Interviews & Essays
Q&A with author Alex Bradley
Where did you grow up?
I was born at the age of four and grew up on a farm in Missouri. One of my earliest memories is of a cat waking me up by purring in my ear. My family flew a lot of kites. Our driveway was so long that it was like walking to the other side of the moon. There was a shortcut across the hill, but still, my point remains.
When did you start writing?
I don't remember. Probably when I was about four. I wrote all my letters backwards, but I got them turned the right way soon enough. I write, eat, and shave with my left hand, but do everything else right handedly. Pretty special, I know. I can also curl up my tongue and whistle through it.
I was good at writing in grade school and junior high. I was the kid who wrote stories that were so charming that my teachers would read them out loud to the entire class. Worse yet, sometimes I was rewarded by having to read the story aloud myself. Not much of a reward, I know. By the time I was a teenager, I realized I actually wanted to be a writer, especially if it meant I never had to wear a tie.
Why do you write for teens and what interests you about this audience?
I write for teenagers because they inhabit the space between childhood and adulthood. This just makes for darn good stories. Also, teenagerhood is pretty short. It begins, it ends, and suddenly you're an "adult". Because itıs so short and because itıs a border between childhood and adulthood, it can be an intense time. Plus, the hormones.
When you were in high school, were you anything like Jack Grammar?
I think he's cuter than me. But, yes, I guess I was sort of dorky in a nice way. I certainly never dated 24 girls in 7 days. If only. But I have dated 7 girls in 24 years. I tell you what, though, I would have liked to have been Jackıs friend. Heıs a good guy.
Did you go to your prom? Did you have a date?
I didn't go to junior prom, but I did go to senior prom and I asked a friend of mine who I really, really liked and we had an absolutely wonderful time and pretty soon after that she became my girlfriend. Woo hoo! Shout out to Gina G.!
Is it true you live in a house made out of strawbales?
No, that's a vicious rumor. My archnemisis spreads rumors like that around all the time. My house is a normal house.
Have you ever been to Iceland?
No, but I've always wanted to go. Hey, what the bleep kind of question is that?
Just curious, that's all.
Okay. Fair enough. I like the way you think.
Thank you.
You're welcome.
I like your hat.
Oh, thanks. It's just something I picked up on the street.
What do you mean?
I found it in the street.
Oh. Okay... Um...Back to the interview. Yes, let's see. Uh, what are your hobbies?
Cooking, fishing, bicycling. I used to collect stickers. I just got a digital camera, so my new hobby is hilarious self-portraits. I also take pictures of good-looking food, and Iım going to make a scrapbook filled with these pictures called "Good Eats". I know, I'm a guy, and Iım not supposed to be scrapbooking. But thems rules be crazy.
What were some of your previous jobs before you became an author?
I'm not a very good worker. In high school I was a lifeguard, which was pretty cool. As an adult, I taught college for a little while.
Have you started working on your next book? Can you give us a sneak peak?
Yes. Absolutely not. Better luck next time.
Read an Excerpt
I FEEL, TO BE HONEST, like a man in a space suit. In space. Because despite the fact that I'm in the middle of a stupid overcrowded narrow hallway surrounded by masses of my excessively chatty peers freshly released from fifth period, I can hear nothing but my own breath and I feel very separate and very far from my own planet and it seems like there's no gravity. I might float away. There also seem to be stars twinkling at the edges of my vision.
Where the heck am I headed? Who sent me on this insane quest? And to top it off, my hands are numb. My hands are very numb, but I keep moving down the hall, trudging onward, and now I can see the doorway from which Pamela Brown will appear at any moment. Oh, for the love of all that's good and holy. Oh, for the love of frick.
My comrades sent me on this mission moments ago with semihelpful encouragement.
"Luke," Percy said, gripping my shoulders too tightly and using his best Darth Vader voice, "this is your destiny."
"I'm not Luke," I said.
"Don't quibble, my son," he said, still in character.
"Besides," I added, "Luke didn't get the girl. And the girl was his sister anyway."
Natalie nodded. "He's got a point," she said.
"Er . . . uh . . ." Percy-Darth said. Natalie winked at me. "We believe in you, Jack," she said.
"But I don't . . ." I protested. "I'm not up for this. I just don't think it's me. It's not something I can do. It's not something I've ever done. It's not something I ever will do. I'm not good at it. Honestly."
She clasped my shoulders and smiled, looking me right in the eyes, and instead of responding to my last-minute blabbering-the kind of excuses I'd been spewing all week, the kind of excuses she had talked me through ten times already-she simply turned me in the right direction and gave me a little push. Thus I was shot into outer space. I was off.
My legs and feet seem to be working well, even without my direct involvement. Now I'm passing under the banner advertising the prom, the thing itself, the night of nights, my date with fate. XANADU, the banner reads. Or, as we've been calling it: Xanadon't, Xanadope, Xanaduped, and, the twin favorites, Xanadoohickey and Xanathingamadoo.
Most of the students have already left Pamela's classroom, but where is she? I have a sudden vision of her hiding just inside the doorway, back flat against the wall, waiting for me to pass so she can escape, but the reality of the situation is that Pamela wouldn't hide from me because she doesn't know who I am. Unless, of course, she has a remarkably good memory and recalls the one time we talked last year:
Scene-lunchroom
Time-12:32 P.M.
Setup-One Jack Grammar is waiting in line for the only
Coke machine in the entire flipping school when he realizes a certain Pamela Brown is standing behind him. Stunned into silence by the fact of her proximity, he's surprised by a tap on the shoulder.
PAMELA: Do you know what time it is?
