired, then it would ride on my head. Naturally I talked to it. It was a very nice bird. I got some funny looks. Strangers even asked me if I knew there was a bird on my head! Who the heck did they think I was talking to? Of course I knew there was a bird on my head. I'm not stupid -- just a writer, and entitled to be a little different. I'm also English, so that gives me a second excuse!
On the other hand I'm not totally scatty. I like maths, and I used to love quadratic equations. One of the most exciting things that happened to me was when someone explained non-Euclidean geometry to me, and I suddenly saw the infinite possibilities in lateral thinking! How could I have been so blind before?
Here are some things I like – and one thing I don't:
What was the book that most influenced your life or your career as a writer – and why?
The Collected poems of G. K. Chesterton -- because it would be the book I would take with me if I could have only one! His passion for life, his optimism, love for and belief in mankind gives me heart, courage, and hope. If I am happy, it makes me even happier; if I am down, it gives me steel to fight and a faith to win. His art with words, the music he creates is superb. I could run with examples and end up reciting the whole book, but "The Ballad of the White Horse" -- all 100 pages of it -- will have to do for a start.
What are your ten favorite books, and what makes them special to you?
My ten favorite books is much harder. It varies from year to year.
What are some of your favourite films, and what makes them unforgettable to you?
What types of music do you like? Is there any particular kind you like listening to when you're writing?
Classical, especially Beethoven, Liszt, Brahms. And Italian opera of the romantic period (not the earlier baroque) -- Puccini, Verdi, Boito, Bellini, etc. I am very particular about artists where opera is concerned and will buy several renditions to get the one I like best. Yes, I do sometimes play it when I m writing; then there are times I am so absorbed I hear nothing -- see nothing, etc.
What are your favorite kinds of books to give – and get – as gifts?
My favorite books to give or receive are those which make me think. Laughter is good, beauty is good, but a new idea is priceless.
Do you have any special writing rituals? For example, what do you have on your desk when you're writing?
Writing rituals? Only one: Get on with it! Start writing something; if it's rubbish, you can always go back and rewrite it. I don't use a desk. I sit in an armchair with my feet up and write with a pen on a pad of paper. A good pen helps a lot -- preferably a box of them.
Many writers are hardly "overnight success" stories. How long did it take for you to get where you are today? Any rejection-slip horror stories or inspirational anecdotes?
I think I may have taken longer than many people to get to the point I'm at now. It took me nearly two decades to write a book that was accepted and published. It was my first mystery. I had enough rejection slips for non-mystery historical stories to paper the walls!
What tips or advice do you have for writers still looking to be discovered?
I would say keep working and accept the necessary re-writing, but above all – get a good agent, then listen to what they say – but don't abandon your own beliefs. A dishonest ‘voice' will not be heard for long.
From this New York Times bestselling author, a brand new holiday mystery!
Superintendent Runcorn-who Anne Perry fans will remember as William Monk's ex-boss-is feeling rather lonely during his holiday on the remote, snowy island of Anglesey, off the north coast of Wales. However, he is suddenly called into action when the sister of the local vicar is discovered murdered and draped over a gravestone in her brother's churchyard. Investigating this tragic crime with the assistance of the beautiful Melisande gives him just the opportunity he needs to spend time with an upper class woman who normally wouldn't give him the time of day. Interweaving the original Christmas story with her own holiday tale, Perry also explores the meaning of Joseph's secondary role compared to that of Mary and Jesus.
Mystery author Perry returns to holiday fare (after last year's A Christmas Secret) and sends rumpled London policeman Runcorn to a lonely Welsh island for Christmas, where he gets pulled into the case of the murder of Olivia Costain, the town vicar's lively single sister. Runcorn employs his bare-knuckle investigative skills in interviewing Olivia's family and her various suitors, to the chagrin of the local constable, Sir Alan Faraday, whose pursuit Olivia rejected. Runcorn's modest, unflashy ways carry this moody, understated mystery. (Oct.)
Copyright 2007 Reed Business InformationBest-selling mystery author Perry continues her yearly Christmas offering (e.g., A Christmas Secret), this time featuring a character from her William Monk series, Superintendent Runcorn. Investigating the murder of a young woman, Runcorn finds himself distracted by the unlikely attentions of a former love interest. Unlike some of her previous Christmas tales, readers unfamiliar with Perry's mystery series may not be as drawn in. For all mystery collections.
'Tis the week before Christmas, and inquiry agent William Monk's ex-boss Supt. Runcorn, having decided to get as far away from his depressing London beat as possible, runs into a brutal murder on an isolated Welsh isle. Anglesey would be a perfect setting for the midwinter holidays if it weren't so bleak and lonely, and if Supt. Runcorn had someone he loved to celebrate with, and if it weren't the current home to Melisande Ewart, who antagonized her brother, John Barclay, by identifying the victim and testifying against the killer in one of Runcorn's cases. And, of course, if it weren't for the sudden death of Olivia Costain, the vicar's sister, sensitive and lively but widely accounted a bit of a child. Now the child, stabbed in the stomach, will never grow old. Sgt. Warner, the local constable, is clearly out past his depth, and Melisande's fiance Sir Alan Faraday, when he arrives from Caernarfon to take charge of the case, seems so intent on soothing troubled waters that he ignores the one fact clear to Runcorn from the beginning: that Olivia knew her killer and felt comfortable with him. The investigation is ill-paced, with repetitive rounds of questioning suddenly yielding climactic revelations for no good reason, and the murderer is negligible. Perry's fifth seasonal bouquet (A Christmas Secret, 2006, etc.) works best as a study of Runcorn's lower-class inhibitions and how he learns to deal with them.
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