From Barnes & Noble

In this absorbing novel, the author of The Alchemist retrieves the Zahir, the token that Borges used as the symbol of a consuming obsession. In this instance, the object of obsession is the wife of a famed novelist who disappears inexplicably while returning home from a family trip.

From the Publisher

Set in Paris and in the enchanting landscape of central Asia, this new novel by the author of the international bestsellers The Alchemist and Eleven Minutes follows the journey of a man obsessed with finding the wife who left him without an explanation.

The narrator of The Zahir is a bestselling novelist who lives in Paris and enjoys all the privileges that money and celebrity bring. His wife of ten years, Esther, is a war correspondent who, despite her professional success and freedom from the conventional constraints of marriage, is facing an existential crisis. When she disappears along with a friend, Mikhail, who may or may not be her lover, the authorities question the narrator. Was Esther kidnapped, killed, or did she simply abandon a marriage that left her unfulfilled? The narrator doesn't have any answers but he has plenty of questions of his own.

Then one day Mikhail, the man with whom Esther was last seen, finds the narrator and promises to take him to his wife. In his attempt to recapture a love lost, the narrator discovers something unexpected about himself.

A haunting and redemptive story about the dark side of obsession, The Zahir explores its potential to both fulfill our dreams and to destroy them. It is also a thoughtful meditation on faith, celebrity, marriage -- and their relationships to freedom and creativity.

Publishers Weekly

The press chat cites 65 million copies of Coelho's eight previous novels in print, making the Brazilian author one of the world's bestselling novelists (150 countries and 56 languages). This book, whose title means "the present" or "unable to go unnoticed" in Arabic, has an initial staggered laydown of eight million copies in 83 countries and 42 languages. It centers on the narrator's search for his missing wife, Esther, a journalist who fled Iraq in the runup to the present war, only to disappear from Paris; the narrator, a writer, is freed from suspicion when his lover, Marie, comes forward with a (true) alibi. He seeks out Mikhail, the man who may be Esther's most recent lover and with whom she was last seen, who has abandoned his native Kazakhstan for a kind of speaking tour on love. Mikhail introduces the narrator to a global underground "tribe" of spiritual seekers who resist, somewhat vaguely, conventional ways of living. Through the narrator's journey from Paris to Kazakhstan, Coelho explores various meanings of love and life, but the impact of these lessons is diminished significantly as they are repeated in various forms by various characters. Then again, 65 million readers can't be wrong; the spare, propulsive style that drove The Alchemist, Eleven Minutes and Coelho's other books will easily carry fans through myriad iterations of the ways and means of amor. (Sept.) Copyright 2005 Reed Business Information.

Library Journal

Finding himself in the grips of "the Zahir," a Middle Eastern expression for an all-encompassing obsession, the narrator, a successful novelist, reexamines his life and marriage in an effort to break the bonds of his fixation. His wife, Esther, a war correspondent, has disappeared, last seen with a younger man in a caf , and the narrator's search for her leads him on an expansive physical and spiritual quest. From Paris to Kazakhstan, the novelist encounters a number of cultures and subcultures with varying views of and preconceptions about love and the achievement of ultimate happiness. Brazilian author Coelho, known for such best-selling inspirational fables as The Alchemist, has written an enlightening story of faith and the reclamation of pure love. Personal elements incorporating his own experiences as an author and his pilgrimages to various exotic locations lend the novel a highly autobiographical feel. Recommended for all popular fiction collections. [See Prepub Alert, LJ 5/15/05.]-Joy St. John, Henderson Dist. P.L., NV Copyright 2005 Reed Business Information.

Kirkus Reviews

On the road again-to spiritual and sexual fulfillment, as promised by the megabestselling Brazilian author of The Alchemist . Coelho's latest (not to be distinguished from any of its predecessors) is the "story" of a rich and famous author of inspirational fiction (to whom the critics are really mean) whose wife, a distinguished war correspondent, inexplicably disappears, presumably in the company of her young translator, who hails from the Mysterious East. The narrator broods for 200 or so pages, repeatedly re-summarizes his life and opinions, charms every woman he meets, debates the ethics of spousal appropriation when the translator (Mikhail) reappears, then-following countless pages of rhetorical foreplay-undertakes a healing pilgrimage to Mikhail's territory (Kazakhstan). The wife he's seeking, you see, has become his "Zahir"-in Islamic thought, "something which, once touched or seen, can never be forgotten, and which gradually so fills our thoughts that we are driven to madness." (Like this book, perhaps?) Little happens en route, though upon arriving at a railway station the narrator perceives that "the tracks seemed to be saying something about my marriage, and about all marriages." (Wait! Yes, I hear them. They're saying "drivel, drivel, drivel.") Abstractions, bromides and oversimplifications abound, as Coelho's scarcely fictionalized narrator holds forth on freedom, love, the "Divine Energy" through which love flows and the enigma of self-realization ("Before I could find her, I must find myself"). Coelho's plain prose does go down easily, and is no more a challenge to the intellect than Jell-o is to the esophagus. Costa dutifully renders Coelho's pronouncements as blandnessincarnate, politely declining to correct recurring syntactical barbarisms (e.g., "No one should ever ask themselves that"). One final gem of wisdom: "It is always important to know when something has reached its end." The Zahir ends on page 298. You're welcome.