Now, let's hit the pause button, shall we, and consider our hero's mind. John Alexander Grammar. Aka "Jack." Aka "the Jackster." Aka me. The question being posed to him is simple: Does he know the time? Well, does he? Yes. Therefore this should be simple, right? He is, after all, Jack Grammar, and he does, after all, have more AP credits than is possible without special permission from Dean of Students Canton Schramm. He also has a watch. He should, in all honesty, be able to answer the question before him with not only excellent accuracy, but also humor, ease, wit, and boyish charm.
JACK (looks at watch): 12:32 . . . About. I think?
PAMELA: Thanks.
Not only does Jack not know what to say as a follow-up to Pamela's expression of gratitude, but he suddenly finds himself at the front of the vending-machine line, and after shakily feeding his coins into the slot, he bumps the Diet Coke button.
In other words, if Pamela Brown remembers anything about me, it's that I drink girl soda.Then suddenly there she is. She comes out of the classroom alone, holding her books to her chest, schoolgirl-style. (Well, she is a schoolgirl, I suppose, so that makes sense.) I marvel: even in doing something so simple as leaving a classroom, she oozes grace. She tours with a ballet company every summer, after all.
But-uh-oh and crap-she's taking a most alarming course through the crowded hallway: she's going all the way over to the opposite wall, whereas I've been sticking close to this wall, and that means I'm in trouble. Here we are at the moment of truth.
Here I am, the spaceman in deep space, having finally spotted the green and lovely planet that is my destination-my hope, my dream, my personal springtime-and suddenly that planet is jumping from its expected orbit and I'm going to have to waste precious rocket fuel in a last-second effort to bring myself in. And if I miss this landing, I'll fly right past the planet, careening on into the inky black void of space, likely never to return. . . . A dateless spaceman . . .
To my credit, I veer heroically across the hall.
Twenty feet, ten feet, five feet . . . I bring myself closer, and suddenly even walking is difficult, requiring all my concentration. Even breathing seems to be strangely complicated right now. . . .
This is absurd.
I think about the three possible opening lines that I had prepared for this moment. The lines that I spent all week writing, all last night rehearsing. The lines that are written on the palm of my left hand. But my beautiful and appropriate lines are gone from my head. There are no words in me. I open my palm a little, but I stop because Pamela is looking at me. I am blocking her path.
No time to read my lines! Must improvise! Alert! Alert! Improvisational chitchat, now!
"Hee," I say. Hee? Did I just say hee?
"Hey," she says, but she's not sure about this whole thing.
Her eyes are these giant green globes-twin planets. Her hair, a golden cascade. Even her braces are like tiny jewels. . . .
Then she says a thing that blows my mind: "You're Jack, aren't you?"
How can I flub this one? "Yeah," I say. "You're . . . Pamela?"
She nods, says, "You have a little dog, don't you?"
"Oh, him. I mean, yeah. He's a Jack Russell terrier. If you like
that kind of thing."
What? If you like that kind of thing?
She smiles. "I think I saw you guys playing Frisbee down in Riverside Park," she says.
"Yeah, that would be us. We're going to make the Olympics in 2008."
"I like a man with a plan."
What's this? What is this most unusual sensation? Am I being flirted with? By Pamela Brown?
"I've never seen you in the park," I say. (Lie.)
"I play tennis there."
"Oh, really? That's cool." (She plays Tuesdays, Thursdays, and Saturdays, four thirty to five forty-five, weather permitting, preferably on court 3, with her friend Reba. She uses a Prince racket, Wilson tennis balls, Diadora court shoes. Backhands are her strength, serves her weakness. She doesn't sweat.)
"I guess," she says. I look at my watch. I tap it. Why did I just do that?
"Tennis!" I bark, as if I just now heard what she said twelve seconds ago. "So what's that like?"
"What's what like?"
"Tennis."
She's got a blank look.
"It's fun," she says. "You've never played tennis?"
"Uh, no. Uh, just slightly. I mean, I was on the team in junior high." Her blank look turns into a puzzled one.
"Hey!" I say, as if something brilliant has occurred to me. "Are you interested in this whole Xanadu thing? Because I realize we don't really know each other, but I was just thinking that it would be a good opportunity to do just that. I mean, if you don't already have plans."
I can see her shoulders-her ballerina shoulders-getting ready to shrug me off. There's a pre-shrug forming.
"Hm, prom . . ." she says, drawing the word out and considering it as if it were something she'd heard of but never really thought seriously about. She nods. "That sounds kinda cool."
"I don't know if it'll be cool per se. But it'll be a thing."
"A thing?"
"A thing? Did I just say 'a thing'?"
"Uh-huh."
"What did I mean?" I say.
"What do you mean, what did you mean?" she says.
"Ha-ha!" I say. Forced laughter. "It's just that, well. A fine time will be had by all. That sort of thing. And, well-And, so-And, and-I guess-Well, I mean . . ."
The great spirit of doubt is clouding her face. I have to rally fast.
"Well, we being seniors and all," I explain, "it's our last chance for us to go in for this sort of stuff. And the fantastic transgenic forces of springtime are surging around us. And who can pass up an opportunity to eat some cheap cake and all? And punch! Do you like punch?"
Her eyes have narrowed, and she's angled her shoulders away from me, and for a brief moment I see her look past me, at someone or something behind me.
"You're a senior?" she asks.
"Yeah . . ." I say. What's she getting at?
"I thought you were, like, a sophomore."
"Well, I was," I say. "I used to be. . . ."
"Hm," she says. "Weird."
"But should I call you or something, or . . ."
"It's just," she says, "that I don't think I'm going to the prom." And she walks away.
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