Product Details

• ISBN: 0061253081
  
• ISBN-13: 9780061253089
• Format: Paperback, 408pp
• Publisher: HarperCollins Publishers
• Pub. Date: January 2007
• Edition Description: Large Print Edition
• Sales Rank: 484,771

• Read an Excerpt
• Read a Sample Chapter

Read an Excerpt

Chapter One

Her name is Esther; she is a war correspondent who has just returned from Iraq because of the imminent invasion of that country; she is thirty years old, married, without children. He is an unidentified male, between twenty-three and twenty-five years old, with dark, Mongolian features. The two were last seen in a café on the Rue du Faubourg St-Honoré.

The police were told that they had met before, although no one knew how often: Esther had always said that the man -- who concealed his true identity behind the name Mikhail -- was someone very important, although she had never explained whether he was important for her career as a journalist or for her as a woman.

The police began a formal investigation. Various theories were put forward -- kidnapping, blackmail, a kidnapping that had ended in murder -- none of which were beyond the bounds of possibility given that, in her search for information, her work brought her into frequent contact with people who had links with terrorist cells. They discovered that, in the weeks prior to her disappearance, regular sums of money had been withdrawn from her bank account: those in charge of the investigation felt that these could have been payments made for information. She had taken no change of clothes with her, but, oddly enough, her passport was nowhere to be found.

He is a stranger, very young, with no police record, with no clue as to his identity.

She is Esther, thirty years old, the winner of two international prizes for journalism, and married.

My wife.

I immediately come under suspicion and am detained because I refuse to saywhere I was on the day she disappeared. However, a prison officer has just opened the door of my cell, saying that I'm a free man.

And why am I a free man? Because nowadays, everyone knows everything about everyone; you just have to ask and the information is there: where you've used your credit card, where you spend your time, whom you've slept with. In my case, it was even easier: a woman, another journalist, a friend of my wife, and divorced -- which is why she doesn't mind revealing that she slept with me -- came forward as a witness in my favor when she heard that I had been detained. She provided concrete proof that I was with her on the day and the night of Esther's disappearance.

I talk to the chief inspector, who returns my belongings and offers his apologies, adding that my rapid detention was entirely within the law, and that I have no grounds on which to accuse or sue the state. I say that I haven't the slightest intention of doing either of those things, that I am perfectly aware that we are all under constant suspicion and under twenty-four-hour surveillance, even when we have committed no crime.

"You're free to go," he says, echoing the words of the prison officer.

I ask: Isn't it possible that something really has happened to my wife? She had said to me once that -- understandably given her vast network of contacts in the terrorist underworld -- she occasionally got the feeling she was being followed.

The inspector changes the subject. I insist, but he says nothing.

I ask if she would be able to travel on her passport, and he says, of course, since she has committed no crime. Why shouldn't she leave and enter the country freely?

"So she may no longer be in France?"

"Do you think she left you because of that woman you've been sleeping with?"

That's none of your business, I reply. The inspector pauses for a second and grows serious; he says that I was arrested as part of routine procedure, but that he is nevertheless very sorry about my wife's disappearance. He is married himself and although he doesn't like my books (So he isn't as ignorant as he looks! He knows who I am!), he can put himself in my shoes and imagine what I must be going through.

I ask him what I should do next. He gives me his card and asks me to get in touch if I hear anything. I've watched this scene in dozens of films, and I'm not convinced; inspectors always know more than they say they do.

He asks me if I have ever met the person who was with Esther the last time she was seen alive. I say that I knew his code name, but didn't know him personally.

He asks if we have any domestic problems. I say that we've been together for ten years and have the same problems most married couples have -- nothing more.

He asks, delicately, if we have discussed divorce recently, or if my wife was considering leaving me. I tell him we have never even considered the possibility, and say again that "like all couples" we have our occasional disagreements.

Frequent or only occasional?

Occasional, I say.

He asks still more delicately if she suspected that I was having an affair with her friend. I tell him that it was the first -- and last -- time that her friend and I had slept together. It wasn't an affair; it came about simply because we had nothing else to do. It had been a bit of a dull day, neither of us had any pressing engagements after lunch, and the game of seduction always adds a little zest to life, which is why we ended up in bed together.

"You go to bed with someone just because it's a bit of a dull day?"

I consider telling him that such matters hardly form part of his investigations, but I need his help, or might need it later on. There is, after all, that invisible institution called the Favor Bank, which I have always found so very useful . . .

Read a Sample Chapter

The Zahir

HarperCollins

Chapter One

The police were told that they had met before, although no one knew how often: Esther had always said that the man - who concealed his true identity behind the name Mikhail - was someone very important, although she had never explained whether he was important for her career as a journalist or for her as a woman.

The police began a formal investigation. Various theories were put forward - kidnapping, blackmail, a kidnapping that had ended in murder - none of which were beyond the bounds of possibility given that, in her search for information, her work brought her into frequent contact with people who had links with terrorist cells. They discovered that, in the weeks prior to her disappearance, regular sums of money had been withdrawn from her bank account: those in charge of the investigation felt that these could have been payments made for information. She had taken no change of clothes with her, but, oddly enough, her passport was nowhere to be found.

He is a stranger, very young, with no police record, with no clue as to his identity.

She is Esther, thirty years old, the winner of two international prizes for journalism, and married.

My wife.

I immediately come under suspicion and am detained because I refuse to say where I was on the day she disappeared. However, a prison officer has just opened the door of my cell, saying that I'm a free man.

And why am I a free man? Because nowadays, everyone knows everything about everyone; you just have to ask and the information is there: where you've used your credit card, where you spend your time, whom you've slept with. In my case, it was even easier: a woman, another journalist, a friend of my wife, and divorced - which is why she doesn't mind revealing that she slept with me - came forward as a witness in my favor when she heard that I had been detained. She provided concrete proof that I was with her on the day and the night of Esther's disappearance.

I talk to the chief inspector, who returns my belongings and offers his apologies, adding that my rapid detention was entirely within the law, and that I have no grounds on which to accuse or sue the state. I say that I haven't the slightest intention of doing either of those things, that I am perfectly aware that we are all under constant suspicion and under twenty-four-hour surveillance, even when we have committed no crime.

"You're free to go," he says, echoing the words of the prison officer.

I ask: Isn't it possible that something really has happened to my wife? She had said to me once that - understandably given her vast network of contacts in the terrorist underworld - she occasionally got the feeling she was being followed.

The inspector changes the subject. I insist, but he says nothing.

I ask if she would be able to travel on her passport, and he says, of course, since she has committed no crime. Why shouldn't she leave and enter the country freely?

"So she may no longer be in France?"

"Do you think she left you because of that woman you've been sleeping with?"

That's none of your business, I reply. The inspector pauses for a second and grows serious; he says that I was arrested as part of routine procedure, but that he is nevertheless very sorry about my wife's disappearance. He is married himself and although he doesn't like my books (So he isn't as ignorant as he looks! He knows who I am!), he can put himself in my shoes and imagine what I must be going through.

I ask him what I should do next. He gives me his card and asks me to get in touch if I hear anything. I've watched this scene in dozens of films, and I'm not convinced; inspectors always know more than they say they do.

He asks me if I have ever met the person who was with Esther the last time she was seen alive. I say that I knew his code name, but didn't know him personally.

He asks if we have any domestic problems. I say that we've been together for ten years and have the same problems most married couples have - nothing more.

He asks, delicately, if we have discussed divorce recently, or if my wife was considering leaving me. I tell him we have never even considered the possibility, and say again that "like all couples" we have our occasional disagreements.

Frequent or only occasional?

Occasional, I say.

He asks still more delicately if she suspected that I was having an affair with her friend. I tell him that it was the first - and last - time that her friend and I had slept together. It wasn't an affair; it came about simply because we had nothing else to do. It had been a bit of a dull day, neither of us had any pressing engagements after lunch, and the game of seduction always adds a little zest to life, which is why we ended up in bed together.

"You go to bed with someone just because it's a bit of a dull day?"

I consider telling him that such matters hardly form part of his investigations, but I need his help, or might need it later on. There is, after all, that invisible institution called the Favor Bank, which I have always found so very useful ...

(Continues...)

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Excerpted from The Zahir by Paulo Coelho Excerpted by permission.
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